Volume 4, Issue 6 — June 29, 2015
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House of Worship Trends The Future of HOW
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Vision Drives Church Budgets
By Anthony Coppedge House of Worship Technology Consultant
“We’re a church with a limited budget. How much budget do we need for this gear?”
“We have ‘this amount’ of budget, what technology do you recommend?”
Or, my least favorite, “We need to set a budget for our audio, video and lighting. What’s a good amount?”
I hear these question from well-meaning people who are looking for a solution. Their hearts are in the right place, but their thinking needs some adjustment. While each question is sincere, all miss this key point:
Vision drives Need. Need drives Technology. Technology drives budget.
Said another way, when you know what you are called to do, then the need of what it takes to accomplish that vision is defined. Accomplishing it means that a certain level of technology and methodology is required. That technology will have a price tag. Those prices will then determine the overall cost. Teaching this simple principle to church buyers is an important tool in both building relationships for repeat sales and in helping ensure the right technology is in place at every step of the journey.
When churches flip this upside-down and come with a certain amount of money in hand, they can never know if they’re over- or under-budget because the vision has not been cast.
Budgeting Without A Vision
Sometimes, church leaders or church techs have an idea that they think will fit into the overall mission of the church, but their pastor has not expressed an interest in it. Or, it could mean that a tech director is in a church where the vision for tech is limited to supporting other ministries or only executing the technology for weekend services. Either way, the desire to do more or better is real, but the funds are not.
Though seemingly counter-intuitive to AVL sales teams, challenge their assumption that they need more equipment. Being a good steward of what they currently have is a clear indicator of someone who will maximize before they spend. And while there’s nothing wrong with adding equipment as needed, the danger of just adding morem is that it never stops. Different is often a better solution than simply adding more, so help churches understand when they need to re-think their technology direction to support and align with where both they as a church and technology innovation are going.
The Proposal
Part of a church tech arts leader’s job is to find ways to solve problems, create efficiencies, and increase consistency. They can accomplish this most effectively when they start by documenting the issues. This is a key entry point for systems integrators to provide high value at low cost. By helping define a non-technical scope of work (a.k.a. – the ‘Proposal’), the technology is aligned with solving a problem that has been clearly identified. Here’s what the proposal should include:
- Define the opportunity.
- Explain (briefly) the value and set the budget options (and always include more than one option!).
- Write this up in a proposal format that is easy to read and quick to identify value without ANY technical knowledge.
- Present ideas, concepts and, most importantly, solutions to the leadership so they see added value and not simply spending more money.
Relational Selling Wins
Provide important – even crucial – services that will help churches maximize their existing technology before going for the next big sales.
Encourage the church tech leader to spend a few minutes each week documenting needs, finding creative solutions and pouring new ideas into thought-buckets – for use later on when these new needs arise. This will pay off as integrators build trust relationships and help introduce new technologies that fit within the vision of the church for making incremental, consistent changes.
“Sales are contingent upon the attitude of the salesman – not the attitude of the prospect.”
‘ W. Clement Stone
Casting vision, catching vision and executing through technology innovation is an important role for every church tech arts leader. Empowering them with helpful documentation, a roadmap for consistent AVL technology performance, and the sales and support to see them through each upgrade is how to leverage technology appropriately with repeat sales opportunities. The sooner your sales reps understand this truth, the sooner they’ll see their volume and margins increase. Leave a Comment
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Prediction: Pastor of Digital Connections
By Anthony Coppedge House of Worship Technology Consultant
It’s just a matter of time. The house of worship market has grown up, and with it, has come the need for specialized staff, beyond the technical arts directors, to include a new team member focused on leveraging the digital communications channels that crop up daily. We are about to see a Pastor of Digital Connections as a new, consistent hire among medium to large churches.
When church leaders realized that social media wasn’t a fad, but instead a fundamental shift in interpersonal communications, the need for such a position was born. Churches already have multiple small groups of people with similar or same affinities, needs, and goals; it is a logical extension to see these groups as digital communities, too. The church social network existed long before it was made real-time anytime, anywhere by Twitter or Facebook.
What Defines A Pastor of Digital Connections?
The position is a reflection of the unique DNA and needs of each local church in context to their local communities. I don’t believe this will be the same as the current role of an Internet Pastor, which I believe is more similar to today’s multi-site campus pastor. To takes a guess towards the future, I’d say this position might be more oriented towards the Communications team with a pastoral bent.
If a church is a focused on outreach through projects, social justice, and equipping, I believe the role of a Pastor of Digital Connections will largely be around making both local and virtual community connections and helping organizing logistics that extend beyond using social media as a broadcast platform into a dynamic community.
