Volume 16, Issue 8 — April 23, 2018
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Projection Control & Signal Processing Security Media Players, Recording & Distribution Audio
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The DSE 2018 Awards Are Announced
By Gary Kayye rAVe Founder
You can’t enter a product in them.
You can’t ask us to nominate you.
And, you can’t get an award by advertising or sponsoring us or paying for it. And, there are NO Awards entry fees!
We sent reporters to EVERY booth/stand at DSE 2018 and we selected the TOP products in every possible product category for our 2018 Best of DSE Awards. No other publication — or entity for that matter — goes to very booth at the DSE show and sees every new product demo’d or launched at DSE in Las Vegas annually — so these are THE BEST of THE BEST.
So, if you are wondering which products were the best at DSE and outperformed the others in their respective categories, this is it: the 2018 Best of DSE Awards. And if you are a manufacturer who won an award, be proud! You were hand-selected by our editors and reporters after evaluating every new product shown at DSE in your product category. We didn’t just pick these “on the show floor” during the show or by using spec-sheets distributed prior to the show — we picked these by actually looking at each and every product and comparing them to the competition.
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Epson Intros Ultra Short-Throw Lens for 12k Lumen and Higher Pro L1000-Series Laser Projectors
Epson today announced the ELPLX02 Ultra Short-Throw Lens for 12K lumen and higher Pro L1000-Series laser large venue projectors. With a 0.35 throw ratio, negative offset and extensive lens shift range, the ELPLX02 facilitates easy installation and positioning flexibility.
The new ELPLX02 lens joins the ELPLX01 to provide an ultra short-throw lens solution for the entire line of Pro L1000-Series projectors. Both lenses provides an extensive lens shift range. While the ELPLX01 lens provides zero offset, the new ELPLX02 provides a negative offset with vertical lens shift from +45 to +70 percent and horizontal lens shift from -15 to +15 percent.
The ELPLX02 ultra short-throw lens is available now for $13,999 and here are the specs. Leave a Comment
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Canon Europe Debuts LX-MU500Z 5000 Lumen Laser Phosphor Projector Canon Europe today launched the LX-MU500Z a single-chip DLP-based installation projector spec’d at 5,000 lumens, a 50,000:1 contrast ratio that’s native WUXGA (1920×1200) resolution. The laser-based system uses a blue laser and yellow phosphor wheel.
The LX-MU500Z runs at 35 dB and, because it’s laser-based, it can be mounted in any configuration; including in a 360-degree orientation. Because the LX-MU500Z has a lens shift of +/-50 percent, portrait projection and four-corner keystone correction, it can be installed off-axis and still be corrected. Inputs include VGA, HDMI, DVI and HDBaseT.
With five image storage modes and two user models, the LX-MU500Z leverages a blue laser diode and yellow phosphor wheel, which can last up to 20,000 hours, for projection and has no parts to replace.
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Vivitek’s Large Venue Projector Family Grows With New DU6693Z Laser Projector Vivitek just introduced the DLP-based DU6693Z laser projector — a 7000-lumen, WUXGA (1920×1200) resolution single-chip DLP projectors that is spec’d to have a 10,000:1 contrast ratio. The DU6693Z includes a motorized lens with both horizontal and vertical shift (with 10 memory positions and four corner correction and keystone correction), eight optional lenses that range from a 0.38:1 to 8.26:1 throw ratio and it was designed to support 360 degree/portrait projection mode. Designed for both rental and staging as well as permanent install, inputs include HDBaseT as well as VGA, DVI and HDMI.
At only 32dB at normal mode, its low fan noise makes DU6693Z one of the quietest 7,000 ANSI lumen projectors. Vivitek says it’s using a new advanced thermal management technology to improve the projector’s cooling efficiency. Like most Vivitek projectors, the DU6693Z has a sealed optical engine that is air-tight, so no tiny dust particles cannot get into the optical engine part, and thus not able to interfere with the DMD chip.
