Volume 9, Issue 1 — January 29, 2015
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Wheels Within Wheels
By Joel Rollins rAVe Columnist
I have often reflected, both in this column and elsewhere, on the cyclical nature of our business. Here we are in January, first month of the year, and some of those cycles are due to begin again. I’ve always thought of this process as an annual cycle, beginning in January and ending right after the winter holidays (since not much happens between the holidays in December and the first of the year, business-wise.)
But some things have happened in the last few days that cause me to think of these cycles over the longer term. Some of them seem to take decades, and yet the wheel does come around. Sometimes, as with winter, you simply have to have faith that spring is coming again. The cycles take care of many things, and because of that we have sayings such as “everything that goes up must come down,” “what goes around comes around,” and my personal favorite, “time wounds all heels.”
So most of us know what the annual cycles are, and we will get to them. But step back for a moment and take a look at the larger cycles, what they mean to AV, and even more importantly, what they could mean to the rental and staging end of the business:
The Big Voices: From the time I got into the technology business, now almost 30 years ago, I’ve been fortunate enough to do events for some of the big voices, whoever happened to be a big voice at the time. And there has always been a big voice. Bill Gates and Larry Ellison gave way to Steve Jobs, Jeff Bezos, etc. But if you pay attention to the newspapers and wire services, you’ll see that the big voice is now the collective small voice, thanks to social media. Oh sure, there are still stars, and there are still spokesmen, but it’s social media that promotes them to that position (for a while). In business, especially our business, this makes it harder to chart a path because you can’t simply pick a guru anymore. The gurus come and go, and depend absolutely on the support of collective voices to stay there.
The Organizations: Speaking of staying there (and this is where never say never comes in), I was there in 2000 when the pundits declared that Apple was already out of business, they just didn’t know it yet. The mighty Microsoft was an unassailable giant who determined the direction of technology for all of us. Today, Apple is the most profitable company in the history of the world, with enough cash on hand to buy their competitors, or as one magazine recently pointed out, to buy a fleet of nuclear aircraft carriers. The lesson: Nobody’s hold on technology is permanent, not even Microsoft’s, or Apple’s.
The Technology: And what made that wheel go around? Once again, the small voice. A Silicon Valley company finally put its hands and its vision on a series of compelling consumer products, beginning with the humble iPod. I was at the launch, watching from the edge of the stage at the Moscone Center as Steve offered the iPod up to the amazed crowd. That revolutionary consumer technology and its adoption caused ripples throughout the technology world and made us re-examine our technical destiny.
The point of all this? It is almost spring, and we are off to the land of trade shows, product launches, and hype. But this time around, the power of the hype really rests with the masses. So no matter what our favorite technology gurus tell us at the upcoming cycle of shows, we are beginning to have a way to gauge their ultimate success.
Is this good? I’m not sure. Steve Jobs was famous for thinking that the crowd was not a good predictor of success because they could only look at technology in the light of what they already knew. This meant that we needed to inform them of what they would want next, and convince them, placing products in the market before they had mass acceptance. At that iPod launch, I can remember confused members of the press walking out holding iPods and asking each other, “Why would I want to go through ripping all my CDs for this?”, while the AV crew walked out jabbering to each other about how “this changes everything.”
Back to the annual cycle:
So I am off to ISE, InfoComm Live, InfoComm, and a host of other electronics trade shows. We will all be bombarded with the latest and greatest, carry home stacks of literature we don’t want anymore and will never read, all the while holding our smartphones in our hands, reading live posts about the thing that we are looking at in front of us.
The moral of the story? The shows are important, and the new products are important, but they are no longer only about telling us about this year’s product line. They are now equally, or maybe even predominantly, our immediate way of telling manufacturers what we think of them.
Vox Populi, Vox Dei. Leave a Comment
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DENON Intros Six New Products Aimed at ProAV Market Denon Professional today introduced a new line called the Solution Series — a line of six wireless solutions for custom signal management and signal transmission routing in ProAV installations.
They include the:
DN-200PM Connected Presentation Manager — This functions as the central hub for distributing presentation/meeting content in conference rooms and classrooms. It features a Quad Core processor and 8GB of onboard storage and also supports DLNA, AirPlay, Miracast, Bluetooth and UPnP for simple connection to source and input devices. The DN-200PM has three USB ports, an HDMI out, RJ-45 Ethernet port, optical and 1/8” audio outs. It will be available in late Spring 2015 for $199.95.
DN-200AZB Bluetooth Receiver with Zone Amplifier —The DN-200AZB receives Bluetooth audio content and powers local speakers with its built-in 70V/100V digital Class D amplifier. Stream audio wirelessly from any Bluetooth enabled smartphone, tablet, or computer and the 200AZB receives it and powers connected speakers and the DN-200AZB will be available for $199.99 in late Spring 2015.
DN-200BR Bluetooth Audio Receiver — The DN-200BR interface acts as a central hub of Bluetooth signals for a professional audio system for sound reinforcement, event, or retail applications. It receives Bluetooth signals wirelessly, then routes the audio to balanced XLR or ¼-inch outputs for integration with mixers and amplification systems. The DN-200BR will be available in Spring 2015 for $99.99.
DN-200WS Wi-Fi Audio Streamer — The DN-200WS allows DLNA and AirPlay support to an audio system by receiving signals over 802.11 a/b/g/n Wi-Fi and sends audio output via its XLR or balanced ¼-inch outputs. A maximum 28Mbps data connection speed ensures an optimum connection with support for 24-bit audio at up to 192kHz sampling rates. The DN-200WS will be available for $149.99 in Spring 2015.