Understanding Channels & Communication Mediums
Because this role has an emphasis on social media and Internet technologies, it most likely prove necessary for this staff position to have a strong communications background, leveraging social monitoring tools, and clearly understanding demographics. Though the term “targeted demographics” sounds like pure marketing speak, what it represents is a truth in every church and organization:
The need to get the right information to the right people at the right time in the right way or ways.
Churches deal with this week in and week out today…
- Making phone calls to senior adults
- Sending postcards to first-time visitors
- Sending HTML-rich emails to Gen X’ers
- Sending SMS text messages to Gen Y’ers
- Sending a combination of emails, postcards, and personal phone calls for people who miss serving or attending (such as children’s classes)
However, beyond a digital version of an analog hybrid, I think the key of this new role will be their ability to leverage technologies beyond social media platforms to influence and serve their communities. The Internet of Things has already begun to create personalized connections that extend into the digital space, but I think the IoT will also find itself as part of church life, such as digital children’s check-in, event registration, and parental updates of kid’s camp. The integration of AVL and the IoT has already begun, and I think that the ‘3rd place’ (work, home, church) of local churches is an ideal connection point for these new technologies and personal connection with a community.
Is This Really A Dedicated Person?
Why I think this will become a common new position is the combination of talents, technology integration, leadership and interpersonal relationship capacity. While I do believe certain staff members may be able to “double up” on some of these roles today, I also believe that the velocity of change in technology combined with the need for near real-time communication will require a dedicated person who can meet the unique requirements of this role.
How technologies are introduced to the House of Worship market as ‘3rd place’ is an important shift from the traditional advertising of AVL gear to AVL infrastructure. I wonder how many will see the possibilities of this distinct change of perspective?
So, what do you think? Am I too early on this prediction? Or am I completely off-base? Share your thoughts and speak into my prognostication. Leave a Comment
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Kramer Announces K-Touch 3.0, Shows at InfoCommKramer made a big announcement ahead of InfoComm 2015 with the introduction of its K-Touch version 3.0, a cloud-based software platform for designing room control and automation BYOD systems. The new software will allow integrators to design systems that control lighting, HVAC, thermostats, as well as new and existing AV systems via a simple drag and drop architecture. It can be scaled to control more than 100 services from the cloud, controllable via any tablet or mobile touch screen. Users can control the system via their own Apple or Android devices.
Components are controlled primarily via Ethernet, but some products, such as Kramer’s FC-Series and third-party controllers, can also be controlled via RS232, GPIO, relays and IR. Since the programming is cloud-based, integrators will also be able to offer support, updates and troubleshooting support remotely.
Kramer currently is offering an online training course for K-Touch 3.0. Also online is an extensive support database with tutorials, articles, sample project files, videos and more.
Learn more about K-Touch 3.0 here. Leave a Comment
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Sony Launches Two New 4K Laser-Phosphor ProjectorsSony has two new 4K resolution projectors that use laser/phosphor technology. The new Sony VPL-GTZ270 is designed for entertainment use including planetariums, theme parks, museums and retail, while the VPL-GTZ280 is designed for simulation, visualization and training.
Both are 5,000-lumen models with native 4K (4096×2160) resolution, and join Sony’s VPL-GTZ1 model to create a family of versatile 4K laser light source projectors designed for a range of B2B and commercial applications. Both can also operate in 4K 3D mode.
Like other laser projectors, the VPL-GTZ270 and the VPL-GTZ280 are designed to deliver up to 20,000 hours of operation with little to no maintenance (up to 40,000 hours in low brightness mode) without the need for a lamp exchange.
The VPL-GTZ270 is designed to create an immersive reality viewing experience in the entertainment market, with image enhancement functions including “Reality Creation” upscaling and compatibility with High Dynamic Range (HDR) content, giving users the ability to view the entire range of an image accurately and clearly. A wide color space covers the full DCI range and simulates the new ITU-R BT2020 color gamut.
The VPL-GTZ280 uses high-speed motion functions and new high-speed 4K 120Hz signal processing capability for 4K3D 60Hz left eye/right eye and reducing blur in fast motion scenes, in addition to smear and transport delay reduction, infrared light output for night vision stimulation and vibration resistance.
The VPL- GTZ270 will be available in the 1st Quarter 2016 and the VPL- GTZ280 will ship in the 2nd Quarter 2016. All the details are here.
Gary recorded a podcast about the launch of these projectors here. Leave a Comment
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NEUTRIK Launches Third Generation etherCON Cat6A Product LineNeutrik USA just introduced its third and most powerful etherCON range of products ever, etherCON Cat6A. Building upon its etherCON Cat5 and etherCON Cat6 lines, etherCON Cat6A products carry an “X” in their part numbers to differentiate them from other etherCON products.
