Volume 12, Issue 19 — October 9, 2014
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Industry News Audio Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories Unified Collaborative Conferencing Projection Media Players, Recording & Distribution Displays Digital Signage Control & Signal Processing
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Dishwashers, Refrigerators, Kitchen Tables and the Evolving Role of the AV Consultant
By Leonard Suskin Pixel and Ink-Stained Wretch
As some of you know, I’ve recently moved (which is why I’m not here quite as much) and am trying to take my kitchen to the modern era. When told about the kitchen project, people are invariably off all manner of advice and requests. I’ve been asked often if I’ll be putting a microwave above the stove (I won’t) or if I want a table near the one blank wall (I don’t). The interesting question for today’s discussion is about the new appliances — would I be getting a single-manufacturer suite, or buy each on its own.
The answer to the appliance question was, for the kitchen, an easy one; there’s no synergy at all between a refrigerator, a stove and a dishwasher. A single-source would perhaps give a slightly more consistent look, but that’s it. Instead I’d look at each item on its own and choose the best fit for our use profile and budget.
“Single source” versus “best in breed” is a question that frequently arises around technology, and one which not many years ago I’d have approached the same way I approach appliances today. I especially remember analog systems that might use video switchers, videoconferencing appliances and control systems all from different manufacturers. In a large build gear might not even be consistent from room to room; I’ve seen, for example, one manufacturer’s touchscreens in specialty spaces and another’s keypad controller in a simpler rooms. With purely standalone systems, it made sense to choose best in breed rather than a single source. As a consultant, I’d need (amongst other knowledge) broad familiarity with the product offerings of many vendors and and understanding of their strengths and weaknesses.
Is this still the case? I find it telling that when I told one of my colleagues at SMW that single-source didn’t make sense for my kitchen because the appliances don’t talk to each other he corrected me: They don’t talk to each other YET, but they almost certainly will. It’s easy to imagine a home full of smart appliances coordinating, for example, energy and water usage so as not to overload the infrastructure at peak times. It’s quite likely that my next set of kitchen appliances (a long time from now, I’m hoping) will be a single-manufacturer ecosystem.
In the AV world, of course, we’re already most of the way there. For a very simple example, nearly every manufacturer who manufactures control systems also has some kind of remote asset-management software to provide remote monitoring and control. Suddenly mixing in less costly keypad controllers from an alternate vendor no longer makes sense; you might still be able to save a few dollars and get a slightly nicer device, but at the cost of cutting one space out of the larger ecosystem you’re building. “Ecosystem” is a word (and a concept) that I find myself using with increasing frequency these days. That, after all, is what many vendors are selling. I spoke about AV transport over standard IP networks a few times, focusing mainly on functionality. Another interesting development is that many vendors of such systems aren’t selling standalone products but broad suites including options such as recording appliances, windowing processors, control, and monitoring. It’s an approach which saves the AV contractor headaches in getting disparate systems to work together, saves finger-pointing between manufacturers when two products won’t work together, and somewhat simplifies the design process by taking advantage of the R&D manufacturers have put into creating an ecosystem of interoperable products.
Does this mean that the AV designers role is fading? After all, if one is going to deploy a single-source solution it’s quite easy to get a master quote from one or more vendors listing all of the pieces and parts it would take to make the solution work. I’d say that this can’t be farther from the truth, and the consultant is every bit as important. First, we still need to do the same work in evaluating client needs, in project programming, and in coordinating all of the moving parts it takes to get from the idea of needing AV solutions to the actuality of having working solutions. That part can’t be sources to a vendor if one wants independent, unbiased analysis.
Another thing to remember is the value of form as well as function and communicating with clients about how people work and how they want things to look. This goes to the kitchen table which at least three people have suggested to me. We generally don’t eat in the kitchen, but do quite a bit of cooking. As you can see, it isn’t all that large a space. While adding a table would increase workspace, it would do so at the expense of cluttering the area and cutting travel between, say, the microwave and the sink. It’s a bad tradeoff for the same reason a gooseneck mic on a conference table is often a bad tradeoff. In both cases, there might be a narrow functional improvement which, to the user, is not worth as much as the tradeoff in aesthetics or workflow that will come with it.
Finally there is, in addition to the obvious need to evaluate entire ecosystems as opposed to single products, a requirement for much more attention to connectivity with other infrastructures. Data networks. Scheduling systems. Security systems. Building management systems. As important as it can be for some types of spaces, audiovisual almost never occupies a central place in the design process; nobody is going to design their entire network infrastructure around the AV system needs. Working with choices made by those in unrelated disciplines remains one of the big tasks and challenges of the AV design consultant.