DN-202WT/DN-202WR Wireless Audio Transmitter and Receiver — The DN-202 series is ideal for getting stereo audio from point A to B. The DN-202WT is a wireless audio transmitter with balanced XLR and ¼-inch inputs, enabling users to send audio from a professional audio mixer or source through walls and ceilings up to 200 feet (60m) away. The DN-202WR is the companion receiver, featuring balanced XLR and ¼-inch outputs for connection to loudspeakers or amplification systems. Multiple DN-202WR’s may be used with a single DN-202WT to optimize sound coverage at an event or split indoor/outdoor/multi-level venues. Both the DN-202WT and DN-202WR will be available in Spring 2015 for $99.99 and $69.99, respectively.
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Christie Buys coolux Christie just announced today that it has acquired German company coolux, a developer and supplier of 3D compositing and rendering systems. coolux will be integrated into Christie’s Global Market Solutions team, maintaining its office in Cologne, Germany.
coolux is best known for the Pandoras Box media and show control system, a high performance link between projection and digital image composition. A turn-key solution, it offers real-time rendering and compositing in 3D and allows projection onto any shape or surface.
Christie, a manufacturer primarily of high-end commercial projection systems, is based in Kitchener, Canada. It also owns Vista Control Systems, producer of the Vista Spyder video processor, and Arsenal Media (now Christie Creative Media Services), a digital signage content company.
More detail on the announcement will be provided at the biennial coolux Connect Conference, to be held Jan. 8-9 in Cologne, Germany.
coolux and Christie will exhibit at ISE in Amsterdam next month. Leave a Comment
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Artcoustic Launches Performance Series The Performance Series is a stacked design of speakers that are capable of 140 dB sound pressure level. It’s designed for applications such as medium to large size cinema rooms, fixed installation public address systems and extending even further towards the demanding club stack market. The Performance Series includes two models:
Performance P12-6 mid-high array speaker: This model can be used as a single sound reinforcement speaker, or mounted as multiples with adjustable angles. It is also ideal either wall mounted or ceiling mounted as surround and overhead speaker in larger sound pressure level demanding cinema applications. Here are it’s specs:
Transducer:
- LF-MF 12 x 3 inch cone, Symmetric Phase Aligned
- HF 6 x 1 inch Dual Ring Radiator, Symmetric Phase Aligned
Performance:
- Operating Range 55 Hz (-3dB) to 20 kHz
- Nominal Beam width Horizontal 80° Vertical 45°
- Axial Sensitivity (half space SPL) LF/MF-HF 106 dB
- Calculated Axial Output Limit (half space SPL) Average Peak LF/MF-HF 126dB @ 40watt
- Dimensions H: 250 W: 700 D: 100 mm
Performance Subwoofer PS6: The PS6 is a multi-drive unit coupled, high sound pressure level and very low f3 point (15Hz) subwoofer, making it suitable for the most demanding applications. The PS6 can be used as a single subwoofer for typical sub-sat applications, or as a more powerful stackable solution, catering for larger cinema installations and the demanding high output club and public address scene.
Here are its specs:
Transducer:
Performance:
- Operating Range 20 Hz (-6dB) to 400Hz
- Axial Sensitivity (Half space SPL) LF/MF-HF 108 dB
- Calculated Axial Output Limit (half space SPL) Average Peak LF 136dB @ 370watt
- Dimensions H: 900 W: 700 D: 700 mm
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VUE Intros al-8SB Flyable Subwoofer to Its al-Class Speaker LineBuilding on its al-Class high-definition line array systems, VUE Audiotechnik introduces the al-8SB Flyable Subwoofer. Designed for integration with the al-8 Line Array System, the versatile al-8SB delivers powerful and well-defined low-frequency reproduction down below 35 Hz. The compact and easily flyable package features rigging options for suspension above or behind al-8 arrays in a variety of configurations in addition to forming the base for ground stack arrays.
The compact al-8SB can be used in flown arrays along with additional ground stacked VUE subwoofers for applications requiring impressive low frequency effects, such as large dance music systems, and can be used in cardioid bass arrangements. The al-8SB consists of a W-18 neodymium version of the C18 woofer found in the VUE hs-28 Dual 18-inch ACM Subwoofer, housed in an enclosure that is exactly the height of two al-8 dual 8 inch three-way line array elements. This provides visual symmetry between flown arrays of al-8s and al-8SB subwoofers, as well optimal enclosure volume for the woofer. Its 18-inch, long-throw transducer employs a 4-inch voice coil and dual spider for minimal power compression.
The al-8SB enclosure is constructed of birch plywood, coated in the same durable 12-step Dura-Coat LX finish as the al-8 acoustic elements. Extensive interior bracing ensures resonant-free low frequency performance. The machined, powder-coated, steel grille with acoustically transparent lining provides ample driver protection while completing the top-quality al-Class aesthetic. Recessed handles and skids enable easy transport and stacking.
Integrated rigging hardware ensures that the al-8SB is perfectly configured for use in any al-8 Line Array System, whether suspended or ground stacked. The four-point symmetrical rigging allows the al-8sb to be flown in reverse fashion with other al-8SB subwoofers to create a cardioid bass arrangement. Recessed, front- and rear-mounted, dual Neutrik Speakon sockets provide easy input and output connection from the back of cardioid arrays.
VUE’s new fly beam can fly the al-8SB enclosures or full-range al-8 arrays. The beam can be used for ground stacking al-8s on the subwoofer enclosure or to fly an array of al-8S underneath an array of subwoofer enclosures. A flyable end-fire grid allows quick assembly of sophisticated al-8SB end-fire arrays for improved directionality and reduced low-frequency energy onstage.
The al-8SB Flyable Subwoofer has a list price of less than $4,000 USD. Here are all the specs. Leave a Comment
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Audio-Technica’s Dante-Enabled Products Compatible With Symetrix’s Newly-Released SymNet Composer 3.0 Audio-Technica has announced that Symetrix’s newly-released SymNet Composer 3.0 open-architecture design software offers native integration of Audio-Technica’s ATND971 Dante-enabled cardioid condenser boundary microphone and the ATND8677 Dante-enabled microphone desk stand.
