Volume 16, Issue 11.2 — June 4, 2018
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Industry News Unified Collaborative Conferencing Audio Control & Signal Processing Digital Signage Projection Displays Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories
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The AV Experience
By Leonard Suskin Pixel and Ink-Stained Wretch
“Experience” has been the big word in the industry as of late, even beyond the big change in our trade organization’s name to “Avixa” — the Audiovisual and Integrated Experience Association. Is this a buzzword, or should this represent a change in the way we design, and even how we think? It shouldn’t, because user experience should always be first in our thoughts.
So let’s talk about experience.
Today I’d like to discuss three spaces — last year’s word du jour in the humble huddle room, the flagship of conference spaces in the corporate board room, and, finally, the kinds of spaces created explicitly to communicate a message or story through a user experience.
Experience in the Huddle Room
The huddle space was a topic of one of our Sunday Morning Twitter conversations under the #AVinTheAM hashtag. While most people begin by describing huddle spaces by size, the more interesting discussion is in use case. Mark Coxon did a nice job with it:
In my interpretation, a huddle room is smaller (four to six people), has to be available ad hoc, needs to be flexible enough for a small group or a remote meetup, and needs tools for collaboration both near and far side.
Where Mark is right is that it’s about experience – in this case that experience being ease of use in impromptu, ad hoc meetings. This drives technology towards the simple and intuitive, with huddle spaces being ideal for no-touch control schemes; this should be the kind of space in which you sit down, connect your laptop and have the display turn itself on. Furniture should be durable, with enough clear workspace for whatever kind of devices or documents the users typically need to support small meetings.
The last part – regarding furniture – is one we in the AV design space often overlook. While it isn’t under our purview, it IS part of a successful design and one in which we need to be part of the discussion. Huddle room furniture needs to be welcoming, accessible, and stand up to whatever abuse it will be given. Those of us who work on the design phase of projects need to be able to discuss what furniture types fit what kinds of rooms or, at the very least, know what to expect and what changes we can ask for.
The Board Room Experience
This was another topic of Twitterversation was the corporate board room, often the flagship or crown-jewel of a conference room project. My definition of the board room is again based on expected experiences. If asked to give a single definition, I’d define it as follows:
The board room is an important room in which the furniture, technology, and space create a sense of importance. It is a space in which serious topics are discussed by people in positions of power.
While this is a very traditional view leaning towards certain industries (particularly law and finance), it is a good place to start. The traditional boardroom space is fit out in rich materials with furniture chosen for visual impact as well as functionality. This is a space, much more so than a huddle room space, in which integration of AV equipment with the aesthetics of the space is key.
What’s the technology experience here? Where the huddle room is built for utilitarian simplicity, the board room is built to impress. This is where large-format displays and well-tuned audio systems are chosen to make an impact on the audience. Simplicity is, in many cases, not the most important consideration as operation will more likely be by trained support staff than by end users. What’s most important in a space like this is that everything fits, that technology and space are seamless. This is the space in which one shouldn’t need to deal with cables lying across a table, in which technology should be sized to feel like an organic part of the design, not an afterthought.
Notice that much of what I see as “experience” in a boardroom has little to do with technology. Yes, user interfaces should be easy to use, but the most important audience is often not the one operating the system – it’s the people meeting in the space for which experience is more aesthetics than technology. Sometimes it’s the impact of an LED wall filling an entire side of the room, and sometimes it’s as simple as a clean table as the room is served with invisible technology – wireless keyboard/mouse combinations, wireless content sharing, discreet ceiling microphones.
Experience in Experience Centers
Finally, we get to the kinds of spaces with experience in their very names — interactive experience centers. What is an experience center? My working definition is in the form of an equation:
Typical AV space + Interaction + Story = Experience Center
This is where a typical AV space can be anything from a showroom to a digital signage kiosk. The important thing – what sets it apart from an ordinary space – is that it has a story to tell and one which should be tailored to the specific audience. On simple example I saw was a series of meeting spaces for a corporate consulting firm. The content for the interactive video wall in the lobby included a series of survey questions about the business. Deeper inside in the meeting spaces, more interactive video walls allowed the clients to brainstorm strategies with the consultant. What makes it interesting is that the content from the survey would be automatically brought into the meeting, giving them a chance to compare their initial thoughts to the proposed solutions and see where there thinking may have changed and how well they were following their initial vision.
For another example, those of us in New York can see the Connected Worlds exhibit at the New York Hall of Science – a wonderful science museum near the former World Fair site at Flushing Meadows Park in Queens. Connected Worlds is a digital exhibit featuring various landscapes projected onto fixed screens while a digital river is projected onto the floor. Visitors can redirect the river with foam “logs” to bring life to various locales and wall-mounted cameras allow them to grow – or destroy – various plants with a gesture. The experience is explained via an animated digital book, also utilizing a camera and projector. Each run through the exhibit is unique based on the actions of those using it, and there is a subtle message about the sharing of scarce resources.
These simple examples illustrate two important concepts about designing for experience.
First, I’ll borrow a line from the standard presentation Blue Telescope – the design firm responsible for the above-mentioned system – gives to explain what they do.
We are not story tellers. We are story enablers.
