Volume 10, Issue 1 — January 11, 2017
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Temporary Installations Provide Opportunity
By Scott Tiner rAVe Columnist
In October, the Bates College Museum of Art opened an exhibit titled, Phantom Punch: Contemporary Art from Saudi Arabia in Lewiston. The title plays off the famous bout between Muhammad Ali and Sonny Liston in 1965 in our small town. The exhibit is culturally enlightening and eye candy to those of us who are A/V fanatics. This is the first exhibit the museum has put on that includes large amounts of audio visual technology. In total, the exhibit has three projectors and three monitors displaying the content of the exhibit. The museum space at Bates consists of two floors, the top being a high ceiling, wide open space with wood floors. The lower floor is also wide open with wood floors, but has a lower ceiling.
Thankfully at Bates we have two excellent people on our AV staff who were ready to jump to the challenge. Our senior AV analyst, Ben Lizzotte (@benlizzotte), took on the challenge of designing the system. The challenge included designing audio for the large cavernous space upstairs, along with keeping the budget under control. Ben settled on Epson projectors, including one short-throw projector, BrightSign digital signage boxes for content, and Audio Spotlight speakers by Holsonic. The speakers were chosen in order to present localized audio in an open space without a lot of bleeding sound into the other exhibits. Our AV analyst, Ben Pinkham (yes, they are both named Ben), assisted with the install of the equipment.
As a group, we struggled with the budget constraints and the value of the investment in the technology. Some things, like the BrightSign players, are offered at a low enough cost that they made sense to purchase straight out. Additionally, there seems to be many uses for these devices around campus, so we were confident we could reuse them. However, other things, like the 80” display and the short throw projector, are costly and don’t have an immediate use on campus after the exhibit. Finally, we had to wonder about the hidden costs of our staff designing and installing the equipment. We estimated that over 80 hours of staff time was dedicated to the design and install of the system. While our client was very happy with the product, and the visitors love what they see, we need to think about the best way to handle such a request in the future.
We did some investigation with our local integrators, but they did not have a model for such a request. If we were to rent this equipment from them for three straight months, we would clearly spend more than if we bought the equipment. The firm we spoke with was not prepared to offer different costs for longer term rentals. Once the install was done, we computed the costs of the install and equipment, we began to realize that this type of installation could provide a business opportunity to integration firms. If the integration firms already have a rental division they have a head start. The firm could rent us the equipment needed, at a cost slightly under what we would have paid if we purchased it. This allows them to make a profit on the equipment while increasing their rental inventory. The new equipment would be valuable to the firm, as they would not have to wait through the length of time it normally takes them have a return on their investment for rental equipment. It would be immediate. It would provide value to us, by saving us money, and not leaving us with equipment that we need to store and may never use again.
Installation is also an area where an integrator could provide us value. We were fortunate that this installation came at a time when our schedules were light(er). Ben(s) installed the exhibit over two weeks in October. Had this happened during our very busy summer schedule or the first month of classes, they simply would not have been able to get it done. Even during the slower month of October, some things had to be put off in order to get the work done. If you have read my columns in the past, you know that I argue for colleges completing installs internally. This is because I believe keeping the knowledge of the install inside the institution provides great value in the future. However, a temporary (three- to four-month) install does not qualify for this same long term value. Using our internal technicians to focus on other projects, while outsourcing this install seems like the wiser long term value.
While this example is about our museum, we have encountered similar issues with our theater and dance departments. They have demanding AV needs for a short time during their rehearsal and performances. Once those are done, they may go a long time without needing technology, and when they do need technology, it may very well be different from prior needs. With most colleges and universities having theaters and museums this seems like an opportunity for integrators to open up a profitable new segment of their business.
As always, I am curious to hear what others do about these installs. Do you do them internally and purchase the equipment? What do you do with the equipment when you are done? Do you rent the equipment and outsource the installation? If so, how does that work for you? Leave a Comment
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2017 Will Be the Year of The… My Predictions for the Upcoming Year in AV Technology
By Gary Kayye rAVe Founder
After years of a terrible world economy and very little innovation, 2016 was a boon for new technology — especially in the world of AV. And, some of it crossed both high-end residential as well as commercial. Let’s take a look at a little of what was 2016 and then I’ll tell you want to realistically expect from 2017 in the way of innovative technology in AV.
4K, 4K, 4K: I have to start with that one. 2016 will forever be remembered as THE YEAR 4K debuted. It was the talk of all four major trade shows including ISE, InfoComm, Integrate and CEDIA Expo. We’ve seen more 4K products (including displays, cables, switchers, scalers, decoders, transcoders, servers and media players) than any other single technical innovation of the year. 4K is going to be big business and HUGE in 2017 — keep reading to hear why.
2016 FINALLY brought us the long-promised AV/IT convergence that everyone’s been touting (including yours truly). Sure, we’ve had networked-audio for years — thanks to Audinate’s Dante system. Video seemed like it was never going to be networkable, but companies like AptoVision have led the way in AV-over-IP systems, partnering with more than 10 different companies that are already building 4K-over-IP systems or plan to in 2017. Those include ZeeVee, iMAGsystems, IDK and Gefen. In addition, biggies like Crestron and AMX have also announced 4K-over-IP systems. And, each one of those companies is offering a plethora of options — with various compressions rates — depending on what your customer wants quality- and cost-wise.
The laser projector made its debut in 2016 with companies like Sony and Barco leading the way — they shipped laser-phosphor products that not only promised to have amazing colorimetry, but actually did. Laser might well end up being the saving grace for the projector market too, as it’s currently being swallowed up by the flat-panel monitor companies.
