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Volume 7, Issue 4 — April 22, 2013
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Be Careful Out There
By Joel Rollins
rAVe Columnist This week, I had a talk with Scott Tiner on THE WEEK on rAVe Radio. This interview followed Scott’s column in rAVe ED [Education] about safety and the tragedy in Alabama. We talked about safety in our industry, which, judging from the news, is declining. Since then, I have done a lot of thinking about why that might be. During the interview, which I would suggest that you listen to (if not for my comments then certainly for Scott’s), I posed a number of questions.
Now I’d like to pose them to all of you.
(Please note that I do have an opinion about all of these things, but I’m not necessarily right. So I really would like feedback from all of you on what I perceive to be a growing issue in our industry.)
Are there more accidents, especially injury accidents, happening in our industry than in years past?
Two theories were proposed for this: first, that there are not more accidents happening, but that we tend to hear about them more because we are all so connected today. It is certainly possible that these accidents were happening all along, but until we were also connected via the Internet, many of us never heard about them.
Or, is our business in fact getting scarier?
Personally, I think it may be a combination of the two.
The connectivity side of this we may not be able to change. And we certainly may not want to. In fact, the news of these kinds of accidents may serve to remind us that we do in fact work in a dangerous business. Thinking back over my years in Staging, one thing I'm certain of: no matter how concerned we all were about safety every day, we were never more openly so than after we had heard about (or even witnessed) an accident. So maybe the fact that we now hear more about them is actually a good thing.
Or maybe we actually ARE having more accidents, and, if so, it is necessary for us as professionals to ask ourselves why. And then to do something about it.
Let’s say, just for a moment, that we are in fact having more accidents than in years past. In that case, it would be incumbent upon us to look at causes:
Lack of proper training?
One of the first things any industry would look at would be training. We would need to ask ourselves if we are still offering proper training to the people who are doing our work in the field. One of the things I have noted over the past years is an increase in training classes offered for the administrative and planning portions of our industry. We have courses in project management (many of them), in team supervision, in networking, in computer and design skills. But much of the training that we offer has moved away from direct hands-on, at least in the kind of training that is available outside weeklong formal academies. Managers, think back over your careers. Were we offering more hands-on training in the past than we are now?
Standards slipping?
Another question we would need to ask is whether or not we are letting our standards for workmanship slip. We’ve seen this happen in the past in other industries, with Detroit in the ‘70s coming to mind. During a time when industries are changing, as the American motor industry was due to the onslaught of Japanese cars, standards often slip as we accustom ourselves to new technologies and new ways of doing business.
Lack of proper background?
Another thing that can happen when new technologies enter an industry is that we focus on them so closely that we allow our skill set in other areas to decline. In the past 15 years, in our industry, we have focused to a very high degree on bringing people into the industry from the computer and telecommunications fields.
I entered the industry at a time of great change. It was my great fortune. I was the first we had a “computer guy” in the audiovisual company I worked for. But because it was a time of such great technological change, and nobody had any advantage of long experience over anybody else, many of us were entering the industry from many different fields. We came from rock ‘n roll, from facility management, from construction, from video production and from radio. We brought into the industry skill sets that became useful in a peripheral way. In a time when we are so focused on recruiting from one industry, are we losing those additional skills?
More dangerous equipment or technology?
Another place we would look for new industry accidents is in the technology that we work with. Has it in fact become more dangerous? Personally, I don’t think this is it. Most of what we work with seems to run on lower voltages, produce less heat and even accomplish its task with fewer components than in the past. But to be honest, it is also one of the questions we still need to ask.
Insufficient oversight?
Another place one would look for these types of causes would be the failure of management to exercise sufficient oversight over the field, or to have the knowledge and skill set necessary to adequately supervise fieldworkers. Frankly, we need to examine the idea that an aging management population supervises less.
Background knowledge:
One of the places that I suspect is a cause of at least part of these accidents is a lower level of necessary background knowledge in new field-workers. I am constantly astounded by applicants, even applicants with degrees, that seem to lack skills and fundamentals such as math without a calculator or smart phone in their hands. When I got involved in rigging on the show side, and in installation on the sales side, I was actually afraid of killing people. Twenty-five years later, I still am. So in addition to my calculator, when I am working with physical construction, I am constantly also doing the math in my head, just in round numbers, as a check against what I get from a computer. Is basic education failing us to the point that we will see an increase in industrial accidents because of the installer’s inability to argue with the computer in their head? In other words, are we still able to “check our work?”
I don’t have all the answers, yet, although I will keep looking. But sometimes introspection is a good thing, and I think in a time when our industry is evolving, our business is changing and our mix of skills is being redefined, it is important that we ask ourselves the questions.
Because as our friends on all the cop shows on television say, the most important thing is to go home at the end of the shift — alive.
rAVe Rental [and Staging] contributor Joel R. Rollins, CTS, is general manager of Everett Hall Associates, Inc. and is well known throughout the professional AV industry for his contributions to industry training and his extensive background in AV rental, staging and installation. Joel can be reached at joelrollins@mac.com
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Avlex Intros New Wireless Transmitters Avlex has introduced two new MIPRO 7 Series wireless transmitters — the ACT-71Ta bodypack transmitter and the ACT-71Ha handheld transmitter. Designed for field production, presentations, theatrical and live performance, the new 7 Series wireless transmitters incorporate Ultra-Wide bandwidth operation with support for the entire 72 MHz frequency spectrum of the 7 Series receivers.