The new etherCON Cat6A line includes a cable carrier complete with a Cat 6A RJ45 connector for self-termination, feedthrough D-size chassis connectors, and IDC-termination D-size connectors. The cable carriers are available in both nickel and black plating. They accept a cable OD range of 7 mm to 9.5 mm — suitable for a wide range of commercially available cables. The chassis connectors (both feed-through and IDC styles) are available in three finishes: nickel, black and a weatherized version that makes an IP65-rated connection when mated to the cable carrier.
Neutrik’s new etherCON Cat6A is fully downward-compatible with etherCON Cat 5 — both etherCON Cat5 and Cat6A cable carriers mate to both etherCON Cat5 and Cat6A chassis connectors.
Neutrik’s etherCON Cat6A is PoE+ compliant to 802.3at Type2. As with all Neutrik etherCON products, the new CAt6A range features rugged latching and durable housings.
Here are all the details. Leave a Comment
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Digital Audio Labs Aims New LiveMix at HOW MarketDigital Audio Labs’ new MIX-32 is aimed at the HOW market to give them up to 32 live personal mixes. The heart of the Livemix system is the dual mix personal mixer. Each unit has two discrete mixes with separate headphone outputs and separate control knobs. This mixer reduces stage clutter and significantly reduces the overall system price. With the new MIX-32, up to 16 dual mix personal mixers can be used for a total of 32 mixes. For those performers who may not be sharing a mixer, a firmware update includes a “linked mix” mode, that allows each dual mix unit to provide a single mix.
The Livemix MIX-32 doubles the mix capacity of the Livemix system providing up to 32 personal mixes. The MIX-32 provides power and distribution of up to 24 audio channels to attached CS-DUO dual mix personal mixers. The MIX-16 (16 total mixes) and the MIX-32 central mixer and distributor units are currently available from Livemix dealers.
Here are the technical details. Leave a Comment
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AVIOM Intros D400 and D400-Dante A-Net DistributorsAviom’s new D400 and D400-Dante A-Net Distributors are designed to distribute power and digital audio data to an Aviom personal mixing system.
Two versions of the D400 are available: the standard D400 has an A-Net input and is perfect for those using an analog input module or a digital console card as the front end of their system, while the D400-Dante has Dante I/O instead of the A-Net input. The D400-Dante allows up to 32 Dante channels to be routed to the personal mixing system, which makes connecting to a Dante-enable digital console or audio network as simple as plugging in a Cat-5 cable.
Up to 8 personal mixers can be connected to each D400 or D400-Dante’s A-Net outputs, and an unlimited number of distributors can be used when creating larger systems with more than 8 performers.
The D400 and D400-Dante are compatible with both the original Pro16 version of A-Net and the new Pro16e version of A-Net, the technology driving the A360 and A320 Personal Mixers which allows multiple 16-channel banks of monitoring content to be delivered over a single Cat-5 cable.
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VUE Audiotechnik Announces Dante Support For All DSP-Based ProductsVUE Audiotechnik will unveil new Dante support for its digital DSP-enabled systems at InfoComm. Planned for both the h-Class family of Ultra-High Definition Speaker Systems and V Series DSP/Amplifier Systems Engines, the update, set to officially ship in September, will be incorporated within all future products, and upgrades will be available for owners of existing systems.
VUE Audiotechnik has been including an Ethernet in both product lines to accommodate control, with the expectation that future expansion would include Dante audio networking. With the recent unveiling of the Dante Ultimo chip, a cost-effective but feature-rich Dante solution for low channel-count applications, all VUE DSP systems can now include the functionality at a competitive price point. Like every Dante product, the Ultimo allows the VUE h-class and V Series systems to operate in any Dante environment, with routing of audio streams for each individual Dante-enabled product.
Released earlier this year, the Dante Ultimo chip is the perfect solution for speaker products, which require only a single or pair of input streams. Providing the full Dante input capabilities, the Ultimo allows VUE to be a complete Dante network client, enabling the company’s products to go into environments where there is already Dante infrastructure in place, such as theme parks and stadiums.
The Dante upgraded h-Class, which includes the h-Class full range and subwoofer systems, will begin shipping in September at no additional cost. Upgrade solutions for existing h-Class systems will also be available at that time. The V Series V4 and V6 with on-board Dante capabilities will follow suit by the end of 2015 and here are the details. Leave a Comment
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Fulcrum Acoustic Intros FL283 Cardioid Line Array at InfoCommAt InfoComm, Fulcrum Acoustic is launching the FL283 line array module. The FL283 uses dual 8-inch horn-loaded woofers and three 1.5-inch compression drivers in a compact enclosure. The enclosure is shaped to accommodate up to 20 degrees of splay between adjacent boxes, allowing for more sharply curved arrays than comparable line arrays. The FL283 also incorporates Fulcrum’s Passive Cardioid Technology to overcome one of the major challenges of most line arrays, excessive rear LF radiation.
Unlike active cardioid loudspeakers, Fulcrum’s passive cardioid technology does not require an additional amplifier channel or additional enclosure volume. It achieves impressive low frequency directional control without the loss of efficiency that characterizes active cardioid devices.