Version 3.0 has built upon the native support of Audinate’s Dante media networking technology for select third-party devices in earlier releases, and extends support of market-leading products thanks to new partnerships with Audio-Technica and others. Users of the Symetrix SymNet Radius AEC, Radius 12×8 EX and Edge Dante-scalable DSPs are now able to streamline their configuration procedures and achieve network discovery, Dante signal routing, and audio setup of supported Audio-Technica devices.
Launched at the InfoComm Show in Las Vegas earlier this year, Audio-Technica’s ATND971 bridges the gap between audio and IT as the first wired microphone that transmits audio and control data together over Audinate’s Dante network protocol. A simple Ethernet connection allows the ATND971 network microphone to communicate across an existing network of Dante-enabled devices and, with the microphone’s programmable user switch, control any of those devices at the push of a button.
Also integrated with Symetrix SymNet Composer 3.0, the ATND8677 Microphone Desk Stand fits gooseneck microphones with standard XLRM-type outputs, offering installers previously unavailable simplicity in adding gooseneck microphones to Dante audio networks. All of the tech details are here. Leave a Comment
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DENON Introduces ENVOI Denon Professional today launched something it’s calling Envoi, which is basically a portable, wireless sound system. Perfect for entertainment events and public speaking engagements, this compact, easily transportable system solves the dilemma of amplifying voices and music to a large audience when there is no access to AC power.
The Envoi is fully wireless, with up to 12 hours of battery life, a handheld wireless microphone for mobility and even a Bluetooth receiver allowing users to stream music right from their smartphone or tablet. In addition, a fully featured, built-in MP3 player can handle any playback files stored on SD card or USB thumb drive for total BYOD compatibility.
Envoi’s sound comes from 360-watt amplifier built around Class D technology using 10” woofer and phase-aligned tweeters.
Denon Professional Envoi includes:
- Full musical range frequency response up to 20 kHz
- Two-way active speaker (10” woofer, 1” compression HF driver)
- Built-in rechargeable battery provides up to 12 hours of powerful sound
- 360 watts Class D power (AC power line), 240 watts (DC battery powered)
- USB/SD MP3/WMA Player for unattended playback
- Informative, clear LCD display
- Two-wheel system with retractable handle for easy transportability
- Mic 1&2 combo inputs with Mic/Line level selector switch
- 1⁄4inch (6.3mm) aux input connector
- Two-band bass/treble EQ, ±12dB
- Reverb effect with trim knob
- Four-point battery level indicator
- Multi voltage switch
- Standard 35mm polemount socket
- Compact size 16.7 x 14.1 x 24.6″ (425 x 360 x 626 millimeter)
- Weight: 41.8 pounds (19 kilograms)
When it’s on their website, it will be here. Leave a Comment
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DAS Launches AERO 20A Compact Line Array D.A.S. has announced the launch of its new Aero 20A compact powered line array system. The new system joins the third generation of Aero line arrays systems born with the introduction of the Aero 40A Advanced Line Array System (ALAS) in 2014. Incorporating the ALAS philosophy, the Aero 20A draws from the astounding success of the “all-purpose” capabilities of the Aero 12A, launched in 2009.
The new Aero 20A incorporates D.A.S.’s latest transducer design, power electronics and system management. The Aero 20A incorporates a new D.A.S. 12″ loudspeaker optimized to provide high output and reliability. A light aluminum voice coil bonded to a new fiberglass reinforced cone, an optimized magnet circuit, and a new suspension design, have contributed to the exceptional performance of the 12AN4 in terms of distortion, power handling and maximum SPL. The 12AN4’s new voice coil venting scheme is particularly effective in dissipating voice coil heat providing the speaker with a high thermal rating and low power compression.
The high frequency response relies on the M-75N compression driver and a new waveguide assembly developed specifically for the Aero 20A. The compression driver employs a neodymium magnet structure, a titanium diaphragm and 75 mm (3″) voice coil. The M-75N is attached to an injected aluminum waveguide optimized to provide exceptional performance in conjunction with the M-75N driver.
The Aero 20A is powered by an advanced electronics package comprising a compact Class D amplifier that combines the power supply, output stage and connectors in a single, light-weight chassis. The two channel (800 W + 400 W) amplifier makes use of the latest in switch mode technology and offers maximum performance, high predictability and immunity from intermodulation artifacts thanks to the innovative design of the Pulse Width Modulation controller.
The Aero 20A incorporates the latest in digital signal processors. Brick wall FIR filters have been used to provide perfect alignment between ways achieving exceptionally uniform coverage all the way down to the crossover point. Top-of-the-line AD/DA converters have been employed allowing for significant improvements in dynamics, lower distortion and ultra-low noise levels.
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VUE Audiotechnik Introduces h-5 Flagship Ultra-Compact h-5 Loudspeaker VUE Audiotechnik has unveiled the latest addition to its h-Class family of high-definition, full-range loudspeakers.
The compact and lightweight h-5 combines two precision-engineered, 5-inch low-frequency transducers with a 1-inch exit compression driver that features a Truextent beryllium diaphragm at its core. VUE says beryllium technology allows the compression driver to deliver dramatic improvements in high-frequency extension and response linearity that simply cannot be matched by traditional aluminum or titanium designs. The beryllium compression driver is mounted to a new, precision horn with very wide 120° x 40° (H x V) coverage.
Dual channel, high efficiency amplifiers deliver power for both transducers while eliminating the need for cooling fans. A lightweight, fully protected, switch-mode power supply with auto voltage detection provides hassle-free worldwide operation with universal mains operation from 85V to 260V. The h-5’s drivers and electronics are housed in a birch enclosure that includes integrated M10 hanging points, and optional yoke mount and rigging hardware make easy deployment as a main system, on lighting grids, or in a variety of support configurations.