Blue Telescope founder and CEO Trent Oliver goes on to explain that today’s world is built on interactivity, and younger generations are expected to be more than passive observers. To create an experience is to create the client’s individual experience, in finding ways to help them tell their stories.
Second, and perhaps most ominously for us, it isn’t about the technology. Design for customer-facing experience centers needs to begin at the very earliest phases with a vision. What is the message? How are users to interact with it?
What story are we helping to tell?
How?
These are questions I see too many of my fellow AV experts either leave until the end of a project or handwave into the “by others” bin. That’s natural – technology is what many of us do best and technology design is concrete. Native resolution, size and brightness of a display are all concrete numbers we can sharply define for a given space. Touch interactivity, audio input, camera input and similar connectivity can be easily defined in a spec. That’s hardware — and hardware is easy.
Just as one obviously doesn’t start building Connected Worlds by looking at hardware specs, one shouldn’t approach corporate experiences from that direction. Vision first. Story first. Then content, and hardware to support it.
Then together, we can enable our clients to help their audience tell a story.
Images via Blue Telescope Leave a Comment
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Design Thinking: How Does it Relate to AV?
By Scott Tiner rAVe Columnist
Any good MBA student from the last decade can tell you about design thinking. It seemed to be one of the buzzwords of the business world for several years. But more than just in engineering and product design, it has started to leak into all areas of business. It can help determine strategy, it can help improve processes and of course, it can help improve design.
At InfoComm this year, AVIXA is putting on what looks like an amazing course, “Design Thinking for AV.” The course is being instructed by three leaders in design thinking and appears to be very hands on, even including field trips to local museums. If there is still a chance, I would recommend you check out the course and think about how it may change what you do.
Before you sign up however, you may be wondering, what is design thinking? Different people define it in different ways, but in essence I believe it to be a philosophy of how you think, how you design and how you develop experiences for people. The principles are defined differently, but it seems an outstanding principle is to question. Ask why a lot. When you meet with your clients the first time, you may be tempted to tell them exactly what they should do. Rather, you should be asking them what they are trying to do, and then keep asking “Why?” The question is not intended to insult, but rather to challenge and develop your understanding. Librarians understand this concept very well. There is a well-known story of a little boy walking into a library and asking for a book about frogs. Many of us would go and retrieve the boy a reference book on frogs. (Just like if someone says I want a projector pointing to that wall, they get a projector pointing at that wall). However, the experienced librarian asks: “Why? What do you want to learn about frogs?” The boy responds that he does not want to learn anything. He just wanted to draw a picture of one and needs a model. That greatly influences the reference that the librarian is going to retrieve for the boy. In fact, it may not even be a book, it could be an image that is printed out. The boy did not get what he asked for, but he did get what he wanted.
Another principle is empathy and observation. Observe what is going on and what the problem that needs solved is. Based on that observation, make a recommendation. A client may say that they want a huddle room. You could provide them the cookie cutter huddle room. But with design thinking, you would suggest that they let you watch a meeting. You would observe the type of problems that people are having with communication or with technology. Is the problem that no one is listening because they have notebooks out and are trying to take notes? Is the problem that they have teleconferencing or videoconferencing that is not working well and distracting people in the meeting? After making these observations, you could make solid suggestions on a design.
The final generally agreed principle is prototype and test. I believe this to be a particularly weak area in AV. After all, this costs time and money. We tend to put some designs on paper (schematic designs that our customers don’t understand) and get approval. But design thinking asks you to move outside of this box. Draw a 3D rendering of the room. Print a 3D rendering of the room. Stick some temporary technology in a room and see how people react to it. Then, follow the other principles as you do this. If a client does not like a change, ask why? After looking at a 3D model, do they feel the space is too crowded? Watch the clients interact with the technology or the model. Ask them what they like about it and what they don’t. Don’t be afraid of throwing your previous design out and starting over. It is more effective to do it now, than after a space has been built.
I have described design thinking here from the point of view of a salesman or designer. But what about design thinking in strategy? Are you considering venturing into a new lateral market, such as security, or selling services? If so, employ design thinking in this. It is very easy to fall into the, we can not do that because we never have. Or, we can not do that because we looked into it ten years ago and it did not make sense. Ask: “Why?” Ask if something has changed since we last made this decision. Prototype a new business plan, and talk with people in the company about it. Take the pieces that fail, change them and try again.
If this philosophy of “design” interests you, there are dozens of articles to learn from. Harvard Business Review, for example, has had many pieces on this topic. Finally, as you rove the InfoComm floor, try and do it with a design thinking mindset. Rather than question, “Where can I use that?” or “What client can I sell that to?”, look at the application and remember what it does. Store that in your design thinking “mind bank” and use it next time you go through the design thinking process with your clients. Leave a Comment
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Vogel’s Buys SmartMetals Vogel’s just announced its intention to take a majority ownership stake in SmartMetals Mounting Solutions. SmartMetals is a well-known European-based manufacturer of floor, wall and ceiling mounting solutions for projectors, displays and whiteboards. With this majority interest, Vogel’s wants to position itself even more as a specialist in AV product solutions. It is strengthening its position in the professional market, thereby fulfilling its growth strategy.