Each FL283 module is configured for full-range passive operation at 16 ohms, allowing eight units to be driven from a single power amplifier channel.
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Dynamic Microphones Go Mobile With MXL’s New MM-131 Mic Mate MobileMXL Microphones introduces the MXL MM-131 Mic Mate Mobile, a portable dynamic XLR-to-USB interface that works with computers and mobile devices. The Mic Mate Mobile is compatible with iOS products via the Apple camera kit. The Mic Mate Mobile turns a single dynamic microphone into a USB mic and a Mobile Media microphone, creating three distinct applications.
No special drivers are required to use the Mic Mate Mobile with a PC, Mac, iPhone or iPad. The Mic Mate Mobile is USB 1.1 and 2.0 Compatible and it adapts to any dynamic microphone.
The Mic Mate Mobile has an XLR connection on one end with a USB out on the other. A gain control knob lets the user adjust the sensitivity. The 1/8” headphone jack has its own volume control. The user can monitor audio with zero latency whether he is recording into an iPhone, iPad or a PC.
The $79.95 MXL MM-131 Mic Mate Mobile is here. Leave a Comment
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HARMAN’s JBL Pro New PD500 Series Loudspeakers LaunchAt InfoComm 2015, HARMAN’s JBL Professional is introducing its new PD500 Series loudspeakers. An extension of the PD Series loudspeakers, which are found in stadiums and arenas around the world, the PD500 Series will feature five new models. The PD500 Series can be used in a variety of applications including sports facilities, performance spaces, auditoriums, or worship facilities. The full-range PD500 systems utilize the same high-frequency drivers as the hugely popular PD6000 Series, making them ideal for use together in large systems where multiple loudspeakers are required for even coverage and like voicing throughout the space.
The PD500 Series is a new line of loudspeakers systems consisting of four horn-loaded 15″ 2-way systems and one dual 15″ subwoofer. The PD500 Series loudspeakers include horn coverage patterns of 40° x 40°, 60° x 40°, 60° x 60°, and 90° x 50°. All models are available in black, white and JBL Professional’s WRC weather protection and WRX extreme weather protection finishes.
The PD500 Series loudspeakers utilize JBL Progressive Transition (PT) waveguides, couple with the 2432H 38mm (1.5″) exit, 75mm (3″) voice coil compression driver and the 2031H 380 mm (15”) low-frequency transducer that features high sensitivity and low power compression for high continuous SPL capability. It is horn-loaded for additional sensitivity and improved pattern control. The 60° x 40° and 90° x 50° waveguides are rotatable, allowing all models to be utilized in either vertical or horizontal orientation.
The PD500 Series loudspeakers can be operated in either bi-amplified or in full passive mode. In either case, digital signal processing is required in order to achieve specified performance. Input connectivity is achieved via CE-compliant covered barrier strips. Each cabinet is fitted with 20 M10 threaded suspension points, supporting a wide variety of installation approaches.
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Sennheiser Intros New Presenter Mic, the SL Headmic 1At InfoComm, Sennheiser unveiled its new SL Headmic 1 presenter’s microphone — at just 7 grams an absolute lightweight that offers powerful sound and is sturdy enough even for the toughest corporate applications. The high-quality condenser microphone for talks and presentations uses the proven capsule of the omnidirectional MKE 1 broadcasting microphone, while its sleek, elegant design ensures that it is completely unobtrusive when worn. The SL Headmic 1 is easy to use and is connected to a bodypack transmitter via the 3.5 mm jack cable included.
Alongside its high level of speech intelligibility, the SL Headmic 1 also features clear and pleasant trebles. The microphone can be optimally adapted to the shape of the head, and the microphone boom can be worn either on the left or right. Its modular design means that all components of the SL Headmic 1 can be easily and conveniently replaced.
The professional-standard SL Headmic 1 ensures that speech and even music vocals are transmitted naturally and with their full frequency and dynamic range. This makes it the perfect partner for the corporate and hospitality sectors, as well as for live shows and broadcasting. The headworn microphone comes with a 3.5-millimeter jack plug cable that connects it to a bodypack transmitter, for example from Sennheiser’s evolution series. For bodypacks with a three-pin audio socket, such as the SK 5212-II, an adapter is available as an accessory.
The SL Headmic 1 is now available in black or beige. The set includes a windshield, a frequency response cap to raise the trebles when the windshield is being used and a soft case that can also accommodate a bodypack transmitter.
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Roland Debuts V-1200HD Multi-Format Video SwitcherThe Roland Pro A/V V-1200HD Multi-Format Video Switcher is a hybrid 2 M/E switcher that combines the features of a production switcher with the power of a presentation switcher.