The h-5 grille is coated with a two-part, polyurethane finish that lays a transparent candy-apple red coating over a base coat of black.
Here are all the detailed specs. Leave a Comment
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Mackie Intros New DL32R Digital Live Sound MixerMackie just debuted its new DL32R 32-Channel Wireless Digital Mixer with iPad Control. The Mackie DL32R features a mix of professional I/O in an compact 3U rackmount design. Each of the 32 inputs (24 XLR, 8 XLR/TRS combo) feature Mackie’s all-new Onyx+ recallable mic preamps, with remote control over preamp gain and phantom power. Fully-assignable using the Master Fader control app, there are 14 XLR outputs great for anything from stage monitors to matrix outputs. The front panel also features a stereo AES digital output for connecting gear like speaker processors. A dedicated stereo monitor output is designed for connecting an in-ear monitor system for detailed listening from anywhere in the venue.
With complete wireless control of the system using Mackie’s Master Fader iPad app, there is no longer any need for a fixed FOH position. Place the mixer where it works best — be it next to the stage, backstage or even tucked away in a utility closet. This can also eliminate the need for a bulky analog snake.The DL32R does away with FOH positions such as under a balcony, behind a pillar, etc. The user can tune the room right from the problem spots and get on stage to ring out monitors or work with the band to dial in the perfect monitor mix.
Multiple engineers can work wirelessly from a single DL32R mixer using their own iOS device, including monitor engineers and performers who wish to control their own monitor mixes. The lead engineer can apply access limiting to additional control devices, keeping the user from making unwanted changes.
The DL32R features two flexible methods for multi-track recording and playback: The first of these is direct to USB hard drive, which is currently a 48 kHz, 24-bit, 24 input by 24 output platform — this will be expanded soon to 32×32 via a free firmware update. Second is the direct-to-disk option for wireless control over your multi-track recording and playback.
An additional USB 2.0 computer audio interface is available for 32×32 recording and playback that can directly connect with any DAW — great for studio applications and rehearsal spaces. Both methods provide the ability to record the band and perform a virtual soundcheck at the next show. This is a powerful and professional way to dial in a mix at any venue.
Mackie says the DL32R’s DSP eliminates the need for racks of expensive outboard processing. Each of the 32 inputs features a 4-band parametric EQ with a separate high-pass filter, plus gating and compression. Four return channels feature dedicated EQ and compression. Each of the 14 auxiliary sends, six matrix busses and main L/R busses feature a 4-band parametric EQ, 31-band GEQ, a compressor limiter and alignment delay. Six subgroups feature EQ and compression. Each processor features Modern and Vintage voicing options, delivering sonic choice to the user. Three separate effects processors with dedicated sends allow for two reverbs and one delay with tap control. 6 VCAs and 6 Mute Groups round out the processing.
Designed from the ground up for live sound, Mackie’s Master Fader iPad app delivers total wireless control over the DL32R. True to Mackie’s ongoing commitment to creating mixers that are extremely easy to learn and to master, Master Fader provides fast navigation and very powerful tools for mixing 32-channels of audio.
The new Mackie DL32R 32-Channel Wireless Digital Mixer with iPad Control is available now worldwide and lists for $2,499.99. All the detailed specs are here. Leave a Comment
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Manley Introduces FORCE Mic Preamp Manley Labs just announced the Manley FORCE mic preamp — a four-channel high voltage vacuum tube microphone preamplifier that lists for $2,500.
The FORCE incorporates the same proprietary hand-wound Manley Iron mic input transformers and 12AX7 vacuum tube amplifying stage operating from 300 V rails. Each channel includes a high-impedance, ¼” instrument input as well as an XLR microphone input. On the front, each channel features a 120 Hz high-pass filter, variable input-level pad, phase invert, selectable +48V phantom power, and a high/low gain switch. The CNC machined faceplate features seven-way LED metering for each channel providing instant visible feedback for audio levels. The universal power supply accepts any voltage or frequency from anywhere in the world facilitating travel for international recording projects.
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Extron Introduces NetPA Compact Audio Power Amplifiers with Dante Extron’s new NetPA 502 AT and NetPA 1001-70V AT are both half rack 1U, convection cooled power amplifiers equipped with Dante digital audio networking. The NetPA 502 AT delivers two channels of 50 watts into 4 ohms, and the NetPA 1001-70V AT provides a single channel of 100 watts at 70 volts. NetPA amplifiers can receive audio from Dante-equipped audio processors over a standard local area network, greatly simplifying the cabling infrastructure for sharing audio across multiple rooms or floors in a building. In addition to amplifying incoming Dante audio, NetPA amplifiers feature line level outputs that can simultaneously feed an additional speaker zone or audio system. They feature an Extron exclusive, highly efficient, advanced Class D amplifier design, plus patented CDRS — Class D Ripple Suppression that provides improved signal fidelity over conventional Class D amplifiers.
The NetPA 502 AT and NetPA 1001-70V AT are professional grade amplifiers, featuring greater than 90 dB signal-to-noise ratio and less than 0.1 percent THD+N. The amplifiers have recessed, detented level controls located on the rear panel that facilitate adjustment of audio system gain structure, or setting an individual level for each zone. They also have an ultra low inrush current draw to prevent power circuit overload that occurs when multiple amplifiers are switched on simultaneously. This feature eliminates the need for power sequencing in systems with multiple amplifiers in large centralized equipment racks, and prevents other equipment from experiencing power interruption from associated power surges.
A network of Extron Dante-enabled products, including the NetPA amplifiers, can be set up using Dante Controller software as well as DSP Configurator Software. Dante Controller is used to easily assign an output from a Dante-equipped digital signal processor to an input on a NetPA amplifier. Dante-equipped products are AVB — Audio Video Bridging ready.