After consent of the majority interest by Vogel’s, SmartMetals Mounting Solutions will continue to exist as an independent entity. Vogel’s Professional Solutions as well as SmartMetals both work in the same field, but both the product ranges and the different market segments are largely complementary to each other.
Gerdi Vogels, CEO Vogel’s said, “I am very pleased with this expansion for the Vogel’s group. This majority interest in SmartMetals offers a stronger market position in the growing Professional market. This combination will enable us to improve our market position and strengthen our distribution with both brands. With this acquisition, we are spreading our wings. It is going to offer new opportunities and possibilities in the B2B sector.”
Vincent Rekveldt, CEO and co-owner of SmartMetals Mounting Solutions said, “Since 2004, we have developed ourselves as a brand into a specialist in, among other things, tailor-made solutions for professional applications. We are also a leader in lift systems. This participation of Vogel’s fits perfectly in the development phase in which SmartMetals finds itself. We look forward enormously to the opportunities it offers for a joint wider deployment of our expertise and in distribution.”
Vogel’s is here and SmartMetals is here. Leave a Comment
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InFocus Introduces SimpleShare Wireless Presentation Solutions InFocus Corporation has announced SimpleShare, a point-to-point presentation solution for wireless connectivity and sharing of videos, presentation, documents, data and more.
Designed as a cable replacement, SimpleShare is device-agnostic and allows users to share high-definition video and sound wirelessly to any display with an HDMI input from any PC, Mac, DVD player, tablet, camcorder and other devices in real time. SimpleShare allows for a simple plug-and-play installation with no software, downloads or network management required, making it incredibly user-friendly for anyone to implement without burdening the IT department. Users can also switch between up to 254 presenters with the click of a button.
Want to see how easy this is to connect? We recorded a LIVE video demo you can watch here.
SimpleShare is available in three bundled solutions. The base model SimpleShare (INA-SIMS1) includes one transmitter and receiver, intended for a small meeting room; SimpleShare Presentation System (INA-SIMPS1) is a complete conference room solution with three transmitters and a charging station; SimpleShare Touch Presentation System (INA-SIMINT1) supports up to three presenters with wireless touch control from a touch display panel and allows users to annotate on anything they present from their source device, as well as draw and write on a built-in digital whiteboard.
SimpleShare utilizes WPA2, a secure encryption method, developed by the Wi-Fi Alliance. Servicing a radius of 15 meters from the receiver, the AES-CCMP algorithm used is a cipher key encryption with variable key size and changes at varying intervals.
Here are all the tech specs and options. Leave a Comment
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Williams AV to Debut New Pointmaker Presenter and Pointmaker Audio Presenter
Williams AV just introduced the all-new Pointmaker Presenter and Pointmaker Audio Presenter presentation systems. Pointmaker Presenter includes wireless video tools designed to for creation via mobile device in a meeting space. Pointmaker Audio Presenter adds audio to the mix, delivering industry first, truly wireless, audio and video connectivity from your computer, tablet or phone.
Pointmaker Presenter is integrated with Airplay, Miracast and Chromecast and allows for control, advance, highlight, annotate and white-boarding in real time – all wirelessly from the user’s device. Based on a 64-bit quad-core ARM processing platform, Pointmaker Presenter provides a 4K output resolution (3840×2160). The Presenter Toolbar is a mobile presenter interface that works on any personal device that supports iOS, Android or a web browser.
Pointmaker Audio Presenter offers all the features of Pointmaker Presenter including an integrated amplifier and audio mixer, Audio Presenter allows you to integrate your choice of professional microphones, loudspeakers and other pro audio components — and gives you the option to connect wireless personal devices such as computers, tablets, phones, headsets or anything Bluetooth to the room’s audio system. You can even extend the range up to 100 feet with the optional Bluetooth range extender. No more video without audio, or conference lines and speaker phones.
Here are all the specs. Leave a Comment
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EAW Adds New Line Array and Subwoofer to RADIUS Series Of Loudspeakers Eastern Acoustics Works (EAW) just announced the addition of the RSX212L line array module and RSX18F subwoofer to the RADIUS Series. The two new RADIUS products are aimed at both touring and permanent install applications.
Similar to the other products in the RADIUS Series, the RSX212L and RSX18F utilize EAW’s proprietary Focusing and Dyno technologies to improve impulse response throughout the coverage area even at the highest output levels. The accompanying EAWmosaic applications tackles prediction, control and monitoring for all RADIUS enclosures. For added convenience, EAW’s Resolution software can also be utilized for prediction of all Radius products.
The new, two-way RSX212L line array module is loaded with two 12-inch low frequency drivers and two 1.7-inch voice coil compression drivers. Like the smaller RSX208L line array, the RSX212L includes array self-detection via on-board infrared sensor and accelerometers that enables EAW’s OptiLogic technology to pre-optimize the array to reduce setup and tuning time. The RSX212L features three-point rigging, a new flybar, caster pallet and cover designed for quick deployment and pack down.
The new RSX18F is a single 18-inch, flyable, low frequency module that offers automatic cardioid functionality, in stacks of two or greater, via OptiLogic. The subwoofer provides significant low-end support for all full-range products in the RADIUS Series and can be flown with the companion RSX208L line array module via a new accessory adapter.