ACT-71Ta Miniature Wideband UHF Bodypack Transmitter
Drawing upon the experience gleaned from three generations of MIPRO ACT wireless products, the new MIPRO ACT-71Ta bodypack transmitter features a small form factor, making it a good choice for concealing the unit in wardrobe for theatrical, TV or film production and equally ideal for the business presenter or worship leader.
The ACT-71Ta bodypack transmitter provides a silent on/off switch with a separate mute button and provisions for the optional MJ-70 remote mute switch control, enabling the person wearing the transmitter to easily mute/unmute the transmitter — even when it is buried underneath clothing. It offers end user lockout function, programmable RF power and audio gain levels, mini-XLR connectivity with a threaded bayonet attachment, a detachable belt clip and support for MIPRO’s ACT function, which facilitates rapid and precise transmitter frequency setup.
ACT-71Ha Wideband UHF Handheld Microphone Transmitter
Like its sibling, the new MIPRO ACT-71Ha handheld transmitter features a lightweight magnesium alloy housing that is designed to be rugged and comfortable to hold. Avlex says the unit’s true condenser cardioid capsule provides high SPL, wide dynamic range and fast transient response, making this transmitter a good choice for spoken and vocal applications.
Like the ACT-71Ta bodypack transmitter, the new ACT-71Ha handheld transmitter features a silent on/off switch with a separate mute button for precise control over the unit during operation. Additional attributes include a backlit LCD display for keeping track of channel and battery status, an end user lockout function, programmable gain and RF output power, which enable this handheld transmitter to be optimized for its environment, plus MIPRO’s ACT function for rapid and precise transmitter frequency setup.
The ACT-71Ta bodypack transmitter lists for $549.00 and the ACT-71Ha handheld transmitter lists for $579.00. Find more information about both here: http://avlex.com/
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L-ACOUSTICS Launches LA4X Amplified Controller The L-ACOUSTICS LA4X amplified controller is based on a four-input by four-output matrix architecture and uses a universal switch mode power supply suitable for mains from 90V to 265V. A "green" product, the power supply features something they call "Power Factor Correction", which maximizes the amplifier efficiency and takes advantage of nearly 100 percent of the electrical power available with a very high tolerance to unstable mains. Class D amplification circuits ensure the LA4X energy-efficiency for minimal heat dissipation. LA4X delivers 4x1000W RMS power at 8 ohms (or 4 ohms) with record hold times.
The LA4X inputs are available in analog or digital format. Four cascaded 24-bit A/D converters at the front-end yield a groundbreaking encoding dynamic of 130 dB. AES/EBU digital inputs operate with sample rate converters from 44.1 kHz to 192 kHz. Fallback functions make the creation of redundant audio paths possible.
A dedicated engineering approach combining IIR and FIR filters generates perfectly linearized phase curves and significantly improved impulse responses. The pool of 8 IIR and 3 FIR filters, the Array Morphing tool and the 1000 ms of delay per channel allow the amplified controller to act as an EQ station and cover the room tuning tasks without the need for external processing. The L-DRIVE protection system carries out a dual analysis of signal level in real-time and RMS.
The design of complex systems is made possible by the integration of the L-NET Ethernet-based network. Thanks to its high-speed data transfer protocol of 100 Mbit/s, up to 253 units can be controlled and monitored in real-time by the LA NETWORK MANAGER software.
Here are all the specs: http://www.l-acoustics.com/products-amplified-controllers-69.html
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Adamson Launches Three New Line Arrays and a Sub The new Energia e12 is designed as a standalone mid-size line array but can also be used as a downfill, or side fill in a larger e15 arena system. It will be a versatile solution for large format touring companies and regional rental companies.
Inside the box is Adamson’s new 12” Kevlar driver, the ND12S with advanced cooling and larger xmax, providing uncompromised LF extension, in a 12’ line source system. By utilizing Adamson’s advanced cone architecture, the ND12S has reduced eddy currents and intermodulation distortion by utilizing shorting rings in the motor design. The 12” cone and dustcap are manufactured entirely out of Kevlar creating the most weather resistant low frequency component in the industry.
The weight of the e12 makes this box an ideal candidate for venues with point load restrictions or smaller format applications. The e12 is incredibly light weight but that doesn’t mean it lacks power as it harnesses all of the power of the e15 in its slimmer bodied design.
The new Energia e218 is designed as a companion sub for the Energia Series e15 and e12 and can be flown together with an e12 or a stand-alone array. The self-contained rigging allows for curved or flat array when it’s flown but will also travel three up on a cart. Within the manifold design are two of Adamson’s new ND18S drivers with a dual spider voice coil stabilizing design. The drivers are coated in silicone for long term suspension memory and shorting rings are used to eliminate eddy currents and reduce intermodulation distortion.
And the new A218 is all purpose sub that is front loaded with two of Adamson’s new ND18S drivers. The drivers have a dual spider that is coated in Silicone for long term suspension memory. The drivers are equipped with Kevlar cones with Adamson’s signature advanced cone architecture. Shorting rings were integrated to eliminate eddy currents and reduce intermodulation distortion. Cardioid plugs are included on the front of the cabinet to ensure easy cabling in front/back configurations.
