Volume 14, Issue 4 — February 24, 2016
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Industry News Displays Control & Signal Processing Audio Projection Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories Media Players, Recording & Distribution
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Who Owns the Code?
By Mark Coxon rAVe Blogger
Let me start by saying that I know this blog is going to draw criticism from both sides. This is a long standing argument in the AV community, one that has yet to be universally agreed upon, and I’m certain this piece will NOT change that fact. There will still be people who fall on both sides of this argument, but perhaps at the end of this you will either understand the issue better, or potentially even jump from one side to the other.
First, let’s define what code we are talking about. When we ask “who owns the code?”, typically we are talking about the code for the control system we use to control our installed AV systems. When we ask “who” owns the code, I think we generally agree the programmer, being an employee of a company, does NOT own the code. Where we disagree is whether that code is owned by the integrator or whether that code is owned by the end user who paid for the AV system and its corresponding hardware, programming, and installation.
Some integrators claim the code is “my Intellectual Property” or “my IP,” while others assert that the end user should get everything required to maintain the system as part of their purchase.
First I’d like to explore the concept of “my IP.” Is this code actually copyrighted by the sheer fact that it was written by the integrator? To answer this we have to look at a couple factors.
First, in general, a copyright is “a property right that springs into existence when a sufficiently creative idea is reduced into or onto a tangible medium.” –Hawley Troxell
By this measure code, meets the copyright standard. Some of you are saying: case closed. Not so fast.
Let’s quickly think about a piece of code for an AV control system. First the code is written in a language like C+, Java, Simpl, etc. and the control system manufacturer lays out the rules by which this language can be used in their systems. Secondly, the code includes what I will call “industry code” from manufacturers that includes all the commands needed to execute operations on those devices. Thirdly, there is “operational code” that creates an execution of, combination of, and transition between those “industry codes” to operate the system. Finally there is code that pertains to the GUI or the look and feel of the interface.
Can the integrator lay copyright claim to all of these types of code individually?
Programming Language: This language itself already has a copyright owner. A programmer using common instruction sets from a programming language really hasn’t exhibited a “creative idea” at this point, and would have no more claim to a copyright on that than I would on the English language because I wrote this blog using it.
Industry Code: This code typically already has been written by someone else. Many times the control system manufacturer even manages a library of these code sets for their programmers to use. Given this, the integrator would have no copyright claim to this piece of the code. As an exception, sometimes this code DOES NOT exist and must be written. We will tackle that soon.
Operational Code: This is where the integrator strings operations together utilizing both the programming language and the Industry Code above. This part of the code is at least reasonably able to be claimed as “my IP.” We will return to all this later.
GUI Code: Many times, the GUI is created from an existing template provided by the control system manufacturer or a third party. In those instances, the copyright actually resides with them and not the integrator. An integrator may claim that their arrangement of those items within the template is still “my IP” and we will also revisit that shortly. However, if the integrator creates a custom GUI with new graphics and objects, that would definitely be their IP, no argument there.
Alright, so let’s come back to operational code and arrangement of items in an existing GUI template as potential IP. In order to accurately assess this, we may have to look past copyright in general. This really comes down to if the assembly of existing parts in a particular order is protect-able.
There is a great scene in Flash of Genius when Ford’s attorney asks Robert Kearns if he invented any of the parts within his intermittent windshield wiper circuit. He answers no on all counts. Under cross examination, his own attorney asks him which of the words in his plays Shakespeare created. Again the answer was none, and the attorney asserted it was in fact the order of the words that made them unique and not the words themselves.
By this test alone ,it would seem operational code and GUI arrangement is IP, but the U.S. Supreme Court may see that differently.
In 2007, “the Supreme Court decided that when elements, techniques, items, or devices are combined, united or arranged, and when, in combination, each item performs the function it was designed to perform, the resulting combination — something the court called “ordinary innovation” — is not patentable. This can be true even if there is no teaching, suggestion, or motivation to make the combination.” (1)
In other words, a new control module not in the existing library for a piece of equipment, operational code, and GUI arrangement are most likely “ordinary innovation”, not IP. These are no more an original work than copying 10 pages from 10 different books and binding them all together. Kearns’ situation was different in that he combined parts not previously combined to perform a new function not performed before.
Given all this, the only part of the control code that can realistically be called IP is custom GUI code. Now this could be a GUI that the integrator built and uses across several clients and projects, or it could be one created specifically for the client at hand.
In both cases, it seems that the problem is that there is no practical way to provide the end user a file that includes the industry and operational code (not IP) while excluding the custom GUI code (IP).
The interesting shift in the conversation here is that most integrators I have spoken with about this, actually don’t care too much if the customer has the code or not. They typically can’t do anything with it on their own. They don’t have the hardware or the skill-set to use it to launch internal DIY efforts and circumvent the integrator in the future.
The main concern seems to be that it will wind up in the hands of their competitors. The client may hire someone else next time, and if the customer has the code, they can hand it to the new firm who can then utilize it in future rooms as well as other jobs. (In the majority of cases, a large chunk of the code needs to be redone each time anyway to adjust for different components and room functionality).
So what is an honest integrator to do to protect the work they’ve done?
All of the following solutions require the integrator to do one thing they may not typically do. Have a conversation with the client at the beginning of the job specifically about code ownership.
My problem with the whole “who owns the code?” conversation is that in my experience, the client rarely knows that he won’t get the code as part of the project, that the code can’t be pulled from his system by another authorized dealer and that without the code, only the original firm can ever work on the system to maintain or upgrade it. In short, the customer is getting less than what he thought he was getting.
I’d never buy a car that could only be fixed at the dealership I bought it from.
By having a conversation up front about code ownership, the integrator and the client can come to a common agreement and appropriate price structure based on what code they want to own.
The code can be defined specifically as “work made for hire” meaning the end user owns it and pays the associated cost. Any client specific GUI should be done this way in my opinion, as it can’t be leveraged elsewhere anyway.