The work we save by using single vendors — if we save anything — is what I’d argue is the least important in terms of design. It’s the detailed bits and pieces which make the vision work after it’s been conceived. While this is absolutely vital, it doesn’t speak to our core purpose in the design realm. In my years in the industry, I’ve seen clients having various levels of satisfaction with the end results of AV projects. Those who were less than fully satisfied almost never had functionality complaints; AV contractors are very good at delivering systems which, at the end of the day, work. The user hits the button, the projector lights up, an image appears on the screen. The bigger problems are almost always ones of expectations; the projects which fail have often failed when someone didn’t ask the right question, months or even years before anyone has chosen the nuts and bolts needed to execute what would eventually be a flawed vision.
The role of the AV consultant (and designers as a whole) might be evolving even farther from a focus on “nuts and bolts,” but the core of what we do — helping clients find a vision and marrying that vision to available technology — hasn’t changed. Leave a Comment
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Three Things the iPhone 6 Tells Us About Future Audio Visual Systems
By Jeremy Boyd Systems Design Consultant, AVI Systems
Apple is not the end-all-be-all in the electronics space, but Apple’s products are often indicators of where we are headed. The iPod was an indicator of how we would start to consume music and the iPhone was the catalyst for many of us to look at our phone as more than just a phone. In the AV world, we have been providing touch panels as control devices for a long time, but iOS and Android products put one in everyone’s hand. This made the technology much less threatening and also drove some much needed innovation among control panel manufacturers. Apple and its products are some of the best tea leaves we have for looking to the future of technology.
Apple’s announcement of the iPhone 6 and the roll out of iOS 8 do not add any direct features or benefits related to an audiovisual integrator’s offerings, but there are a few announcements from Apple that indicate big changes in how we interact with the technology around us at work.
1. NFC
Near Field Communication is not a new technology. It has been on key fobs and many non-Apple phones for years. You might have seen the MasterCard PayPass or AmEx ExpressPay credit card machines at the checkout counter of your favorite retail store. This is the usage of NFC that has gotten all the press over the last week and for good reason since it’s the only usage enabled on the iPhone at this time. Nonetheless, the NFC chip in the iPhone is capable of much more than just getting you out of 7-Eleven faster. Imagine getting real-time information about where people physically are in the office and adjusting lighting, shades and the thermostat appropriately. Why are we heating and lighting the CEO’s boardroom when no one is inside? Or instead of tracking employee movements (which borders on being creepy) why not swipe your phone over the conference table’s cable cubby to log you in to access your files and set up the conference room just the way you like it. Since the room would then know who you are, it could dial into the conference call or set up the video conference call using your credentials. The room could then send a text message to all the late-comers letting them know you’ve started. Since employee movement is tracked and the building is aware of who already made it, there’s no need to bother those who were on time with the text.
Apple, Google and Microsoft all have a ways to go before this is a reality and other manufacturers will need to coordinate closely to ensure that we don’t end up with three separate standards, but as phones become keys many new opportunities to use NFC will pop up.
2. Mobile Video Conferencing
It’s no secret that video conferencing is not what it once was. While integrated video conferencing rooms are still needed to facilitate meetings, the most effective use of the technology incorporates everyone who couldn’t make it into an equipped meeting room. Employees who home office, road warriors and others in the field are all now able to be their own video endpoint using their laptop, tablet or phone. Apple’s upgrade of the “Facetime” camera with better low light performance and full HD indicates that front facing cameras are supposed to be used for more important things than selfies. Businesses are understandably fed up with conference call participants being less than attentive and many are mandating that a camera be on if you’re going to claim to be part of a meeting. Now there’s no excuse for being an audio-only participant.
3. Continuity
Apple’s iOS 8 interface is centered around the word continuity and trends toward BYOD and office mobility are desperate for continuity to become a present reality. New features allow users to move files between devices without a third party system like Dropbox and also make it possible to start a task on one device and pick it up in the same place on another. Work on a spreadsheet at your desk, grab your phone, walk to the conference room and bring up the same spreadsheet in the exact same view as though you hauled your laptop to the room. This paradigm begs the question of whether all employees need a laptop since mobility could be managed through lower cost clients at the desk and mobile devices everywhere else. Appropriately equipped conference rooms and huddle rooms will be critical in making this transition.
Audio visual and building management solutions are constantly evolving. Staying ahead is difficult and sometimes impossible but using some intuition, designs can incorporate a future inclusive vision that embraces new technologies and cultural shifts keeping you and your business moving forward.
Jeremy Boyd received his first computer at the age of two and has been tinkering with technology ever since. Today, Jeremy partners with businesses to implement technology as an integrated part of their business strategy. He specializes in communications systems such as digital signage, telepresence/UC, and live sound. Jeremy is a systems design consultant at AVI Systems and lives with his wife and two children south of Denver, Colorado. Reach him on Twitter, LinkedIn or via email.
Images via Apple, VISA, InformationWeek, Polycom, Apple
This blog is reprinted with permission of Jeremy Boyd. Leave a Comment
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Almo Pro A/V Offers New Install Service to Integrators Almo Pro A/V is helping its integrators and installers expand their project reach by introducing a full line of Almo Installation Services to its business offering. Almo will showcase these new services during the fall E4 AV Tour traveling networking and training show, which kicks off Oct. 3 in Boston (and at which our founder, Gary Kayye, is the keynote speaker) in Washington, D.C. on Oct. 17.