Finally, the Point Concentric Series brings a powerful range of passive, co-axial, loudspeakers designed for both installation and rental markets to the Adamson tool box. The multipurpose cabinets are available in a double 5" (PC5), single 6" (PC6), single 8" (PC8), single 10" (PC10) and a single 12" (PC12) version. This discreet range of cabinets, come coated with water borne acrylic paint, while all metalwork is finished with a Sandtex Powder Coating. Keeping form with the acclaimed Point Series, all cabinets can be color matched to the RAL library.
The PC5 and PC6 are the smallest cabinets in the Point Concentric Series, and provide a 70-degree conical pattern in a very compact package. Both cabinets ship with standard M10 fly points in 4 locations and additional rear Omnimount points. Threaded Pole mount hardware (for mic stand) or barrier strips can be installed, at no charge, on either cabinet by request. The PC5/PC6 cabinets are designed to produce linear, high resolution audio throughout their bandwidth. Regardless of their modest size, both cabinets produce warm mid bass and plenty of punch for their weight class. As a standalone cabinet, under balcony, or stair fill, the versatile PC5 and PC6 cabinets will fit a variety of applications.
When a little more power is required, designers and rental companies can step it up and reach for the 8", 10" or 12" option in the Point Concentric Series. The larger members of the family are shipped with standard M10 and Omnimount points, but also offer optional vertical yokes for versatility. Unlike their smaller companions, the PC8/PC10 and PC12 ship with standard pole mount hardware. A unique rotatable jack plate allows for either Neutrik or Barrier Strip connections on the bottom or back of each enclosure. Simply unfasten a few screws and rotate the jack plate to change the termination position.
All of them can be found here: http://www.adamsonsystems.com
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Neumann Announces Launch of KH 310 A Three-Way Active Monitor Premium audio brand Neumann has announced the launch of its new active studio monitor: the KH 310 A. The KH 310 A is a three-way system that is based on newly developed drivers housed in a sealed cabinet. The company says this ensures extremely accurate reproduction over the entire frequency response at surprisingly high reproduction levels.
The KH 310 A is suited for use as a near-field monitor for mixing and mastering, as a front loudspeaker in medium-sized surround systems or as a rear loudspeaker for larger multi-channel systems. It can be used in applications such as those in the fields of music production, broadcasting, post production and mastering. In combination with the Neumann studio subwoofers, KH 810 and KH 870, which feature a 7.1 High Definition Bass Manager, the KH 310 A monitor provides users with a perfect surround solution. The system is particularly relevant for use in the movie industry, which often requires monitoring solutions for multi-channel recordings with eight or more audio channels.
The KH 310 A's treble, midrange and bass drivers have all been designed and tested by Neumann. Each driver is carefully optimized using acoustic simulations and undergoes an extensive series of measurements, ensuring an extremely linear reproduction across the entire frequency range. The bass driver provides an accurate response down to 34 Hz. This is achieved using a sealed cabinet design that provides extremely fast transient response. The mid-frequencies, essential for speech and vocals, are reproduced with exceptional precision by a dedicated soft dome midrange driver. The high frequencies are handled by an alloy fabric dome in an elliptical Mathematically Modeled Dispersion waveguide.
Three powerful class-AB amplifiers and a high-capacity SMPS power supply deliver very high headroom to the system with no audible distortion, and the acoustical controls for bass, low-mid and high frequencies make the KH 310 A a problem solver for acoustically challenging environments such as edit suites and OB vans.
The KH 310 lists for $2,249 and more specs are here: http://en-us.sennheiser.com/
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Share Article Back to Top Clear-Com Intros New Version of HelixNet Partyline Intercom System Clear-Com's new Version 1.1 of the HelixNet Partyline Intercom System includes system linking capability, which extends digital partyline intercom communications over a network among a production’s field users, mobile trucks and in-studio headquarters, without compromising the audio quality.
The HelixNet Partyline Intercom System claims to be the industry’s first digital network partyline intercom to combine the simplicity of a traditional analog partyline intercom with the advanced network management capabilities of a matrix intercom. Because it uses a single-pair, shielded cable for supporting all audio channels, program audio and power for beltpacks, it is ideal for broadcast applications that require quick setup and distribution of multiple channels of intercom.
Expanded functionality under version 1.1 includes the ability to link up to five HMS-4X Main Stations and up to 100 HBP-2X Digital Beltpacks via Ethernet to build larger and more sophisticated partyline intercom systems. HelixNet’s station-to-station networking function makes this possible by defining up to five Main Stations that can be connected via the new HLI-ET2 Ethernet Module. Main Stations can connect directly or through a LAN using standard IT switches. A new HLI-FBS Fiber Module is also available for linking stations over long distances. The Fiber Module has two fiber ports using SFP modules for simple exchange of fiber transceivers. It also allows linking to four other Main Stations in a fiber daisy-chain. The standard connection is Single-Mode with Multi-Mode offered as an option.
Complete specs are here: http://www.clearcom.com/
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Share Article Back to Top Panasonic Debuts 12K Lumen Projector Panasonic today announced the PT-DZ13K series of projectors, the latest addition to its 3-chip DLP projector lineup. Unveiled at the 2013 NAB Show in Las Vegas, the PT-DZ13K series consists of four models that offer a range of resolutions and brightness between 10,600 and 12,000 lumens and from 1366×768 to 1920×1200 resolutions.