The entire RADIUS Series features all-wood enclosures, EAW Roadcoat finish, Power Factor Corrected Class D amplification and a rear-panel LCD screen and encoder to provide on-box access to all RADIUS functions. Dual locking etherCON connectors offer daisy-chain Dante connectivity for single cable audio and communications. There is also an integrated wireless router connection on every RADIUS loudspeaker that delivers router placement options. Analog input option and automatic fail-over redundancy is managed with XLR audio input and thru connections. Power is delivered via powerCON inlet and loop connections.
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Crest Audio Debuts C1 Series Contracting Amplifiers with DSP and Dante-C
Crest Audio has unveiled the new C1 Series range of contracting and installation amplifiers — Class D designs with on-board digital signal processing, Dante protocol networking and USB/Ethernet connectivity for monitoring and control. The new C1 Series amplifiers are aimed at contractors thanks to the addition of Euro connector inputs and barrier strip outputs as well as fault relays and CV (control voltage) inputs.
The C1 Series currently comprises four models:
- C1 86k eight-channel amplifier with 750 watts per channel into 4 ohms
- C1 48k four-channel amplifier with 2000 watts per channel into 4 ohms
- C1 44k four-channel amplifier with 1000 watts per channel into 4 ohms
- C1 25k two-channel amplifier with 2500 watts per channel into 4 ohms
All models incorporate an efficient switch mode power supply and Class D circuitry with full bandwidth PWM modulators for ultra-low distortion, high efficiency and superior circuit protection. The clip/limiter function provides output monitoring to prevent speaker damage with gentle gain reduction at clip threshold as well as efficient heat dissipation and overheat protection for uncompromised reliability.
In addition to being powerful workhorses, C1 Series amplifiers are also capable and sophisticated loudspeaker processors thanks to a powerful internal DSP engine with sampling rates of 96 kHz/24bit and high performance 24bit AD/DA converters. Everything you need to optimize a loudspeaker system is at your fingertips; IIR HP/LP crossover filters, RMS compressor, parametric EQ, alignment delays and white/pink noise.
Users can set parameters, select input source and load presets via the convenient front panel LCD touchscreen. A Dante network module enables primary and redundant connectivity to a digital audio network and allows seamless external control and monitoring of the amplifier. The C1 Series amps will be fully integrated with Peavey’s MediaMatrix hardware and NWare software, allowing signal distribution, control and monitoring of the C1 Series amps in MediaMatrix projects. The C1 Series power amps may also be integrated with other DSP/control platforms that support Dante audio networking. Applications for these powerful, networked multi-channel power amps include stadia, transportation hubs, theme parks, arenas, convention centers, retail spaces or any other projects requiring high quality, reliable networked audio.
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Nureva Adds Intelligent Sound Targeting to HDL300 Systems
Nureva has announced the addition of intelligent sound targeting (IST) to the Microphone Mist technology platform that powers its HDL300 and Dual HDL300 audio conferencing systems. This patent-pending technology adds new intelligence to the thousands of virtual microphones that fill the meeting space and provide full-room audio coverage. Using IST, the system identifies and ignores persistent undesirable sound sources that can disrupt the efficiency and flow of audio conference sessions. Typically, several noise suppression techniques are required via post-processing methods to reduce undesirable sounds. IST preemptively identifies and ignores these sounds in real time through the virtual microphones that are always listening throughout the room. This eliminates the need for complex post-processing algorithms to filter and reduce unwanted sounds, thereby improving overall system performance and the audio conferencing experience.
The introduction of intelligent sound targeting brings a fresh approach to addressing the issues caused by undesired sounds during audio conference sessions. HVAC systems, display fans and active cooling systems are just a few of the distracting sounds that can cause frustration and reduce productivity. Building upon the concept of virtual microphones that create a listening grid throughout the room, IST addresses the issue while providing a natural listening experience for meeting participants. Instead of attempting to suppress undesired sounds completely, it uses its intelligent sound identification capabilities to mitigate the negative impact of those sounds in an elegant and efficient manner. Visitors to InfoComm in Las Vegas, June 6-8, 2018, can learn more about IST in Nureva’s booth N1276.
“Achieving rich, full-room audio pickup in noisy meeting spaces has always posed a significant and stubborn technical challenge,” said Nancy Knowlton, Nureva’s CEO. “We are very excited about intelligent sound targeting to address this issue and deliver the audio conferencing experience that organizations are looking for.”
Intelligent sound targeting is part of a firmware update to Microphone Mist technology that will be available to all Nureva audio conferencing system customers at no additional charge at the end of July. Nureva is here. Leave a Comment
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Bose Professional Expands DSP Offerings
Bose Professional broadens its ControlSpace sound processor line with six new DSP models and three attractive digital wall controllers. The new ControlSpace CSP-1248 and CSP-428 commercial sound processors offer right-sized I/O and simplified configuration for small-to-medium-scale projects. They are designed to serve as standalone DSPs in commercial applications such as retail stores and restaurants or any public place where modest processing, high-quality sound and facilitated installation are desired. They include balanced analog I/O, RCA inputs, eight GPIs, one GPO, a mute contact, RS232 serial, Ethernet network (for configuration or wall control) and Bose AmpLink out, for simplified digital audio connectivity to supported power amplifiers.