Almo Installation Services is aimed at integrators and installers that have AV projects that are outside their normal service area or staff’s expertise, require additional labor, or for those who are just getting started in ProAV or digital signage installations. The Almo Installation Services group is being led by Business Development Manager Darren Altman, who specializes in commercial/consumer displays and interactive technologies.
The Almo Installation Services offering is now available for projects that incorporate flat panel monitors, interactive whiteboards, video walls and premise wiring. These services include everything from a site survey, hardware recommendations and wiring attachment to mounting and testing the equipment, providing a functional overview and removing packing materials.
This is a great idea, so expect it to be copied by other distributors.
Learn more about it here. Leave a Comment
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TECOM Ships New Lectern TECOM’s new TecPodium Presenter HD is ADA compliant and equipped with electronically controlled lift. It’s integrated with a 24” wide-screen HD monitor with multi-touch capabilities and a complete integrated stereo audio system. With a new HD switching and scaling system coupled with built-in projector control, the TecPodium Presenter HD is designed to be a complete AV system that can be integrated or rolled into the room and used as needed. Aimed at both education and government applications, the switching includes HDMI, VGA, video, network and audio.
Here are all the specs. Leave a Comment
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Middle Launches Compact Surge ProtectionThe new Series Protection and 2-Stage Compact Surge Devices from Middle Atlantic Products are both designed as compact stand-alone surge protectors — not rack-mountable — but is surface-mountable. The Series Protection system claims it absorbs surges without contaminating the system ground and manages against both under and over voltage events with automatic recovery that does not require a hard reset after a surge event, minimizing system downtime.
The new MOV protected 2-Stage unit has the same claims but also says it’s the industry’s most compact stand-alone surge protection device that deflects surge events from line to neutral without contaminating the system ground. It is designed to protect against both over and under voltage events and its two-stage technology provides enhanced surge protection. And, fire-protected components eliminate the risk of fire associated with surge events.
Both of these devices can power and protect displays, extenders, digital signage players and more, while their ultra compact size makes them ideal for installation behind flat panel displays, in furniture, within ceiling and wall boxes or in a traditional rack already filled with components.
Here are specs on both. Leave a Comment
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InfoComm’s Audiovisual Systems Performance Verification Guide Now ReadyThe Audiovisual Systems Performance Verification Guide is designed to serve as a companion to the ANSI/InfoComm International Standard 10:2013. It describes how to implement each verification item through theory and sample test sheets. It also includes information about functional-based testing and performance expectation review. It also explains how to use the Standard as an assessment tool and provides a sample completed verification list.
The Standard and the Guide are intended for all parties involved in the audiovisual system installation process including consultants, integrators, manufacturers, technology support staff, owners, third-party commissioning agents and architects to verify the performance of audiovisual systems throughout the integration process.
In case you didn’t know, the ANSI/InfoComm International Standard 10:2013 defines 160 items to verify an audiovisual (AV) system’s functionality and performance in accordance with the system’s project documentation.
The Standard identifies audiovisual system performance-evaluation requirements for the following 13 functional categories:
- Audio Performance (AP)
- Video Performance (VP)
- Audio/Video Performance (AVP)
- Cable Management, Termination, and Labeling (CABL)
- Control Performance (CON)
- Electrical (ELEC)
- Information Technology (IT)
- Operations and Support (OP)
- Physical Environment (PHYSE)
- Physical Installation (PHYSI)
- Serviceability (SERV)
- Wireless (WL)
- System and Record Documentation (DOC)
Out of the total number of verification items, 16 require a measurement in addition to pass/fail to validate performance. Further, 11 items should include a measurement in addition to pass/fail to validate performance.
The verification reporting process can be customized to the needs of any AV systems integration project. The framework outlined in the Standard is intended to be used with the organization’s existing project and quality management processes, and existing organizational verification processes can be adapted to conform to the Standard.
You can download it here [PDF]. Leave a Comment
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Aviom Announces New A320 Personal Mixer Aviom’s A320 Personal Mixer is an affordable personal mixer designed for use with in-ear monitors as well as headphones. The A320 features is reminiscent of the old mixers in that is has no menus to navigate, no complex programming, no computer required — just buttons and knobs.
The A320 utilizes a 32-channel mix engine for mixing up to 16 mono or stereo sources. The A320 includes an interesting Stereo Placement control introduced originally on the Aviom A360, but in a simplified version that combines the pan and spread of stereo signals into a single control. This allows both mono and stereo sources to be positioned in the stereo field of the mix as a whole, significantly improving the user experience with in-ear monitors and headphones, while providing the most streamlined user interface.
The A320 also offers per-channel volume, mute, and solo, as well as the same three-band master tone controls found on the A360. Each A320 can store up to eight mix snapshots — saved in the first eight channel button locations — plus its current mix across power cycles.