Users can switch and control functions on the Roland V-1200HD using the dedicated V-1200HDR Control Surface or free downloadable Remote Control Software (RCS). Users can also connect up to four compatible control devices on a network to separate out switcher functions by M/E’s, keying or audio mixing.
Multiple M/E configurations can be selected from 1 M/E to 1.5 M/E and 2 M/E to meet the needs of any live production. Inputs include ten 3G-SDI and four HDMI with six 3G-SDI outputs and two HDMI outputs. Scalers on HDMI inputs 3 and 4 and HDMI outputs support SD through HD resolutions.
The V-1200HD has a powerful built-in, 16-channel audio mixer that can be expanded via Roland’s XI-Expansion cards. An intuitive user interface with assignable cross-points and on-screen names ensures maximum flexibility for live production or broadcast.
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Audio-Technica Intros AT2020USBi Cardioid Condenser USB MicrophoneAudio-Technica just debuted its AT2020USBi Cardioid Condenser USB Microphone featuring iOS compatibility. Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to Audio-Technica’s USB microphone line. Modeled after the AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility that’s perfect for home studio recording, field recording, podcasting and voiceover use.
The AT2020USBi brings high-resolution audio (24-bit/96 kHz) to A-T’s line of USB mics. The AT2020USBi works with both USB and Lightning cables (included), so users can employ it straight from the box to digitally capture audio on the device of their choice: PC, Mac or iOS. The integrated gain control adds to the convenience, allowing users to adjust the input level directly on the microphone.
AT2020USBi specifications include:
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar Pattern: Cardioid
- Frequency Response: 20 – 20,000 Hz
- Power Requirements: USB (5V DC); Lightning (3.3V DC)
- Bit Depth: 24 bit
- Sample Rate: Up to 96 kHz
- Controls: Mic gain control
- Weight: 13.2 oz (374 g)
- Dimensions: 6.38″ (162.0 mm) long, 2.05″ (52.0 mm) maximum body diameter
- Output Connector: Micro-HDMI
- Accessories Included: Pivoting stand mount for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; soft protective pouch; tripod desk stand; 10′ (3.1 m) USB cable; 10′ (3.1 m)
The AT2020USBi will be available summer 2015 at a list of $199. All the specs are here. Leave a Comment
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Soundcraft Intros New Affordable Si Impact Digital ConsoleSoundcraft has launched a new Si Impact digital mixing console that the company is marketing as affordable. The Si Impact is designed to be as simple as an analog mixer, but with radical workflow enhancements and DSP power that make it a perfect tool for the stage and the recording studio.
The 40-input Soundcraft Si Impact offers powerful live sound digital mixing with ViSi iPad control and built-in Stagebox connectivity for I/O expansion. In addition to its live sound components, the Si Impact has a 32-in/32-out USB recording and playback interface that provides easy multitrack recording and playback directly from a DAW. Right out of the box, you get a free download of Ableton Live 9 Lite.
The fully motorized faders come equipped with Soundcraft FaderGlow illumination technology and LCD channel displays or ‘scribble strips’ for visual feedback and operation.
The Si Impact provides 32 mic/line inputs, 40 DSP input channels (32-mono inputs and four stereo channels/returns) and 31 output busses (all with full DSP processing and GEQ) with 20 sub-groiup aux busses and four mono/stereo matrix busses. Eight XLR/quarter-inch combi-jacks are available for line inputs and instruments, while a 4-band fully parametric EQ is available for each channel and bus. The Si Impact also offers studio grade effects and dynamics from Soundcraft’s sister companies BSS, Lexicon and dbx.
The Si Impact supports up to eight VCA masters and eight Mute groups, plus 26 motorized input faders and LR/Mono (fully motorized with four fully customizable fader layers). The console also features a 5-inch color touchscreen display for easy access to show setup, patching, FX, and security.
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EIKI Debuts 14K Lumen Projector EIKI has just launched its brightest projector yet, the 14K-lumen 3-chip DLP-based EIP-UJT100. The EIP-UJT100 is spec’d to have a 2,000:1 contrast ratio, is native WUXGA 1920×1200 resolution, has four digital video inputs including HDMI, DIsplayPort and HDBaseT as well as 3G HD-SDI and has a Dicom Simulation mode for viewing grayscale images such as X-rays.
In addition, the EIP-UJT100 includes built-in edge blending and image warping as well as corner keystone correction and allows for dual-projection via picture in picture and picture by picture modes. Optional lens cover a range of 0.67 to 6.96:1 throw ratios and it weighs 81-pounds with the lens.
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AKG Aims New Mic for StagingIntroducing a vocal microphone designed specifically for intensive stage use, AKG by HARMAN is announcing the new D5 C dynamic directional microphone. The D5 C provides the dependability and sonic quality required for all live sound environments.