The integrator could provide a licensing agreement that defines how the code can be used. This would allow the end user to own the code, but also pay a per-device fee for its use. This is helpful when the integrator has invested in developing an in house custom GUI they want to leverage across multiple jobs, as they can offset the development cost through licensing per system.
The integrator could relate they never sell their code and allow the end user to decide up front if they are comfortable with the arrangement. In this case, it would be ethical to include a clause that says if the integrator goes out of business, they will relinquish the code to the client at that time.
The integrator should also include contractual language to the effect that the GUI used in the system is their copyrighted IP and cannot be reused elsewhere.
Conclusions?
If you are providing systems with custom GUI code then you do really have IP. Have the code discussion up front. Define the client’s wants and needs and price them accordingly. If there is additional work being done specifically for this client that will never be leveraged anywhere else, define it as a work made for hire, charge accordingly and relinquish the code to the end user as part of the close out package.
If you are providing a control system from a manufacturer programmed in their language, using existing industry code, and utilizing an existing GUI template, I would assert that by the standards above, no IP has been created here. The only reason to not include the code as part of the project in this case would be to maintain an unfair advantage on the customer in case they try to hire another integrator later. (If you disagree, there is a comments section below, so fire away).
Systems that implement wholly new ways of doing things or combine things in ways that are not obvious, logical extensions of existing arrangements would also be an exception.
So who owns the code? Well possession is nine-tenths of the law so if the integrator chooses not to release it as part of the project, that is ultimately up to them.
From an IP standpoint, most of the code is likely not protect-able as the integrator’s IP, either in its written form or methodology, so there is really no reason not to include it as part of the project. In the rare cases that the system GUI is completely custom, IP claims are justifiable. In all cases, a code discussion should be had with the end user up front to set proper expectations for what will and will not be included, and if done properly, the appropriate pricing can be assigned to that agreement as well.
References:
- Combination Inventions
- Who Owns the Source Code?
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Why Crestron Stopped Exhibiting at CEDIA – The Facts and My Opinion of the Impact on CEDIA
By Gary Kayye rAVe Founder
Update: So, now there’s no more guessing as to why Crestron pulled out of CEDIA as I literally got the one (and only) interview with Crestron President and CEO Randy Klein, who spends 10 minutes outlining exactly how the decision was made and why. Watch the interview here.
There’s been a lot of talk surrounding Crestron’s announcement to pull out of exhibiting at CEDIA. Oh, I guess if you hadn’t heard that, yes, they have decided not to go to CEDIA any more.
Crestron’s been one of the largest exhibitors at CEDIA for over 10 years and has actually had one of the largest three booths at CEDIA for seven of those 10 years. In addition, they’ve held a giant party, a plethora of educational sessions and even a private suite where they’d launched new products. So, suffice it to say, they’ve been one of the companies that has spent the most money at the annual high-end residential AV show.
But, last week, via CEPro, Crestron made it public that they’ve decided to no longer exhibit at CEDIA.
So, why?
I reached out to them last week and here’s what they said: “As a market leader, we are [still] focused and committed to the luxury residential market, and are significantly increasing our investments in this key area of our business.”
Shows are expensive to do, as you can imagine.
So, why not support the show in another way? Here’s what they told me (word-for-word): “We’ve elected not to participate in the 2016 CEDIA Future Home Experience because our strategies are not the same as those exhibited by the association today. Instead, we are increasing the number of marketing and other events in North America.”
Crestron also sent me a statement that they feel that CEDIA, “caters to the entire residential market (from DIY and production homes all the way up to the luxury space). Over the past few years at CEDIA, we have observed a greater shift of exhibitors and messaging towards the entry level side. This year we have a laser beam focus on the luxury market and want to concentrate our efforts on activities that speak more discernibly to the high end. For example, we are presenting at the Luxury Portfolio International SUMMIT for leading real estate companies later this month in Miami and we are exhibiting at the Architectural Digest Home Design Show in NYC from March 17-20th.”
That means they don’t seem to like the direction that CEDIA is headed.
Crestron did go out of their way to tell me that it’s still a CEDIA member and will continue to support the organization’s activities around industry education and certification. And, they even went as far as to say that “exhibiting at the association’s annual event may fit into our plans sometime in the future.”
So, there’s a possibility they will come back.
And, they’ve decided to spend their money on a new showroom plan. Here’s what they said about that: “We’re excited to announce the opening of our showroom in the Design Center of the Americas in Dania Beach, Florida. This multimillion-dollar facility is the ninth location of its kind to showcase the Crestron experience. We have appointed a residential executive team to include industry veteran, Ami Wright, as director of residential programs. Ami will be joined by a new VP of residential systems to be revealed soon.”
And, to reassure residential integrators, Crestron told me they invested in a new development lab at Crestron’s Rockleigh, NJ campus. They say it’s staffed with 10 full-time engineers dedicated to making new residential AV products.
I’ve been to 22 straight CEDIA shows. I love them. I have both a personal and professional interest in CEDIA.
That said, I completely concur with Crestron’s observations — the show does have more DIY’ers than ever before. And, the show’s no longer exclusively a high-end show. It’s far from a CES, but it does have a lot of consumer-based technology there. And, Crestron wants to stay integrator-focused.
Despite what many may think, Crestron isn’t a brand that’s aiming to be a household name. Sure, everyone loves the marketing value of that — a name that rolls off everyone’s tongue. But, that doesn’t do you anything unless you’re selling to them — the consumers. And, in the high-end residential market, the consumer doesn’t drive the sale, nor should he (or she).
Integrators have the historical knowledge and expertise to design, specify and build high-end home systems. Yes, Apple builds a set-top box that you can talk to but, it can’t open the shades, it can’t adjust the lighting and it can’t monitor the security of your home. But, Crestron (and high-end integrators) can, and do.