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Christie Expands Laser Phosphor Line with GS Series Christie continues to expand its comprehensive mainstream projector lineup with the new 1DLP Christie DHD635-GS and Christie DWU635-GS laser phosphor models featuring embedded warping and blending technology, dynamic contrast, 360-degree orientation, and both portrait and landscape mode. Both models are aimed at a wide range of applications including corporate boardrooms and meeting rooms, classrooms, lecture halls, houses of worship, hotel conference rooms, museums, libraries and other fixed or rental staging applications. The Christie DHD635-GS is HD at 1920×1080 and Christie the DWU635-GS is WUXGA (1920×1200).
Delivering laser diodes for up to 6750 ISO lumens of light output with 20,000 hours of operation, both projectors are equipped with Christie RealBlack technology to produce 4,000,000:1 full on/off contrast ratio in a whisper-quiet (36dBA) solution.
Compatible with all GS Series lenses – including a new Ultra Short Throw – both 1DLP projectors are capable of 24/7 operation and ship in April 2018 with a three-year parts and labor warranty. Here are more detailed specs. Leave a Comment
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Optoma Launches ZU660 WUXGA Laser ProScene Projector Aimed at ProAV Market Optoma today launched a followup model to its ZU650 and ZU650+ projectors with the Optoma ProScene ZU660. The Optoma ZU660 features four corner adjustments, better color matching integration and compatibility with Optoma’s BX-CTA16 and BX-CTADOME lenses.
The Optoma ProScene ZU660 is WUXGA laser phosphor projector (1920×1200) designed for museums, boardrooms, houses of worship and smaller entertainment venues. With 6,000 ANSI lumens and a claim of 2,000,000:1 contrast ratio with Extreme Black enabled, the ZU660 includes built-in color matching with an HSG adjustment. The Optoma ZU660 also claims a laser phosphor light source with up to 20,000 hours of maintenance free operation.
Features of the Optoma ZU660 include:
- Resolution: 1920×1200 WUXGA
- Brightness: 6,000 ANSI lumens
- Contrast Ratio: 2,000,000:1
- Light Source: Laser phosphor
- Motorized lens shift, zoom and focus
- Built-in color matching with HSG adjustment
- Four-corner adjustments
- Vertical and Horizontal lens shift: 50 percent vertical, 15 percent horizontal
- Connectivity: HDBaseT, two HDMI, DVI-D, VGA and 3D SYNC In and Out
- Pricing: $5,999
The Optoma ZU660 is detailed here. Leave a Comment
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Blackmagic Design Introduces New Micro Converter BiDirectional SDI/HDMI
Blackmagic Design today introduced Blackmagic Micro Converter BiDirectional SDI/HDMI, a pocket-size, broadcast quality video converter that simultaneously converts SDI to HDMI and HDMI to SDI in all SD and HD formats up to 1080p60 for $65.
The Blackmagic Micro Converter BiDirectional SDI/HDMI converts signals between professional SDI broadcast equipment and HDMI sources such as computers, projectors and big screen televisions. The converter can send different video formats in both directions at the same time. For example, customers could use it to convert NTSC format video from SDI to HDMI in one direction, while simultaneously converting 1080p60 video from HDMI to SDI in the other direction.
Blackmagic Micro Converter BiDirectional SDI/HDMI features professional 3G-SDI connections for working with all SD and HD equipment and formats up to 1080p60, including Level A and B devices. Unlike other small video converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an industrial strength durable metal enclosure. Customers get the same broadcast quality 10-bit video processing found in full size converters. In addition, Blackmagic Micro Converter BiDirectional SDI/HDMI also has SDI re-clocking on the 3G-SDI input which regenerates the SDI video signal, reduces SDI jitter and improves SDI eye pattern before the signal is processed. This allows longer cable lengths and makes them incredibly reliable for use in professional broadcast.
Blackmagic Micro Converter BiDirectional SDI/HDMI can be powered via micro USB from a laptop computer, big screen television or mobile phone battery back. It can also be powered using an optional DC plug pack which supports 110 to 240V AC and comes with 4 different international AC socket adapters so customers can plug them into outlets anywhere in the world.