Thanks to its cardioid polar pattern, the D5 C is the most sensitive to sound coming from the front, while barely responding to sound from the back. It can withstand press levels up to 160 dB, while the elimination of handling noise guarantees reliable performance. An additional model, the D5 CS, is electrically, mechanically and acoustically identical to the D5 C, but features a click-free on/off switch.
Features include:
- Patented laminated Varimotion diaphragm
- Cardioid polar pattern for a wide variety of applications
- Dual shock mount of microphone capsule, eliminating any kind of handling noise
- Integrated pop filter for elimination of pops and wind noise
- Spring-steel wire-mesh grille
You can find it here. Leave a Comment
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AKG Provides Precise Mixing and Scalability with DMM8 U and DMM14 U Reference Digital Microphone MixersAKG by HARMAN is introducing the DMM8 U and DMM14 U reference digital microphone mixers. Designed for large meeting rooms and conferencing applications, these mixers offer advanced DSP functionality, multiple routing options and versatility.
DMM8 U and DMM14 U feature built-in DSP to ensure precise mixing of up to 80 and 140 channels, respectively, by cascading up to 10 units. Stereo audio outputs and USB connections offer additional routing options for both models. Numerous DSP functions such as EQ filters, compressor/limiter, and routing make the DMM8 and DMM14 ideal for a variety of spoken word applications.
The DMM8 U and DMM14 U are also available as UL versions (DMM8 UL and DMM14 UL), which offer a LAN interface via Ethernet to enable control over large distances using, for instance, an AMX or Crestron control system. With this functionality, users have the flexibility to mount the mixer in a centralized technician room, rather than a location near the venue, while retaining the ability to make adjustments.
In addition, AKG offers software that enables users to control all functions via AMX and Crestron products, or directly via a Wi-Fi router on Apple, Android and Windows devices. This gives users the freedom to mute unnecessary microphones and otherwise manage the discussion either automatically or manually. The software and the UL versions will be available summer 2015
In the autumn of 2015, both models will also be available as ULD versions, which integrate a highly sophisticated DANTE chip. On these models, all ins are available as direct outs, which is ideal for broadcast applications, while all outs are also available on the DANTE stream. The DMM8 ULD provides 14 free assignable DANTE outs, while the DMM14 ULD provides 22. In addition, four DANTE streams can be used as inputs with both models.
Key Features Include:
- Digital signal processing and sophisticated mixing algorithms for seamless mixing, resulting in high gain before feedback and crystal-clear voices
- Two-channel USB (stereo) streaming In and Out for interfacing with IT networks
- Six (12 with DMM14) programmable presets for fast, easy tailoring to different situations
- 12-band graphic EQ on outputs for optimized loudspeaker tuning
- Audio matrix routing of all inputs to all outputs for creating multiple mixes of multiple output combinations
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Martin Audio Unveils CDD Martin Audio introduced a major new dedicated installation loudspeaker range called the CDD Series at InfoComm. Combining curved enclosures with Coaxial Differential Dispersion technology, the series is designed for installs. CDD has six two-way full-range coaxial systems — from the micro CDD5 to the larger CDD15, plus high-performance subwoofers, covering the majority of install applications. All models come in black or white as standard, and all RAL color variants are available as special order.
Martin Audio says its Coaxial Differential Dispersion technology delivers “more consistent audience coverage than systems with fixed dispersion X° x Y° horns,” projecting more output to the rear of the audience to distribute sound evenly from front-to-back, while having wide horizontal coverage close-up. This increased coverage area can reduce the speaker count in larger installations.
The CDD Series has also been designed to be visually appealing. Molded in rigid UPM Formi — a natural fiber composite which combines stiffness with excellent internal damping properties — the curved shape allows each enclosure to be discreetly mounted close to a wall or ceiling. They can also be used in either horizontal or vertical orientation, with rotation of the coaxial driver easily accomplished by removing the screw free, protective grille.
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L-Acoustics X Series to Make North American Debut at InfoComm 2015 L-Acoustics announced that its new X Series, first unveiled in April at Prolight + Sound in Germany, will make its official North American debut at InfoComm. A new line of coaxial speakers for the installation and rental markets, the three new enclosures in the X Series family — X8, X12 and X15 — represent the most recent engineering innovations at L-Acoustics and directly benefit from the research and development breakthroughs that led to the launch of K2 last year.
The X-Series improvements include high-excursion neodymium drivers, ellipsoid directivity, laminar vented ports and up to 30 percent weight reduction. Used as a stage monitor, the X Series offers low latency monitor presets and a seven percent lower profile. In installation applications the X Series comes with a complete range of flexible rigging accessories and a RAL custom color program. With improved radiation control and low frequency performance, the X Series is a true point-source system, boasting pristine sound for short throw applications.