CEDIA wants to grow. And the high-end residential market isn’t growing. it’s nowhere near what it was pre-2008 recession — far from it, in fact.
Walking around CEDIA 2015 I thought it was one of the best CEDIA’s ever — certainly the best in the last half-dozen years. Everyone was upbeat, there was more innovation than any other time this decade and the sho floor had the best attendance since. But, nearly every new exhibitor over the past five years has catered to the DIY’er. Sans Barco, Epson and Christie (with their new residential-focused offerings) the majority of new exhibitors have represented stuff like qpp-based control companies (with Apple and Android-based control), distributed audio system companies (with recessed can replacement LED lights with built-in speakers) and even home security companies are all DIY or more CES-focused than custom residential focused.
This represents a healthy reflection of an emerging market. And, truth is, most of these DIY’ers will absolutely move up — meaning they will start with app-based control and eventually want something more Savant-like, then even Control4-like and then hop on up, eventually, to a Crestron-based system. But, that said, look at what Savant launched in to the market at CEDIA — a DIY remote called the Savant Remote.
So, it totally makes sense why Crestron did this. Crestron isn’t at CEDIA to pick up more dealers — and you should be glad they aren’t. They’re there to support the dealer channel they already have — and, of course, to announce and demo new products.
And, as we all know, the web now launches products — or at least, you can pretty-much find a new product or details about a new product on the Internet. And, as for supporting their dealers, they said, specifically, they’ll do that via the aforementioned Design Center and the Architectural Digest Home Design Show AND they said they’d continue to support CEDIA’s educational initiatives.
So, if you put this all together, spending the kind of money one of the largest CEDIA exhibitors was spending, it makes sense they’d eventually consider pulling out. So, I guess this year was the year they happened to be evaluating the ROI of CEDIA and they came to the conclusion to the speed the money elsewhere.
However, they also left the door open that they’d consider returning. They didn’t set specific conditions for a return, but they pretty much made it clear that they aren’t interested in the DIY market, though. Leave a Comment
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InfoComm 2016 Registration Opens, Will Showcase the Internet of ThingsThe Internet of Things will make its presence felt at InfoComm 2016, June 4-10 at the Las Vegas Convention Center and Westgate Las Vegas Resort and Casino. Show organizers expect nearly 1,000 exhibitors, occupying more than 500,000 net square feet of show space, making it the largest AV tradeshow in North America. InfoComm 2016 builds on last year’s record attendance, with attendees from all 50 United States and more than 100 countries around the world.
Registration for InfoComm 2016 is officially open here.
InfoComm 2016 will feature a pavilion on the show floor devoted to IoT technologies and solutions. There will also be a day-long Super Tuesday session dedicated to how AV professionals can understand and exploit IoT advances in their AV/IT systems and business processes. Samsung and Crestron are official sponsors of the IoT pavilion and education program. From networked devices to advanced sensors, IoT technologies enable smarter spaces for collaboration, entertainment and more. Everything from digital signage to conferencing can benefit from the intelligence that is inherent to IoT solutions.
“The Internet of Things is changing the way organizations operate,” said Jason McGraw, CTS, CAE, senior vice president of expositions, InfoComm International. “AV professionals have had a front-row seat to the rise of IoT, starting back when the first network port appeared on an AV device to help streamline management and control. Now, with the wealth of actionable data that the IoT generates, they are in a unique position to create new solutions that digitalize processes and enhance the user experience of audiovisual and communications systems. InfoComm 2016 in June will be the place to learn about the intersection of pro AV and IoT.”
In addition to the fresh focus on IoT, over 75 percent of this year’s InfoComm University program will feature new content. Based on the success of last year’s Unmanned Systems and Drones pavilion and training program, each will be expanded for InfoComm 2016. New this year is the Digital Signage Summit, presented in partnership with Invidis Consulting. To be held on Super Tuesday, the Digital Signage Summit at InfoComm 2016 will be the newest in a series of events focused on the digital signage and digital out-of-home markets. Invidis Consulting holds similar summits across Europe, most recently at Integrated Systems Europe (ISE) in Amsterdam. ISE is a joint venture of InfoComm International and CEDIA.
InfoComm 2016 organizers are making it easier for attendees to sample InfoComm 2016’s diverse education offerings by making the majority of the program available for one price. For the first time, attendees can pay one price for access to more than 90 sessions and workshops — each worth CTS renewal units — rather than register for sessions individually. For only $189 ($279 for non-InfoComm members), AV professionals can attend any seminar or workshop offered Wed. to Fri., excluding manufacturer training, tours or labs. If a conflict arises, or a different session catches the eye, they can simply attend a different session.
“This gives our attendees a chance to sample as much education as they have time for,” said Rachel Bradshaw, director of exposition content, InfoComm International.
For more information about InfoComm 2016, go here. Leave a Comment
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Chinese-Based HNA Group Buys Ingram Micro for 6 BillionReuters is reporting that a Chinese-owned aviation and shipping company, HNA Group is buying Ingram Micro for $6 Billion. Ingram’s stock closed at $29.65 yesterday and the buy-out value is at a little over $38 per share.
This will have an impact on the AV market. Why? This shipping company will not want an AV division. They will likely want to dump that division as it is too small and to fragmented. Thus, this division of Ingram Micro is ripe for being bought out — as they do have a good business model.
We will follow this story as it develops but Ingram is the world’s largest wholesale technology products distributor.
Ingram Micro is here and HNA Group is here. Leave a Comment
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NEC Launches 75″ X754HB LCD MonitorNEC Display Solutions Europe has expanded its portfolio of high brightness displays with the launch of a 75-inch display designed for areas with high levels of ambient light, and where the harsh environment of sunlight would affect the performance of normal displays. Displays that can be used in high brightness environments add much-needed flexibility and high-quality visual experiences to retail, quick serve restaurants, airports or digital out of home display situations.
