Volume 10, Issue 2 — February 26, 2016
|
|
Final Thoughts from ISE 2016: OLEDs, Beam-Forming Microphones and Dr. Michio Kaku
By Joel Rollins rAVe Columnist
As many of my readers will know, I have just returned from the ISE show in Amsterdam.
As many of you may know, from my articles, blogs and podcasts, I am pretty enthusiastic about this particular show. Not only does it combine InfoComm and CEDIA, it also features more exhibits of products and product lines for staging then any of the U.S. shows do. Not only that, but since the rental and staging market is influenced both by commercial technologies and by the technologies that our customers use at home, for the rental and staging portion of our industry, I believe the show represents the best mix of products and product applications.
Last month, and in the final podcast that I did with Gary Kayye, I promised that I would pick out the two products or technologies that showed the most promise at ISE, especially centered around rental and staging needs.
So here they are:
First, and most importantly, this was the best showing that I had seen for OLED. I have been monitoring OLED closely for years, as it made its way from camera viewfinders to virtual-reality headsets to small laptop and desktop displays and, finally, to large screens. OLEDs Have been touted for years as being the technology that would eventually offer a number of advantages over other flatscreen displays technologies, the biggest of them being cost, brightness and the one that we really want the most for staging: flexibility. No, I don’t mean flexibility in terms of the use of the product, I mean that the product can actually be flexible, as OLEDs can actually be inkjet printed onto any compatible substrate. At the show, a number of manufacturers showed very high-end OLED products, with the biggest of them being LG, who showed a dazzling array of very thin, very bright OLED monitors, my favorite of which was an array of curved two-sided 65 inch displays standing vertically in the middle of a space. They were dazzlingly thin, especially when considering that they made an image on both sides. In the future, this technology will allow us to progress to printing video surfaces on walls, on roll-up screens, and on stage sets. So keep tracking this one, it will be important to us in the future, as these displays at ISE showed us only too clearly.
Second, and while this one may be considered a no-brainer, I think it is important for the rental industry: the advent of easily controllable, easily mountable beam forming microphone arrays. I saw (or rather, heard) especially dazzling units from ClearOne, Polycom and Sennheiser, although nearly all of the microphone companies showed them. The beamforming microphone array has the potential of changing the way we mic the audience, allowing even coverage throughout a theater while maintaining control ability at the audio desk. When I compare this to running microphones around an audience, in and out of speaker patterns, or allowing audience members to pass a microphone around, I find myself very attracted to the beamforming array. Coupled with digital processors that are required to use them, they can result in more controllable audio for large venues with audience response, and for recording and reinforcing breakout rooms and panel discussions. I think as packaging is developed that is most friendly to using these in a rental situation, we will see them and use them a great deal more.
However, as with all high-technology tradeshows, we also saw (or talked about) a lot of things that are not available yet. And when I say not available yet, I mean REALLY not available yet, Because most of them were seen in the closing keynote presentation by Dr. Michio Kaku, noted futurist and author of the bestseller “Physics of the Future.”
Dr. Kaku walked us through a future full of walls printed with video screens (See OLED, above), clothing that monitored our vital signs and reported them to our doctors and then to orbiting automated ambulances, and eyeglasses that augmented reality with computer-generated information. Not that any of these things were particularly hard to see in the future, but Dr. Kaku presented them with an entertaining manner and an infectious enthusiasm.
What was important about this to the AV rental and staging industry?
The actual examples from the show, as well as Dr. Kaku’s examples, pointed the way to an audiovisual future in which our clothing could be printed with OLEDs that would allow us to become invisible when the client was looking for us (to move that stage for a third time), eyeglasses that would point out to us all of the places a forklift had pinched our cabling, and orbiting drones always ready to deliver that adapter that we had forgotten.
And yet you wondered why I thought ISE was the most important show to see? Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
|
Powersoft Announces New Armonía Pro Audio Suite 2.7.0 ReleaseWith the release of the latest version of Armonía Pro Audio Suite 2.7.0, Powersoft’s digital signal monitoring and processing software, the company has unleashed further major features and DSP power in its continually evolving roadmap.
The update, now available for download, includes the new speaker preset v2 (.spk2) file format; this file can be copied directly onto X Series amplifiers with a USB stick, to be recalled later on desired channels via the WebApp interface.
X Series and Ottocanali DSP+D amplifiers are now able to act as configurable Dante sources, with the option to stream out eight processed or unprocessed signals. Standalone analog to Dante converters are therefore no longer necessary in complex installations, and direct monitoring of the DSP processing can be easily achieved in third party measurement software such as Smaart v7.
A higher degree of loudspeaker supervision is achievable with the new Live Impedance curve, calculated in real-time and storable/displayable against a reference curve in the new spk2 preset files.
New RMS and Peak limiters with side chain Frequency-Shaping are now available on X and Ottocanali DSP+D Series, allowing an even greater level of protection and performance. According to Powersoft, Frequency-Shaping, in conjunction with Live Impedance monitoring safely pushes the speakers even further in terms of overall SPL.
The communication protocol has been completely rewritten to achieve better performance. In conjunction with the latest firmware the response to Advanced Groups raised cosine equalization is faster than ever and synchronized across on all channels.
The new release of Armonía Pro Audio Suite 2.7.0 also coincides with the new official firmware for the X Series platform and Ottocanali DSP+D amplifiers.
Other features include:
- New Live Impedance tab in output section
- New internal Dante Output Routing feature (eight Dante output channels fully customizable from Armonìa)
- New Frequency-Shaping limiters feature for RMS and Peak limiters.