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DENON Demos New Flagship Loudspeaker Line Denon Professional just launched what it’s calling the Delta Series professional loudspeakers. DENON says these speakers are custom-designed with purpose-built components, as well as studio-grade with extensive power to handle events and performing arts venues of any size. Each model features wireless control over internal digital signal processing (DSP), giving operators powerful sound-shaping capabilities in the field. Included in the Delta Series are the Delta 10, Delta 12 and Delta 15 tops plus the Delta 15S and Delta 18S subwoofers, with low-frequency driver sizes measuring 10, 12, 15, 15 and 18 inches, respectively.
Capable of 2400 Watts of Class D amplification and wide 90×60 degree dispersion, the Delta 10, Delta 12, and Delta 15’s directed sound field and the two subwoofers — Delta 15S and Delta 18S — use long-excursion drivers and custom tuned crossover circuits.
Each speaker’s built-in DSP is remotely controllable via the Delta Drive iOS app for custom calibration away from the mixing position; time-compensation, EQ curves, gain, test tones, and more. All Delta speakers are constructed of premium 19mm birch plywood for outstanding sound and rigidity, with standard 35mm pole socket in addition to 12 M10 rigging points.
Denon Professional Delta Series specs include:
- 2,400 watts peak Class D power (1,200 watts continuous)
- Works with free Denon Drive app for wireless sound-shaping control
- Wirelessly level-match, adjust EQ, calibrate delay-compensation and more
- DSP-controlled custom crossover with active thermal protection
- Purpose-matched components for maximum efficiency
- Built-in mixer, (2) Mic/Line inputs, volume control, XLR output (tops)
- Stereo XLR outputs: left link, right mono, internal crossover (subs)
- EQ contour switch (tops only); Ground Lift Switch
- Heavy-duty die-cast handles
- Steel-reinforced rubber feet on bottom and side
- Resonant-free 19mm birch plywood cabinet with scratch-resistant finish
- Standard 35mm pole-mount socket
- Flyable via (12) M10 rigging points
The Delta 10, Delta 12, Delta 15, Delta 15S, and Delta 18S will be available in Spring 2015 at a U.S. retail price of $629.99, $699.99, $799.99, $899.99 and $999.99, respectively. All the detailed specs are here. Leave a Comment
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Mackie Intros FreePlay Personal PA Mackie has announced a battery-powerable PA called FreePlay. Featuring Bluetooth music streaming, a 4-channel digital mixer and a control app for iPhone and iPod touch, FreePlay is an all-in-one stereo PA solution that includes an 8 inch woofer. FreePlay allows users to connect microphones, line or instrument level sources and features an easy-to-use 4-channel digital mixer to control levels, EQ and more. A first in the portable PA category, FreePlay offers music streaming from any smartphone, tablet or other Bluetooth capable device.
The FreePlay Connect app allows for simple level adjustments as well as control over the built-in feedback eliminator, application-specific speaker voicing modes and 16 vocal/instrument effects. For corporate audio applications like presentations or public address, the FreePlay Connect app provides discrete level control from anywhere. Plus, musicians can simply mount their phone on their mic stand for distraction free mixing during performances.
FreePlay’s portable design includes a choice of AC or battery power, including an optional rechargeable lithium-ion battery pack or standard D Cell batteries. A kickstand/ pole mount accessory connects directly to FreePlay and allows it to be mounted on a standard speaker pole for increased coverage. It also allows the user to tilt FreePlay back to a 45-degree angle for better monitoring when FreePlay is on the ground. An optional lithium-ion battery pack delivers up to 10 hours of playback and is rechargeable so users always have the power they need. There’s also a carry bag available to protect during transport and storage that includes handy pockets for mics, cables, etc.
The Mackie FreePlay Personal PA will be available worldwide beginning March, 2015 and will list for $499 – here are the specs. Leave a Comment
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HARMAN’s Soundcraft Intros New Line of Analog Mixing ConsolesHARMAN’s Soundcraft today introduced its Signature Series and Signature Series Multi-Track analog mixing consoles. Signature Series consoles are available in four frame sizes: 10-channel, 12-channel, 16-channel and 22-channel while the Signature Series Multi-Track consoles are available in 12-channel (14-in/12-out USB interface) and 22-channel (24-in/22-out USB interface).
Both models include a wide variety of built-in Lexicon studio-grade reverb, chorus, modulation and other effects and dbx limiters on the input channels. The consoles offer XLR and switchable Hi-Z inputs that enable guitars, basses and other instruments to be directly connected.
The Signature Series consoles come with a 2-in/2-out USB interface while the Multi-Track versions come with a 14-in/12-out on the 12-channel version and a 24-in/22-out USB audio interface. Accompanying the consoles are free downloads of the Lexicon MPX-L native plug-in and Ableton Live 9 Lite.
Signature Series consoles feature smooth, premium-quality faders with GB Series audio routing with flexible pre/post switching on each Aux, and subgroups with routing and switching options as well as dedicated outputs. The Signature Series are built using tour-grade metal construction and have an internal universal power supply.
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DENON Launches New Mixer Line Denon Professional announced two new audio mixers today in the form of the 8-channel DN-408X and 12-channel DN-412X — both in a 2-bus portable tabletop format. Both mixers offer DyNamic Audio (DNA) mic preamps and built-in audio compression. Both the DN-408X and DN-412X include over 100 studio-grade effects and 9-band graphic EQ for enhancing a mix. Each mixer channel features color-coordinated 3-band EQ for correcting and shaping audio frequencies. And, each mixer includes a wealth of input and output types to ensure adapter-free connection to loudspeakers or amplification systems: XLR, balanced ¼-inch (6.3 millimeter), and RCA.The mixers also both offer two track inputs and outputs on RCA connections; 60-millimeter faders with dedicated mute switch and LED clip meter; a main mix with two balanced XLR outputs and two balanced 1/4-inch main outputs; a monitor/control room mix with two balanced 1/4-inch main outputs; and two USB ports.