For rental and staging applications, the PT-DZ13K Series’ Dual Lamp System enables continuous operation even if one lamp fails and using the Lamp Relay mode allows for 24/7 use, as the two lamps alternate in operation. Using what Panasonic says is a long lamp life of up to 4,000 hours in Eco Mode and an Eco Filter with a replacement cycle of up to 12,000 hours, it significantly reduces the projector's operating expenses and total cost of ownership over previous models.
The line includes various interchangeable lenses, a lens memory function that saves settings, such as zoom, focus and lens shift, built-in geometric adjustment functions and all four models will ship later this month.
You can see them all here: http://www.panasonic.com/business/projectors/
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Extron Introduces New Multi-Window HDCP-Compliant Videowall Processing System Extron's new WindoWall Pro System is fully HDCP compliance at all HDMI inputs and outputs. WindoWall Console software is the user interface to the system, facilitating straightforward control and configuration of videowall systems, and the creation of presentations with multiple, independent windows for displaying graphics, HDTV and video. The WindoWall Pro System is an ideal choice for applications that require highly reliable, multi-window videowall systems.
Each WindoWall Pro processor allows for the display of up to four windows and employs Extron video processing technologies to deliver a fully optimized, high quality real-time video output. Because a discrete processor is dedicated to each display unit in the videowall, WindoWall Pro is fully scalable, supporting a wide variety of display layouts from 1×2 to 2×3 and larger. The HDMI inputs, outputs and universal analog video inputs support signal rates up to 1920×1200 and HDTV 1080p/60, plus 2K on the HDMI connections. Each WindoWall Pro processor features an HDMI background input, which allows a full motion, high resolution computer-video or HDTV signal to be used as a background image to any presentation.
To enhance and simplify integration of sources and displays, WindoWall Pro features Key Minder, an Extron-exclusive technology. For HDMI signals with protected content, Key Minder authenticates and maintains continuous HDCP encryption between input and output devices to ensure quick and reliable switching.
Here are all the specs: http://www.extron.com/product/product.aspx?id=mgp464w&s=5
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Share Article Back to Top MultiDyne SilverBACK-4K is a Camera-Mounted Fiber Transport Solution At NAB, MultiDyne announced something called the SilverBACK-4K, a new camera-mounted fiber transport solution that supports 4K (Ultra HD) digital television. Utilizing SilverBACK-4K, users can seamlessly transmit any camera signal — including Ultra HD video, HD-SDI video, audio, intercom, control data, GPIOs, tally and power — over a single hybrid copper and fiber cable.
The SilverBACK-4K is available in two versions: a model with a video option for viewfinder or monitor viewing in the field and a low-cost model without the viewfinder/monitor viewing option. Ultra HD support can be added to any existing SilverBACK system through a simple upgrade, enabling MultiDyne customers to deliver a state-of-the-art 4K television experience cost-effectively.
MultiDyne's SilverBACK transport system features a compact case — measuring just over 1 inch thick — with an intuitive user interface. Ideal for digital cinema, sports, ENG, D-SNG and multi-camera studio applications, SilverBACK can transport SDI video up to 4K uncompressed with embedded or separate program audio. Users can achieve camera control/RCP paint functions through one of the three available data channels, and an additional back channel is available for camera sync or genlock. Several options are available for optical connectivity including STs, Neutrik opticalCon, Fibreco Mini 2 expanded beam, and Lemo 304M. A JUICE power supply can be added to support camera distances of up to 300 meters.
The SilverBACK-4K supports up to four channels of AES or analog program audio as well as a full-featured, single-channel intercom with talk and listen gain adjustments. Additionally, an adjustable PGM inject allows the camera operator to hear program audio mixed with intercom. To enable audio, a mic input with pre-amp is included for talent or camera-mounted audio needs, along with a talent IFB. The receiver features a standard four-wire intercom output configuration with an optional two-wire conversion. PGM audio is available for the talent or stage manager via a convenient headphone jack.
More information is at: http://www.multidyne.com
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Share Article Back to Top Lab.gruppen Intros New IPD Series Amps Swedish amplifier manufacturer Lab.gruppen introduced its new range of IPD (Intelligent Power Drive networked and DSP-enabled power amplifiers). Available in two power configurations, the IPD 1200 and IPD 2400 have power outputs at 4 ohms of 2x600W and 2x1200W, respectively. They both incorporate integrated DSP, networked monitoring and control via computer or iPad, a four-channel input matrix, fully configurable front panel controls with graphic display, analog and AES3 inputs (with redundant failover), definitive Lab.gruppen limiters and Lab.gruppen build quality. And, both amps are in 1U rack-mounted enclosures.
At the heart of the IPD Series platform is a DSP engine equipped with a total of 40 real-time, multi-slope parametric EQs along with adjustable gain, input delay, output delay, plus high-pass and low-pass filters adjustable to any frequency. A Software Configurable Voltage Peak Limiter (SCVPL) tailors outputs to load conditions, maintaining sound quality, while a 4-channel input mixer provides flexible input routing. Parameters may be stored in up to 100 user-defined presets.
All processing power is harnessed through a touch-based GUI of IntelliDrive Controller. Available for PC, Mac or as a dedicated iPad app, this software interface enables remote system tuning over Ethernet or wirelessly via a suitable Wi-Fi router. Rear-panel connections include paired XLR analogue inputs with link outputs; XLR input and link output for AES3 digital; binding post and speakON output connectors with both channels available via one speakON; Ethernet networking connection and locking IEC power connector.