- New LED animation during boot and firmware upgrades
- Central ring LED shows the mains connection: Blue mono-phase, Red bi-phase, White three-phase
- WebApp re-style
- WebApp MAINS tab shows mains phases
- Improved performance and filtering responsiveness (now synchronized across all channels)
- Third party control protocol: Add “Save as” command
- Third party control protocol: Add Ottocanali DSP+D GPO status report
- Third party control protocol: Fix on X4 communication
PowerSoft is here. Leave a Comment
Share Article
Back to Top |
AV Stumpfl Launches Wings Vioso RXAV Stumpfl has announced its next generation Wings Vioso RX software is available. Aimed at quick and easy adoption by existing users, the familiar user interface has been given an extensive facelift with several performance and feature optimizations.
The new render engine is based on x64 architecture and includes several base level algorithms, replacing standard operating system and driver functions.
Another key feature is the introduction of AV Stumpfl’s brand new proprietary multiple master workflow. In real-time and regardless of physical location, multiple operators can work together collaboratively on projects using the same media server outputs. This means that one operator can control background projection whilst another can add overlays or add or change content live at runtime, even whilst the show is running – a valuable live production tool!
This new workflow also provides a multi timeline functionality which allows to run concurrent timelines – synchronized or not – on the same system and on any number of layers.
AV Stumpfl has updated their media server portfolio to include a complete new range of products starting from sleek entry level media servers for fixed installations up to AV Stumpfl’s flagship product, Wings Engine Raw. All servers include Wings Vioso RX software.
AV Stumpfl has taken Wings Engine Raw to a new level with full 8K (8x4K@60fps) uncompressed content playback and incorporating Wings Vioso RX at its core, was demonstrated at ISE 2016 on the AV Stumpfl stand.
It’s all here. Leave a Comment
Share Article
Back to Top |
Panasonic Expands SOLID SHINE Series With 5,000-Lumen Laser Phosphor ProjectorPanasonic today introduced a new PT-RZ570U 1-Chip DLP Laser Phosphor projector as part of its new SOLID SHINE series aimed at education.
Utilizing the latest WUXGA DLP resolution chip (1920×1200), the PT-RZ570U’s is specified at 5,000 lumens and a 20,000:1 contrast ratio. Features include Dynamic Mode (designed to increase image brightness) and Standard Mode/Graphic Mode (which adjusts color-wheel timing to produce higher saturated colors).
A filter-less projector with a sealed optical engine block, Panasonic says the PT-RZ570U requires no maintenance for up to 20,000 hours. It also uses a heat-pipe cooling system and robust heat sink work to reduce fan speed, cutting operational noise to just 29 dB on Silent Mode.
The PT-RZ570U features include free 360-degree (vertical and horizontal) installation with auto image rotation for ceiling mounting, 2x zoom lens, extra-wide-range manual lens shift, curved screen and corner keystone correction, Geometric Control, Wave Form Monitor and a HDBaseT-compliant DIGITAL LINK single-cable connection. DIGITAL LINK allows video and control signal transmission for up to 492 ft in Long Reach Mode when used together with Panasonic’s optional ET-YFB200G DIGITAL LINK network switcher.
Edge blending and color matching functions are built in for multi-screen installations and other features such as instant ON/OFF capability, Fade In/Fade Out, Picture-in-Picture modes and Eco Management.
Here are the details. Leave a Comment
Share Article
Back to Top |
Radial Announces the Di-NET DAN-TX and DiNET DAN-RX, Dante Enabled Direct BoxesRadial Engineering has introduced the DiNET DAN-TX and DiNET DAN-RX, Dante-enabled direct boxes. The Di-NET DAN-TX is the world’s first Dante enabled stereo direct box. Equipped with ¼”, RCA and stereo 3.5-millimeter input jacks, the DAN-TX allows the user to connect instruments or line level sources directly to networked audio systems using the Dante protocol. The DAN-TX features 24bit/96kHz analog to digital conversion to provide the highest audio quality, and a local 3.5-millimeter headphone output provides the means to quickly test audio.
The DiNET DAN-RX is a 24bit/96kHZ digital to analog endpoint that allows the user to output audio from a Dante network to stereo systems. The DAN-RX is equipped with left and right balanced XLR outputs with a level control that allows for connection to microphone inputs up to +4dBu line level systems. A local 3.5 mm headphone output is provided to test or monitor audio before connection to the PA System.
Both the DiNET DAN-TX and DiNET DAN-RX are here. Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
Epson Launches New Laser and Lamp-Based Models at ISEWith 10,000 lumens brightness and WUXGA resolution, the black EB-Z10005U is a new installation projector from Epson. Able to project portrait aspect images for digital signage, the EB-Z10005U has a flexible installation angle, lens shift for off-centre positioning and plenty of calibration options, with optional Wi-Fi and HDBaseT connectivity. At 10,000 lumens the EB-Z10005U is Epson’s brightest WUXGA resolution projector yet. This projector uses 3LCD technology and includes plenty of calibration options such as edge blending, test patterns, frame interpolation and Epson’s Super Resolution feature.
The EB-Z10005U includes HDBaseT, which allows up to five connections in one and it includes a new and exclusive LU02 short throw lens allows this projector to be positioned closer to the screen.
Alongside these new laser models, Epson is exhibiting its new EB-G7000 (EB-G7800, EB-G7200W, EB-G7000W, EB-G7905U, EB-G7900U, EB-G7400U) lamp-based range. Designed for use in office meeting rooms, lecture theaters or large classrooms, the new range features a host of quality, functionality and usability improvements to help transform large-venue spaces with high-quality, professional-looking presentations.
All of Epson’s ISE plans are here. Leave a Comment
Share Article
Back to Top |
Audio-Technica Unveils New E-Series Professional In-Ear Monitor HeadphonesAudio-Technica has debuted its new E-Series Professional In-Ear Monitor (IEM) Headphones. Bringing the sonic signature of the M-Series to an in-ear design, the three models in the E-Series have been designed to fully answer the needs of demanding sound professionals and musicians from the studio to the stage to the DJ booth. E-Series headphones are compatible with A-T’s M2 and M3 in-ear monitor wireless systems — together offering a comprehensive in-ear monitoring solution from Audio-Technica.