With regards to flat-panels, the big news this year had to be from LG. LG managed to launch both concave and convex displays as well as what they are claiming as wall-paper displays. All of them use the future-forward-thinking OLED technology that we’ve been hearing about for, well, a decade. At ISE, InfoComm and at Integrate, LG had one of the most popular booths as everyone wanted to see the creative applications of OLED.
Speaking of large booth crowds — Sony, at InfoComm 2016, blew away all booth attendance records with the launch of its Micro-LED called Canvas. It’s expensive but the company showed a pixel-less 8Kx2K resolution image that was 35 feet wide. If you were listening at InfoComm, it’s all you could hear anyone talking about it.
Innovations in 2016 weren’t relegated to video. In fact, 2016 was a big year in audio too. Harman — the industry’s biggest audio company — was purchased by Samsung, but not before debuting the largest line of network-based audio products across six different subsidiary brands. All use Dante as the networking platform and allow for networkable everything — including speakers individually addressable via the network. Now, just about every speaker company does this. So, instead of planning the “zones” of a distributed audio system before install, you can do it any time now — and change them on the fly.
Have you heard of Amazon Alexa? Although it’s aimed at the consumer market (to encourage them to order more stuff from amazon.com), it’s being adopted by all the control system companies as an option for voice control. Amazon is happy to oblige, making its API for Alexa development open and free for anyone to use!
Finally, collaboration. It moved from a word meaning people working together on something to one that means the same thing as a Barco ClickShare. Yes, that happened. The ClickShare, although launched in 2012, is still dominating the wireless-collaboration market (meaning, connecting multiple laptops, tablets or phones to the same display over an ad-hoc network). Sure, there have been imitators, but Barco crossed the 150,000 unit sales mark in mid-2016. That’s a lot of boxes. Also, never underestimate an end user’s love of a simple, giant button.
So, on to 2017
If you want to see the future — I mean years-out future — go check out anything that Oblong is doing. You interact with a truly collaborative system with natural hand gestures and it’s always connected — no having to go to a meeting 15-minutes before it starts to make sure the AV technology works. It’s always on. But not everyone can afford a room that STARTS for $150,000 and moves up from there.
In 2017, we will see some major technological developments (some from the consumer market that will trickle-up to the commercial market) that will get nearly every room more than halfway to an Oblong Mezzanine room for way, way less. How? Well, read on!
First, let me start with the Digital Canvas. Now that we have 4K in both flat-panels and projectors, we will see the opportunity of a lifetime. And, the death of the projector can be slowed down if you offer your clients with something I call the Digital Canvas. The Digital Canvas concept is simple — and now we have projectors high-res enough to do this — instead of deciding what size screen to put in a room based on least-favored-viewer stats, you put in as big of a screen as the room can handle — fill the front of the room with projection, if you can. Then, use the projected image to provide you with your “normal-sized” projected image for PowerPoint or whatever else you’re showing but use the leftover projected image (mind you, it’s all in 4K resolution so you can actually have four PowerPoint slides up simultaneously in native resolution) to project stuff like the preview slides, a clock or even social media feeds. All simultaneously filling the front of the room — thus, you make a giant Digital Canvas.
A flat-panel can’t do that.
So, the benefit of 4K isn’t just prettier pictures — it can help us turn every room space into a Digital Canvas. By the end of 2017, this Digital Canvas concept will start to catch on as 4K projectors will be 30 to 50 percent less expensive than the first generation launched this past fall. And thanks to laser imaging, the colorimetry will be stunning. We will see blacker-blacks and whiter-whites and thus all color will look better. So, laser can be the saving grace of projection.
However, that won’t be fast enough to save the projector from being pushed almost totally out of the small to medium-sized meeting room. Nearly every integrator that specifies a screen that’s 80” or smaller now uses a flat-panel instead of a projector. That number will grow to 94” by the end of 2017 and could reach 100” depending on what Samsung, Sharp and LG decide to debut in 2017. But expect the 100” LCD to come down, considerably, in price next year.
Speaking of flat-panels, as I mentioned above, LG (and Samsung) both have curved displays which, in to digital signage, make for some creative installs. 2017 will be the year the TV/monitor moves into art in a big way. We will see more flat-panels installed for digital signage and museums than any other year before now — expect that growth to be in the 20 to 25 percent range. And, the more creative the install, the more profitable it will be. 4K will also massively drive down the price of 1080p displays, while the 4K TVs themselves will be 50 percent of what they were in cost in 2016 by the end of 2017 — making for more to install.
Virtual Reality (VR) has been in the ProAV market for years — in fact, years ago, there were companies that come to shows and built VR caves — using projection. But, now that Facebook owns Oculus, Samsung has its VR Gear and Microsoft is shipping its VR games, what is relegated to gaming now will move in to the commercial AV space. The cost of developing content for VR applications will be driven down so we, the AV market, will need to get in to the VR market for higher-end installs — virtualization in architecture, visualization of fashion, recreating history in museums and a plethora of new applications where content drives the display format. And, you will even be selling the gear, too.
Speaking of content, the way the digital signage industry works now is soon going to be the way you’re designing classrooms and meeting rooms. So, why not get into digital signage to learn it now? Here’s the deal: All the content in a digital signage system isn’t carried from display to display via HDMI or VGA. It’s all driven by the network. All the content is sent to the various displays from an integrated cloud-based network. So, playing the content doesn’t require a computer to be connected to the display (or at least the kind of computer you know computers to be). But, the content travels across the network and is output through a $200, $99 or even a $25 media player — like a purpose-built digital signage computer. So, that methodology is what will happened in the not-so-distant future of the classroom and meeting room. If the content (e.g., PowerPoint, website, slide-deck) is on the network, there will no longer be the need for a dedicated computer or VGA port or HDMI port in the room. Just keep it on the network and “play” it using the display’s media player — one that’s built-in (e.g., Samsung SmartSign) or using the $25 media player (e.g., ChromeStick). So, that, alone should be reason enough for you to get into the digital signage network (to learn how to design the classrooms and meeting rooms of the future). But in case that’s not enough — how about the fact that the digital signage market, although less than 10 years old, is larger than the entire education AV market? And, in fact, it’s the fastest growing segment of AV right now.