Here are the details. Leave a Comment
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Mackie Introduces Six New Compact Mixers Mackie today announced its new Mix Series Compact Mixers with three models, the Mix5 5-Channel Compact Mixer, the Mix8 8-Channel Compact Mixer and the Mix12FX 12-Channel Compact Mixer with Effects. Mix Series mixers are the most affordable mixer produced by Mackie.
The Mix5, Mix8 and Mix12FX compact mixers feature the right mix of I/O, EQ and routing for applications that don’t require a lot of inputs or multiple racks of output. Ideal for singer/songwriters, small band rehearsals or instrumentalists on the go, Mix Series mixers deliver high-quality Mackie pre-amps and electronics in proven high headroom, low-noise designs. Additionally, Mix12FX offers a selection of 12 integrated effects including reverbs, choruses and delays to easily create mixes that sound great. Each model features an all-metal chassis, high-quality components and a sleek rugged design that’s built to last.
Mackie Mix Series compact mixers are already shipping and the Mix5 lists for $69.99 and the Mix8 lists for $109.99 and the Mix12FX lists for $159.99 and their specs are here. Leave a Comment
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Apogee Introduces New Ensemble Apogee Electronics’ new Ensemble is a 30×34 Thunderbolt 2 audio interface. Using Intel’s Thunderbolt technology, Ensemble provides everything you need to record, edit, mix and master professional quality audio on your Mac using Logic Pro, Pro Tools or any Core Audio based DAW.
At 1.1 milliseconds, Ensemble offers the lowest round-trip latency performance available in any all-in-one audio interface, eight mic pre-amps featuring Apogee’s Advanced Stepped Gain circuitry, front panel Guitar I/O, built-in talkback functionality and the most comprehensive user interface of any Apogee product. Ensemble’s proprietary Thunderbolt audio driver and full 32-bit playback path provide incredible CPU efficiency, allowing you to leverage the power of your Mac to monitor through a DAW with native plug-ins and simplify your workflow.
Ensemble Features:
- Thunderbolt 2 Mac audio interface
- Eight mic pre-amps with up to 75 dB of gain and Advanced Stepped Gain circuit
- Two front panel Guitar I/O channels with class A JFET inputs, dual mode re-amp outputs
- 16 analog outputs of premium Apogee conversion
- Complete input/output control with Apogee’s Maestro software
- AD/DA conversion for recording up to 24-bit/192kHz
- Works with Logic, Pro Tools, Ableton or any Core Audio compliant app on Mac
It lists for $2,495 and here are all the specs. Leave a Comment
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Antelope Audio Introduces MP32 32-Channel Microphone PreamplifierAntelope Audio is launching the MP32, a 32-channel, console-grade microphone preamplifier with integrated software control. Housed in a 2U rack space, MP32 each of the class-A pre-amps on the MP32 feature phantom power and four of them can operate as Hi-Z instrument inputs. By using the MP32’s control panel (compatible with both Mac and PC), users can manipulate each of the unit’s input types and mic gain levels remotely.
Each preamplifier on the MP32 was designed to be what Antelope is calling open and transparent, introducing an increased level of sonic realism in recorded material. The unit offers excellent headroom and up to 65 dB of gain in 1 dB steps — more than enough power for even the most demanding ribbon mics.
The MP32 is scheduled to ship Q4 2014 and will list for $2,995 and here are the details. Leave a Comment
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New Extron Under-Table Mount System for Full Rack Width Products Now Shipping Extron is shipping its new UTM 100 Series of self-supporting under-table mount system for 1U and 2U full rack width products. The UTM 100 Series brackets feature EIA standard rack-mount spacing and are designed for use in environments where a traditional equipment rack or cabinet cannot be located beneath a table top or other furniture surface. The UTM 100 Primary Bracket mounts directly to the under-surface of the table top, providing a small gap for optimum airflow and cooling of top-vented enclosures. For additional capacity, one or more UTM 150 Secondary Brackets can be attached to the UTM 100, up to the total supported weight of 30 pounds. (13.6 kg).
The UTM 100 system works with most Extron full-rack width enclosures, as well as Extron RSF, RSB and RSU Series Rack Shelves, for optimum flexibility. UTM 100 Series mounts are finished in a durable gray powder coat finish to match other Extron products. Other Extron under-table mount solutions include the UTS 100 Series Under Table Shelf System for half rack width and smaller products, and ZipClip 100 and ZipClip 200 Mount Kits for one-eighth and one-quarter rack width products.
Here are all the options. Leave a Comment
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FSR Extends Line of Table Box Offerings with Introduction of T3-DV2S FSR’s new T3-DV2S Table Box integrates connectivity for HDMI and AC power. The T3-DV2S allows users to power and connect their laptop or any HDMI source to an external video display and house sound systems as well as connect with network, phone lines and other AV system infrastructure.
