Billerica, Massachusetts – June 16, 2014 – Broadcast Pix™ will showcase new products and updated software tools at InfoComm 2014 (C5737), which runs June 18-20 in Las Vegas, Nev. Among its new offerings is its ClearKey next generation chromakey upgrade for its integrated production switchers, expanded family of Flint™ systems, and new standalone fX3D real-time 3D graphics system and ReVue HD slow motion replay system.

“We have a lot to show the AV community at InfoComm,” said Steve Ellis, general manager, Broadcast Pix. “This has been an exciting year for Broadcast Pix, with our new standalone production products that can help operations with smaller budgets deliver results that rival what you see on national networks. And by expanding the Flint family, we’re making it more affordable than ever to produce live multi-camera productions for broadcast or webcast.”

Part of the new Version 4.0 software for Granite™ and Mica™ systems, as well as Version 3.0 software for Flint, ClearKey features precise, highly adjustable keying that can handle challenging visuals and create more realistic shadow and lighting effects. Its robust color correction removes the most stubborn spill from chromakeyed objects, while a key crop function can confine the keying effect to certain areas of the screen. Chromakey color is selected with a simple eye dropper tool, and intuitive controls make it easy to adjust lighting, shadow and spill correction effects.

Both fX3D and ReVue work independently in existing production environments or can be tightly integrated with Broadcast Pix systems. fX3D features a simplified end-to-end graphics workflow that makes it easy to create and playout high-end graphics. Its three software modules provide an intuitive interface to create graphic content, complete with a built-in 3D modeler and template-based rundown controller. Developed in collaboration with strategic partner EditShare, ReVue plays back two or four channels of video in sync, so it is easy to cut between cameras and find the best replay angle. Its compact controller includes a jog/shuttle wheel for reviewing footage, intuitive controls for manual and preset playback speeds, and dedicated buttons for marking in and out points for playback.

Broadcast Pix has also expanded its family of Flint systems. All three HD models include the same workflow software tools, but provide different input configurations to address different production requirements and budgets. The entry-level system, Flint LE, supports three HDMI or analog (composite, component or S-Video) inputs. Flint LX features four SDI or HDMI input, while Flint LS supports six inputs and offers a choice of six SDI (two of which can be HDMI) or four SDI and two HDMI or analog inputs. All models include two additional network inputs, which are ideal for presentations and Web pages from remote computers.

Flint handles the entire production workflow, from ingest to distribution. It includes a multi-format production mixer that allows operators to include cloud-based content from Skype, Twitter and other resources during live productions. Flint ingests and scales all sources while maintaining constant lip sync. Other built-in tools include an internal Inscriber CG, two-channel clip server, audio mixer with on-screen stereo faders and VU meters, customizable multi-view and HD streaming in a variety of formats.

Also announced for the show is VOX™ Lite, a small-scale version of its popular VOX voice-automated production option. A popular automated solution for visual radio, as well as government and corporate meetings for television, Internet, and in-house projection, VOX Lite eliminates the need for an operator for live productions, as sophisticated software detects which microphone is in use and switches cameras for automatic video-follow-audio productions. VOX Lite supports four microphones and works with any Flint, Granite or Mica integrated production switcher.