The 2500cd/m² max brightness X754HB is a 1080p large format display offers a reliable and consistent solution for environments where lighting conditions are changeable but the information on the display always needs to be visible. The 75-inch display apparently intelligently adapts to its surroundings, using an integrated ambient light sensor. During the day, the display provides a bright, clear image regardless of the lighting conditions. At night, it dims down, reducing power consumption and creating cost-efficiencies for the organisation while keeping perfect readability. With a display size of more than 190 centimetres, the LED Direct-lit X754HB matches the industry demand for life-size signage applications that effectively operate in these demanding environments.
Here are all the specs. Leave a Comment
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Barco Expands Super-Narrow Bezel Tiled LCD LineBarco has announced a new product in its super-narrow bezel LCD video wall portfolio. The OverView IVD range joins the existing OverView OVD and KVD ranges, Barco’s worry-free LCD video wall displays tailored for use in control rooms. With its high brightness (700 cd/m²), low TCO, and special display surface optimized for displaying bright backgrounds and content, the IVD range is recommended for use in control rooms that predominantly use content with a white background.
With the launch of its OverView OVD and KVD series in 2014, Barco introduced the first worry-free tiled LCD video wall portfolio that was tailored to critical control room environments. The OverView portfolio coupled the traditional advantages of tiled LCD video walls — excellent image quality, minimum space requirement, and an advantageous price setting – with a number of innovations to ensure availability and to optimize Total Cost of Ownership (TCO).
Now, the new OverView IVD5521, with a 55” screen diagonal, joins this portfolio. With a high brightness of 700 cd/m², the IVD can be used even in environments with challenging light conditions. Plus, with a super-narrow bezel of only 3.5 mm (0.14 inch), the IVD5521 provides a virtually bezel-less tiled LCD canvas.
In order to optimize uptime, and also to contribute to the wall’s low TCO, Barco developed the unique Sense X automatic color and brightness calibration system — based on integrated color sensors — to counter the classic problem of shifts in color and brightness levels in LCD video walls. This technology balances the video wall automatically, avoiding the need for expensive and time-consuming manual calibration.
In addition, to eliminate downtime due to power supply failure, the optional redundant external power supply automatically switches to a new unit if one fails. And because the power supply is remote, it can be maintained without disturbing operations. Furthermore, this system also reduces labor cost by enabling any staff member — not only (expensive) certified technicians — to replace defective power supply units.
You can see them here. Leave a Comment
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KanexPro Intros 4K Video Tiler and ScalerKanexPro announced the HDBT- VTSC72-4K, a video tiler and presentation scaler switcher engineered to upscale and present up to four HDMI, DisplayPort and VGA to 4K.
The KanexPro HDBT- VTSC72-4K is a seven-input, two-mirrored, both HDMI and HDBaseT, Video Tiler and Presentation Switcher Scaler with four HDMI, two DisplayPort and one VGA inputs with mirrored HDMI and HDBaseT outputs supporting distances over Cat6 up to 70 meters with PoC. Compliant with the latest HDCP specifications, the KanexPro Video Tiler can also be controlled via RS232 and TCP/IP. It supports native 4K (3840x2160p@30Hz) inputs and outputs with audio de-embedder and breakaway audio switching to support unbalanced stereo. The KanexPro HDBT-VSC72-4K Video Tiler and Scaler can be combined easily with any third party control systems where users can control the entire switch and the video tiling function from a touch panel or an iPad. Video conferencing can be unified to work with most popular conferencing where four-live feeds from a camera can be shown onto one large format 4K display. Lastly, any HDBaseT extenders can be combined to work with the Video Tiler since it offers a universal HDBaseT output port supporting PoC over a single Ethernet cable up to 230 feet.
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Kramer Introduces Kramer Network — An AV Over IP System — at ISE 2016Kramer Electronics is introducing something called Kramer Network, an enterprise management platform for AV over IP solutions at ISE 2016. This new solution from Kramer enables the routing, management and control of standard AV and AV over IP systems and it’s being launched in the Kramer booth, F20 in Hall 1 at the ISE show this week.
The Kramer Network is a bridge between the traditional AV world and the evolving AV over IP world. It is one platform that they say can manage everything. Kramer Network is an enterprise software platform that lets you route, manage, control, operate and maintain all your Pro AV, IT and IP solutions with one convenient web-based interface. Kramer Network is designed to be a hybrid approach to AV networking as it manages both legacy AV devices and newer IP-based AV devices. On top of that, Kramer Network integrated enterprise grade Dante integration for enabling user management, authentication, predefined connection configurations, dedicated virtual matrix, customized room view.
Kramer Network is aimed at letting both AV technology managers and IT managers to configure, control and maintain large AV deployments from any single point.
There are three basic components to the Kramer Network that allow users to route, manage and control a system. The first is the Virtual Matrix. With Kramer Network you switch any number of audio and video sources to any number of destinations on an IP-based AV network. The software can easily scale from a few devices to hundreds and thousands devices. Users can simply just click in order to make audio, video, or audio and video connections from any sources to any destinations.
The second is Enterprise Management. The Kramer Network provides a dashboard to manage all your AV and also AV over IP resources and provide system analytics, and is has user access rights management hierarchy built-in so access rights can be assigned locally or remotely.
The third is Control. The Kramer Network allows users to control both AV components as well as room functions, such as lights, shades, screens, displays, etc. Users can also remotely configure and control all the devices in any IP-based AV system. Kramer products introduced to the Kramer Network will be auto-discovered, and other products can be easily added as well.
The Kramer Network can be installed on standard, enterprise, virtual, or cloud servers, and the whole system can be web-managed, so it can be accessed or operated if desired from anywhere, any time, through a web client using a laptop, PC, or mobile device. With the Kramer Network there are both “Tree View” and “Room View” options for operation.