The ATH-E70 is the flagship in-ear monitor model in the E-Series. Its accuracy and detail allow precise balancing of the mix, making it the perfect choice for monitoring on stage and ENG mixing in the studio. Offering high-resolution audio and an accurate sound stage, this model is designed for sound professionals who demand the best.
ATH-E70 features:
- Three balanced armature drivers provide accurate and extended response across the entire frequency range
- Flexible memory cable loops over ears for a custom fit and long-wearing comfort
- Specially designed housing provides maximum isolation, allowing you to focus on the music
- Detachable cable offers exceptional durability and optimized audio performance
- Includes a carrying case, silicone eartips and Comply foam eartips
The ATH-E50 features excellent isolation that ensures confident, comfortable stage performance. To address the evolution of modern music production, this model also excels at providing a consistent reference in every sonic environment, making it the ideal choice for the producer on the road.
ATH-E50 features:
- Powerful single balanced armature drivers provide an accurate full-range response
- Flexible memory cable loops over ears for a custom fit and long-wearing comfort
- Specially designed housing provides maximum isolation, allowing you to focus on the music
- Detachable cable offers exceptional durability and optimized audio performance
- Includes a carrying case and silicone eartips
The ATH-E40 has a proprietary dual phase push-pull driver design which improves fidelity and efficiency. The ATH-E40 delivers powerful bass along with balanced mid and high frequencies to convey the full emotion of the music from the stage to the street.
ATH-E40 features:
- Proprietary dual phase push-pull drivers excel in monitoring applications by providing exceptional accuracy and clarity
- Flexible memory cable loops over ears for a custom fit and long-wearing comfort
- Specially designed housing provides maximum isolation, allowing you to focus on the music
- Detachable cable offers exceptional durability and optimized audio performance
- Includes a carrying case and silicone eartips
Audio-Technica’s new E-Series professional in-ear monitor headphones will be available March 2016 and will list as follows: ATH-E70 $399.00, ATH-E50 $199.00 and ATH-E40 $99.00. All the details are here. Leave a Comment
Share Article
Back to Top |
Auralex Introduces MudGuard v2 Microphone ShieldAuralex Acoustics has launched its updated MudGuard v2 Microphone Shield, which isolates mics by eliminating external noise bleed and filtering out external overtones. This design is engineered for maximum effectiveness using Auralex Studiofoam to reduce excessive room ambience and off-axis sound.
The Auralex MudGuard v2 is a microphone shield unlike any other. Its unique, patent-pending multi-radii convex shape is designed to direct any unwanted and off-axis acoustic energy away from the microphone. Most flat and concave microphone shields tend and focus energy toward the microphone causing unwanted colorations. The non-perforated, solid back on the MudGuard v2 allows for maximum sound isolation by blocking sound from the recording environment, through the shell, to the microphone. The included hardware allows the MudGuard v2 to easily mount to most microphone stands and allows the user the flexibility to adjust the microphone proximity.
Other MudGuard v2 specs include:
- Internal convex shape minimizes sound energy focusing on the microphone
- Decreases external noise while filtering unwanted overtones
- Reduce excessive room ambiance and off-axis sound for increased microphone isolation
- Engineered with Auralex Studiofoam for maximum effectiveness
- Mounts easily to most microphone stands
- Dimensions: 16″ wide x 10″ deep x 14″ tall
For more information, go here. Leave a Comment
Share Article
Back to Top |
Datapath Launches First SQX ProductsDatapath launched the first three products in its SQX range of IP streaming and compression technologies. Two of the introductions are SQX decode technologies: ActiveSQX is a scalable and powerful PCIe card designed to decode multiple streaming videos using an on-board processor; while SoftSQX is a low cost CPU decoding engine designed for systems that may require the management of a small number of compressed IP streams. The third product introduced to the range is Wall Control SQX, an SQX compatible software application for controlling Vision Capture, IP-Camera and third-party application windows on Datapath video wall controller systems.
Datapath’s new ActiveSQX is basically a PCIe card designed to decode multiple streaming videos with its integral processor. Importantly, as a scalable solution, it can work side-by-side with other ActiveSQX cards installed in the same system to support the management of entire CCTV systems or connect to online media libraries, streaming and decoding video for accelerated video wall display. The card provides a large number of simultaneous decodes, all available within a single Windows desktop display surface. Decoded video can be scaled to display on multiple screens, across screen boundaries, tiled, overlaid and moved anywhere at any time without restriction.
ActiveSQX is capable of simultaneously decoding and transferring up to 1.2 GBps of video data, equivalent to six 1080p 60fps streams or twelve at 30fps. Additionally each Active SQX card can decode 50+ D1 streams.
The second introduction, SoftSQX, uses the advanced capabilities of the latest system CPUs to decode within the Datapath SQX framework even when no accelerated hardware resources are available. In short, SoftSQX is a low cost or rollover decoding engine designed for new and existing systems that may require the management of a number of compressed streams.
When using an ActiveSQX card, system resources such as the processor are not used. However, SoftSQX can use these resources to decode IP streams without requiring any additional configuration. This provides additional capabilities to make full use of the technology available, or to cater for times of high load.
With SoftSQX, users can typically decode an incoming bandwidth equivalent to 12x 1080p 30 fps streams. Decoded video can be then transferred at full Gen 2 PCI Express speed directly to a Datapath ImageDP4 graphics card for accelerated display on to a video wall.
SoftSQX uses the same API as ActiveSQX hardware. When both ActiveSQX and SoftSQX are installed in a system, the API chooses which product to use based on the availability of system resources. ActiveSQX hardware is always the default preference, however, if the card is fully utilised, the third new Datapath SQX introduction, Wall Control SQX, will roll over to SoftSQX to ensure maximum flexibility and system availability is maintained.