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Extron Introduces Compact Modular 4K Videowall Processor
Extron has a new smaller video wall processor in the form of the Quantum Ultra 305, a 3U, 5-slot card frame that supports any combination of Quantum Ultra input and output cards. The Quantum Ultra 305 features a high-speed video bus with the same Extron HyperLane technology and real-time performance as the 6U, 10-slot Quantum Ultra 610. A single card frame can support multiple output resolutions and screen orientations for simple, flexible system design. RS232 and Ethernet interfaces allow multiple direct connections for control systems.
Quantum Ultra utilizes a modular card-frame architecture that can be populated with input and output cards selected to match source and display requirements. Multiple card frames can be configured and operated as a single system to accommodate any size videowall. Quantum Ultra can accommodate a mixture of display devices with varying resolutions. Features such as output overlap, mullion compensation, output rotation and custom output resolutions provide compatibility with current and future display devices.
The Extron HyperLane bus delivers real-time performance unattainable by other videowall processors. It has a maximum throughput of 400 Gbps, sufficient to simultaneously carry more than twenty 4K/60 sources with 4:4:4 chroma sampling. It also possesses the bandwidth required to support evolving signal formats, such as 8K, and the higher resolutions, high dynamic range — HDR, greater color depth and expanded color gamut these signals will provide.
Sources can be windowed and positioned anywhere on the video display. Static image files such as logos and maps can be stored locally on the Quantum Ultra and displayed with full keying and alpha channel support. Internally generated clocks can be presented in a variety of time formats and in multiple time zones. The integrated VNC client can decode multiple simultaneous VNC server streams for presentation on the videowall. Custom color borders can be applied to any window, with support for rounded corners, drop shadows, flashing and transparency.
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Black Box Introduces Emerald KVM Platform Black Box today introduced the Emerald Unified KVM Platform. Emerald is a converged KVM solution for distributing video, audio and peripheral signals throughout expanding hybrid environments that include both IP and proprietary direct-connect networks.
Emerald supports DisplayPort 1.2 4K video at 60 Hz and 10-bit color depth over standard IP network switches and connections and offers virtual machine support for VMware, Microsoft and Citrix using RDP, RemoteFX and PCoIP.
With the Emerald KVM platform, operations can scale across buildings, campuses and wide area networks, using the existing network infrastructure and switching between sources at speeds of less than a second (IP) and even faster in a direct connect matrix. The Emerald KVM platform’s USB emulation means that users can connect external hard drives, Wacom tablets and virtually any other high-speed USB 2.0 device to the KVM network.
Specs on Emerald are here. Leave a Comment
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Just Add Power Adds Rackmount Version of 3G Transmitter Just Add Power (J+P) announced the rackmount version of its 3G Ultra HD Over IP Power over Ethernet (PoE) transmitter.
The new J+P 1RU rackmount VBS-HDIP-747 3G Ultra HD (4K@30Hz 4:2:0)over IP PoE transmitter provides the same features as the VBS-HDMI-707 PoE TX as both models distribute 4K video with HDR via JPEG2000 over IP and support HDCP 2.2, 4K to 1080p scaling, two-way RS232 and IP control and support for all audio formats up to and including Dolby Atmos and DTS:X.
The 3G Ultra HD over IP models use the same gigabit network, providing a scalable, systems approach to 4K video signal distribution requirements. The J+P 3G Ultra HD over IP transmitters family of transmitters includes the VBS-HDMI-717HIFI PoE TX, VBS-HDMI-718AVP PoE TX and rackmount VBS-HDMI-749AVP TX. The 718AVP and 749AVP distribute UHD and 4K video to every zone over a single Cat-5e cable along with Dolby Digital 5.1 audio, and transform the signals to stereo audio for two-channel zones.
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Blackmagic Design Announces New Mini Converter Optical Fiber 12G
Blackmagic Design today announced Blackmagic Mini Converter Optical Fiber 12G, a new bi directional SDI to optical fiber converter that lets customers extend SDI connections up to 10 miles away for US$155.