Since the Kramer Network deploys on a standard Microsoft Windows platform and Kramer says there is no programming necessary. All the details are here. Leave a Comment
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Atlona Unveils 4K Collaboration System For Cloud-Based Conferencing ServicesAtlona has introduced its first HDBaseT-equipped collaboration system providing 4K AV switching, USB and HDMI extension, and system control for PC-based conferencing using Skype, WebEx and GoToMeeting cloud services. The two-piece system, the AT-UHD-HDVS-300-KIT, uses a single category (CATx) cable connection between a conferencing hub and a 4K display with USB camera.
The HDVS-300-KIT consists of the AT-UHD-HDVS-300-TX, which serves as the conferencing hub, video switch, and HDBaseT transmitter, and the AT-UHD-HDVS-300-RX, which decodes the HDBaseT signal and delivers an HDMI signal to the display. The HDVS-300-RX, which supports AV, Ethernet and control signals, is also equipped with USB and HDMI inputs for carrying video back to the hub.
The AT-UHD-HDVS-300-KIT is compatible with 4K sources and displays up to 4K/UHD@60Hz with 4:2:0 color sub-sampling. Auto-input selection and display control with CEC enables automatic display on/off control as well as volume adjustment from the HDVS-300-TX. The kit supports TCP/IP and RS-232 control. The AT-UHD-HDVS-300-KIT will be available in April and will list for $1,899.99 (US).
Here are more details. Leave a Comment
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Extron Intros HDMI Audio De-Embedder for 4K SourcesExtron has just launched the HAE 100 4K, an audio de-embedder that extracts the audio from an HDMI signal, including audio from 4K sources. The HAE 100 4K provides outputs for analog stereo or dual mono signals, as well as digital multi-channel or two-channel S/PDIF audio. It is HDCP compliant, supports data rates up to 10.2 Gbps, and is compatible with video resolutions up to 4K. The HAE 100 4K is equipped with several integrator-friendly features such as a buffered HDMI video output with EDID Minder for simplified EDID management between the input source and the display, plus input cable equalization and comprehensive LED status display.
The HAE 100 4K offers several features that enhance and simplify AV system integration. To compensate for signal loss over long input cables, incoming HDMI signals are equalized up to 50 feet (15 meters) at 4K or 100 feet (30 meters) at 1080p/60 when used with Extron HDMI Pro cables. LEDs on the front panel offer comprehensive, real-time device status monitoring, including HDMI input, HDMI output and audio output signal presence, HDCP authentication, and the format of the extracted audio. The HAE 100 4K is housed in a compact 1″ (2.5 cm) high, quarter rack width metal enclosure that enables simple and discreet mounting in a range of environments.
Here are the detailed specs. Leave a Comment
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New Bose ControlSpace Remote 2.0 LaunchesBose Professional has announced significant enhancements to its ControlSpace Remote software with new version 2.0. Available as a free download, ControlSpace Remote allows integrators to distribute remote control of Bose Pro networked systems in any venue, for any user, across multiple devices.
ControlSpace Remote (CSR) has been updated across all three of its main components: CSR Builder, CSR App and the newly-released CSR Admin. Starting with CSR Builder, the templated-GUI approach has been expanded with full customization options. Users can now create custom layouts, insert images, or create navigation between GUI collections and panels. Preset configurations make it easy to render the design to each end-user’s device.
CSR App is available for mobile phones and tablets on both the Apple and Android platforms, and new to CSR App 2.0 is a revamped user interface and support for Apple OSX and Windows PC-based clients. Lastly, based on direct feedback from end users and integrators, ControlSpace Remote now offers an admin tool for both Apple and Windows machines, where facility owners and managers can self-distribute the app to staff devices.
Together with the new version of ControlSpace Remote, Bose also updates its ControlSpace Designer software to version 4.4. This new version includes support for 32×32 Dante expansion cards (for use with Bose ControlSpace ESP-880/1240/4120/1600 engineered sound processors) and new signal processing blocks including a new gain-sharing automatic microphone mixer and a newly-enhanced parametric equalization block.
You can get more information here. Leave a Comment
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ISE 2016: LDA Audio Tech to Debut NEO-ExtensionLDA Audio Tech launched its new NEO and NEO-Extension units at ISE 2016. The LDA NEO system is an EN 54-16 certified system (2426-CPR-076) that is aimed at the cost-effective PA/VA market. It includes eight class D amplifiers in a configuration of 8x60Wrms or 4x120Wrms, an audio matrix, five audio inputs, line-supervision and back-up amplification, an event configurator and audio over Ethernet/IP.
Now the NEO system can be easily scaled up to 1024 zones thanks to NEO-Extension units that are connected to NEO by using UTP cable in a daisy-chain configuration.
The new NEOs include the NEO-Extension 8120 with 8x120Wrms class D amplifiers and the NEO-Extension 4250 that is configurable to 4X250Wrms or 2X500Wrms.
Here are the details. Leave a Comment
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Bose Pro Expands the F1 Loudspeaker FamilyBose Professional has expanded its F1 Flexible Array Loudspeaker product line, to include a new passive full range model and a full suite of mounting brackets. Together with a powered model introduced in 2015, both Bose F1 loudspeaker models are ideal for portable and installed applications. The F1 Model 812 Loudspeaker is the first portable loudspeaker offering “FLEX array technology,” which lets installers focus sound to target listening areas with four different patterns, offering exceptional power and clarity for a wide range of applications and venues.
Engineered with an array of eight Bose proprietary 2.25-inch drivers, 100-degree horizontal waveguides, a high-powered 12-inch woofer and a lower crossover point, F1 Model 812 loudspeakers deliver high SPL performance while, according to Bose, maintaining vocal and midrange clarity.
F1 Model 812 loudspeakers include M8 top and rear hang points along with three dedicated brackets for easy and flexible mounting. Pan and tilt, yoke and U bracket options are available.