Wall Control SQX software is an interface that automatically provides users fast access to vision input capture channels, configured IP camera sources and applications. It delivers a graphical representation of the data wall and a toolbar through which all available sources and applications can be manipulated. The software can be used to interactively open, move, size and position any window on either the local machine or a remote network client system.
Wall Control SQX provides users with the interface required to manage traditional input sources as well as multiple IP streams and local applications. Here are the details. Leave a Comment
Share Article
Back to Top |
Sony’s New Laser Projectors Include 4K and 6K Lumen ProductsSony is broadening its line of laser light source (Z-Phosphor) projector line in the mid-brightness range with three new models between 4,100 and 6,000 lumens. The new models are the VPL-FWZ65 (6,000-lumen WXGA); VPL-FWZ60 (5,000-lumen WXGA); and the VPL-FHZ57 (4,100-lumen WUXGA).
Designed for commercial applications including education, corporate, large venue and entertainment, the new models expand Sony’s laser-based professional projector family to a total of nine, starting at 2,000 lumens and going up to 7,000 lumens, in WXGA, WUXGA and 4K resolutions.
Sony is also adding two new lamp-based models (VPL-FW65, 6,300lm WXGA, and VPL-FW60, 5,200lm WXGA), for installation applications better-suited to lamp-based projection.
The new projectors share many features with the existing models in Sony’s line. Each uses BrightEra panel technology to reproduce natural-looking and vivid colors.
The new models are designed to deliver enhanced picture quality with features such as “Reality Creation,” a technology already in use by Sony’s home theater projection systems for high-end consumer entertainment. The Reality Creation engine analyzes and processes every input signal to refine detail, clarity and sharpness for naturally up-scaled images. This provides higher-resolution perspective, even with the lower-resolution WXGA series.
Sony’s laser light source means there’s no lamp that needs to slowly warm up or cool down, no lamp to limit tilt angle and no trade-off between high brightness and high resolution. The laser projectors are designed for up to 20,000 hours of maintenance-free operation, depending on the usage environment, which contributes to reducing users’ total cost of ownership.
In addition to the long-life laser light source design, the projectors are designed for energy efficiency due to the 3LCD engine. The VPL-FHZ57 operates at 370W power, making it the most energy-efficient laser light source projector. The low power consumption also reduces heat dissipation, in turn lowering fan noise. The VPL-FHZ57 laser projector has the quietest operation in its class (32dB, 28dB at Standard Brightness mode).
The new models have a wide powered lens shift, which can help in challenging installation environments, for example maintaining audiences’ site lines by installing the projector above a screen, or horizontally avoiding HVAC ducts on the ceiling.
The new models can be combined with a variety of optional lenses, including a short throw and tele-zoom covering up to 4.84:1 throw range, and they use a bayonet lens mounting system for easier and quicker lens changes.
Sony’s newest lens option is the VPLL-3003 ultra-short throw lens, the first-interchangeable ultra-short throw lens for 3LCD projectors. This lens offers sharp focus and minimized picture distortion due to a large mirror system, and easy adjustment of lens shift and focus via remote control. Its 0.33:1 throw ratio allows it to be used in tight spaces with no clearance from the wall.
The lens can project an 80” to 300” diagonal image with minimal throw distance (39” throw distance for 140” diagonal image), making it ideal for small meeting rooms, as digital signage or use in museums.
The new models all have built-in HDBaseT interfaces, enabling easier connectivity and reducing total system costs by using a single cable which runs all the video, audio, control and IP signal up to 328 feet (100m).
All of them are here. Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
Focusrite Introduces RedNet A16R 16-Channel Analog I/O Focusrite has added the RedNet A16R 16-Channel Analog I/O to its range of Dante-based audio-over-IP interfaces. Packaged in a rugged, 1U all-metal enclosure, it features 16 channels of network-connected 24-bit, 192kHz A/D-D/A conversion and line-level analog audio in and out with full network and power supply redundancy. RedNet A16R carries on the legacy and exceptional sound quality of its predecessor, the RedNet 2 sixteen-channel I/O unit.
Analog inputs and outputs are accessed via four rear-panel DB25 connectors wired to AES59 specification, while two XLR connectors provide additional AES 3/AES 11 (digital audio/DARS) I/O connectivity. Word Clock I/O connections are made via BNC sockets and permit switchable termination. Dual network connections are provided on locking etherCON connectors and the dual PSU power inputs include cable-retaining clips.
The A16R operates at standard sample rates up to 192kHz, 24-bit, including pull up/down, with sample rate and operating levels selected remotely via host computer software. The unit offers a dynamic range of 119dB A-weighted, A/D and D/A, with a frequency response of 20Hz-20kHz ±0.15dB.
Front panel indicators include triple-color LED level indication along with sample rate, clock source, PSU and network status indicators and features include:
- 16 channels of high-quality line-level analog I/O with 24-bit conversion up to 192kHz
- 119dB dynamic range, response flat from 20Hz – 20kHz, ±0.15dB
- Dante-based remote-controlled audio-over-IP connectivity
- Dual power supplies, with full power and network redundancy including locking connectors for maximum reliability
- Word Clock and AES I/O for increased flexibility
- Analog I/O to AES59 standard on DB25 connectors
- Comprehensive front-panel indicators
The A16R will begin shipping summer 2016. Here are all the tech specs. Leave a Comment
Share Article
Back to Top |
Elation’s New ACL 360i Debuts at ISEElation Professional announces the launch of the new ACL 360i, a single-beam moving effect luminaire with the intensity of a tight ACL beam that is perfect for quick-moving beam looks, pinspotting or stunning large motion effects when used in larger configurations. It is the latest and the smallest high-output luminaire in Elation’s ACL Series of narrow-beam LED effect lights.
