“Yep, Those Are Our Projectors,” Confirms Panasonic and UK’s Frameless Install

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When the creators of Frameless, the UK’s largest digital immersive art experience, were planning their ambitious project to “set art free” at the 30,000 square feet venue in London’s Marble Arch, their ambition was to create an immersive experience to excite and inspire visitors of all ages. Frameless would use more than 50 Panasonic projectors to elevate the traditional art experience to a whole new level, accompanied by a score of breath-taking classical and contemporary music played over 158 state-of-the-art surround sound speakers.

Techniques used in the galleries included mirrors and wrapping projectors in mirror foil to give the effect of visual infinity, using six-sided projection to place visitors at the heart of an almost spherical land, sea or city scape and using semi-transparent screens in a darkened room to create a maze of content to get lost in.

“The success of the project would stand or fall on the quality of the immersive experience that we delivered,” said Simon Kentish, Chief Technology Officer, at Frameless. “Once we saw the Panasonic 3-Chip DLP projectors in action, they were the clear leader in picture quality and reliability.”

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Panasonic’s original pixel-quadrupling technology in its RQ22K and RQ35K projectors produced stunning 4K+ visuals at 20,000-30,500 lumens. The projectors deliver uniformity in both brightness and colour performance, allowing images to be seamlessly blended, avoiding distractions or blemishes that could break the connection with the viewer.

In addition to the immersive experience, Frameless was keen for the projected images to be easily captured on video and in photos for social media. “The ability for visitors to share images and videos of the spectacular projected art on social media was an important marketing consideration,” explained Simon. “Many of the projectors produced images that did not capture well but, if possible, the Panasonic projector images looked even better on camera!”

The other major consideration was reliability. With a build time for the venue of just over a year, timings were tight. AV equipment would need to be installed and set-up while there was still a lot of building dust in the venue. On top of that, the venue needed projectors that would continue to deliver spectacular images day in and day out for a high profile London attraction. The filter-less design and dust-proof optical system, alongside the high performance cooling system ensures the projectors deliver 20,000 hours of real maintenance-free use.

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Frameless also uses Panasonic’s MZ16 projection series, which delivers long-lasting brightness and superb colour performance at 10,000lm (MZ10K), 13,000lm (MZ13K), and 16,000lm (MZ16K). This 3LCD technology provides vibrant HD quality images, and reliability is assured by the liquid cooled laser diodes and sealed phosphor wheel that protects against dust ingress to provide long life brightness.

Using more than 50 Panasonic projectors in total, the art projections inside the attraction are delivered by 479 million pixels and 1 million lumens of brightness and vivid colour. Art seeps into every inch of space. Visitors don’t look at a picture, they are inside the picture, with every brush stroke, every splash of colour, every moment of inspiration surrounding them. They can experience truly stunning image quality across four immersive visitor galleries, as well as a fifth gallery dedicated to corporate and educational events.
To create the incredible surrounding immersive effects, Panasonic Ultra Short Throw (UST) lenses are used with 80% of the projectors. These specialist lenses allow projectors to be hidden in the ceilings, so as not to distract from the immersive illusion, and to project at incredible angles to surround the visitor without casting shadows.

“The content creators have pushed the capabilities of the projectors to their limits and the incredible attributes of the Panasonic projectors and periscope UST lenses has enabled us to create completely immersive experiences across both large (up to 9m high) and challenging spaces,” said Simon. “There is no greater pleasure for me than standing at the entrance to one of the galleries and watching as art lovers, families and children all interact and enjoy the immersive experiences in the room. The joy on their faces is wonderful and it’s the combination of art, content creation, projection and sound that has made that happen.”

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