Collaborative systems, rather than products, will be the wave in 2017. Everyone was rushing out to build the Barco ClickShare competitor for the past three years but, everyone failed miserably. But now that the wireless collaboration market can be realized (thanks in part to bandwidth and in larger part, thanks to Barco paving the way), you will see more collaborative systems — even Barco is doing it with its new WeConnect. Sure, we will see more ClickShare competition in 2017 but, more importantly, we will see a plethora of companies debut complete integrated systems you (that are all 100 percent network-based) and you can drop in to nearly every room. Sure, not every room, but 90 percent of them, however. This will be big.
Simplicity will be a HUGE theme in 2017. This is what Amazon Alexa is all about — people turning complicated systems into something you can talk to to carry out commands — sort of like an iPhone Siri for your room. Speaking of Siri, Apple has already staked a claim to controlling the home, and everything in it, via Siri and its new HOME app. So has Google with its home line where you tell Google everything you want to do — and assuming you have Android, it works. You will see a massive more towards simplification from everyone in AV — less individual boxes and more integrated systems (or all-in-one) solutions.
Finally, there’s one thing that I skipped that needs to be mentioned as our industry has, forever, been driven by the display. Well, I already predicted that nearly any projection system that’s under 100” would be relegated to flat-panels. And, I told you all about the applications of 4K and why it will usurp 1080p. But, in 2017 we will see the rise of tiny projectors (some pico and some just ultra-portable) cross the 3,000- and 4,000-lumen category and be cheap — like $1,000 cheap. This could change everything. And, no, it does NOT spell doom and gloom for AV. This will provide the ability to put displays EVERYWHERE. Think about it — imagine classrooms with projection on all four walls. Imagine the previous slides on the left and right walls in a lecture hall while the current slide is front-and-center. Well, you’ll be able to spec that inexpensively by the end of 2017. So, instead of putting in just one display at the front of every room, this is true multi-imaging. That’s our future!
Oh, did I forget to mention the forthcoming 8K displays? Ugh, ran out of space in this column… Leave a Comment
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Extron Shows New Audio Control Panels for Use with DMP 128 Plus Audio Processors Extron has just introduced the ACP Series of configurable audio control panels that interface directly with the DMP 128 Plus audio processors. Four models in the series provide volume adjustments for mixing and zone control, plus preset or macro recall for room configuration. Multiple ACP Series control panels can be installed around a meeting space and linked together. Each panel can be used for independent control of a specific area or to adjust audio settings for the entire combined space. The ACP Series is ideal for use in applications that require a simple and cost-effective means to control basic audio functions. Used with or without a control system, the ACP Series button panels can be configured using Extron DSP Configurator Software.
Four models are available: The two-gang ACP 100 features six dual-colored backlit buttons for easy operation in low-light environments with a volume knob for smooth, precise volume adjustments. Three additional models feature six customizable, backlit soft-touch buttons: The one-gang ACP 106 D Decora wallplate, the one-gang ACP 106 MK for MK boxes and enclosures used in the UK, Middle East, Singapore and other regions using MK-type enclosures, and the one-gang ACP 106 EU compatible with Flex55 modules, mounting kits and enclosures, as well as EU junction boxes.
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Matrox Updates Monarch LCSMatrox Video today announced a firmware update for the H.264 based Matrox Monarch LCS lecture capture appliance that adds a new scheduler function. That schedule now lets the Monarch LCS to be set to start automatically before an event (e.g. lectures, corporate presentations, religious services) without any human intervention required. The Monarch LCS scheduler supports the iCalendar (.ics) standard, which can be generated by a variety of scheduling applications including Google Calendar and Microsoft Outlook. Allowing identification of multiple devices on a single master calendar, when the schedule is imported to a Monarch LCS appliance, it will automatically start and stop streaming and recording events at times corresponding to that individual device.
The Monarch LCS’s updated ability to record files locally to an SD card or attached USB drive, and then transfer the data to network-mapped drives at a later time, is a helpful feature for IT administrators as it reduces the demand on the network during peak times. It could also avoids data loss during peak-hour transfers due to errors or connectivity issues. Transfers can be triggered manually or preprogrammed to occur at a preset time each day. The Monarch LCS tracks successful file transfers and avoids retransferring unless it is specifically requested. Failed or incomplete transfers are also tracked and tagged for future retransfer.
Here are details on the LCS. Leave a Comment
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rAVe’s 2016 Year-in-Review VideoOne of the most anticipated videos we produce, annually, is our Year-in-Review Video where we take a look at everything that shaped the year in ProAV, HomeAV and Digital Signage. 2016 likely set a record for new technology as more companies spent money on developing new products and pushing the market forward. So, we encapsulated the entire year 2106 in this short, fast-paced, 4-minute, video.
So, without further delay, here it is – the official debut of rAVe’s 2016 Video. Watch it as you very-well may be in it – or certainly a lot of people, products and technology you use! Leave a Comment
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Waves Audio Ships Their Primary Source Expander PluginWaves Audio is now shipping the Waves Primary Source Expander (PSE) plugin. PSE lets users reduce stage bleed and sensitivity to feedback when a mic is idle by automatically lowering mic levels between musical phrases — designed for live sound and for mixing live recordings.