A single 60W RGBW LED combines with an advanced collimator optic lens to produce a dense and uniform 4° color-changing beam. Frost lens options of 10 and 45 degrees (included) can be employed to soften and spread the beam for color washing applications. Useful in a variety of applications including pinspotting table centerpieces or in larger arrays to create dynamic presentations, its compact size allows it to easily rig with one hand.
The ACL 360i is phenomenally fast with lightning-quick motors and continuous 360° pan and tilt movement that adds an intense level of energy to any show. Yet the fixture can also move subtly slow and accurately focus thanks to its smooth 16-bit movement. Strobe effects and selectable dimming curve effects add to the design possibilities and a selection of color macros is available for fast programming. The ACL 360i delivers an output of 30,601 LUX @ 6.6′ (2 meters) yet consumes a low 110 watts of max power.
The ACL 360i is controllable via 3 DMX modes (16/18/20 channels) and the unit is also RDM (Remote Device Management), KlingNet or Art-Net controllable. It comes with a host of standard features like 5-pin DMX In/Out connections, powerCON In/Out connections and RJ45 Ethernet In/Out connections (KlingNet / Art-Net). A 6-button touch control panel with a full color 180° reversible menu display makes for easy navigation through DMX and manual settings and an auto-sensing power supply covers worldwide voltages and frequencies.
Compact at only 13.0” (330 millimeters) tall and 11.5 pounds (5.2 kilograms), the ACL 360i operates flicker free for use in TV and other broadcast applications and a long LED life rating means service intervals are few and far between. The ACL 360i offers all the benefits of LED such as greater reliability, less maintenance and increased energy efficiency, according to Elation Professional.
Here are all the specs. Leave a Comment
Share Article
Back to Top |
NEC Launches All New Laser Projector Lineup in PX SeriesNEC Display Solutions Europe has launched the 8000-lumen PX803UL projector, a laser/phosphor light projector aimed at large venues and rental and staging, higher education, museums, large corporations and for signage applications. Solid State Light source (SSL) technology means the WUXGA 1920×1200 PX803UL requires no lamp replacement, removes filter costs and eliminates the need for maintenance, therefore offering a low total cost of ownership during the lifetime of the projector. It offers a more constant light output and a typical lifetime of 20,000 hours and has a spec of 10,000:1 contrast ratio, while maintaining a consistent level of outstanding image quality. Inputs include, Display, HDMI and HDBaseT.
The PX803UL has a selection of wide-zoom bayonet lenses, an optional ultra-short throw lens, and the option to use third party lenses. The lens options also enable customized installations and easy upgrade of projectors that are already installed. Additional flexibility is made possible due to the option to install in any direction.
The projector has an OPS-input, HDMI-out and the edge-blending capability.
The NEC PX803UL laser projector will be showcased on the NEC Display Solutions stand 4-R24 at the ISE trade fair in Amsterdam, and commercially available from February 2016 onwards. Here are the tech specs. Leave a Comment
Share Article
Back to Top |
Epson Debuts New 8000-Lumen Pro G-Series Aimed at Large Venue InstallsEpson has announced its next-generation Pro G7000-Series large venue projectors. With new features, including increased brightness, and motorized lenses, the Pro G-Series has a low total cost of ownership and $199 replacement lamps. Consisting of seven models delivering up to 8,000 lumens of color brightness and 8,000 lumens of white brightness, the series also features the world’s first zero-offset ultra short-throw lens with 0.35 throw ratio, ideal for space constrained venues and digital signage applications. The Pro G-Series will be on display at ISE 2016 in Amsterdam from Feb. 9-12 at Epson booth, #1-H90.
The Pro G Series 3-chip 3LCD projectors are designed for large venues, including events staging, auditoriums and sanctuaries. Additional features include:
- Nine Optional Interchangeable Lenses: Increased installation flexibility allows users to choose the motorized lens most suited for their environment; variety of ranges include an ultra short-throw, two short-throw, one wide-throw, four middle-throw and one long-throw. A quick-release lever enables fast, easy lens exchange.
- Versatile Connectivity: Supports the full range of inputs, including HDBaseT, SDI, HDMI, DVI-D, VGA, and 5-BNC, for easy integration with any system.
- Ready for Integration: Supports Crestron, AMX, Extron and Control4 protocols for easy and simple integration into existing systems. Select models also support Art-Net DMX for lighting control for staging applications.
- Emulation: Emulates the control codes of other industry-leading projector brands for easy upgrade to Epson projectors without the need to reprogram existing controller systems.
- 4K Enhancement Technology: A revolutionary technology that accepts 4K signal and improves 1080p experience for movies3. Available on select models.
- Dynamic Projection Capabilities: Advanced built-in edge blending, image warping and curved-surface correction technologies allow for a variety of applications.
- Collaboration Features: With Split Screen function, two different sources can be projected side-by-side, and free Epson Moderator software allows up to 50 Windows, Mac, iOS or Android devices to be connected over the network with up to four of them displayed on the screen simultaneously
- Professional Installation Features: Full 360-degree installation flexibility, including Portrait Mode, allow for a wide range of applications, including simulators, mapping, digital signage and command centers.
Here are all the tech specs. Leave a Comment
Share Article
Back to Top |
Extron Intros HDMI Audio De-Embedder for 4K SourcesExtron has just launched the HAE 100 4K, an audio de-embedder that extracts the audio from an HDMI signal, including audio from 4K sources. The HAE 100 4K provides outputs for analog stereo or dual mono signals, as well as digital multi-channel or two-channel S/PDIF audio. It is HDCP compliant, supports data rates up to 10.2 Gbps, and is compatible with video resolutions up to 4K. The HAE 100 4K is equipped with several integrator-friendly features such as a buffered HDMI video output with EDID Minder for simplified EDID management between the input source and the display, plus input cable equalization and comprehensive LED status display.