They weigh in at just 4.6 kilograms (10.1 pounds) for IPD 1200 and 6.2 kilograms (13.7 pounds) for IPD 2400. The IPD Series details are here: http://labgruppen.com/products/ipd_series_touring/
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Share Article Back to Top Extron Introduces New Scalers for 3G-SDI and HDMI Cross Conversion Extron's new DSC 3G-HD A and the DSC HD-3G A scalers are 3G-SDI and HDMI cross converters. The DSC 3G-HD A converts 3G-SDI, HD-SDI, and SDI video signals to HDMI, while the DSC HD-3G A converts HDMI to 3G-SDI/HD-SDI/SDI. Both products feature Extron video signal processing with 1080i deinterlacing, Deep Color processing, aspect ratio control and additional processing features for optimal format conversion and image quality. Selectable output rates are available from standard definition to HDTV 1080p/60 and 2K, plus 1920×1200 for the DSC 3G-HD A. For both products, audio from the analog stereo input or the digital video input may be embedded onto the video output. The DSC 3G-HD A and DSC HD-3G A are built for professional AV integration with many convenience features, including a user-friendly front panel interface, internal test patterns, memory presets and control via RS-232, USB or on-screen menus.
The DSC 3G-HD A and DSC HD-3G A offer several features that enhance and simplify AV system integration. Both scalers feature input equalization which conditions incoming 3G-SDI or HDMI signals to compensate for signal loss over long input cables. The DSC 3G-HD A includes an SDI input loop-through with reclocking to eliminate high frequency jitter. The DSC HD-3G A features a genlock input with loop-through and two simultaneous 3G-SDI/HD-SDI/SDI outputs.
Enhanced audio capabilities for both products include audio embedding, input gain and attenuation controls, and input audio muting. For the DSC 3G-HD A, analog stereo audio, or up to four pairs of AES3 audio channels from the SDI input can be embedded onto the HDMI output. With the DSC HD-3G A, analog stereo audio or HDMI multi-channel PCM audio can be embedded onto the SDI outputs.
All the specs are here: http://www.extron.com/company/article.aspx?id=dsc3ghdaad
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Share Article Back to Top Gibson Guitar Buys Majority Control of TEAC Gibson Guitar has offered $52 million to buy 54.4 percent of the issued and outstanding shares of TEAC. The tender offer period began April 1, 2013 and will remain open for 21 Japanese business days.
Upon completion of the acquisition, TEAC will expand the size and reach of Gibson’s Pro Audio business, with products that complement the KRK, Cerwin-Vega!, and Stanton portfolio of studio monitors, sound reinforcement equipment and DJ gear, respectively.
In future product development, TEAC has the potential to add value to the Gibson MI (musical instrument) segments, and even with the fretted instrument category.
And this deal adds to the premium consumer electronics with Gibson’s other Japanese strategic partner, Onkyo.
TEAC is already widely recognized for high grade audio through its Esoteric brand, including multichannel recorders, handheld recorders, and Apple iOS devices, with growing opportunities in mixers and computer audio interfaces.
Another overlap in interests: TEAC is acknowledged as initiating the home recording revolution by introducing affordable multitrack recording, a technology invented by Les Paul — whose namesake Gibson guitar has established itself as the most coveted electric guitar of all time.
TEAC’s product lines range from industrial data acquisition and storage, high-end audio, disc publishing, medical video and broadcast into a broad-based consumer market through their TASCAM division. The company’s leadership in multichannel recorders, sound contractor products, field recorders, audio interfaces and more has resulted in breakthrough products like the self-contained Portastudio that includes all elements needed to produce professional-quality recordings while retaining a consumer-friendly price.
This is yet another step in Gibson’s aim to become the largest music and sound business. In January 2012, Gibson announced a strategic alliance with Onkyo, a worldwide leader in consumer audio, where both companies made investments into each other.
TEAC will continue to be led by the current management while Gibson Guitar, obviously, is all for playing new tunes.
Gibson is here: http://www2.gibson.com/default.aspx?
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Share Article Back to Top BEHRINGER Introduces EUROPORT iP40PRO Behringer's new iP40PRO is an all-in-one portable PA system with full Bluetooth connectivity. The iP40PRO can handle gatherings of up to 250 people and features a 40-watt, Class-D amplifier; a powerful 8” woofer and high-resolution tweeter housed in a rugged self-contained package, integrated wheels and a convenient retractable luggage-style handle for ease of transport. To further enhance portability, a rechargeable internal battery provides up to 12 hours of operation.
A so-called “Planet Earth” switching power supply (100 – 240 V) makes it worldwide capable. It also offers noise-free audio with superior transient response and lower power consumption, according to Behringer. Two microphone inputs with mic preamps and individual volume controls are provided, as well as an auxiliary input for connecting external audio players.
Here are all the specs: http://www.behringer.com/EN/Products/iP40PRO.aspx |
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Share Article Back to Top Minnetonka Audio Software Rolls Out AudioTools Server 2.5 Minnetonka Audio Software's AudioTools Server (ATS) 2.5 adds features including load balancing, workflow failover and support for additional codecs. It is the first system of its kind to include Dialogue Intelligence for dialog–anchored loudness correction, which uses Minnetonka Audio's proprietary "p?rPath" algorithms for digital signal processing. ATS 2.5 is also first in offering improved short–term and momentary limiting with p?rPath loudness control.