- X8 – Live Monitor: The X8 is the live monitor of the X series. X8 delivers pristine sound with the L-Acoustics signature, a high SPL and extended bandwidth for operation at FOH position or in control rooms. Its wide conical directivity pattern imparts a sense of spatialization, with no minimum listening distance.
- X12 – Multipurpose: The X12 can cover multiple applications in rental and installation. An ellipsoid directivity of 90° x 60° makes it adaptable to FOH application. The X12 comes with a complete range of rigging accessories and RAL color program for maximum application versatility and seamless integration. Other features include low weight and optimized ergonomics for easy handling and a passive design for effective amplified controller management.
- X15 – Reference Stage Monitor: The X15 is the powerhouse of the series, with exceptional power in beamwidth and acoustic isolation. Its narrow, 40° x 60° directivity gives it immunity to feedback, making it perfect for the stage. Low in profile, light in weight and rugged in build, the X15 boasts integrated risers allowing it to go from 35° to 55° for maximum versatility.
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Hitachi Adds CP-WU8461 and CP-WU8451 LCD Projectors Featuring HDBaseTHitachi America today introduced its CP-WU8461 and CP-WU8451 LCD projectors, two new models that offer HDBaseT capability along with improved contrast, WUXGA resolution and numerous additional enhancements. The CP-WU8461 and CP-WU8451 are aimed at mid- and large-sized auditoriums and venues.
The CP-WU8461 and CP-WU8451 are able to receive video signals from distances of more than 300 feet via HDBaseT. In addition, both projectors include a complete selection of A/V inputs including HDMI, component, S-Video and composite video, USB Type A and Type B, computer and audio. LAN, RS-232C control, remote control and monitor out connections are also provided.
The CP-WU8461 and CP-WU8451 are both WUXGA 1920×1200 resolution and 5000:1 contrast ratio as well as 6,000 and 5,000 lumens brightness, respectively. They feature exclusive Hitachi image technologies such as HDCR High Dynamic Contrast Range to yield clear images even in bright rooms, and Accentualizer, which enhances sharpness, shadow detail and other image qualities. Both models offer a DICOM (Digital Imaging and Communications in Medicine) Simulation Mode, which is ideal for viewing grayscale medical images, such as X-rays, for training and educational purposes.
The CP-WU8461 and CP-WU8451 provide motorized focus, zoom and lens shift, allowing adjustment of the image via the supplied remote control. Digital keystone (horizontal and vertical) correction, Hitachi’s exclusive Perfect Fit image correction and 360-degree display rotation enable precise positioning of the image and facilitate installation. In addition to their supplied 2.0x zoom lens, four optional additional lenses are available to accommodate a wide variety of projection distances.
The CP-WU8461 and CP-WU8451 can be found here. Leave a Comment
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DPA Microphones Debuts New Audio Solutions at InfoComm 2015DPA Microphones will debut its new TSM4001Tabletop Shock Mount for its d:screet and d:dicate Podium Microphones at InfoComm 2015. In addition to the mounts, the company will also present its d:dicate Series MMP-F Modular Active Boom podium mic solution, along with the d:fine 66 and d:fine 88 Miniature Headset Microphones.
DPA’s new TSM4001 Tabletop Shock Mount complements the sleek design of the company’s existing podium mic products, offering the absolute best shock rejection of any mount on the market. The mount features vertical softness that absorbs handling vibrations, while horizontal movements are controlled to prevent the podium boom from coming in direct contact with the mount. Optimized for the weight and dimensions of each of the d:screet and d:dicate podium microphones, the mounts fit plate thicknesses of .3- to 1.5-inches. The mounts are easy to affix, requiring only an approximate two- to 2.5-inch opening, and can be custom-ordered with a variety of finishes to match the surrounding furniture or architectural structure.
DPA’s podium range includes the d:dicate Series MMP-F Modular Active Booms. Intended for use with the d:dicate MMC4011 Cardioid and MMC4018 Supercardioid capsules for podium, floor stand or hanging applications, the MMP-F relies on the same technology as the company’s MMP-E active cable. Equipped with an active boom pole preamp, the MMP-F is available in a variety of lengths and gooseneck options. It fits to any modular d:dicate capsule and offers excellent radio frequency rejection, which is obtained through the DPA designed impedance balancing with active drive. The MMP-F Booms are available in 15-, 30- and 45-cm hanging/table/podium options and as 75- and 120-cm floor stand choices. In addition to the MMC4011 and MMC4018, the d:dicate range also includes the MMC4007 High-SPL Omnidirectional Capsule and microphones from the familiar and well-loved DPA Reference Standard series, including the modular 4000 and 2000 Series.