When extended bass response is needed for portable applications, the optional Bose F1 Subwoofer packs all the power of a larger bass module into a more compact design. The active loudspeaker and subwoofer have a combined 2,000 watts of power (1,000 watts each), able to fill nearly any venue with immersive sound. A Bose proprietary mounting stand for the loudspeaker is integrated right into the body of the subwoofer, making setup fast and easy. The stand even includes cable channels to neatly hide the wires. Additionally, the loudspeaker and subwoofer feature strategically placed handles for stress-free transportation (the system easily fits in a car), made with highly durable materials to ensure years of reliability.
The powered and passive F1 loudspeakers is designed for live music venues, sports bars, clubs, schools, houses of worship and any small to medium size venue requiring a high performance loudspeaker solution with precise control and directivity.
Bose F1 Model 812 specifications:
- F1 Model 812 loudspeaker (active): 26.1″ H x 13.1″ W x 14.6″ D (664.66 x 334.3 x 372.5mm); 44.5 lbs (20.18 kg)
- F1 Model 812 loudspeaker (passive): 26.1″ H x 13.1″ W x 14.6″ D (664.66 x 334.3 x 372.5mm); 47.5 lbs (21.55 kg)
- Bose F1 Subwoofer: 27″ H x 16.1″ W x 17.6″ D (688 x 410.16 x 448.5 mm); 55 lbs (24.9 kg)
All of it is here. Leave a Comment
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Epson Debuts New 8000-Lumen Pro G-Series Aimed at Large Venue InstallsEpson has announced its next-generation Pro G7000-Series large venue projectors. With new features, including increased brightness, and motorized lenses, the Pro G-Series has a low total cost of ownership and $199 replacement lamps. Consisting of seven models delivering up to 8,000 lumens of color brightness and 8,000 lumens of white brightness, the series also features the world’s first zero-offset ultra short-throw lens with 0.35 throw ratio, ideal for space constrained venues and digital signage applications. The Pro G-Series will be on display at ISE 2016 in Amsterdam from Feb. 9-12 at Epson booth, #1-H90.
The Pro G Series 3-chip 3LCD projectors are designed for large venues, including events staging, auditoriums and sanctuaries. Additional features include:
- Nine Optional Interchangeable Lenses: Increased installation flexibility allows users to choose the motorized lens most suited for their environment; variety of ranges include an ultra short-throw, two short-throw, one wide-throw, four middle-throw and one long-throw. A quick-release lever enables fast, easy lens exchange.
- Versatile Connectivity: Supports the full range of inputs, including HDBaseT, SDI, HDMI, DVI-D, VGA, and 5-BNC, for easy integration with any system.
- Ready for Integration: Supports Crestron, AMX, Extron and Control4 protocols for easy and simple integration into existing systems. Select models also support Art-Net DMX for lighting control for staging applications.
- Emulation: Emulates the control codes of other industry-leading projector brands for easy upgrade to Epson projectors without the need to reprogram existing controller systems.
- 4K Enhancement Technology: A revolutionary technology that accepts 4K signal and improves 1080p experience for movies3. Available on select models.
- Dynamic Projection Capabilities: Advanced built-in edge blending, image warping and curved-surface correction technologies allow for a variety of applications.
- Collaboration Features: With Split Screen function, two different sources can be projected side-by-side, and free Epson Moderator software allows up to 50 Windows, Mac, iOS or Android devices to be connected over the network with up to four of them displayed on the screen simultaneously
- Professional Installation Features: Full 360-degree installation flexibility, including Portrait Mode, allow for a wide range of applications, including simulators, mapping, digital signage and command centers.
Here are all the tech specs. Leave a Comment
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NEC Launches All New Laser Projector Lineup in PX SeriesNEC Display Solutions Europe has launched the 8000-lumen PX803UL projector, a laser/phosphor light projector aimed at large venues and rental and staging, higher education, museums, large corporations and for signage applications. Solid State Light source (SSL) technology means the WUXGA 1920×1200 PX803UL requires no lamp replacement, removes filter costs and eliminates the need for maintenance, therefore offering a low total cost of ownership during the lifetime of the projector. It offers a more constant light output and a typical lifetime of 20,000 hours and has a spec of 10,000:1 contrast ratio, while maintaining a consistent level of outstanding image quality. Inputs include, Display, HDMI and HDBaseT.
The PX803UL has a selection of wide-zoom bayonet lenses, an optional ultra-short throw lens, and the option to use third party lenses. The lens options also enable customized installations and easy upgrade of projectors that are already installed. Additional flexibility is made possible due to the option to install in any direction.
The projector has an OPS-input, HDMI-out and the edge-blending capability.
The NEC PX803UL laser projector will be showcased on the NEC Display Solutions stand 4-R24 at the ISE trade fair in Amsterdam, and commercially available from February 2016 onwards. Here are the tech specs. Leave a Comment
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Sony’s New Laser Projectors Include 4K and 6K Lumen ProductsSony is broadening its line of laser light source (Z-Phosphor) projector line in the mid-brightness range with three new models between 4,100 and 6,000 lumens. The new models are the VPL-FWZ65 (6,000-lumen WXGA); VPL-FWZ60 (5,000-lumen WXGA); and the VPL-FHZ57 (4,100-lumen WUXGA).
Designed for commercial applications including education, corporate, large venue and entertainment, the new models expand Sony’s laser-based professional projector family to a total of nine, starting at 2,000 lumens and going up to 7,000 lumens, in WXGA, WUXGA and 4K resolutions.
Sony is also adding two new lamp-based models (VPL-FW65, 6,300lm WXGA, and VPL-FW60, 5,200lm WXGA), for installation applications better-suited to lamp-based projection.
The new projectors share many features with the existing models in Sony’s line. Each uses BrightEra panel technology to reproduce natural-looking and vivid colors.