The new ControlSpace CSP models feature a quick-setup workflow using an integrated webserver with browser-based control software. Much like setting up a wireless router, installers use their PC (or Mac) and web browser to access the CSP configuration page. This real-time interface features live metering and is designed to augment the natural workflow of commercial projects with common tasks such as setting sources, paging thresholds, adjusting EQs and tuning limiters presented in an intuitive and logical manner. This approach reduces complexity by presenting common processing needs for repeatable commercial applications, minimizing design errors and ultimately reducing installation time — without extensive DSP training.
The new CSP models include the following Bose-proprietary algorithms, configurable using the control software, that bring predictable, reliable operation to commercial sound systems:
- AutoVolume compensation continuously adapts zone output level based on the ambient noise of that room (when paired with the new Bose ANC sense microphone accessory) to maintain consistent program material.
- SmartBass dynamic equalization enhances the low-frequency output of small loudspeakers.
- Opti-voice paging provides a smooth transition between the music and page signals.
- Opti-source level management monitors the input level of up to four sources. Source levels are continually adjusted to maintain a consistent volume level among different source.
In addition to the new ControlSpace CSP processor line, Bose has also rolled out an update to two popular ControlSpace ESP fixed-I/O engineered sound processors. New variants of the Bose ESP-1240 and ESP-880 models have been upgraded based on integrator feedback to include options for Dante audio networking and Bose AmpLink connectivity. The new variants — the ESP-1240A, 1240AD, 880A and 880AD — have a new appearance while maintaining key features from their predecessors.
New ESP-1240A and ESP-880A engineered sound processors have 12×4 and 8×8 analog I/O, respectively, with integrated Bose AmpLink output for digital connections over Cat5 to Bose AmpLink-equipped Bose amplifiers. The new ESP-1240AD and ESP-880AD versions have both AmpLink and 32×32 Dante onboard. All four ESP models use ControlSpace Designer software for configuration, control and monitoring, and support scalable networked audio systems.
To complement both the new ControlSpace CSP and ESP processors, Bose has also introduced three new user-friendly digital wall controllers: the CC-1D, CC-2D and CC-3D. Each model comes in white and is available in regional variants. They feature a single rotary encoder and circular LED ring. The CC-2D and CC-3D models allow the rotary encoder to be pushed for A/B or A/B/C/D source selection with LED source indicators on the panel. In addition to the new digital wall controllers, the new CSP and ESP processors are supported by ControlSpace Remote, where customized control panels can be built and deployed to end users for wireless control of their systems from mobile phones, tablets or laptops.
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AudioControl to Unveil Lineup of 70-Volt Amplifiers at InfoComm 2018
AudioControl has announced the introduction of three 70-volt amplifiers with both DSP control and signal matrixing capabilities. DSP capabilities include onboard speaker profiles for loudspeaker manufacturers such as Dynaudio, Graysound, James Loudspeaker, Monitor Audio, Nuvo, Origin Acoustics, Stealth Acoustics and Triad Speakers. In addition, they also offer graphic and parametric equalization along with onboard crossovers.
The first model in the series to become available will be the four-channel CM4-700, followed shortly thereafter by two-channel and three-channel versions — all based on a similar high performance platform. The CM4-700 is spec’d at 750 watts in 70/100 volt mode, 500 watts at 8 ohms (stereo or mono output) and 750 watts at 2 or 4-ohms and 1500 watts bridged into either a 70/100v and 8- or 4-ohm load. The amplifier also offers eight analog inputs (four stereo) — plus four digital stereo inputs — digital coax and optical. The four outputs can be individually controlled or be controlled as two stereo pairs, giving integrators the system configuration flexibility they need to accommodate any system architecture. System setup and diagnostics can be managed remotely via an IP web-based browser or app for PC, Mac, iOS and Android, facilitating control of the amplifier via IP and/or RS232.
The AudioControl CM4-700 lists at $2,600. Here are all the specs. Leave a Comment
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Nureva Enhances Flexibility and User Control of HDL300 Audio Conferencing Systems
Nureva has updated its Microphone Mist technology, which is available to all HDL300 audio conferencing system customers. This update includes new customizable audio settings, new auxiliary audio modes for interoperability with third-party systems and refinements to audio performance. HDL300 customers enable these enhancements by downloading the updated version of Nureva Room Manager software, which provides ongoing access to the latest firmware and functionality. Visitors to InfoComm in Las Vegas, June 6-8, 2018, can demo the HDL300 audio conferencing system at Nureva’s booth N1276.
Both the microphone and speakers can be set to stereo or mono sound, and customers can also adjust speaker bass and treble levels. The new auxiliary audio options on the HDL300 system provide more flexibility in connecting to in-room speakers, mixers, recording devices and hearing aid transmitters. The auxiliary output can be switched to send a microphone, speaker or a mixed signal at both microphone and line levels. Nureva says that together, with the enhancements in echo cancellation, the new customizable settings will enable HDL300 customers to not only have a better audio experience but also be in more control of their meeting room audio.