The HAE 100 4K offers several features that enhance and simplify AV system integration. To compensate for signal loss over long input cables, incoming HDMI signals are equalized up to 50 feet (15 meters) at 4K or 100 feet (30 meters) at 1080p/60 when used with Extron HDMI Pro cables. LEDs on the front panel offer comprehensive, real-time device status monitoring, including HDMI input, HDMI output and audio output signal presence, HDCP authentication, and the format of the extracted audio. The HAE 100 4K is housed in a compact 1″ (2.5 cm) high, quarter rack width metal enclosure that enables simple and discreet mounting in a range of environments.
Here are the detailed specs. Leave a Comment
Share Article
Back to Top |
Audio-Technica Intros ATM230 Hypercardioid Dynamic Instrument MicrophoneAudio-Technica introduces the ATM230 Hypercardioid Dynamic Instrument Microphone. The ATM230 brings a model ideal for capturing drums and percussion to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source – directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. ATM230 is ideally suited for miking toms, snare and other percussion instruments.
ATM230 features:
- Big, warm low-frequency response with excellent attack
- Handles very high SPL at close range
- Rare earth magnet for improved output and transient response
- Low-profile design permits versatile placement around drum kit
- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Rugged, all-metal design and construction for years of trouble-free use
ATM230 specifications:
- Element: Dynamic
- Polar Pattern: Hypercardioid
- Frequency Response: 20 – 12,000 Hz
- Output Connector: Integral 3-pin XLRM-type
- Accessories Included: AT8665 drum mount; soft protective pouch
The Audio-Technica Artist Series ATM230 Hypercardioid Dynamic Instrument Microphone will be available March 2016 and list for $139.00. Also available will be the ATM230PK pack with three ATM230’s with a list price of $349.00. Here are the details. Leave a Comment
Share Article
Back to Top |
Barco Adds 19K Lumen Projector Aimed at Rental and StagingBarco has added a new projector to its HDX line that’s aimed at large venues and events with a 3-chip DLP, 19,000-lumen 4K resolution model. The HDX-4K20 FLEX shares its lens range, ease of use, and modularity with the other HDX models and includes Barco’s FLEX feature have been expanded to offer both flexible brightness and flexible resolution on the new HDX-4K20 FLEX model. Shipping in June 2016, the HDX-4K20 FLEX is the first HDX projector with 4K resolution that’s being introduced, followed by the HDX-4K12 and HDX-4K14 models later this year.
The HDX-4K20 FLEX is delivered with Barco’s flexible brightness feature, which allows users to tune and lock the brightness level for a specific application – from 10,000 to 19,000 lumens in incremental steps. To make this projector even more versatile, the FLEX feature has been expanded to include flexible resolution, allowing customers to choose and lock in WUXGA, WQXGA or 4K UHD resolution.
Equipped with 3-chip DLP technology, a single high-brightness Xenon lamp, and a high-contrast optical engine, the HDX-4K20 FLEX has an all-new single-step processing technology that handles all of the latest resolutions and offers advanced image warping and edge blending with zero additional latency. Input capability includes HDMI 2.0, DisplayPort 1.2, HDBaseT and quad 6G HDSDI.
Barco’s HDX, HDF, and HDQ ranges are aimed at events and large venues and are considered rugged projectors in a modular design of only five building blocks makes them easy to service. Equipped with rental frames, the projectors can easily be stacked or rigged. And, just like the other members of the RLM, HDX, HDF, and FLM projector families, the HDX-4K20 FLEX uses the TLD lens suite, so there’s no need for rental companies to replace their existing lens fleet. The new TLD+ 0.8-1.16:1 lens offers extreme 120% vertical lens shift capability, just like all current TLD+ lenses.
Barco will debut the HDX-4K20 FLEX projector at the ISE trade show, RAI Amsterdam, The Netherlands, from 9 – 12 February. You will find Barco at Hall 11, booth F100 or here. Leave a Comment
Share Article
Back to Top |
Epson Debuts EB-L25000 25K Lumen 3LCD Projector, Targets Install Market With Plethora of Projectors Epson is unveiling two new ProAV projector ranges as well as its first 25,000 lumen 3LCD laser projector at ISE 2016 (9-12 February 2016) in Hall 1 Stand H90. The new models include the company’s first laser-based installation models.
Dubbed the EB-L25000U, the 25,000 lumen laser-light source projector that marks a clear focus on the install market with it and multiple other install-focused products including the EB-L1000U series (EB-L1500U, EB-L1505U, EB-L1405U, EB-L1300U, EB-L1200U, EB-L1100U). In fact, the EB-L1500U, the world’s first 12,000 lumen WUXGA 3LCD laser projector.
The EB-L25000U is native UWXGA and uses both inorganic LCD panels as well as an inorganic phosphor wheel to produce color-accurate color. Spec’s at 20,000 hours of operation, they warranty the complete projector for 20K hours — not just the mechanical aspects of it. Inputs include HDMI, HDBaseT, VGA and 3G-SDI and there are nine different lenses (with memory). We actually recorded a videocast about this projector last week. You can view it here.
Alongside these new laser models, Epson is exhibiting its new EB-G7000 (EB-G7800, EB-G7200W, EB-G7000W, EB-G7905U, EB-G7900U, EB-G7400U) lamp-based range of high-quality corporate and higher education installation projectors. Ideal for use in office meeting rooms, lecture theaters or large classrooms, the new range features a host of quality, functionality and usability improvements to help transform large-venue spaces with high-quality, professional-looking presentations.
The products were launched at ISE here in Amsterdam along with some cool demos (you can see all of them by going here and typing EPSON in the video search window as she shot videos inside their booth at ISE).