All T3-DV2S models are HD ready with an HDMI pass-through connector, standard grounded AC outlet and openings for two keystone snap-in connectors. The two keystone openings, supplied with two blanks, can be populated with a variety of snap-in connectors including network, telephone, RCA or mini stereo audio, to custom configure the units to suit unlimited applications. A large selection of keystone style snap-in connectors, including USB DC powered charging stations to charge digital mobile devices, are available separately from FSR.
There are options for one or two button momentary switches / bi-color LED arrangements on the cover bezel that enable user control input and status indication for an external control system application. Screw down terminals are provided for cable termination. Here are all the specs. Leave a Comment
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Middle Atlantic Claims New QAR Series Rack Saves 30+ Minutes in Assembly Time Middle Atlantic Products is unveiling their so-called new Quick Assembly Rack, one of three rack series to anchor Essex, its new collection of “affordable,” quality infrastructure products. Designed for price-sensitive projects, the QAR Series is a knock-down rack with an innovative patent-pending snap-together design that makes it integration-ready in five minutes or less.
According to Middle Atlantic, the Quick Assembly Rack can save up to 30 minutes or more in assembly time compared to other knock-down racks (including their own). It provides a quality foundation for residential AV systems and can be used as a skeleton rack or easily configured with sides, doors and a range of Essex power and accessory options.
The QAR Series is UL listed with models available in 12 sizes complementary to residential AV systems. Ideal for installation in closets, basements and equipment rooms, it is optimized for efficient cable management with generous facilities for bottom cable entry. All QAR Series racks feature lockable casters, optional leveling feet for fixed installation and a convenient mounting bracket for vertical power distribution.
Essex Accessory Bundles are available in three sizes for installers to select essential accessories with one easy part number. Other useful options include locking solid and plexi doors along with locking side panels that install in seconds. QAR Series racks can also be powered and protected with Essex power distribution in rackmount and vertical options.
Featuring a metallic grey finish, the QAR Series addresses thermal management through the passive ventilation designed into the rack’s top. Also available in the Essex line are quiet DC fan tops for up to 276 CFM when forced airflow is needed.
Here are the details. Leave a Comment
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Extron Introduces TeamWork “Show Me” Cable Retraction Modules for HDMI, DisplayPort, and VGA Extron just launched new Retractor SM “Show Me” cable retraction modules for its TeamWork Collaboration System. The new Retractor SM modules provide the user interface for HDMI, DisplayPort, Mini DisplayPort or VGA sources. Operation is simple as you just pull the cables to extend the “Show Me” cable, connect it to your source device, and press the “Share” button to share your content on the main presentation display. At the end of the collaboration session, cables retract by pressing a button.
Retractor SM modules are engineered for long life and reliability in schools, libraries, conference rooms, and other high-utilization environments. Each module includes a pre-loaded, continuous cable for a single signal type, ensuring consistent, reliable performance regardless of cable extension length. A six-foot (1.8 m) pigtail is provided on the system end of the Retractor cable for ease of installation and connection to under-table electronics or floor boxes. HDMI and VGA models pass signals from the connected sources without processing. The DisplayPort and Mini DisplayPort models actively convert dual-mode DisplayPort signals to HDMI for use with a TeamWork switcher.
Cable Cubby Mount Kits are required to complete a Retractor SM installation in a Cable Cubby 1200 or Cable Cubby 1400. The Triple Mount Kit holds up to three Retractor SM modules. The Quad Mount Kit includes two mounting brackets, each of which supports up to two Retractor SM modules. The Retractor SM Horizontal Bracket Kit supports up to three modules for horizontal mounting applications. The TMK 120 R Table Mount Kit supports up to two Retractor SM modules for under-table mounting applications.
Here are all the specs. Leave a Comment
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Extron Enters Wireless Presentation/Collaboration Market with ShareLink 200If you’re using or spec’ing the Barco ClickShare or the Crestron AirMedia, you’re going to really like Extron’s ShareLink 200. Extron’s entry into the wireless presentation market is both a quad-screen (like most of the other systems), network-based presentation system AND a stand-alone wireless access point. Like most of the other systems out there, ShareLink allows for simultaneous display of presentations, images, documents and other content from up to four different personal devices (laptops, iPhones, Androids, tablets, etc), eliminating the need to constantly change sources during a meeting. Content from a single device shows full screen, and content from multiple devices appears simultaneously in four windows on the display. Any user can share content and control the presentation when it is set to collaboration mode. And, although Extron doesn’t specify it on its website, we are confident they are using the same AWIND technology that the other systems use.
In looking at the system details, Extron does have a handful of features that none of the others have. For example, the ShareLink 200 includes a moderator mode that allows for meeting leaders to “approve” content before projecting it, rather than it being a first-in-first-out/last-in-last-out type of system. A few other unique features are that the desktop software allows you to play back video files at 30 fps (instead of 15 fps) and you can actually “broadcast” content to up to four ShareLink receivers at the same time (for divisible meeting room applications). The mobile app has DropBox integration for allowing presentations to be played directly from the ShareLink App from DropBox. There is also an actual Wi-Fi access point built right into the ShareLink 200, so there is no need to integrate it into a corporate or campus network — you could have it as a parallel network running on its own.