Denon Professional DN-408X features include:
- 8-channel, 2-bus audio mixer
- Five high headroom DNA mic preamps provide uncanny detail
- Five balanced XLR inputs; ten balanced ¼-inch (6.3mm) TRS line inputs
- 3-band EQ with two effects sends on every channel
- Dynamic compression (ch. 1 and 2) tames unpredictable volume changes
Denon Professional DN-412X features include:
- 12-Channel, 2-bus audio mixer
- Seven high headroom DNA mic preamps provide uncanny detail
- Seven balanced XLR inputs; twelve Balanced ¼-inch (6.3mm) TRS line inputs
- 3-band EQ with two effects sends on every channel
- Dynamic compression (ch. 1-4) tames unpredictable volume changes
The DN-408X and DN-412X will be available in spring of 2015 at a U.S. price of $249.99, and $299.99, respectively. Here are all the specs. Leave a Comment
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Midas Introduces New M32 Digital Console Series and a Stage Box Midas’ new M32R and M32C are both digital consoles while the DL32 is a 32×16 stage box.
Both the M32R and M32C are 40-input / 25-bus digital mixers with a host of connectivity options — and the M32R features the same Midas microphone pre-amplifiers and “1-million cycle” motorized faders as the PRO Series consoles. The mixers also feature ULTRANET connectivity for “acoustic integration” with the new Turbosound active loudspeakers and P-16 personal monitoring systems.
Expanding on the functionality and connectivity of the DL16, the DL32 stage box doubles the I/O in a rugged 3U rackmount chassis with 32 Midas PRO Series microphone preamps, 16 XLR outputs, two AES50 ports, AES/EBU stereo outputs, MIDI I/O and dual ADAT connectivity.
The Midas M32R, M32C and DL32 will list for $ 2,999, $999 and $ 1,999, respectively. Specs are here. Leave a Comment
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Audio-Technica Introduces System 10 PRO Rack-Mount Digital Wireless System Audio-Technica just launched a new System 10 PRO rack-mountable Digital Wireless System, the latest addition to the growing range of A-T System 10 wireless solutions. Like all System 10 models, the System 10 PRO Rack-Mount operates in the 2.4 GHz range and the rack-mount chassis houses one or two receiver units that can be operated locally within the chassis or be removed and mounted remotely (up to 300 feet away) via Ethernet cable. This approach to delivering wireless increases the versatility of the system while also greatly enhancing wave propagation. Additionally, up to five System 10 PRO chassis (10 receivers) can be linked together using the RJ12 cable included with each system, creating a multichannel system with the simultaneous use of up to 10 channels.
The chassis’ LCD Dual System Display shows RF signal level, system ID, transmitter battery level, and system link status for both channels. Like all the products in the System 10 wireless family, the PRO Rack-Mount features 24-bit/48 kHz wireless operation, easy setup, clear, natural sound quality, and three levels of diversity assurance: frequency, time and space. Frequency Diversity sends the signal on two dynamically allocated frequencies (with automatic frequency selection). Time Diversity sends the signal in multiple time slots to maximize immunity to multi-path interference. Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity. A ground-lift switch helps eliminate audible hum caused by ground loops.
Each System 10 PRO Rack-Mount system includes an ATW-RC13 receiver chassis, one or two ATW-RU13 receiver units, one or two AT8690 receiver-unit mounting brackets, one RJ12 cable, two rack mounting brackets, one joining plate, one AC adaptor, and one or two ATW-T1001 UniPak body-pack and/or ATW-T1002 handheld transmitters. Both the receiver chassis and transmitters feature displays.
System 10 PRO will be available February 2015 in the following configurations:
- ATW-1301 — Single Channel Bodypack System: $599.00
- ATW-1301/L — Single Channel Bodypack System w/ Lav: $699.99
- ATW-1302 — Single Channel Handheld System: $629.00
- ATW-1311 — Dual Channel Bodypack System: $1,059.00
- ATW-1311/L — Dual Channel Bodypack System w/ Lav: $1,259.00
- ATW-1312 — Dual Channel BP/HH System: $1,089.00
- ATW-1312/L — Dual Channel BP/HH System w/ Lav: $1,189.00
- ATW-1322 — Dual Channel Handheld System: $1,119.00
Each one’s detailed specs are here. Leave a Comment
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Turbosound Unveils Modular Column INSPIRE Loudspeaker Series Turbosound introduced the company’s first modular column loudspeakers and subwoofers called the INSPIRE Series. The iNSPIRE Series consists of three full-range powered column loudspeakers, the 800-watt iP500, 1,000-watt iP1000 and 1,000-watt iP2000 — plus two 1,000-watt powered subwoofers, the 12” iP12B and 15” iP15B with integrated dual-channel 200-Watt amplifiers for satellite speakers.
Equipped with an on-board, two-channel and remote-controllable digital mixer via dedicated iPhone / iPad app or locally via dedicated LCD-based user interface, the INSPIRE Series also features wireless Bluetooth stereo audio streaming. Each speaker is powered by Klark Teknik digital signal processing (DSP), Class-D amplification and SST Spatial Sound Technology.
The INSPIRE iP500, iP1000, iP2000, iP12B, and iP15B will list for $499, $599, $799, $399, and $499, respectively. Specs are here. Leave a Comment
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dbx Introduces DriveRack VENU360 Loudspeaker Management SystemHARMAN brand dbx has announced the introduction of its DriveRack VENU360 Loudspeaker Management System, which enables a live or installed sound speaker system to be optimized from anywhere in a room. Successor to the DriveRack 260, the new VENU360 adds a host of additional features including mobile device control, additional input channels, improved DSP and easier operation.