The EB-L25000U will start to ship in late 2016. The EB-L1300U, EB-L1200U, EB-L1100U, EB-L1405U will be available from July 2016 and the EB-L1500U and EB-L1505U from October 2016. The new EB-G7000 series (EB-G7800, EB-G7200W, EB-G7000W, EB-G7905U, EB-G7900U, EB-G7400U) will be available from May 2016.
All of them are here at the North American site and EMEA site Leave a Comment
Share Article
Back to Top |
Barco’s Event Master Controller Enables Faster Show ProgrammingBarco has released the EC-200, a full-sized hardware controller that’s part of its Event Master series of screen management systems. Thanks to its new syntax-based programming, the EC-200 offers easier and faster show programming. The EC-200 event controller will be shipping from mid-February.
The EC-200 leverages the ease of use of its smaller brother, the EC-50 event controller, while adding a new syntax-based programming methodology that accelerates programming, offers immediate access to system resources, and streamlines show programming in a way that’s unique to the Event Master system. Redefining the way screen management is handled for large events, this new syntax-style programming greatly simplifies and speeds the operator’s job.
Compatible with both the S3-4K and E2 Event Master processors, the EC-200 is a stand-alone controller featuring a Linux-based operating system and a built-in Central Processing Unit (CPU). It brings the ability to have source, preset, layer, and destination selection at your fingertips, along with a trackball, dedicated programming section and two touchscreen displays. The EC-200 also provides instant access to switch sources live on program and enables users to select large groups of resources at the same time, and manipulate layers like never before.
The EC-200 gives users greater situational awareness and worry-free operation by enabling them to check more information simultaneously and know precisely what will happen next. The controller is the perfect tool for a wide range of shows – from a tradeshow booth, to a large corporate event, even for the largest music tours.
All the specs on the EC-200 are here. Leave a Comment
Share Article
Back to Top |
Christie Intros Pandoras Box Version 5.9 Media Server from Coolux for Faster, More Efficient OperationChristie has launched a new Pandoras Box media server system (Version 5.9) that features a standalone Kiosk Mode, a completely redesigned Patch-Tab, the addition of a Cues Tab for an overview of all cues, and an optimized Pandoras Box Codec. It debuted at this week’s ISE 2016 show in Amsterdam.
The Pandoras Box system is a turnkey solution that combines rendering technology with intuitive media and show control. Flexible and user-friendly, it can be set up as a standalone playback device, network playback client or in console mode for direct DMX Control.
Christie says Pandoras Box Version 5.9 now encodes files up to four times faster, delivers additional codec information through the file inspector, and includes a completely redesigned Patch-Tab and new templates that deliver faster workflow for remote control from a lighting desk. Users can create their own profiles, as well as export and import patch templates with exceptional ease. A Cues Tab has also been introduced for an overview of all cues, which can be used to navigate through the timeline and leave individual notes per cue.
For more information about the coolux Pandoras Box family of turnkey multi-media solutions, go here. Leave a Comment
Share Article
Back to Top |
Mackie Demos Axis Modular Digital Mixing System at ISEMackie has launched something called the AXIS Digital Mixing System. With full Dante integration, the modular AXIS system combines the power of the 32-channel DL32R digital mixer with the DC16 control surface. The combined system will be on display at the ISE Show, where Mackie is joining with Polar Audio UK at Stand 1-Q95.
With 32 remote-controllable Onyx+ mic preamps and 16 outputs paired with massive built-in DSP, the system is ideal for medium and large channel count applications. The system relies on Dante for communication between the DL32R mixer and DC16 control surface, enabling additional networking capability for professional applications.
Visual feedback is provided by a full-color channel displays and the ability to dock up to three iPads in the SmartBridge, with smart sensing that knows when your iPad is in place. This allows easy customization over each iPad view to meet specific workflow needs. Users can grab an iPad from the DC16 and head out to tune the room or dial in monitors and the Master Fader control app knows to switch it to the view that makes the most sense for the user.
Here are all the tech specs. Leave a Comment
Share Article
Back to Top |
Bose Pro Expands the F1 Loudspeaker FamilyBose Professional has expanded its F1 Flexible Array Loudspeaker product line, to include a new passive full range model and a full suite of mounting brackets. Together with a powered model introduced in 2015, both Bose F1 loudspeaker models are ideal for portable and installed applications. The F1 Model 812 Loudspeaker is the first portable loudspeaker offering “FLEX array technology,” which lets installers focus sound to target listening areas with four different patterns, offering exceptional power and clarity for a wide range of applications and venues.
Engineered with an array of eight Bose proprietary 2.25-inch drivers, 100-degree horizontal waveguides, a high-powered 12-inch woofer and a lower crossover point, F1 Model 812 loudspeakers deliver high SPL performance while, according to Bose, maintaining vocal and midrange clarity.
F1 Model 812 loudspeakers include M8 top and rear hang points along with three dedicated brackets for easy and flexible mounting. Pan and tilt, yoke and U bracket options are available.
When extended bass response is needed for portable applications, the optional Bose F1 Subwoofer packs all the power of a larger bass module into a more compact design. The active loudspeaker and subwoofer have a combined 2,000 watts of power (1,000 watts each), able to fill nearly any venue with immersive sound. A Bose proprietary mounting stand for the loudspeaker is integrated right into the body of the subwoofer, making setup fast and easy. The stand even includes cable channels to neatly hide the wires. Additionally, the loudspeaker and subwoofer feature strategically placed handles for stress-free transportation (the system easily fits in a car), made with highly durable materials to ensure years of reliability.
The powered and passive F1 loudspeakers is designed for live music venues, sports bars, clubs, schools, houses of worship and any small to medium size venue requiring a high performance loudspeaker solution with precise control and directivity.