This next update to Microphone Mist technology is available now to HDL300 audio conferencing system customers at no additional charge. The HDL300 is here. Leave a Comment
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Bose Pro Unveils Online Business Music System Designer for Audio IntegratorsBose Professional has launched the Business Music System Designer (BMSD), a new online design tool to aid audio integrators in specifying the right Bose Professional sound products in commercial audio applications. Hosted online and free to access, the BMSD tool helps users quickly choose the right sound solution for specific applications and customer budgets.
The first release of this web tool focuses on Bose FreeSpace and EdgeMax loudspeaker recommendations for non-technical users, based on simple parameters such as room dimensions, mounting style, desired coverage and volume level. The tool then provides “good” and “better” options for loudspeaker quantity, tap settings, placement locations and spacing.
Business Music System Designer reduces design time and increases confidence that the right system has been recommended. The next update to the tool will produce further system recommendations, including amplifier and accessories selections, as well as other useful options.
You can see and demo it here. Leave a Comment
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Monitor Audio Debuts Vecta V240 Corner SpeakersThe new Monitor Audio Vecta V240 is a compact weather outdoor speaker that’s made to mount in corners. The Vecta V240 has mounted dual 4″ C-CAM metal cone drives to the curved baffle to ensure a controlled sound field is delivered. They say this minimizes ceiling or wall reflections when mounted under eaves or in a corner, while still being wide enough for superior coverage when wall-mounted. The centrally mounted Gold C-CAM tweeter is horn loaded for dispersion at the crossover point matches the mid-range, providing a smooth off axis frequency response.
The Vecta V240 uses cleverly designed brackets and a single point automatic connection system that allows them to be mounted horizontally or vertically. Installers fix the bracket to the wall, and then drop the speaker in place with a single screw.
The Vecta V240 is $475 and the mounts are $50 each. Here are all the specs. Leave a Comment
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ARX Systems NetSplit Dante Digital-to-Analog Distribution Splitter Debuts
As part of a growing portfolio of Dante enabled products from Australian manufacturer ARX Systems, the ARX NetSplit Dante Digital-to-Analog Distribution Splitter can receive audio channels from a Dante network and provide studio quality, transformer isolated, low latency audio via balanced XLR output connectors to analog audio equipment.
Designed for connection to multiple amplifiers, powered loudspeaker arrays, mixing consoles and other analogue audio devices using standard Ethernet hardware and cabling, the ARX NetSplit joins the ARX Network DI, both adding Dante versatility to the range of signal processing products from ARX.
For further flexibility the ARX NetSplit modes of operation can be switched between Dante or analog. In Dante mode, the NetSplit will extract two channels of digital audio from the network via a RJ45 Ethernet input and split them to two channels of 1:4 splitter/distribution amplifier. In Analogue Mode the NetSplit can take two channels of analogue audio and split them to two channels of 1:4 splitter/distribution amplifier.
The ARX NetSplit features a sample rate of 96kHz, 48kHz (default), 44.1kHz with a Bit Depth of 24 bits. An intuitive interface includes individual level controls for all eight split outputs plus Dante status and Mode status LEDs. Transformer isolated analogue audio ensures low noise operation.
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Powersoft to Demo Duecanali Amplifier Models and Updated M-Force Transducer at InfoComm
Powersoft is launching several new products targeted at the fixed installation and OEM markets at this year’s InfoComm exhibition, where the company will exhibit in booth C628. New products include an extension of its two-channel amplifier platform, Duecanali, as well as its M-Force transducer, which brings integration possibilities to more OEM partners.
The Duecanali 804 and 4804 are the latest additions in the Duecanali platform, which is perfectly suited for retail, leisure and hospitality fixed installations that require both pristine and reliable sound. The Duecanali 804 offers two 400-watt channels and represents a lower total power solution for installations in retail, as well as bars and restaurants where a single two-channel amplifier is required — without the need for additional channels or power. The range is completed by the existing Duecanali 1604 launched last year, which sits between the two new products in the Duecanali range.
The newly completed Duecanali range is able to drive low impedance loads (2/4/8 Ohm) and 70V/100V distributed lines selectable per channel. It also provides more than 16 different possible output configurations per channel. The Duecanali range also delivers on control and interoperability with DSP onboard, third-party plug-ins, networking and remote control.
The new M-force 301P01 has also been updated with a series of additional features to simplify the workload for Powersoft’s growing community of OEM partners. Now, M-force is available in either the M-force 01 long throw linear motor (for infra sub applications) or the M-force 02 short throw linear motor (for high acceleration applications). With longer linear displacement, M-Force 01 is for direct radiation and bandpass applications, enabling manufacturers to keep cabinet sizes to a minimum while allowing for infra-bass reproduction. M-Force 02 is designed to handle extreme loads, such as bandpass applications and loaded horn configurations.
Visitors to InfoComm 2018 will see developments to M-Force 301P01, which is engineered in a robust, factory assembled package, greatly simplifying implementation. The motor is matched to a purpose-built diaphragm through a newly designed coupling and a lightweight chassis, which the company says also improves thermal dissipation. The need for an external spring has also been removed, since magnetic spring action from linear movement is delivered by motor and magnets.