ATS 2.5 is an enterprise software system for automated audio processing in file–based workflows. The system conforms to the CALM Act, ATSC A/85, EBU R 128, ITU-R BS.1770, ARIB TR-B32 and OP-59, providing specialized workflows that apply loudness control optimized for different targets and platforms. Unlike existing digital or media asset management (DAM or MAM) systems, ATS 2.5 thoroughly addresses loudness control problems and automatically handles the audio essence without compromise. The result is easier administration, reduced manual loudness management, and greater peace of mind for engineers and executives during postproduction.
Here are the details: http://www.minnetonkaaudio.com/index.php
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Share Article Back to Top Extron Introduces New HDCP-Compliant Multi-Window Processors Extron's new MGP 462 Pro and MGP 464 Pro are two new high resolution multi-window processors that enable the simultaneous display of multiple images on a single screen — two windows for the MGP 462 Pro and four windows for the MGP 464 Pro. Full HDCP compliance at all HDMI inputs and outputs assures worry-free presentation of protected content. The MGP Pro also provides two simultaneous outputs that generate HDMI and RGBHV video, simplifying integration with different display devices.
To simplify integration of sources and displays, the MGP 462 Pro and MGP 464 Pro feature Key Minder, an Extron-exclusive technology that authenticates and maintains continuous HDCP encryption between input and output devices to ensure quick and reliable switching. In addition, the MGP Pro includes Extron's innovative Graphic Still Store, a feature that enables screen captures of the current output, or images uploaded from a PC, to be stored for use as presentation background images. Live video from an HDMI source can also serve as the background to any presentation.
For large-scale applications, two or three MGP 462 Pro or MGP 464 Pro units may be cascaded to create displays with six to 12 windows. Optional HDMI and 3G-SDI/HD-SDI inputs enable easy integration of digital video sources into AV systems and together with the HDMI output, allow the MGP 462 Pro and MGP 464 Pro to operate within an all-digital video system.
Here are the specs: http://www.extron.com
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Share Article Back to Top InfoComm University Plans 300+ Educational Sessions During InfoComm 2013 InfoComm 2013 will provide educational opportunities to more than 3,500 of the 35,000 professionals expected to attend this year’s week-long event, June 8-14 at the Orange County Convention Center in Orlando, Fla. InfoComm University offers career-advancing training and certifications, and InfoComm partner organizations and manufacturers will provide additional training sessions to round out the educational offerings. More than half of the classes in this year’s Show program are new.
InfoComm University Tracks
InfoComm University offers a comprehensive range of programs to address the diverse skills and interests of attendees. It includes:
- Pre-Show Education — three-day “total immersion” technical courses
- Super Tuesday — full day sessions prior to the show floor opening, including the popular Future Trends
- Daybreak Sessions — designed to tackle training subjects before the show floor opens
- Seminars and Workshops — one-and-a-half to two-hour seminars focus on AV systems and technology, and special four-hour workshops on everything from networking for AV professionals to incorporating video streaming and managing an AV department
- AV Tech Tours — tours of top AV installations in Orlando
The following topics will be covered during the Super Tracks at InfoComm 2013:
- AV Systems Technology
- Networked AV Systems
- Business & Management
- Technology Manager
- Staging and Live Events
- Digital Signage
- First Timers
- Standards
On Tuesday, June 11, InfoComm University presents Super Tuesday, an all-day exchange of ideas and best practices. Classes with new content include:
- Women in Technology Symposium
- Unified Communications and Collaboration
- Wireless Trends
- Technology Managers Symposium
- Digital Image Content in Live Event Production
- CTS-D & CTS-I Symposium, focusing on the AV Systems Verification Checklist
- Future Trends
- Business Leadership Workshop
Partner training opportunities are scheduled to occur before and during the event and include the following education tracks: 3D Comm, DisplaySearch, IMCCA, Projection Summit, Realcomm/IBCon, SynAudCon and Technologies for Worship. In addition, more than 30 leading manufacturers will offer 60 sessions on specific audiovisual products and solutions.
InfoComm 2013, the largest commercial audiovisual show, expects 35,000 attendees including commercial service providers and end-user technology managers from wide-ranging market sectors, including business, government, military, education, worship, healthcare, hospitality, retail and entertainment.
Register for InfoComm today using code MCTRA at http://www.infocommshow.org
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Share Article Back to Top BEHRINGER Debuts New 500-Watt PA Speakers The new BEHRINGER EUROPORT EPS500MP3 PA System is aimed at musicians, DJs, schools, gyms or anyone seeking a portable and lightweight audio solution. The compact system is easy to set up and simple to use, and features an 8-channel, 500-watt powered mixer with built-in MP3 player and wireless mic capability. It offers two separate loudspeakers, each with a custom-designed 8” woofer and 1” compression driver and a storage compartment for the included XM1800S mic and cabling.
Despite its size, the EPS500MP3 is integrated with an 8-channel powered mixer that can be left attached to the back of the speaker or detached for easy positioning and access. Channels 1 – 4, which feature BEHRINGER's XENYX mic preamps, accept balanced XLR mics, as well as balanced and unbalanced ¼” line-level sources. Phantom power is provided for studio-grade condenser mics and each channel has its own 2-band EQ. Stereo channels accommodate both RCA and ¼” inputs.
Here are the specs: http://www.behringer.com/EN/Products/EPS500MP3.aspx
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Share Article Back to Top HES Launches SolaWash and Master Wing High End Systems is launching a couple of new lighting products at the Pro Light & Sound show in Frankfurt this month.