PSE works like a fader that smoothly attenuates the channel’s level when the source goes below the threshold that’s been set. The user determines both the threshold and the amount of attenuation. Reducing stage noise leakage when microphones are idle will help users get an overall mix that is more coherent, more focused, and has better phase relations.
PSE also provides advanced sidechain and ducking controls for greater consistency and precision when treating complex live scenarios. Whether mixing FOH or monitors in a live venue or working on a live recording in the studio, PSE will ensure that mics are as loud and clean as they can be, while preserving the source’s original tone and the natural ambience of the location.
Waves Primary Source Expander plugin features:
- Reduces stage bleed and sensitivity to feedback when mics are idle
- Smoothly attenuates levels when source drops below the threshold defined
- User-friendly GUI for quick operation – set and forget
- Internal and external sidechain with HP/LP filters
- Ducking mode for added precision in complex live scenarios
- Release time presets
Here are all the tech specs. Leave a Comment
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Extron Intros More Powerful DMP 128 Plus Series Digital Matrix Processors with VoIP Extron just launched the new DMP 128 Plus Series, which is what the company is calling its next generation of Digital Matrix Processors featuring Extron ProDSP 64-bit “floating point” technology. DMP 128 Plus Series processors are equipped with 12 analog mic/line inputs, eight analog outputs, up to four channels of digital audio input and output via USB, up to eight audio file players, and new configurable multi-device macros. An ACP bus makes it easy to connect one or more ACP Series audio control panels, offering an economical solution for audio system control. DMP 128 Plus V models also include eight independent channels of VoIP, supporting Session Initiation Protocol – SIP 2.0. The DMP 128 Plus AT models provide Dante audio networking technology with connectivity for up to 48 digital audio inputs and 24 digital audio outputs. Configurable using Extron DSP Configurator Software, the DMP 128 Plus Series processors feature an expanded mix matrix, up to 84×48. DMP 128 Plus Series processors can be used anywhere from a credenza-based system to a large multi-rack system, and even in a large, complex, decentralized multi-building system.
The DMP 128 Plus C, DMP 128 Plus C AT, DMP 128 Plus C V and DMP 128 Plus C V AT models include Extron AEC for conferencing applications. AEC is essential for effective remote room-to-room conversations, ensuring clear, natural communication for all participants. These models include eight independent channels of high performance AEC, as well as selectable noise cancellation. Typical AEC processing can be challenged by conditions such as double-talk, when talkers from both ends are speaking simultaneously, and when near end talkers use wireless microphones. Extron AEC features advanced algorithms that deliver fast echo canceler convergence for optimal intelligibility, even in challenging conditions.
DMP 128 Plus AT models are equipped with Dante audio networking technology and provide scalable audio transport over a local area network using standard Internet protocols. Each DMP 128 Plus AT sends out 24 channels of digital audio and can receive 48 channels over the network. Dante technology can support up to 512×512 audio channels at 24-bit/48 kHz over a single Gigabit Ethernet link, or 48×48 audio channels at 24-bit/48 kHz over a single 100 Mbps Ethernet link with extremely low latency. Additionally, the DMP 128 Plus AT can be configured to support primary and redundant Dante audio networks.
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Comprehensive Intros CSW-HD442-4K60 4×4 4K Matrix Comprehensive Connectivity Company just launched an HDMI matrix switcher (CSW-HD442-4K60) with four HDMI inputs and four HDMI outputs that’s specified to switch 3840×2160 signals @60Hz (YCbCr4:2:0).
Comprehensive’s HDMI Matrix Switcher routes any four sources to be shown on any of the four displays, simultaneously, while supporting 4Kx2K@60Hz (YCbCr4:2:0). Multi-channel HDMI digital audio sources can be selected through on-panel buttons, IR remote controller, RS232 port or IP control.
Tech features include:
- Switches any four HDMI inputs to any four HDMI outputs (including 720p, 1080p and 4K)
- Supports all HDCP 2.2 specs
- Maintains resolutions up to 4Kx2K@60Hz (YCbCr 4:2:0)
- IR remote control, through RS232 or over IP
- Supports reception of any audio data conforming to the HDMI specification (e.g., PCM at up to 192kHz, compressed audio IEC 61937, DSD, DST, DTS and HBR
- Supports four channel ARC control
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Harman Debuts Six New Products In DecemberHere are the six newest Harman family of products launched in December:
Crown DriveCore Install DA Series Amplifiers: A new line of amplifiers that feature Dante networked audio transport. In addition to being able to send and receive Dante audio, the DCi-DA Series includes many of the same features as the DCi-Network Series, such as the inclusion of a high-level DSP with JBL tunings, network control/monitoring, highly efficient design, and the ability to drive 2/4/8 ohm, 70V and 100V speaker loads out of each channel without the need for an external transformer. Pricing is $6,500 for the DCi 8|300DA, $9198 for the DCi 8|600DA and $6598 for the DCi 4|1250DA. Here are all the specs.
JBL Commercial CSA Series 1300Z / 2300Z Amplifiers: The CSA Series provides a DriveCore-based sound solution, replacing up to 500 parts with one small chip, reducing the part count and increasing reliability while maintaining superb performance. Available with one or two channels and powerful 300 W output, these amplifiers support 70V and 100V installations out of the box. The are priced at CSA 1300Z: $698 and the CSA 2300Z is $898 list. Here are all the specs.