Bose F1 Model 812 specifications:
- F1 Model 812 loudspeaker (active): 26.1″ H x 13.1″ W x 14.6″ D (664.66 x 334.3 x 372.5mm); 44.5 lbs (20.18 kg)
- F1 Model 812 loudspeaker (passive): 26.1″ H x 13.1″ W x 14.6″ D (664.66 x 334.3 x 372.5mm); 47.5 lbs (21.55 kg)
- Bose F1 Subwoofer: 27″ H x 16.1″ W x 17.6″ D (688 x 410.16 x 448.5 mm); 55 lbs (24.9 kg)
All of it is here. Leave a Comment
Share Article
Back to Top |
Christie HS Series Is 12K Lumen 1DLP Laser Phosphor ProjectorChristie just introduced the brightest 1-chip 1DLP laser phosphor projector in the Christie HS Series. Featuring what they are calling ‘BoldColor Technology’ it has a color wheel that spins at 3x speed or normal 1-chip DLPs. The Christie D12HD-HS and Christie D12WU-HS, respectively, are HD (1080p) and WUXGA 1920×1200 resolution in a compact chassis.
Aimed at both installs and the rental staging market, the Christie HS Series is capable of 360-degree orientation and portrait mode with color matching and advanced blending, warping and stacking software built in. The Christie HS Series also offers a full (six) lens suite covering 0.84:1 up to 7.2:1, 3GSDI and DVI-D loop through connections so signals can be daisy chained without external boxes, and optional fog filters. It also has a bottom-side HDMI connection and rear input cover.
Here are all the detailed specs. Leave a Comment
Share Article
Back to Top |
Sound Devices Adds Features to CL-12 Linear Fader ControllerSound Devices has expanded support for its CL-12 Linear Fader Controller with the release of Firmware Version 2.11, which offers compatibility to both the 664 and 633 Field Production Mixers. Initially introduced only for the 688 mixer/recorder, the CL-12 is an optional accessory that features smooth-gliding 100 millimeter linear faders and is ideal for live mixing of multiple audio signals.
In addition to CL-12 support, firmware v2.11 brings several new features to the 664 and 633 mixer/recorders, one of which is QR Codes for quick smartphone access to important online documentation, such as an approved media list and the user guide for that product. It also offers a new User Bits mode that allows jamming of external timecode user bits. With the CL-12, the 664 and 633 gain sunlight-viewable, 22-segment LED metering, plus 7-segment PFL metering with limiter activity and also offers three user-programmable buttons as well as numerous dedicated back-lit buttons for quick access to key functionalities; such as metadata entry, transport controls, track arming, routing, and more.
When working with the CL-12, the 664 has a 54dB linear fader range across 12 linear faders, High Pass Filter control on channels 7-12, and Input Phase control on channels 2, 4, and 6. When attached to a CL-12, the 633 has a full 96dB linear fader range available across six linear faders, High Pass Filter control on all channels, and Input Phase control on channel 2. The CL-12 also includes two additional USB ports — one for a USB keyboard connection for efficient metadata entry, and one for powering an optional USB lamp. The CL-12 comes in two models: the standard CL-12, with aluminum sides, and the CL-12 Alaia. The CL-12 Alaia features smooth-gliding Penny & Giles faders and custom hardwood side panels in either Blonde Maple or Red Mahogany.
Here are all the details. Leave a Comment
Share Article
Back to Top |
Crowd Mics Launches Product Aimed at AV IntegratorsThe smartphone-based mic system, Crowd Mics, has come up with an AV integrator version — so you can make money selling it.
How do you install hundreds of wireless mics in your room? You don’t! Let the audience bring the mics, you just install the Crowd Mics ATOM. The ATOM is a device dedicated to Crowd Mics audio. The fact that you plug the ATOM into the sound system instead of the moderators mobile device means they can now be anywhere in the room. With little or no network configuration, the ATOM bridges the gap between mobile devices and the PA system via the wired and wireless network.
The ATOM plugs into the wired network and receives Crowd Mics audio and the audio output plugs directly into the sound system. The moderator connects to the ATOM using a unique four-digit code and users can connect to a session via Bonjour discovery if available on the network. Users can also connect to the session with the four-digit code. Bonjour can remain disabled and wireless client isolation can remain enabled. The moderator can then control who speaks using the iPad app interface. The number of users you can connect is only dependent on the Wi-Fi network.
Here are all the specs. Leave a Comment
Share Article
Back to Top |
|
For all you REGULAR readers of rAVe Rental [and Staging] Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: we run what we want to run and NO ONE is going to pay us to write anything good (or bad).
Don’t like us, then go away — unsubscribe! Just use the link below.
To send me feedback, don’t reply to this newsletter. Instead, write directly to me at gary@ravepubs.com or for editorial ideas, Editor-in-Chief Sara Abrons at sara@ravepubs.com
A little about me: I graduated from Journalism School at the University of North Carolina at Chapel Hill (where I am adjunct faculty). I’ve been in the AV-industry since 1987 where I started with Extron and eventually moved to AMX. So, I guess I am an industry veteran (although I don’t think I am that old). I have been an opinionated columnist for a number of industry publications and in the late 1990s I started the widely read KNews eNewsletter (the first in the AV market) and also created the model for and was co-founder of AV Avenue, which is now known as InfoComm IQ. rAVe [Publications] has been around since 2003, when we launched our original newsletter, rAVe ProAV Edition.
Everything we publish is Opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship ePublication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition, co-published with CEDIA and launched in February 2004, is, by far, the largest ePub in the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
To read more about my background, our team and what we do, go to https://www.ravepubs.com Back to Top |
Copyright 2016 – rAVe [Publications] – All rights reserved. For reprint policies, contact rAVe [Publications], 210 Old Barn Ln., Chapel Hill, NC 27517 – (919) 969-7501. Email: sara@ravepubs.com
rAVe Rental [and Staging] contains the opinions of the author only and does not necessarily reflect the opinions of other persons or companies or its sponsors. |
|
|
|