Blackmagic Mini Converter Optical Fiber 12G is a compact converter that extends SDI connections over distances by converting SDI to optical fiber and optical fiber to SDI in both directions at the same time. Using the new Blackmagic Mini Converter Optical Fiber 12G is an affordable way to increase camera coverage at live events because it lets broadcasters place cameras up to 10 miles away from their switchers, routers and decks using low cost optical fiber cable. That makes it perfect for placing cameras around any studio, for use at outdoor sporting events or even concerts and theatrical performances in large venues.
The converter is also bi directional which means that it can simultaneously send different video formats in different directions at the same time. Depending on the video format being used, signals can be sent up to 10 miles away from the source. Plus, the advanced 12G-SDI connections on Mini Converter Optical Fiber 12G are multi rate. That means they automatically detect the video signal and switch speeds so they are compatible with all SD, HD and Ultra HD formats and equipment up to 2160p60, including Level A and B devices.
Mini Converter Optical Fiber 12G features a standard SFP type socket that lets customers add any SMPTE compatible 3G, 6G or 12G-SDI SFP module. It also works with the same of low cost optical fiber cables that are commonly used for computer networks. This type of optical fiber cable can be run much longer distances and is much more affordable than copper SDI cable.
For power, Mini Converter Optical Fiber 12G includes a universal power supply with four international socket adapters so it can be used anywhere in the world. It also features a screw lock connector that prevents the power cord from being accidentally disconnected.
More information is here.
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IC Realtime Focuses on AI, Analytics in New Surveillance Solutions at ISC West IC Realtime is introducing a new surveillance camera with on-board analytics to provide traffic metrics for business owners. The new 3 Mega Pixel, IP-based surveillance camera (Model: ICIP-3128-3D) is designed for retail installations and features a dual lens, dual camera design to differentiate between flat 2D objects and 3D people. When mounted towards the entrance of a retail environment, the ICIP-3128-3D leverages advanced stereo vision algorithms to provide people counting metrics back to the business owner that can influence important decisions on store layout and products displays.
Metrics available to business owners through the installation of the ICIP-3128-3D by an IC Realtime dealer include heat mapping which provides an immediate visual summary of information collected by the camera on the most popular or heavily trafficked areas of the retail environment. Additionally, the ICIP-3128-3D surveillance camera can be used to provide metrics on how many patrons entered or exited a certain boundary within a certain amount of time with 98 percent accuracy.
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Matrox and Lumens Announce SRT H.264 Streaming Compatibility from PTZ Camera to Display
Matrox Graphics and Lumens Digital Optics have announced the compatibility of their Secure Reliable Transport (SRT) ready products. Lumens VC-A50P series PTZ cameras support Full HD 1080p/60fps streaming, including H.264 on SRT for applications including lecture recording, videoconferencing and live broadcasting. Matrox Mura IPX quad-display multiviewer cards and Matrox Mura IPX series encoder/decoder boards for video walls, meanwhile, support the SRT protocol, the decoding of multiple H.264 streams and the output of multi-monitor configurations.
The new technology collaboration now allows customers to show up to four VC-A50P series PTZ camera streams across four displays per Mura IPX multiviewer, and up to eight cameras on up to nine monitors on video wall systems containing one Mura IPX capture & IP decode board combined with a Matrox or third-party graphics card. The end-to-end ecosystem facilitates seamless delivery, decode and display of high-quality, H.264 camera streams in SRT — at full resolution and frame rate.
Lumens Digital is here and Matrox Graphics is here. Leave a Comment
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Roland Ships the XS-62S Six-Channel Video Switcher and Audio Mixer
Roland Professional A/V is now shipping the XS-62S, an integrated six-channel video switcher and audio mixer with PTZ camera control capabilities designed for installed or portable live event, recording, broadcast and streaming productions. The XS-62S dis in a 1RU form factor and can be operated by a single user or remotely from a Mac or PC or programmable interface.