Integrated with 1GB/s PoE (Power over Ethernet) networking and two front-panel mounted Wi-Fi antennas, the ShareLink 200 also has three USB ports so that you can connect keyboard and mouse for annotating (yes, it also has built-in annotation). You can connect a USB stick to the third port to allow for PowerPoint, video and file playback without a computer. It’s UL Plenum (2043) rated and lists for $1,690.
Here are all the detailed specs. Leave a Comment
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Pexip Introduces Infinity Connect Pexip today announced the expansion of its virtualized meeting platform with the release of Pexip Infinity Connect. Infinity Connect is an all-new suite of client software offering customers a simple way to connect to their video meetings. Pexip Infinity Connect enables users without a UC client or access to videoconferencing to simply connect to a Pexip Infinity Virtual Meeting Room (VMR) using the Infinity Connect installable client on their PC or Web browser of choice. This additional access option further expands and simplifies the use of visual communication for Pexip’s customers.
Pexip Infinity Connect is available as installable client software for Windows, OS X and Linux. Previously available in WebRTC-enabled browsers such as Google Chrome, Mozilla Firefox, and Opera, Infinity Connect will also be offered for non-WebRTC browsers including Internet Explorer and Apple Safari. The new Infinity Connect suite delivers the core features users have come to expect, like presentation sharing, roster list, conference controls, add/disconnect participants, etc.
Pexip Infinity allows meeting organizers to simply send a link to collaborators in order to connect in real time using standard Web browsers. Anyone can interact face-to-face with as little as a camera, a computer and the desire to collaborate.
Pexip Infinity Connect installable clients for Windows, OS X and Linux will be available with the release of Infinity version 7 in October. Support for Internet Explorer and Safari will be added later this year and all the details are here. Leave a Comment
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Barco Introduces 14K-Lumen Projector With Integrated with HDBaseT Barco has launched a new kind of projector with the RLM-W14, a three-chip DLP projector offering Active Stereo 3D, WUXGA (1920×1200) resolution, and a brightness level of 14,500 center lumens. This is the first three-chip DLP Barco projector that’s equipped with HDBaseT technology to provide video over a single Cat5 cable. The RLM-W14 is designed for fixed installation in small- to medium-sized venues. It’s housed in a rugged chassis with an optional rental frame to make it usable in the rental and staging market as well. Its TLD lenses are also compatible with Barco’s RLM-W12 projector, HDX and HDF projector lines.
Supporting point-to-point transmission of video signals up to WUXGA at 60 Hz from a source converter to a projector over a single Cat5 cable, the RLM-W14’s integrated HDBaseT technology eliminates the need for multiple cables and allows for signal distribution over a distance of more than 70 meters. Barco told rAVe it’s gradually integrating HDBaseT technology into its entire projector fleet. The RLM-W14 features a DICOM (Digital Imaging and Communications in Medicine) simulated mode that guarantees accurate gray-scales and highly detailed images — key requirements for use in medical training and education applications.
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Dukane Intros 13K Lumen Projector Dukane’s new 9010 is spec’d at 13,000 lumens and would be the brightest 3-chip DLP projector the company has ever marketed. Aimed at auditoriums, large lecture halls and concert stages, the 9010 includes four digital inputs (including 3G SDI) and two HDMIs as well as DVI and is native WUXGA resolution (1920×1200). Integrated with edge blending, the 9010 lists for $74,500 and is shipping now.
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BenQ Ships MH630 Multi-Purpose Projector BenQ America today announced that it’s now shipping the latest addition to its Colorific line of projectors with the MH630. Aimed at boardrooms, classrooms or even home environments, the multi-purpose MH630 is a single-chip, 1080p DLP projector that uses a 6,500 hours of lamp and is spec’d to deliver 10,000:1 contrast ratio at 3,000 ANSI lumens.
To further lower TCO, the MH630 features BenQ’s SmartEco technology, which automatically adjusts lamp power to deliver up to 6,500 hours of lamp life and energy savings of up to 70 percent without any compromise to picture quality. To further reduce power consumption, an “Eco Blank” mode allows users to blank out the screen whenever projection isn’t needed, while a “No Source Detected” mode automatically reduces power consumption to 30 percent when no source has been detected for more than three minutes. With the “Auto Power Off” function, the unit automatically shuts down when not in use for 30 minutes, providing even more energy savings.
The MH630 projector lists for $1,799 and here are the specs. Leave a Comment
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Barco Intros Present-C Line With 10 New Single-Chip DLP Projectors Barco has introduced 10 new corporate AV projectors under the brand Present-C. Present-C projectors are all single-chip DLP projectors with brightness levels ranging from 3,000 up to 8,000 lumens. Resolutions include 1080p, WUXGA, Panorama and WQXGA, with all models spec’d at low noise dB levels.