The new models are designed to deliver enhanced picture quality with features such as “Reality Creation,” a technology already in use by Sony’s home theater projection systems for high-end consumer entertainment. The Reality Creation engine analyzes and processes every input signal to refine detail, clarity and sharpness for naturally up-scaled images. This provides higher-resolution perspective, even with the lower-resolution WXGA series.
Sony’s laser light source means there’s no lamp that needs to slowly warm up or cool down, no lamp to limit tilt angle and no trade-off between high brightness and high resolution. The laser projectors are designed for up to 20,000 hours of maintenance-free operation, depending on the usage environment, which contributes to reducing users’ total cost of ownership.
In addition to the long-life laser light source design, the projectors are designed for energy efficiency due to the 3LCD engine. The VPL-FHZ57 operates at 370W power, making it the most energy-efficient laser light source projector. The low power consumption also reduces heat dissipation, in turn lowering fan noise. The VPL-FHZ57 laser projector has the quietest operation in its class (32dB, 28dB at Standard Brightness mode).
The new models have a wide powered lens shift, which can help in challenging installation environments, for example maintaining audiences’ site lines by installing the projector above a screen, or horizontally avoiding HVAC ducts on the ceiling.
The new models can be combined with a variety of optional lenses, including a short throw and tele-zoom covering up to 4.84:1 throw range, and they use a bayonet lens mounting system for easier and quicker lens changes.
Sony’s newest lens option is the VPLL-3003 ultra-short throw lens, the first-interchangeable ultra-short throw lens for 3LCD projectors. This lens offers sharp focus and minimized picture distortion due to a large mirror system, and easy adjustment of lens shift and focus via remote control. Its 0.33:1 throw ratio allows it to be used in tight spaces with no clearance from the wall.
The lens can project an 80” to 300” diagonal image with minimal throw distance (39” throw distance for 140” diagonal image), making it ideal for small meeting rooms, as digital signage or use in museums.
The new models all have built-in HDBaseT interfaces, enabling easier connectivity and reducing total system costs by using a single cable which runs all the video, audio, control and IP signal up to 328 feet (100m).
All of them are here. Leave a Comment
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Epson Debuts EB-L25000 25K Lumen 3LCD Projector, Targets Install Market With Plethora of Projectors Epson is unveiling two new ProAV projector ranges as well as its first 25,000 lumen 3LCD laser projector at ISE 2016 (9-12 February 2016) in Hall 1 Stand H90. The new models include the company’s first laser-based installation models.
Dubbed the EB-L25000U, the 25,000 lumen laser-light source projector that marks a clear focus on the install market with it and multiple other install-focused products including the EB-L1000U series (EB-L1500U, EB-L1505U, EB-L1405U, EB-L1300U, EB-L1200U, EB-L1100U). In fact, the EB-L1500U, the world’s first 12,000 lumen WUXGA 3LCD laser projector.
The EB-L25000U is native UWXGA and uses both inorganic LCD panels as well as an inorganic phosphor wheel to produce color-accurate color. Spec’s at 20,000 hours of operation, they warranty the complete projector for 20K hours — not just the mechanical aspects of it. Inputs include HDMI, HDBaseT, VGA and 3G-SDI and there are nine different lenses (with memory). We actually recorded a videocast about this projector last week. You can view it here.
Alongside these new laser models, Epson is exhibiting its new EB-G7000 (EB-G7800, EB-G7200W, EB-G7000W, EB-G7905U, EB-G7900U, EB-G7400U) lamp-based range of high-quality corporate and higher education installation projectors. Ideal for use in office meeting rooms, lecture theaters or large classrooms, the new range features a host of quality, functionality and usability improvements to help transform large-venue spaces with high-quality, professional-looking presentations.
The products were launched at ISE here in Amsterdam along with some cool demos (you can see all of them by going here and typing EPSON in the video search window as she shot videos inside their booth at ISE).
The EB-L25000U will start to ship in late 2016. The EB-L1300U, EB-L1200U, EB-L1100U, EB-L1405U will be available from July 2016 and the EB-L1500U and EB-L1505U from October 2016. The new EB-G7000 series (EB-G7800, EB-G7200W, EB-G7000W, EB-G7905U, EB-G7900U, EB-G7400U) will be available from May 2016.
All of them are here at the North American site and EMEA site Leave a Comment
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Barco Launches 13K Lumen 4K Laser-Phosphor Projector in F90The new Barco F90 series projectors are solid-state laser-phosphor light source projectors spec’d at 40,000 hours of operation time without need for lamp changes. The line includes both 2K and 4K projectors.
The F90-4K13 is native 4K UHD (3,840 x 2,400) resolution projector and the WUXGA resolution (2,560 x 1,600) F90-W13 both meet the Rec. 709 color space.
The solid-state Barco laser light engine allows the projectors to run in any orientation. This gives system designers extended flexibility in projector location and orientation for complex setups, demanding applications, and blends. Coupled with a wide array of high-resolution Barco FLD and FLD+ lenses – ranging from ultra-short throw (0.28:1) to long throw (9.75:1) – each providing a wide lens shift range, the F90 series can accommodate almost any projector configuration. What’s more, these lenses are compatible with the Barco F32 and F35 projectors.
The entire F90 line is here. Leave a Comment
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Coretronic Demos 4K UHD Ultra Short Throw Projector at ISEDelta and Coretronic make well over 70 percent of the projectors sold in the world. Delta has been selling Delta-branded (in addition to its OEM partners) projectors for years. Now, Coretronic is, too, with the European launch of a 4K projector called the DLP HLD LED as well as a home cinema line at next week’s ISE show in Amsterdam.
For the home, visitors will see the what Coretronics claims is the world’s first consumer-grade single-chip DLP HLD LED prototype projector. More than that, Coretronic is also demonstrating its full HD laser home cinema solution with lamp-less laser light source and ultra-short-throw features, which not only offers crystal-clear imaging, high contrast, high brightness, and a rich audiovisual experience, but also fits with many kinds of home styles due to its compact and sleek design. Future-ready, the projector can be easily integrated into smart home network to serve as a controller and display screen, adding to the convenience of life.