The Roland XS-62S supports seamless six-channel switching between four SDI inputs, featuring de-interlacer along with scaled HDMI and RGB inputs from computer, tablet and other video sources, plus two still images stored in internal memory. Two SDI and two HDMI outputs may be assigned to program (PGM), preview (PVW) or auxiliary (AUX) buses. The multiview output displays all six video input sources, two still images and PGM and PVW outputs with audio meters. Three video switching modes are available, enabling the XS-62S to handle a wide range of applications, including presentations, performances and special events, corporate AV conferences and distance learning.
In PGM/PST Mode, the XS-62S operates as a traditional video switcher, enabling the grouping of multiple images on a single screen, with independent assignment to the AUX bus supporting confidence, downstage monitor or additional presentation screens. Downstream keyer (DSK), which supports both luminance (black/white) and chroma (blue/green) keying, plus PinP (picture-in-picture) functionality, enables compositing of titles, graphics and inset video. PinP may be selected in circle, heart or diamond shapes in addition to the typical square or rectangle.
Dissolve Mode offers video switching and composition with cross-dissolve to the PGM bus and is suitable for a system where the user directly operates the main unit in a meeting space or event. The separate AUX bus is also available in Dissolve Mode.
In Matrix Mode, the XS-62S allows individual video input signals to be assigned to three different destinations on three buses with fade-to-black seamless switching. This mode is effective for routing signals in applications using multiple screens while simultaneously mixing program audio and controlling PTZ remote cameras.
The XS-62S features an 18-channel audio mixer with four TRS jacks and an RCA stereo pair, plus audio de-embed from the six video inputs. Roland’s innovative discreet eight-channel analog audio embedding enables the operator to select which audio source to embed separately to SDI outputs 1 and 2, for example, to fix audio issues or separate multi-language audio sources when editing after an event.
In addition to the high-quality preamps, powerful on-board audio processing includes a high-pass filter, gate, compressor, three-band EQ and delay, plus the ability to select audio-follows-video channels. Processing may be controlled from the front panel screen menus or using Roland’s Remote Control Software (RCS) for PC or Mac. Integrated auto-mixing automatically adjusts the audio inputs based on weighting, ensuring even levels for the room mix, recording and web streaming even from hard-to-manage sources as multi-microphone discussion panels.
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Atomos Introduces Ninja V 5.2″ 4Kp60 HDR Daylight-Viewable 1000-nit Monitor/Recorder
Atomos just launched the Ninja V, a new compact 5.2″ 1000nit high bright HDR monitor/recorder that weighs just over 11 ounces (320 grams) and is designed for mirrorless cameras, DSLRs and gaming.
The near edge-to-edge high bright 5.2 inch screen has a 1000nits of output coupled with an anti-reflection finish. And, Ninja V includes histogram, false color, peaking, movable 1:1 and 2:1 pixel magnification, waveform, RGB parade, Vector scope and 8ch audio level meters.
Record up to 4Kp60 10-bit video over HDMI 2.0 in edit-ready Apple ProRes or Avid DNxHR direct to affordable SSD drives — and it’s only 1″ (2.5 centimeters) thick.
The AtomHDR engine includes 10+ stops of dynamic range to the LCD in real time from Log/ PQ/HLG camera signals. Playout Log as PQ or HLG to a larger HDR-compatible screen. You can record direct from the camera’s sensor and bypass the internal compression quality and recording time limits. It runs from a single Sony-type battery for hours. The new compact AtomX Drive SSD offer robust affordable storage. Audio can be input directly from the camera digitally via HDMI, or fed in analog via a stereo 3.5 millimeter line/mic socket — especially useful for cameras that do not have a mic input. Here are more details.
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Matrox Unveils X.mio5 Q25 SMPTE ST 2110 Network Card with Multi-Channel 4K, Video Processing, and HDR
Matrox today announced Matrox X.mio5 Q25, a SMPTE ST 2110 network interface controller (NIC) card with multi-channel video I/O supporting HD to 4K. Integrated with 10GbE and 25Gbe interfaces, X.mio5 Q25 features on-board multi-channel HDR conversions along with motion adaptive de-interlacing. The card is for OEMs to build IP-based broadcast graphics systems, channel-in-a-box platforms and capture/playout video servers designed for HD and 4K/UHD workflows.