The company will also present its d:fine 66 and d:fine 88 Headset Microphones, ideal for live production environments where presenters need to move freely onstage without obstruction. The entire d:fine range features durable body-worn microphone solutions with excellent sound reproduction and sturdy casing for stringent use in live environments. These mics address a variety of sound handling and size options, depending on the intended application. With a contemporary look and classic sound, the d:fine 66 and d:fine 88 combines the 4066 Omni and 4088 Cardioid microphone capsules with features of the modern d:fine headsets, such as an advanced modular mount and flexible ear hooks. The DPA d:fine 66 Omnidirectional Headset Microphone and d:fine 88 Directional Headset Microphone, which are recognized by their rounded capsules, are intended for use by actors, musicians and singers who require optimal sound and grid cleaning/changing options.
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Audio-Technica Debuts 10 PRO Rack-Mount Digital Wireless System Audio-Technica debuted its System 10 PRO Rack-Mount Digital Wireless System, the latest addition to the growing range of A-T System 10 wireless solutions. Like all System 10 models, the System 10 PRO Rack-Mount operates in the 2.4 GHz range, keeping it free not only from TV interference but also from the uncertain regulatory future facing the TV bands. Its durable rack-mount chassis houses one or two receiver units that can be operated locally within the chassis or be removed and mounted remotely (up to 300 feet away) via Ethernet cable. This groundbreaking approach to delivering wireless increases the versatility of the system while also greatly enhancing wave propagation – without the substantial expense of adding an antenna distributor and corresponding cables. Additionally, up to five System 10 PRO chassis (10 receivers) can be linked together using the RJ12 cable included with each system, creating a stable multichannel system with the simultaneous use of up to 10 channels.
The chassis’ LCD Dual System Display shows RF signal level, system ID, transmitter battery level, and system link status for both channels. Like all the products in the System 10 wireless family, the PRO Rack-Mount features 24-bit/48 kHz wireless operation, easy setup, clear, natural sound quality, and three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies (with automatic frequency selection) for seamless, interference-free operation. Time Diversity sends the signal in multiple time slots to maximize immunity to multi-path interference. Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity. A ground-lift switch helps eliminate audible hum caused by ground loops.
Each System 10 PRO Rack-Mount system includes an ATW-RC13 receiver chassis, one or two ATW-RU13 receiver units, one or two AT8690 receiver-unit mounting brackets, one RJ12 cable, two rack mounting brackets, one joining plate, one AC adaptor, and one or two ATW-T1001 UniPak body-pack and/or ATW-T1002 handheld transmitters. Both the receiver chassis and transmitters feature easy-to-read displays.
System 10 PRO Systems are currently available in the following configurations and U.S. estimated street prices:
- ATW-1301 Single Channel Bodypack System $429.00
- ATW-1301/L Single Channel Bodypack System w/ Lav $499.00
- ATW-1302 Single Channel Handheld System $449.00
- ATW-1311 Dual Channel Bodypack System $759.00
- ATW-1311/L Dual Channel Bodypack System w/ Lav $899.00
- ATW-1312 Dual Channel BP/HH System $779.00
- ATW-1312/L Dual Channel BP/HH System w/ Lav $849.00
- ATW-1322 Dual Channel Handheld System $799.00
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EIKI Launches 14K Lumen, 3-Chip DLP Projector at InfoCommEiki International announced the new EIP-UJT100 DLP WUXGA (1920×1200) projector at InfoComm. Spec’d at 14,000 ANSI Lumens, the EIP-UJT100 is a 3-chip DLP (three 0.96-inch DMD DLP chips) projector with four digital inputs (HDMI/DisplayPort), HDBaseT and 3G HD-SDI.
With its support for DICOM Simulation mode, the EIP-UJT100 is well designed for viewing grayscale images such as X-rays — making it ideally suited for use in medical training and educational applications. Optional lenses cover a range of 0.67 to 6.96:1 throw ratios and it includes built-in Edge Blending, Image Warping and Corner Keystone Correction.
The EIKI EIP-UJT100 DLP WUXGA will list for $43,995 and here are all the specs. Leave a Comment
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Stewart Filmscreen Takes Aim at Install Market with Non-Tensioned Motorized ElectriScreens Designed for Boardrooms, Classrooms and HOW Stewart Filmscreen’s new line of Cima NT non-tensioned motorized projector screens will launch at InfoComm 2015 next week. Stewart says the new Cima NT above- or below-ceiling ElectriScreen models deliver the durability, image quality and aesthetics that Stewart is known far but at more competitive, budget-friendly price points.
Designed and manufactured in the USA by Stewart Filmscreen and available in standard sizes and aspect ratios from 92 to 164 inches (diagonal), Cima NT ElectriScreens are designed for boardrooms, classrooms, and houses of worship.
The Cima NT AC ElectriScreen is a non-tensioned above ceiling ElectriScreen, whereas the Cima NT BC ElectriScreen is a non-tensioned below ceiling ElectriScreen. All Cima NT models feature Stewart’s proprietary adjustable black drop. Every screen will include additional black masking that can be reset at the job site. This makes specification much simpler.
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