For corporate customers, Coretronic plans to provide total solutions, from its in-house-developed IR pen and light curtain touch (LCT) technology, to full HD ultra-short-throw projectors and smart connection software, offering simultaneous 10-point touch and an interactive experience. With its built-in light detectors and sensors to trace the motion of touch control, LCT turns any wall surface into an interactive interface. The smart connection software allows corporations to improve efficiency through high-tech, high-touch online meetings across regions and time zones through a wireless collaboration platform.
Coretronic’s education visual solution is powered by self-developed 134″ projected capacitive touch (PCT) screen and full HD ultra-short-throw projector, supports simultaneous 30-point touch input from fingers and pens, and allows using traditional teaching tools on an ultra-wide PCT and storing the class notes in the cloud just like using a huge tablet to establish a real interactive teaching environment.
Coretronics is here. Leave a Comment
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Auralex Intros ProPanel Acoustical AbsorptionAuralex Acoustics is offering a number of new solutions based around its ProPanel Fabric Wrapped Acoustical Absorption Panels, including ProPanel Cloud panels and all-in-one ProKits. ProPanel Cloud panels are designed to hang horizontally from a ceiling to help control and reduce sound reflections. ProKits are all-in-one, cost-effective acoustical treatment packages engineered to control excess mid- and high-frequency reflections in the room.
The ProPanel mix cloud system is configurable in three popular sizes: 4′ x 4′, 4′ x 6′ & 4′ x 8′. A ProPanel Cloud installation is composed of 2′ x 4′ x 2″ ProPanels in a frameless design and includes mounting hardware. ProPanel Clouds are available in Obsidian (OBS) or Sandstone (SST).
Based on the Auralex Class A fire-rated, fabric wrapped fiberglass ProPanels, ProKit-1 and ProKit-2 acoustical treatment packages provide state-of-the-art absorption performance with high build quality, great aesthetics and low odor. The included panels cover more surface area than competing offerings, a more effective resolution to your room’s acoustical problems. Both kits include 2’x4’x2″ beveled wall panels and reverse mitered corner bass trap panels to provide low-frequency absorption, critical in small to medium-sized rooms. The ProKit-1 and ProKit-2 room treatment systems are available in two standard fabric choices, Sandstone or Obsidian, and include all mounting hardware. Additional ProPanel Cloud and monitor isolation solutions are also available.
ProPanel ProKit-1:
- For rooms 12’x12′ and up
- Two M224 Mitered Edge SST & OBS
- Seven B224 Beveled Edge SST & OBS
ProPanel ProKit-2:
- For rooms 18’x20′ and up
- Six M224 Mitered Edge SST & OBS
- 12 B224 Beveled Edge SST & OBS
ProPanel ProKit Add-Ons:
- ProPanel Mix Cloud system
- ProPAD and SubDude Monitor Isolation Platforms
- ProGO Freestanding Absorption Panels
The following ProPanel components are available:
- 2′ x 2′ Wall ProPanel; Beveled or Straight Edge, 1″& 2″ Thicknesses
- 2′ x 4′ Wall ProPanel; Beveled or Straight Edge, 1″ & 2″ Thicknesses
- 4′ x 4′ Wall ProPanel; Beveled or Straight Edge, 2″ Thickness Only
- 4′ x 8′ Wall ProPanel; Beveled or Straight Edge, 2″ Thickness Only
- 2′ x 4′ Corner ProPanel; Reverse-Mitered Edge, 2″ Thickness Only
- Custom panels also available
ProPanels are offered in the following standard fabric colors: Obsidian, Sandstone, and the following premium fabric colors: Patina Petoskey Cobalt, Poppy, Henna, Pumice, Ebony, Mesa, Shadow and Beige. Proprietary mounting equipment options include impaling clips, offset impaling clips, corner impaling clips, cloud anchors and snap-on anchors. All the details are here. Leave a Comment
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AV GUI Offers OEM Control App for AV IntegratorsControlhaus has announced an OEM plan for AV GUI, an easy to use control and automation app.
With an AV GUI OEM Subscription, companies can have their own control app in the App Store. AV GUI is rebranded with the company’s logo and the desired name of the app. The company has complete control over all text, keywords and images that appear in the App Store. The company also receives special pricing on all of their systems.
AV GUI helps integrators get projects done faster without any special programming skills. Now integrators can also reinforce their brand every time their clients interact with their systems. AV GUI is updated regularly with new features, new product support and ongoing maintenance. These updates will also be available in all OEM versions of the app. The integrator decides when to update their own version.
Here are more details. Leave a Comment
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Christie Intros Pandoras Box Version 5.9 Media Server from Coolux for Faster, More Efficient OperationChristie has launched a new Pandoras Box media server system (Version 5.9) that features a standalone Kiosk Mode, a completely redesigned Patch-Tab, the addition of a Cues Tab for an overview of all cues, and an optimized Pandoras Box Codec. It debuted at this week’s ISE 2016 show in Amsterdam.
The Pandoras Box system is a turnkey solution that combines rendering technology with intuitive media and show control. Flexible and user-friendly, it can be set up as a standalone playback device, network playback client or in console mode for direct DMX Control.
Christie says Pandoras Box Version 5.9 now encodes files up to four times faster, delivers additional codec information through the file inspector, and includes a completely redesigned Patch-Tab and new templates that deliver faster workflow for remote control from a lighting desk. Users can create their own profiles, as well as export and import patch templates with exceptional ease. A Cues Tab has also been introduced for an overview of all cues, which can be used to navigate through the timeline and leave individual notes per cue.
For more information about the coolux Pandoras Box family of turnkey multi-media solutions, go here. Leave a Comment
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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