Here are all the announced models, with additional specs and links to more information:
- CVHD-31B: 3,000 lumens, Full HD 1920x1080p
- CVWU-31B: 3,000 lumens, WUXGA (1920×1200)
- CTHD-61B: 5,500 lumens, Full HD 1920x1080p
- CTWU-61B: 5,500 lumens, WUXGA (1920×1200)
- CTPN-41B: 3,800 lumens, Panorama (2560×1080)
- CTWQ-51B: 5,000 lumens, WQXGA (2560×1600)
- CNHD-81B: 7,500 lumens, Full HD (1920×1080)
- CNWU-81B: 7,650 lumens, WUXGA (1920×1200)
- CRPN-62B: 5,500 lumens, Panorama (2560×1080)
- CRWQ-72B: 7,000 lumens, WQXGA (2560×1600)
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Videovation Intros Stand-Alone H.264 EncoderThe Videovation VEN-3000 is a standalone H.264 video encoder designed for transmission of real-time video and audio signals over IP networks. And it enables multiple, user selectable compression algorithms depending on software and hardware configuration options.
The VEN-3000 encoder compresses a standard- or high-definition video source with accompanying audio signals for transmission over IP networks. The encoder accepts NTSC and PAL composite video formats with analog audio, HDMI video with embedded audio streams, as well as SDI/HD-SDI/3G-SDI video signals with embedded audio streams and AES/EBU audio signals.
The VEN-3000 is also available in a bidirectional codec configuration as single and dual encoder, or decoder configurations for unidirectional video/audio transmit for applications requiring high channel density in a small footprint (up to four HD and two SD V/A channels per 1 RU).
Here are more details on how it works. Leave a Comment
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Primeview Launches New LED Tiles Primeview USA has announced that it is expanding its 24/7/365 indoor LED tiles product line. The new display offers 4,800 Hz, 800 nits, a 5000:1 contrast ratio and a color temperature adjustment from 2000~9300. The three different products are:
- Statement Line: Available in pixel pitch 1.6 millimeters and 1.9 millimeters
- Classic Line: Available in pixel pitch 2.5 millimeters, 3 millimeters and 5 millimeters
- Flex Line: Available in pixel pitch 4 millimeters, 5 millimeters and 6 millimeters with varying brightness. This line installs like Legos
Primeview’s LED tiles claim to feature true black LED, low latency, low power consumption. The company also says they are easy to install or service. To be honest, there aren’t many specs available for this line so you’re kind of on your own if you spec it right now. Here’s all the information that’s available. Leave a Comment
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Panasonic Debuts Drive-Thru Menu Digital Signage System Panasonic launched its digital drive-thru system today, which the company says brings the power of digital menu boards and integrated audio/video to the drive-through. Panasonic also unveiled its virtual site manager, a video-based loss prevention solution that enables operators to control and monitor restaurant operations remotely, reduce shrinkage and increase profits and productivity.
The virtual site manager solution combines video intelligence with point-of-sale systems and enables operators to monitor and manage their restaurants from anywhere. Managers can access the searchable transaction video database of point-of-sale transactions, create custom automatic alerts for key or suspicious events, and oversee staff compliance and security. Both of these technologies give operators the tools they need to improve operations and increase sales.
According to Panasonic, this is the first fully-integrated digital drive-thru system that combines weatherproof, glare-resistant outdoor displays with outdoor mounting, integrated audio and video capabilities, on-screen order confirmation along with a host of services and support solutions. High-brightness weather-resistant Panasonic LED displays are integrated and have the ability to work in variable temperatures (-20 to +50c) and are also vandal proof. The displays’ 2,000 cd/m2 spec means viewability in direct sunlight. Designed for outdoor use, the displays do not require separate cooling/heating enclosures.
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VISIX Ships New Meeting Room SignsVisix’s new room sign line will display event schedules and room availability, but can also be used for mass alerts and interactive content. The signs are Microsoft Exchange compatible and are integrated with EMS by Dean Evans & Associates, Google Calendar, R25/25Live by CollegeNET and Delphi by Newmarket. Alternatively, you can use text file import for importing data.
One new feature is that you can see room availability at a glance with a large on-screen status light, and availability lights on each side that illuminate green when the room is available and red when it’s busy.
Both the 10- and 15-inch touch-enabled room signs can be surface mounted or recessed right out of the box with no additional hardware. Power over Ethernet lets you run one Ethernet cable to the room sign to supply both power and data, so you don’t have to worry about concealing power bricks.
Here are the full specs. Leave a Comment
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Crestron Fusion 10 Enterprise Building Management Software Ships Crestron claims it just got easier for IT, AV and facilities managers to optimize workspaces and building operations. Crestron today announced the release of its new Crestron Fusion 10 enterprise building management software that features new room utilization statistics and energy reports, including peak energy consumed in the space/room and energy category level, that make it easy to analyze historical usage data.