Martin Exterior Wash 100/200/300 Series Architainment LED Light Fixtures: The Exterior Wash 100/200/300 Series is designed for narrow beam applications with separate LED’s for red, green, blue and white. The three models illuminate various sized architectural and landscape features with the 100 model being used for small elements and the 300 model for larger building features with up to 10,000 lumen at full output. The product lines feature 6 beam angle options starting from a tight 7-degree beam angle and a compact and rugged IP66 housing, rated for permanent outdoor use. Here are all their specs.
Martin Exterior Wash 120/220/320 Series Architainment LED Light Fixtures: The Exterior Wash 120/220/320 Series is designed for variable color temperature applications ranging from 2700K – 6500K. The three models illuminate various sized architectural and landscape features with the 100 model being used for small elements and the 300 model for larger building features with up to 14,700 lumen at full output. Both of the product lines feature six beam angle options starting from a tight 7-degree beam angle and a compact and rugged IP66 housing, rated for permanent outdoor use. Here are all the options.
AMX N-Control Touch Panels (SVSI): The NT-SD-701 (Wall) and NT-ST-701 (Tabletop) N-Touch Panels allow a control interface to be added to an SVSI system. Each touch panel combines a high-quality user interface and controller into a single unit. The NT-SD-701 can be mounted on any flat surface (including glass). Key features include control of network-based devices, a brilliant 24-color depth, and PoE connectivity Priced at NT-SD-701 (Wall): $1,900 NT-ST-701 (Tabletop): $1,995 and here are the specs.
JBL Professional Intellivox HP-DS170 Active Beam Shaping, Self Powered Column Loudspeaker Array: A self-contained, especially high-power and high-output, 2-way, wide-bandwidth beam-shaping powered column loudspeaker with a high degree of outdoor capability. Capable of delivering up to 106 dB SPL at 30 meters (100 ft) and has a horizontal dispersion of 100°. Enclosing ten, high efficiency, 6.5” loudspeakers and two coaxially mounted 1” compression drivers, each with dedicated amplification, the Intellivox HP-DS170 is capable of covering a substantial audience area while maintaining an even sound pressure level throughout. All the specs are here. Leave a Comment
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BlueJeans Debuts BlueJeans Huddle to Take on ClickShare and Skype BlueJeans Network today unveiled BlueJeans Huddle, a cloud-connected video system that they say is designed to simplify video connectivity. BlueJeans Huddle system is a combination of standard hardware and BlueJeans proprietary software that can turn any room into an interactive meeting space for what they claim is a fraction of the cost of legacy in-room systems. Currently an average of eight to 15 minutes of every video meeting is wasted getting participants connected — I think we’d all agree with that claim! That’s what they say this solves.
BlueJeans says their Huddle system eliminates the hassles of set up, dial in, connection, and meeting management as users are automatically recognized and can initiate live video conversations simply by walking into a room an the room already knows who they are by using the BlueJeans Enterprise Video Cloud. The system is also integrated with wireless content sharing (think ClickShare) as well as MS Outlook and Google Calendar for scheduling and automation. So, in short, this is Skype with a Barco ClickShare, in one. We haven’t tested it yet, but when we do, we’ll tell you if it’s as simple as they claim.
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AudioControl Adds DTS:X and DTS Neural Surround to Home Theater Receivers and Preamp/Processor AudioControl has announced the availability of DTS:X and DTS Neural Surround for its Concert AVR-7 and AVR-9 home theater receivers as well as their Maestro M9 theater processor. These surround formats are available now and can be added to models already in the field via firmware update.
DTS:X is an immersive surround format that delivers an exceptionally lifelike sense of dimensionality and accomplishes this without dictating any specific speaker layout. DTS:X enables integrators to deliver a visceral cinematic experience to their clients using loudspeaker locations that suit décor. AudioControl’s advanced auto-calibration and object-based surround processor will determine proper levels and placement for dialogue and sound effects, and integrators can bring added value by fine-tuning critical parameters for the finest entertainment experience possible. DTS Neural Surround up-converts conventional stereo sources such as streaming content, TV broadcasts gaming soundtracks and others into captivating 5.1 or 7.1 surround as well as a 7.1.4 immersive format.
AudioControl has made both DTS formats available via the mode selection menu on the company’s home theater receivers and flagship M9 processor — all of which are also now available in a recently unveiled sleek Expresso Black brushed aluminum finish.
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Crestron Now Shipping Full Line of Avia DSPs Crestron is now shipping five new Avia DSP models that all use the Avia Audio Tool software. The Avia DSP-1283 is 12-channel DSP designed for use in meeting spaces and collaboration environments. It supports audio conferencing via VoIP and POTS, and USB connectivity for video conferencing via a Crestron RL2 Skype for Business solution, or BYOD presentation using Crestron AirMedia wireless gateway. I/O expansion with amplifiers and DigitalMedia blade-based switchers is supported via the Dante audio network. Additional models include DSP-1282, DSP-1281, DSP-1280 and DSP-860.
The Avia Audio Tool provides a workspace that streamlines audio programming. The channel-strip architecture is designed to simplify configuration, with a library of preconfigured strips for the most popular microphones and Crestron speakers. Built-in tools include a real-time analyzer (RTA), virtual mixer, EQ editor and AEC processor. Avia DSPs connect directly to Crestron touch screens without a central control system. Crestron says there’s no code to write or GUIs to design; just drag and drop channel strip objects for control and to generate a touch screen UI, including VU meters for visual confirmation that audio is passing through the system without needing special test equipment.
The new DSPs are a part of the new Crestron suite of Avia Audio Solutions, which also includes a companion line of network-controlled and monitored multichannel amplifiers. Here are all the specs. Leave a Comment
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Christie Debuts Extreme Series of LCD Video Wall Panels Christie just debuted the new Extreme Series to its Aspect family of LCD video wall panels. The new series consists of four models: FHD553-XE, FHD553-XE-R, FHD553-XE-H and FHD553-XE-HR and include a range of brightness levels and feature an advanced electronics platform with an optional redundant remote power supply. Designed for near-seamless video walls, the Extreme Series is the high-end of their Aspect family of a full range of product options, including: bezel size, brightness, power, connectivity and price.