In conjunction with InfoComm, Powersoft will also host demonstrations on Armonía Pro Audio Suite, its audio management and DSP software solution. Half-hour sessions will be held twice a day between June 6-8 at 11:00 a.m. and 2:00 p.m. at Powersoft Booth C628, hosted by Powersoft’s Gino Pellicano, Market Development & Applications, North America. Each session is capped with insights and explorations into system monitoring and advanced remote-control functions, with emphasis on Armonía Operator View (Powersoft’s control and monitoring software platform) and advanced Webapp functionality.
Powersoft is here. Leave a Comment
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Extron Adds New 5″ Wall Mount Touch Panel Extron just introduced the TLP Pro 525M 5″ wall mount TouchLink Pro touch panel. The TouchLink Pro touch panel has been redesigned with a new, high-performance quad-core processor, eight times more memory and an 800×480 capacitive touchscreen built with scratch and smudge-resistant edge-to-edge Corning Gorilla Glass. The TLP Pro 525M also features PoE – Power over Ethernet, which allows it to receive power and communication over one Ethernet cable.
Extron says the TLP Pro 525M is built for today with an eye on the future. With its improved graphics engine, quad-core processor and increased RAM, you’ll see faster background graphic loads and crisper page flips. These enhancements offer an enhanced user experience now, while providing ample memory and processing power to support exciting new features and capabilities in the future via firmware updates. Three new mounting accessories, the RWM 2 Recessed Wall Mount, SMK 2 Surface Mount Kit and the RM5 Rack Mount kit all aid integration while providing a broad variety of mounting options. All TouchLink Pro touch panels can be customized using Extron GUI Designer software. This interface design software offers ready-to-use templates for a wide variety of rooms and presentation environments.
Details on the new 5″ are here. Leave a Comment
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Chief Debuts New On-Wall Kiosks at InfoCommChief is bringing a kiosk-based, on-wall digital signage enclosure at InfoComm booth C3683.
The Impact On-Wall Kiosk maintains a nice aesthetic to complement a variety of environments. A 3-5” (76-127 mm) depth-adjustable exterior frame allows for a variety of display sizes. Reversible hinges help to avoid installation and service obstructions, and our exclusive design keeps the display mounted to the frame when opened, providing unparalleled service and maintenance access.
An integrated wall reveal compensates for uneven walls to keep the frame plumb and provide passive cooling. The on-wall kiosk is available in black or white finishes for 46-75” screen sizes.
Integrated engagement latches can be secured with tamperproof hardware to protect equipment. Middle Atlantic’s Lever Lock technology is integrated for on-wall component storage. Additional storage can be added either on-wall with Lever Lock or in-wall with Chief In-Wall Storage Boxes.
You can see them here. Leave a Comment
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Christie Expands Laser Line with Launch of 16,000 and 20,000 Lumen 1-Chip DLP projectors
Christie just announced the addition of four new 1DLP laser projection solutions. At 20,000 lumens, the Christie D20WU-HS/D20HD-HS claim to be the lightest and brightest 1DLP laser projectors available, and at 16,000 lumens, the Christie D16WU-HS/D16HD-HS are the lightest and brightest 1DLP laser projectors to operate at full brightness on a single 15A, 110V circuit.
All four projectors feature Christie’s patented BoldColor Technology, which offers bold and realistic images at high brightness levels, meeting the Rec. 709 standard for accurate color reproduction. Combined with HD/WUXGA resolution, these projectors bring clear, crisp images to life.
Christie D20WU-HS/D20HD-HS and D16WU-HS/D16HD-HS offer optional onboard Christie Twist warping and blending capabilities for quick and easy setup of irregular screens and multi-projector arrays, as well as omnidirectional capabilities so they can be installed in the orientation that best suits the design and space.
Shipping in August 2018, both models are here. Leave a Comment
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Christie Adds Two New 4K HS Series Models to Its 1-Chip DLP Laser Projector Lineup
Christie is adding to its 1DLP laser lineup with the new 4K7-HS and 4K10-HS models. Featuring 4K UHD resolution and Christie BoldColor Technology for the most accurate color reproduction possible, both models are equipped with Christie Twist warping and blending software and the omni-directional capability to be installed in businesses, public spaces, hotels, higher education and selected entertainment venues.
Christie BoldColor Technology uses blue and red laser diodes as well as a patented optical chamber, video processing, and specialized software to produced enhanced color and saturation and more lifelike visuals when compared to typical laser projectors.
Both HS Series models allow 4K60 video over a single HDMI or Display Port cable, simplifying setup and cable routing, and the integrated camera assists users in ensuring the projector is set up and aligned to a single screen and delivers auto zoom and focus of the imagery. Both models offer two new 4K specific lenses for six overall options to meet your application needs.
Shipping in August 2018, both models are here. Leave a Comment
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Leyard and Planar Announce Next-Generation Leyard DirectLight LED Video Wall System
Leyard and Planar today introduced the Leyard DirectLight X LED Video Wall System, adding unrivaled video processing and management capabilities into the product.
The Leyard DirectLight LED Video Wall System, introduced in late 2016, was unique at the time as it was one fo the first to offer front-mounting, thin profile, front service access, low power consumption, hot-swap off-board power and higher-end image performance. Leyard DirectLight X builds on this by adding the latest 4K video standards, signal extension, multi-source processing, system monitoring and modern web-based graphical control software. The result is a complete system that reduces dependence on external processing systems while making the video wall easier to operate and monitor.