Crestron Fusion 10 can even gather historical reporting for meetings that were set up before Crestron Fusion 10 was even installed. If meeting rooms were selected using popular calendar programs such as Microsoft Exchange and Google Calendar, the new Backfill functionality in Crestron Fusion 10 can retrieve data such as room utilization, top organizers and meeting duration and then incorporate it in reports. You can immediately use this data to make decisions concerning new facilities or redesign of existing meeting spaces to meet the needs and usage patterns of knowledge workers.
From a centralized dashboard, Crestron Fusion 10 unifies the way organizations control, monitor, and manage building technology, orchestrate building and AV automation and control energy usage.
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Extron Intros a New Series of Distribution Amplifiers for DTP Systems Extron just launched four new DTP twisted pair distribution amplifiers: two DTP HD DA 230 models and two DTP HD DA 330 models. These distribution amplifiers provide one HDMI input with loop-through, and either four or eight DTP outputs. Each twisted pair output sends HDMI, audio and control over shielded CATx cable to Extron DTP‑enabled products. The DTP HD DA 230 models extend these signals up to 230 feet (70 meters), while DTP HD DA 330 models extend signals up to 330 feet (100 meters). All models also accept analog stereo audio signals for simultaneous transmission over the same shielded CATx cable. They support computer video up to 2560×1600, HDTV 1080p/60 Deep Color, and 4K resolutions. The DTP HD DA offers bidirectional RS232 and IR pass-through at each DTP output, plus system level RS-232 device control via Ethernet insertion. It features remote powering of DTP receivers, EDID Minder, Key Minder, selectable output muting and compatibility with HDBaseT-enabled devices.
The DTP HD DA offers several features targeted at integrators including an HDMI input loop-through for local monitor support or system expansion, and the ability to independently mute each twisted pair output. It also features automatic input equalization which conditions incoming HDMI signals to compensate for signal loss over long input cables. Automatic color bit depth management based on the display EDID prevents color compatibility conflicts between the source and display. To speed-up installation, the DTP HD DA can send power to each of the four or eight DTP receivers over the shielded twisted pair cable. It offers convenient options for remote control, including Ethernet, USB, and RS-232 for easy integration into a variety of environments. Configuration of the DTP HD DA is made simple with Extron’s PCS (Product Configuration Software), which allows for expedited setup and EDID management.
The DTP HD DA can be integrated with Extron switchers, scalers or other DTP-enabled products to provide multiple, simultaneous outputs for signage and presentation overflow room applications. For additional integration convenience, each twisted pair output can be configured for compatibility with HDBaseT-enabled displays to send digital video and embedded audio, plus bidirectional RS-232 and IR signals over shielded CATx cable.
Here are all the details. Leave a Comment
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Aurora Adds 4K RF TunerThe new V-Tune Pro 4K from Aurora claims to deliver a 4K2K HD worldwide tuning solution for any integrated system which requires IPTV, ATSC, QAM, DVB, NTSC and PAL. The tuner is capable of decoding MPEG2, MPEG4, VC-1, H.264 and H.265 with resolutions up to 4096×2160 @ 60Hz via RF and LAN. There is also an on-board 4K scaler for viewing 1080p HD content on 4K displays.
The V-Tune Pro 4K includes IR, RS232 and IP-based control as well as the ability to program any channel for OTA/Broadcast or streaming content from the LAN, the V-Tune Pro 4K empowers the user to easily switch between content by simply changing channels. Channel/Setup-Configuration is “clone-able” for ease of setup
It doesn’t ship until January 2015 but here are some specs:
- IPTV (UDP/RTP/RTSP multicast and unicast)
- ATSC/QAM/DVB worldwide digital ultra high definition tuning
- NTSC and PAL analog tuning
- H.265, H.264, MPEG 4, MPEG2, and VC-1 up to 4K UHD
- Video and HDMI outputs
- Resolutions: 480i, 480p, 720p, 1080i, 1080p, 4K UHD, 4K2K (4096×2160)
- Stereo L/R, S/PDIF, and Optical Audio Outputs
- Dolby Digital Surround Sound
- OSD Menus, Closed Captioning, V-Chip, and EPG
- 1RU Rack Mount Ears and IR Remote Included
- RS232 / LAN / IR Remote Control
- Firmware Upgradeable and Cloning via USB port or LAN
- Built in Web Page Remote Control
- Mount one or two units in a 1RU space
Here are the online details. Leave a Comment
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Analog Way’s Software Toolbox App for Android and iOS Now Available Analog Way announced that AW Toolbox, a wireless app to remotely operate the LiveCore series of AV processors, is now available for download.
The app offers the ability to manage the Soft Edge Blend function, recall presets, operate transitions and configure the processor’s inputs and outputs. One unique feature is that AW Toolbox displays sources and logos through dynamic snapshots automatically refreshed every second. Compatible with Android tablets and the Apple iPad, AW Toolbox is available on both the Google Play Store and iOS App Store. One weird thing is that Analog Way is charging for it?! That is not a good idea.
Here it is on the Google Play store. Here it is for Apple iOS. Leave a Comment
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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