Featuring advanced panel matching, the brightness and color of each panel comes pre-calibrated, eliminating much of the image adjustments typically required when installing video walls. The Smart Light Control feature can automatically adjust the brightness of each panel for uniformity across the entire video wall and maintain consistent performance throughout its lifetime. With an OPS slot, these panels accept a variety of embedded processing modules, such as the Christie Phoenix EP, for a complete video wall solution that is perfect for critical viewing environments.
With its narrow bezel, the Extreme Series is suitable for government facilities, public utilities, security and surveillance, telecommunications, and transportation. The Extreme Series is also good for artistic and architectural displays, corporate lobbies, higher education, retail outlets, financial institutions, arenas and stadiums.
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Extron Ships 16 New eBUS Button Panels Extron is shipping 16 new eBUS button panels. eBUS button panels are customizable for AV system control interfaces that work with any IPCP Pro control processor. Multiple eBUS button panels may be linked together by a single cable that carries both power and communication. A variety of mounting options, including Extron’s new Flex55 mounting systems, provide easy integration worldwide. Buttons for most eBUS products can be easily customized using Extron Button Label Generator software or by using the online Custom Button Builder application. eBUS accessories include distribution hubs, power supplies, and mounting products that streamline integration and bring additional design flexibility to any system.
Extron’s eBUS technology is based on a unique digital bus architecture that allows for easy control system expansion, greater design options, and future upgrades. Since they have the same physical appearance as Extron’s broad range of MediaLink controllers, eBUS button panels can be used alongside them throughout a facility while preserving a consistent look and user experience. A single eBUS button panel can be used as the AV control interface for a smaller system or multiple button panels and touchpanels may be combined when a more elaborate control system is required.
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Denon Debuts Six-Channel Mixer and 120-Watt Power Amp in DN-306XADenon Pro says it’s getting serious about fixed install. The new DN-306XA is a six-channel mixer with a built-in, single-channel 120W Class-D amplifier in one rack space. It features combo XLR/TRS input jacks with switchable MIC, LINE, and phantom power. In addition to the amplified output on Euroblock speaker connectors, two XLR line outputs are included. The speaker output options are 4 ohm or 70/100V line. Added features include mic one priority and a three-band equalizer on the output. The DN-306XA is compact, versatile and ready to solve any number of audio installation challenges.
The audio specs are:
- Signal-to-Noise Ratio: > 94dB
- Max Line Output Level: +24dBu
- Phantom Power: 48VDC
- Maximum Voltage Gain: 60dB
- Class-D Amplifier Output: 120W @ 4Ω or 70V/100V
- Inputs: Six combo XLR/TRS
Mic Inputs:
- Max Input Level: -20dBu
- Sensitivity: -40dBu
- Impedance: 1.4kΩ
Line Inputs:
- Max Input Level: +24dBu
- Impedance: 10kΩ
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Bose Professional Ships ShowMatch DeltaQ Array LoudspeakersBose Professional is now shipping new ShowMatch DeltaQ array loudspeakers for both installation and portable applications, with field-changeable waveguides that help provide the best possible sound quality throughout the audience area. ShowMatch DeltaQ arrays provide significant advantages over conventional line array loudspeakers.
DeltaQ array technology improves sound quality and vocal clarity by providing selectable coverage patterns that direct more sound energy to the audience by allowing directivity, or “Q,” to vary with each array module. Traditional line arrays typically have significantly less pattern control. ShowMatch full-range array loudspeakers are available with 5-degree, 10-degree or 20-degree vertical coverage with class-leading versatility that allows J-array, constant-curvature, or DeltaQ array configurations. Conventional line arrays can require up to twice the box count compared to DeltaQ arrays to achieve comparable vertical coverage. DeltaQ arrays can improve sight lines, reduce rigging weight and lower system costs.
New ShowMatch DeltaQ array loudspeakers provide the highest full-range output for their size class, with 145 dB peak array output levels generated from four Bose EMB2S neodymium compression drivers and two 8-inch neodymium woofers with more usable low-frequency output in smaller arrays.
ShowMatch loudspeakers feature field-changeable waveguides that vary horizontal coverage to better match audience coverage needs and can form asymmetrical patterns for improved acoustic performance in left/right arrays. Modules ship with both 70-degree and 100-degree waveguides, with optional 55-degree and 120-degree kits available. Compact, road-ready enclosures with removable side caps optimize design for both installed and portable applications – from small clubs and houses of worship, to the largest performing arts centers and concert-sound amphitheaters. Integrated rigging allows up to 24-box arrays.
A matching-width 18-inch ShowMatch DeltaQ subwoofer provides low-frequency extension down to 30 Hz. Integrated rigging allows mixed arrays with full-range modules, or subwoofer arrays including cardioid and ground-stack configurations. The subwoofer measures 21.2×30.1×30.5″ (540x765x775 millimeters) and weighs 136.5 pounds (61.9 kg).