The DriveRack VENU360 is a highly configurable and includes dbx’s AFS and AutoEQ algorithms (first introduced in the well-received DriveRack PA2). It provides expanded input processing and includes dbx’s useful AFS (Advanced Feedback Suppression), which automatically detects and precisely removes problematic feedback-causing frequencies. Other input processing includes 31-band graphic EQ, 12-band parametric EQ with narrow-notch capabilities, dbx compression, subharmonic synthesis for enhanced low-frequency impact, backline time delay, and noise gating.
Multi-crossover configurations are possible with support for full range, two-way or three-way operation (custom mono four-way, five-way or six-way configurations are also available). Extensive output processing is provided with 12-band AutoEQ (eight AutoEQ bands, four user configurable bands), dbx compression, automatic gain control, subharmonic synthesis, noise gating, tower delays (up to 1000ms per output), 8-band parametric EQs (used for speaker tunings), dbx limiting and driver alignment delays.
Connecting a dbx RTA-M measurement microphone (sold separately) to the front-panel RTA mic input allows dbx’s proprietary Level Assist and AutoEQ algorithms to be utilized, for automatic, precise system balancing and equalization of the loudspeakers within the venue, for a smoother, more accurate system frequency response. Since AutoEQ is now located in the output processing stage, independent sections of a system can be equalized automatically.
The DriveRack VENU360 can be set up and operated from a compatible iOS, Android, Windows or Macintosh device via an easy-to-use app and a standard Wi-Fi router connected to the rear-panel Ethernet port. The VENU360 also has a front-panel LCD display with on-screen “map”-style navigation and input and output meters and mutes for system setup and monitoring.
An improved automated Wizard setup utility now supports stage monitors, making setup of an entire sound system fast, easy and precise. The dbx Wizard automatically configures hundreds of audio parameters with the push of a few buttons, with no previous audio experience required. Among the Wizard’s many functions are Level Assist, AutoEQ, AFS and built-in speaker and amp tunings for JBL loudspeakers, Crown amplifiers and many more. Up to 75 user configurations can be saved, eliminating the need to enter the same system or venue settings over and over again.
The dbx VENU360 provides balanced XLR analog and AES digital inputs for connection to a mixer, with support for mono, stereo, LCR and aux-fed sub configurations. Six balanced XLR outputs can be configured for PA system front of house, stage monitors, delay towers, zones and more. The VENU360 is also compatible with BSS Audio Contrio Ethernet wall controllers. Future firmware updates can be made via the USB port and firmware update utility.
The dbx DriveRack VENU360 will be available in April 2015 at a suggested price of $799. Here are all the specs. Leave a Comment
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Behringer Intros Small Format Mixer With MP3 PlayerThe Behringer XENYX QX602MP3 is a 6-input/2-bus small format mixer with XENYX Mic Preamps, British EQs, a built-in MP3 player and a Multi-FX engine. The ultra-compact mixer’s six inputs (two mic, two stereo) feature onboard studio-grade XENYX Mic Preamps with available phantom power, as well as the Company’s so-called “British” channel EQs, which are modeled after the EQs found on vintage British recording consoles.
But, unique to it is the addition of a built-in MP3 player, which provides instant access to their audio files and playlists from a USB stick. The MP3 function features Random, Play/Pause, Rewind and Forward control switches for flexibility and ease whether playing break music or accompaniment tracks. A built-in, 24-bit, stereo multi-FX processor with studio-grade reverb and delay plus the integrated power supply round out the professional feature set of the QX602MP3, making it an incredibly versatile — and affordable premium-quality mixer.
The XENYX QX602MP3 lists for $99. More information is here. Leave a Comment
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dbx Intros 500 Series ProcessorsHARMAN subsidiary dbx is introducing its 500 Series processors — five half-rack-space recording studio signal processors. The new 500 Series models include the 560A Compressor/Limiter, 530 Parametric EQ, 580 Mic Pre, 520 De-Esser and 510 Sub Harmonic Synth.
The dbx 560A Compressor/Limiter provides control of dynamics including threshold, compression ratio and output gain. It offers selectable classic hard-knee compression or what they are calling “OverEasy” mode incorporating dbx’s highly musical program-dependent attack and release times. The compression ratio is variable from 1:1 through infinity:1 to -1:1. Adjustment is via the 560A’s ladder-style LED RMS gain-reduction and input/output meter displays with true RMS level detection.
Based on the design of the dbx 905, the dbx 530 Parametric EQ is a 3-band parametric equalizer with selectable bell or shelf-type filters on the low- and high-frequency bands, and adjustable Q on each band. The dbx 530 allows adjustment of level and bandwidth at frequencies that have been chosen by dbx.
The dbx 520 has a frequency control range from 800Hz to 8kHz and provides de-essing ranging from 0dB to 20dB. Its gain reduction metering provides at-a-glance indication of the amount of de-essing applied.
The dbx 510 Sub Harmonic Synth includes a low-frequency boost, subharmonic level and frequency range controls.
Pricing for the dbx 500 Series Lunch Box processors is 560A Compressor/Limiter, $399; 530 Parametric EQ, $399; 580 Mic Pre, $499; 520 De-Esser, $299; 510 Sub Harmonic Synth, $299. The 560A will be the first product in the series to ship available in April 2015. Here are all the specs. Leave a Comment
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Turbosound Debuts iQ Series Acoustic Integration Loudspeakers Turbosound launched its all-new iQ Series networked loudspeaker product line. The iQ Series features what Turbosound is calling “Acoustic Integration”, enabling digital mixers, personal monitor systems and loudspeakers to communicate directly with each other via the company’s proprietary ULTRANET Technology.