The SolaWash 19 and SolaWash 37 are high brightness moving wash lights that will complement High End System’s existing LED fixtures, the SolaSpot LED and Trackspot Bolt. Powered by 15-watt RGBW LEDs, and offering the deep hues provided by the company's Indigo Highlighter, these fast, compact and versatile fixtures are meant for applications such as concerts, theaters or corporate events. Features such as built-in dynamic patterns and lenses, a 12- to 65-degree zoom, variable CTO and multiple fixture modes offer a lot of flexibility.
High End Systems is also launching the Master Wing 4 for the HOG4 family, which has 30 fader-less playback masters – as well as a rate encoder, also found on the HOG4. The Master Wing 4, like the Playback Wing 4, comes with a 15.6” widescreen touch panel and a slot for expansion with a Super Widget or MIDI Timecode Widget.
Finally, the company is unveiling new features for the HOG 4 family at the show, including Command Keys, which is the ability to attach any directory items to the LCD User Keys.
Find out more about these products at http://www.highend.com
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Share Article Back to Top Christie Debuts Two 3-Chip DLPs with 4K Resolution Today Christie introduced two new 3-chip DLP, 4K projectors — the Christie D4K2560 and Christie D4K3560. The company says these new D4K models are the 3-chip DLP 4K projectors from Christie that also offer frame rates at 60 frames per second (fps). Both the Christie D4K2560 (25,000 center lumens) and Christie D4K3560 (35,000 center lumens) provide razor-sharp image detail – and video with smoother motion and transitions – for unsurpassed image quality and a more vibrant and appealing visual experience. The new projectors replace the Christie D4K25 and D4K35, respectively.
“Christie is the only manufacturer providing full 4K (4096×2160) resolution at 60 Hz and the reliability and image clarity of 3-chip DLP all in one package. Both projectors are a quantum leap forward in video image processing and a breakthrough in high frame rate and high resolution video projection,” said Mike Garrido, senior product manager, Business Products, Christie.
The Christie D4K2560 and Christie D4K3560 projectors are the first of Christie’s new TruLife Electronics platform. Additionally, the units come equipped with 3G SDI, Display Port and DVI/Dual Link DVI inputs, so Christie customers can update their existing sites for future projects without the constraints of SDVI inputs.
“Customers such as automotive designers and amusement park operators will love the increased dynamic range and the highest fidelity content with immaculate, deep, and vivid color transitions,” Garrido continued. “Amusement parks, for example, are open all day and well into the evening seven days a week and the combination of 4K, 60 Hz and DLP reliability can manage the heavy workload with smooth, crystal-clear video content much longer than what has been available."
The Christie D4K2560 and Christie D4K3560 have a three-year parts and labor warranty and ship in June 2013. Tou can see all the specs of the D4K2560 here: http://www.christiedigital.com/en-us/business/products/projectors/3-chip-dlp/Pages/
Christie-D4K2560-3-chip-DLP-4K-projector.aspx and the D4K3560 here: http://www.christiedigital.com/en-us/business/products/projectors/3-chip-dlp/Pages/christie-d4k3560-3-chip-dlp-4k-projector.aspx
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Share Article Back to Top Barco Debuts 8 Millimeter LED to LiveDots Line Barco LiveDots (a Barco company) has added a new C-series LED display, dubbed the C8. It has a pixel pitch of 8.33 millimeters and is spec'd at 5,000 nits brightness. It's an outdoor LED display that Barco says has been specifically designed for use in the rental and staging industry or for fixed installations.
Because the C8’s mechanical accessories — such as the truss beams, feet and stacking frame — as well as the image processors, are common to the other C-series LED displays, rental companies can use their current inventory and make it work in cross-rental applications. Like the rest of the C-Series from LiveDots, it's hermetically sealed and fan-less.
Here are all the specs: http://www.barco.com/en/products-solutions/led-displays/outdoor-led-displays/833mm-pixel-pitch-5000-nits-outdoor-led-display.aspx
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Share Article Back to Top BEHRINGER Debuts Another Portable Powered Speaker BEHRINGER's new EUROLIVE B207MP3 is a multi-purpose, 150-watt, active loudspeaker designed for vocal and/or keyboard monitoring, multimedia, press conferences and other applications where space is at a premium. The B207MP3 includes a built-in, four-channel mixer that accepts XLR, TRS and RCA inputs; it also includes phantom power for an external mic.
The B207MP3 is compact and light enough to be mounted on a mic stand, while the 6.5” full-range driver provides heavy-duty sonic performance. A Class-D amplifier and internal switch-mode power supply pumps out 150 watts, and additional active loudspeakers can be linked via a convenient THRU socket, making the B207MP3 ideal for use as a main system in more intimate venues.
The EUROLIVE B207MP3 will arrive at U.S. retailers in Q2 and list for $249.99.
To see all the specs, click here: http://www.behringer.com/EN/Products/B207MP3.aspx
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Share Article Back to Top BenQ Adds Large Venue Projector Line BenQ America Corp. today announced its new M7 Series of high-brightness, high-performance projectors. Designed for education and other large-venue settings, the product line comprised of the MX720, MW721, MX722, MX766, and MW767 features up to 4,200 ANSI lumens of brightness, contrast ratios extending to 13,000:1, and power-saving technology to cut energy consumption by up to 70 percent. The higher-end models include features such as USB camera integration and remote desktop capabilities to facilitate classroom management, wireless display for cable-free connections and projection templates to make presentations easier.