Bose ShowMatch DeltaQ full-range module specifications:
- SM5 measures 10.6″ H x 31.2″ W x 18.4″ D (270 x 793 x 467 mm) and weighs 67.5 lbs (30.6 kg)
- SM10 measures 11.1″ x 31.2″ x 18.3″ (282 x 793 x 465 mm) and weighs 65.5 lbs (29.7 kg)
- SM20 measures 11.9″ x 31.2″ x 18.1″ (303 x 793 x 461 mm) and weighs 64.0 lbs (29.0 kg)
- Frequency response of the full range models is 59-18,000 Hz (-10 dB)
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PureLink Tries to Make VIP-100 IP System Better with New User InterfaceThe newly designed VIP-100 II allows users to add video, audio, RS232 and matrix switching capabilities over IP networks. The “Mark II” version of the VIP-100 claims to make setup and operation simpler with the addition of an LED channel display, IR remote control and front panel plus/minus buttons, allowing users to easily change channels on the transmitter and receiver modules.
The VIP 100 II provides point-to-point extension at distances up to 394 feet (120 meters) providing up to a 64×190 matrix switching system or as much as a 64x65K system, based on Class B networks. The VIP-100 II also adds RS232 distribution, which contributes even further to its switching capabilities. Additionally, every encoder and decoder can be powered from network switches that provide 802.3af Power over Ethernet (PoE).
Features:
- Support resolutions up to Full HD/1080p
- LED channel display
- Front panel channel plus/minus buttons
- IR remote control for familiar channel selection
- PoE – power encoders/decoders from 802.3af PoE network switches
- RS232 and IR extension/distribution
- HDMI Loop out on Transmitter
- HDCP compliant
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James Loudspeaker Introduces the FXA Series of Angled Baffled Architectural Loudspeakers James Loudspeaker has introduced the FXA Series angled baffle architectural series speakers for in-ceiling and in-wall applications. All FXA Series speakers feature a discreet edge detail that they say appears virtually flush once installed.
Within this new lineup, two choices of tweeters are available. Models with a single beryllium tweeter, used for the ultimate in high-fidelity performance and as well as timbre matching to the James BE Series speakers are simply referred to FXA Series. Also available are versions that utilize the James proprietary Quad Array Tweeter, featuring four 0.75-inch aluminum dome tweeters delivering wide coverage and high output. These models are timbre-matched to James QX and QXC models. Each FXA and FXAQ speaker features dual 3-inch mid-range transducers (angled at 30-degrees towards the listening area) and two 5.25-inch woofers (angled on the adjacent baffle at 20 degrees toward the listener). The woofers are designed with aluminum cones, Santoprene surrounds and die cast baskets for use in outdoor/marine environments. Enclosures are constructed of aircraft/marine-grade aluminum and include aluminum white paintable grilles. 70-volt versions and custom colors are also available.
FXA Series are available now and the FXA model is $1,700 each while the FXAQ model is $1,400 each. Here are all the specs. Leave a Comment
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Extron Debuts New AXI Series Dante Audio Interfaces Extron has introduced two new products in the Extron AXI family of Dante audio interfaces. The AXI 22 AT and the AXI 44 AT analog audio to Dante interfaces feature two inputs / two outputs, or four inputs / four outputs. The compact quarter rack width units integrate two or four mic or line sources onto a Dante-enabled audio system and feature switchable 48 volt phantom power. The AXI 22 AT offers two line level outputs, while the AXI 44 AT features four line level outputs for routing Dante channels from the network to an audio system. Level select, gain, and phantom power settings are controllable from the front panel, via DSP Configurator Software, or by using SIS commands via the LAN and USB ports. Both models interface with any Dante-equipped audio processor, such as an Extron DMP 128 Plus AT, over a standard local area network, and can be powered through PoE. This allows a single network cable connection for bidirectional audio and power from a central equipment rack.
The AXI 22 AT and AXI 44 AT accept analog mic and line sources, which are converted at 24-bit with selectable sampling rates from 44.1 to 96 kHz, for output via Dante. The interfaces are connected into a Dante network over Ethernet using standard IP networking protocols. This avoids the effort and expense of pulling multiple lines of long cables back to the AV rack. With their small, quarter rack form factor, the AXI 22 AT and AXI 44 AT can be easily mounted under a desk, in a lectern, or in millwork, as well as in a rack. The family of Dante-enabled products from Extron work together as part of a complete networked audio system solution and integrate with other Dante-enabled products to create efficient, scalable system designs.
All the details on the AXI 22 AT and AXI 44 AT are here. Leave a Comment
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DENON Intros ENVOI Portable Battery-Powered PA SystemEnvoi is a compact AC/battery-powered PA system designed for professional-grade sound reinforcement to an outdoor event or large interior space when there is no access to AC power. Envoi can operate for up to 12 hours off its built-in rechargeable battery, which provides a cord-free power supply for its powerful internal Class D amplifier. The amplifier drives a high-output 10-inch 2-way speaker system in a compact, lightweight enclosure. Envoi can also be plugged into an AC outlet.
Envoi also streams music wirelessly from any Bluetooth-enabled device, plus with its TRS Aux output, you can daisy-chain as many additional Envoi speakers as needed.
Features include:
- Two-way active speaker (10-inch low-frequency driver, 1-inch high-frequency driver)
- Built-in rechargeable battery provides up to 12 hours of cordless sound
- Includes 16-channel UHF wireless microphone with automatic tuning and batteries
- Bluetooth connection for wireless audio streaming
- Built-in USB/SD (MP3/WMA) player for unattended playback
- Pole-mount socket, telescoping handle and transport wheels built in
- Two-band EQ and reverb effect
- Mic 1&2 combo inputs with Mic/Line level selector switch
- ¼-inch aux input connector
- Built-in storage holds two microphones and accessories
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Crestron Ships Two New Modular Amplifiers Crestron is now shipping new modular utility amplifiers. The new AMP-1200 and AMP-2100 are designed for easy installation, with no need for rack shelves, terminating power connectors or external power supplies. Crestron modular amplifiers amps are also Energy Star certified — they intelligently power down when not in use and feature “fast on” power up, so not a single syllable of speech or program audio is clipped.