With support for four SFP28 transceivers, X.mio5 Q25 allows for PC-based platforms to receive and transmit four 4K/UHDp60, 16 1080p60, 32 HD, or any equivalent combination of flows over 25GbE. X.mio25 Q25 also includes on-board video processing to offload CPU and GPU resources.
The Matrox X.mio5 Q25 card will be available Q2 2018 and you can see all the specs here. Leave a Comment
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New Version of Rohde and Schwarz R&S CLIPSTER Debuts Rohde & Schwarz just demo’ed a new version of the DCI and IMF mastering product CLIPSTER. Version 6.6 offers new software features and hardware configurations. It processes images in realtime up to 4K 120p and offers a broad range of professional media file formats. Thanks to baseband SDI and integrated tools, R&S CLIPSTER can also be used in various post production workflows. The workstation’s key benefits include excellent stability, DCI and IMF mastering, color format conversion to SDR and HDR as well as comprehensive codec support. Users can output numerous preset professional formats with the help of an output wizard, thereby saving valuable time.
R&S CLIPSTER can generate digital cinema packages (DCP), interoperable mastering format packages (IMF) and AS11 and AS02 packages, delivering excellent quality, reliability and performance. R&S CLIPSTER enables robust video playback for quality control, evaluation and approval as well as playout to tape via SDI, DisplayPort and HDMI with 16 embedded SDI audio channels or 16 AES/EBU channels. This gives the user a high degree of flexibility when creating complex final formats.
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Yamaha Adds Dante to Loudspeakers and Subwoofers Yamaha today announced the addition of new lines of powered (DZR/DXS-XLF) and passive (CZR/CXS-XLF) loudspeakers and subwoofers to its pro audio lineup, offering enhanced performance and professional sound quality.
The DZR line of powered speakers, along with the DXS-XLF powered subwoofers, have digital processing in all powered models – both speakers and subwoofers – is all done at 96kHz. According to Yamaha, this high speed, combined with the newly developed Advanced FIR-X tuning technology, minimizes latency and phase distortion.
The DZR and DXS series are also available with Dante integration. These “D” models incorporate smart system integration with Yamaha Consoles and other Dante devices via a 2in/2out I/O configuration. Using the Analog I/O and the Dante break-IN and break-OUT capabilities inside these speakers makes flexible routing and system configuration options easy to set up.
The CZR series of passive speakers are ideal for those installations where power amplifiers are used remotely. Adding their companion CXS-XLF subwoofers will extend a sound system’s bottom end dramatically (down to 29Hz) for more bass-heavy applications, and like their powered counterparts, the CZR and CXS-XLF feature best-in-class SPL performance. When paired with Yamaha PX Series amplifiers or other compatible processors, the loudspeakers take full advantage of dedicated speaker processor tuning settings to produce DZR-quality sound.
Every model in the new powered and passive speaker lines is housed in a lightweight, durable, 15mm-thick plywood cabinet, coated with military-grade polyurea to withstand the rigors of travel, handling and weather. The cabinets are equipped with plenty of flypoints, suitable for standard eyebolts and specialized U-brackets for convenient flying and hanging installation.
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
Don’t like us? Then go away — unsubscribe! Just use the link below.
To send us feedback, don’t reply to this newsletter. Instead, write directly to founder Gary at gary@ravepubs.com or Editor-in-Chief Sara Abrons at sara@ravepubs.com
Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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Copyright 2018 – rAVe [Publications] – All rights reserved – All rights reserved. For reprint policies, contact rAVe [Publications], 210 Old Barn Ln. – Chapel Hill, NC 27517 – (919) 969-7501. Email: Sara@rAVePubs.com
rAVe contains the opinions of the author only and does not necessarily reflect the opinions of other persons or companies or its sponsors. |
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