With 3,500 (MX720 and MW721), 4,000 (MX722 and MX766), and 4,200 (MW767) ANSI lumens of light, the projectors offer astounding brightness within any ambient light setting. The projectors feature XGA (MX720, MX722 and MX766) and WXGA (MW721 and MW767) native resolutions for sharp images, built-in 10-watt or 20-watt speakers and a six-segment color wheel to cast lifelike images onto the screen.
Lowering total cost of ownership (TCO), all models feature an "Eco Blank" mode, allowing presenters to blank out the projection screen whenever the projector is not in use. To further reduce energy costs, the MX720, MW721, MX766, and MW767 use BenQ's SmartEco technology to enable power-saving features. In the "SmartEco" mode, the projector automatically adjusts lamp power by up to 70 percent — using just the right amount of brightness that is needed. A "No Source Detected" mode automatically lowers brightness to 30 percent when no display has been detected for more than three minutes, while a "Standby" mode lowers power consumption to less than 0.5W while the projectors are inactive. In addition, the M7 Series features an audio pass through function that further preserves lamp life by enabling just sound for audio-only podcasts or presentations.
For complete connectivity, the M7 Series features LAN Display for full projection management via a single LAN cable, dual HDMI and D-sub ports to enable inputs from several sources, and DLP Link support for 3D projection. Other features include "instant restart," which allows rapid rebooting when devices are accidentally switched off and a microphone input to facilitate setups by eliminating the need to carry speakers.
Available now, the BenQ MX720, MW721, MX722, MX766 and MW767 retail at $1,299, $1,499, $1,499, $2,199 and $2,399, respectively.
More information is available here: http://www.BenQ.us.
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Share Article Back to Top Meyer Sound’s New Compass RMS Simplifies Real-Time Loudspeaker Monitoring Meyer Sound has introduced the Compass RMS, a new hardware and software solution that the company says streamlines the real-time monitoring of Meyer Sound self-powered loudspeaker systems. Building on Meyer Sound’s remote monitoring technology, the new Compass RMS system features the RMServer, the purpose-built network hardware that communicates loudspeaker performance data over Ethernet and twisted-pair network. The control interface is now fully integrated into the Compass 3.0 software, which supports both Mac and Windows. Compass 3.0 also serves as the user interface for the Galileo loudspeaker management system and the CAL column array loudspeaker.
With the control interface moved to Compass 3.0, users of Compass RMS can perform mute, solo and wink ID functions and monitor more than a dozen parameters much more efficiently. These parameters include peak amplifier power and voltage, average amplifier power, limiting, fan speed and heat sink temperature. Compass RMS adds the ability to automatically discover RMS-equipped loudspeakers on the network, eliminating most data entry.
Compass RMS is built on the IEEE 1722.1 open standard for communication and control. Using a standard router, Compass RMS can be controlled with a wireless computer or a tablet. RMServer works independently of Compass, and can send emergency notifications via email even when Compass is not connected.
RMServer is backwards compatible with all Meyer Sound loudspeakers equipped with an RMS module. RMS is an option for all loudspeaker models and the MPS-488HP power supply. To deploy Compass RMS, users should purchase the correct number of RMServer units, download the free Compass 3.0 software, and perform a quick, one-time procedure to set each loudspeaker’s ID code. Each RMServer can connect up to 50 RMS-equipped Meyer Sound loudspeakers or 96 low-voltage loudspeakers using 12 RMS-equipped MPS-488HP power supplies.
Compass RMS will ship in May 2013. Click here for more information: http://www.meyersound.com/products/compass_rms/
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Share Article Back to Top For all you REGULAR readers of rAVe Rental [and Staging] Edition out there, hopefully you enjoyed another opinion-packed issue! For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that's why you see what you see in most of the pubs out there. We are different: we run what we want to run and NO ONE is going to pay us to write anything good (or bad). Don't like us, then go away — unsubscribe! Just use the link below. To send me feedback, don't reply to this newsletter. Instead, write directly to me at gary@ravepubs.com or for editorial ideas, Editor-in-Chief Sara Abrons at sara@ravepubs.com A little about me: I graduated from Journalism School at the University of North Carolina at Chapel Hill (where I am adjunct faculty). I've been in the AV-industry since 1987 where I started with Extron and eventually moved to AMX. So, I guess I am an industry veteran (although I don't think I am that old). I have been an opinionated columnist for a number of industry publications and in the late 1990s I started the widely read KNews eNewsletter (the first in the AV market) and also created the model for and was co-founder of AV Avenue, which is now known as InfoComm IQ. rAVe [Publications] has been around since 2003, when we launched our original newsletter, rAVe ProAV Edition. Everything we publish is Opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship ePublication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition, co-published with CEDIA and launched in February 2004, is, by far, the largest ePub in the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com To read more about my background, our team and what we do, go to https://www.ravepubs.com Back to Top Copyright 2013 – rAVe [Publications] – All rights reserved – All rights reserved. For reprint policies, contact rAVe [Publications], 210 Old Barn Ln., Chapel Hill, NC 27517 – (919) 969-7501. Email: sara@ravepubs.com
rAVe Rental [and Staging] contains the opinions of the author only and does not necessarily reflect the opinions of other persons or companies or its sponsors.
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