All of the hardware needed comes in the box. Integrators do not need to research, order or keep track of separate rack ears, shelves, spacer kits or any other extra installation hardware. The slide-lock design provides secure, professional 1U mounting without a shelf for single-amp and gang configurations. They also have an internal power supply.
AMP-1200 and AMP-2100 are part of Crestron’s new line of single and two-channel modular amps. Crestron says additional models will be available soon.
To see complete specs on the AMP-1200, go here and on the AMP-2100, go here. Leave a Comment
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Sharp Intros New “Value-Priced” PN-C Series AQUOS BOARDsSharp today announced its new PN-C Series AQUOS BOARD interactive display systems. Available as a 70″ Class (69.5″ diagonal) model and as an 80″ Class (80″ diagonal) model, the new PN-C series is aimed at businesses and schools looking for value-priced interactive displays.
Priced 30 percent lower than the PN-L series, the PN-C805B and PN-C705B both recognize up to 10 touch points with four-person simultaneous use, up from six touch points and two-person use with the previous PN-C series.
With the launch of the new PN-C805B and PN-C705B, Sharp is for the first time introducing direct bonding technology to its AQUOS BOARD interactive display line, allowing for a highly ergonomic touch and feel. Sharp says this technology creates a user experience as close to pen on paper as possible. That’s because the protective glass is bonded directly to the LCD panel without any air gaps. This minimizes parallax difference, allowing for smooth writing operations and clear visibility.
Designed for a more intuitive experience, the PN-C series brings frequently used features, such as power on/off and input switching, backlight and freeze, to the front bezel. The new backlight control button allows for energy savings during breaks, and allows users to hide their screens without removing the content, adding a layer of convenience and security for fast-paced business and learning environments. The new freeze function allows users to easily capture a freeze frame from a video to quickly enable on-screen annotation. Another new feature added to this AQUOS BOARD interactive display series is the ability to connect webcams at multiple locations, providing users with even greater flexibility when videoconferencing. The new PN-C series is engineered to be used continuously for up to 16 hours a day /7 days a week, making it an extremely reliable tool for the classroom or the office.
The SHARP Pen Software incorporates a menu comprising of icons that provide easy access to pen settings and other functions. In overlay mode, users can write onscreen annotations or graphics directly onto photos, videos, Adobe PDF documents and common Microsoft files, such as PowerPoint. Downloadable SHARP Display Connect software allows the PN-C805B/C705B interactive displays to share its onscreen content with up to 50 devices, helping facilitate lively discussions and paperless meetings in both business and educational settings.
Both will ship in late January. Here are the tech specs. Leave a Comment
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Cloud Electronics Debuts New MA40 Series Mini Amplifiers at ISE Cloud Electronics will show two new models of the MA40 Mini Amplifier series at ISE 2017. The new MA40F Mini Amplifier features a mono 40W output (4Ω), two stereo line inputs with individual input gain, an additional 70V/100V line input, a paging microphone input with independent EQ, music EQ, music mute (for simple fire alarm connection) and a facility port that allows Cloud’s LM-2 wall input module and Cloud’s new BT-1F Bluetooth wireless audio module to be connected easily.
The MA40T offers identical features to the MA40 but provides 100V output (25V/70V/100V) in place of the low-impedance output. The MA40F and MA40T are the first in a line of four MA40 mini amplifier models, RS232 / Ethernet and Remote Level functionality being added to the four model line-up.
The Cloud Electronics booth is in Hall 7, Stand 7-T170. Here are all the product specs. Leave a Comment
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Christie Expands Laser-Phosphor Projector Lineup Christie just announced the availability of two new additions to the Christie GS Series of 1-chip DLP laser-phosphor projectors. Both new models feature improved color performance and are spec’d to provide 20,000 hours of operation. The Christie DHD599-GS and DWU599-GS are professional-grade projectors aimed at conference rooms, higher education, houses of worship and similar small-venue applications. Christie DHD599-GS includes HD resolution (1920×1080) and 5,625 ISO lumens while the DWU599-GS offers WUXGA resolution (1920×1200) and 6,065 ISO lumens. Both projectors are specified at 1.5 million:1 contrast ratio.
The The Christie DHD599-GS is here and the DWU599-GS is here. Leave a Comment
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ViewSonic’s Newest Monitors Come In 43″, 49″ and 55″ Sizes ViewSonic just debuted new commercial displays for meeting room and digital signage applications dubbed the CDM Series. With three sizes, including 43-, 49- and 55-inch , the CDM Series are designed for 24/7 usage, have thin bezels and multiple connectivity options.
The entire CDM Series is spec’d at 450 nits of brightness with a 3H hardness anti-glare IPS panel for easy integration into public display applications. With a slim design and 9.6mm bezels, CDM displays can be used in a monitor wall configuration or as stand-alone displays for signage. These commercial-grade displays include dual-input screen PIP/POP splitting features with video loop-through and can be tiled and daisy-chained for multi-display and video wall configurations in either portrait or landscape orientations.
For digital signage applications, ViewSonic’s CDM Series includes an internal media player with a quad-core processor with 16GB eMMC storage that is expandable to 32GB with a micro-SD, USB multimedia video playback, and embedded LAN/Wi-Fi and web browser. Coming with content management software, these displays also include an internal Smart Scheduler with seven content storage channels and integrated speaker.
Connectivity includes HDMI, DVI and DisplayPort with loop-through, as well as LAN and RS232 support (for control) and the 43” CDM4300R, the 49” CDM4900R and the 55” CDM5500R will be available January 2017 and are priced at $999, $1,299 and $1,699, respectively.
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