Acoustic Integration allows users to change the sound system without ever leaving the mixing desk. Users can easily set up and adjust parameters directly at the loudspeakers, or remotely via mixing console, PC or tablet running downloadable apps.
Designed for FOH and floor-wedge applications, the iQ15, iQ12, iQ10 and iQ8 two-way loudspeakers are lightweight and portable and are meant to work with the company’s iQ18B and iQ15B subwoofers. All enclosures feature standard 35 mm pole-mount sockets.
The iQ Series is affordable (starting at $549.99) and aimed at small to medium-size venues, such as theaters, schools and houses of worship. Here are all the specs. Leave a Comment
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Apogee’s Groove is PC to 3.5mm Audio Amplifier Apogee Electronics’ new Groove is a new portable USB DAC and headphone amp for listening to music on your Mac or PC. Apogee says that Groove unlocks the highest possible quality of any headphones or powered speakers you have — it’s taking the native audio file and converting it to 3.5 millimeter using a DAC and an amplifier they say is better than any of them inside a PC or laptop.
Apogee claims that Groove’s circuit design provides an even distribution of output power across the audible frequency spectrum, correcting impedance imperfections often found in entry-level headphones and powering a headphones output — with no software. All you do is connect Groove to your Mac or PC with the included USB 2.0 cable and plug in headphones or speakers (or to a system amplifier) into Groove’s ⅛” (3.5 mm) analog output.
Features:
- USB 2.0 connection to Mac and PC
- Up to 24 bit / 192kHz audio
- ESS Sabre DAC
- Asynchronous clocking
- Max output level: 225mW into 30 Ohm
- Multi-color LEDs for status and level indication
- Powered by USB
- Top panel buttons for adjusting output level and muting
- Compact and portable (95mm H x 30mm W x 16mm T)
- Aluminum finger-sized enclosure
Here are all the specs. Leave a Comment
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HARMAN’s JBL Professional Debuts SRX800 Series Portable Powered Loudspeakers JBL Professional today announced the introduction of its SRX800 Series portable powered loudspeakers that integrate both JBL transducers and Crown DriveCore amplifiers. JBL SRX800 Series models include the 12-inch two-way SRX812P, 15-inch two-way SRX812P, dual 15-inch three-way SRX835P, 18-inch SRX818SP subwoofer and the SRX828SP, the world’s only dual-18-inch powered subwoofer at this price point.
The SRX800 Series utilizes JBL transducers that combine high power handling with extremely low distortion. JBL says the high frequencies are handled by waveguides that provide accurate horizontal and vertical pattern control with smooth frequency response over a wide area. The high-excursion woofers deliver the clear, articulate, powerful bass that is a JBL hallmark, with minimal dynamic compression even during continuous use at high volume. SRX800 loudspeakers and subwoofers are rated at between 135dB and 141dB depending on the model.
All JBL SRX800 models incorporate built-in Crown DriveCore amplifiers with 2,000 watts power output (1,000 watts in the SRX818P). The amplifiers’ on-board DSP includes 20 parametric equalizers, 96kHz FIR (Finite Impulse Response) filters for improved crossover tuning, speaker-delay adjustment and even a signal generator to aid in system calibration. All models also incorporate JBL Application Engineered preset tunings that facilitate fast system setup. In addition, JBL SRX800 Series loudspeakers and subwoofers are fully compatible with HARMAN’s HiQnet network communications protocol, enabling control via Audio Architect or JBL SRX Connect—the new iOS and Android application that provides a fast streamlined approach to system control.
SRX800 Series enclosures are built for extreme durability even under the most demanding applications. The speakers have M10 suspension points for easy rigging and standard 35 mm pole cups for stand mounting. The rear panels feature an LCD screen and glow in the dark ink to facilitate setup even on dark stages. The SRX812P includes feet that enable it to be used as either a main or monitor speaker.
Here are all the specs. Leave a Comment
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Christie’s New Twist for Blending and WarpingAt the Live Design International (LDI) show in Las Vegas, Christie launched three upgraded versions of its Christie Twist technology. The Christie Twist solution delivers full image warping and advanced edge blending in Christie 3-chip DLP projectors using software that controls and edge-blends multiple curved images seamlessly on any surface.
Easier to use and with better, more precise pixel-to-pixel alignment than ever, the upgraded Christie Twist product family includes three tiers of specialized Twist software — each for different application requirements. Christie Twist software is a free download from the Christie website. Christie Twist Premium and Christie Twist Pro are paid upgrades and provide additional functionality.
Christie Twist and Christie Twist Premium are for live theater and events, projection mapping, trade shows, large classrooms, corporate boardrooms, museums, house of worship, casinos and entertainments facilities and more. For more intricate projects such as flight simulators, virtual caves and domes, Christie Twist Pro delivers unlimited arbitrary placement points for greater accuracy. When purchasing Pro or Premium, customers can buy a dongle to attach to a PC running Twist software or license individual projectors and eliminate the need for a dongle.
Christie Twist technology also provides networked projector control by allowing the user to launch a virtual remote from within the twist software with all the functionality of standard Infrared remotes.
More details are here. Leave a Comment
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For all you REGULAR readers of rAVe Rental [and Staging] Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: we run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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A little about me: I graduated from Journalism School at the University of North Carolina at Chapel Hill (where I am adjunct faculty). I’ve been in the AV-industry since 1987 where I started with Extron and eventually moved to AMX. So, I guess I am an industry veteran (although I don’t think I am that old). I have been an opinionated columnist for a number of industry publications and in the late 1990s I started the widely read KNews eNewsletter (the first in the AV market) and also created the model for and was co-founder of AV Avenue, which is now known as InfoComm IQ. rAVe [Publications] has been around since 2003, when we launched our original newsletter, rAVe ProAV Edition.
Everything we publish is Opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship ePublication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition, co-published with CEDIA and launched in February 2004, is, by far, the largest ePub in the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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