Leyard DirectLight X features a new, off-board video controller and it includes new Leyard WallDirector Software for video wall installation, monitoring and management.
Leyard DirectLight X comes with the Leyard Video Controller, making it the first LED video wall system on the market to integrate a remote power supply directly into the product. Rack-mounted Leyard Video Controllers can scale to support nearly any size video wall, and allow for scaling, windowing and Picture-in-Picture to give flexibility as to how and where sources are displayed. The Leyard Video Controller includes Planar Big Picture Plus video wall processing, which can scale sources across the entire video wall or across sections of the video wall. It also incorporates Leyard WallSync, providing precisely synchronized video playback and genlock across the video wall.
The Leyard Video Controller supports multiple 4K @ 60Hz inputs and the latest video standards including HDMI 2.0, DisplayPort 1.2 and HDCP 2.2. It provides a built-in video signal extension over CAT6 and optional fiber optic support for longer video runs and greater signal security.
Leyard DirectLight X comes with Leyard WallDirector Software, a web-based user interface that simplifies video wall set-up, configuration, operation and monitoring. Leyard WallDirector offers the ability to drag-and-drop sources onto the video wall canvas and easily manipulate their size and position. It also includes presets that can recall video wall windowing layouts, making it quick to configure video wall content.
Leyard DirectLight X is available in 0.7, 0.9, 1.2, 1.5, 1.8 and 2.5 millimeter pixel pitches. It features a 27-inch cabinet with a 16:9 aspect ratio, and comes with the Leyard Remote Power Supply, a redundant and hot swappable power supply that eliminates heat, weight and points of failure from the video wall.
With the Leyard EasyAlign Mounting System, Leyard DirectLight X can be fully installed and serviced from the front—using six-axis alignment features to ensure the video wall is perfectly aligned and seamless. The video wall can be installed to occupy less than four inches of depth from the wall, making it compliant with the Americans with Disabilities Act (ADA).
Details on it can be found here or here. Leave a Comment
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New Chief Outdoor Mount Options Coming to InfoComm
Chief is expanding its outdoor mounts to include solutions for ceiling and pedestal display installations. The new mounts are built to withstand rain, humidity and ocean air, sun exposure and high winds. An included wind deflector provides an additional layer of defense to protect technology that may not be designed for wind exposure.
Tilt range of -5 to +20 degrees has set locking points to eliminate guesswork when adjusting multiple displays. Chief outdoor ceiling and pedestal mounts are available for displays up to 250 lbs (91 kg) with a max VESA pattern of 800×400 millimeters, depending on the chosen solution. Options are available for single display, side-by-side and back-to-back configurations.
Each part of the system features weatherproof design, including outdoor-rated finishing, galvanized plating and stainless steel hardware. They pair perfectly with many outdoor-rated displays. Chief’s outdoor mounts are made to withstand the effects of UV/sun exposure, rain, humidity and ocean air. This prevents aesthetic problems like a chalky appearance to the metal or rust that can spread to damage the underlying architecture.
The columns are designed to flex under extreme wind loads. By engineering the system to avoid catastrophic failure, the mount mitigates potential damage to facilities. Columns provide 12″ of adjustment ranges at 1″ increments and are available up to 6’ for ceiling installations and 8’ for floor installations.
The system comes in three pieces, the mount, column and plate. This allows for better customization to fit the particular installation requirements. The four-step installation process keeps each piece separate for a safer, more manageable lifting load. The plate is fastened using two oversized holes, allowing the remaining holes to be used as a drilling template.
Here are all the specs. Leave a Comment
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Salamander Rack Designs Aim to Give AV Integrators More Aesthetic Choices
Salamander Designs announced its entry into ProAV by saying, “racks don’t have to be unattractive.” Its new line of Deep Profile Cabinets, full-blown technical rack solutions that look like furniture is aimed to help meeting rooms AV storage.
It’s real furniture, and it includes the look, feel, finish and exceptional quality of Salamander Designs furniture, but it’s also a real equipment rack that can house all audio, video and media technical equipment and accessories.
Features and options include:
- Gorgeous cabinets available in a wide array of finishes
- All aluminum chassis
- Equipped with optional rails front and back
- Handles all inside standard rack mounting and rack mount options (with optional rails)
- Removable cartridge for ongoing use, adjustments and future needs
- Saves time and money for all involved
- Can be pre-installed and then deployed ready for use
- Design Your Own services options, leveraging newly announced Design Services Team
- Optional active cooling prevents heat build-up with thermostatically controlled fans
Salamander Designs is at InfoComm in Booth #N1516 or you can go here. Leave a Comment
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Chief Designs Over-the-Whiteboard Mount for Placing Interactive Displays in Classrooms
Chief will bring the over-the-whiteboard interactive display mount to InfoComm booth C3683. The mount allows for installation and adjustment of heavy interactive flat panel displays over existing chalkboards or whiteboards. By shipping largely pre-assembled with minimal hardware, Chief designed the OB1U to reduce installation time.
Height variability accommodates younger children or those seated at lower levels.
Other features include:
- Heavy-duty weight capacity of 310 pounds (140.6 kilograms)
- Display height adjustment range of 26” (660 millimeters)
- Interface brackets mount directly to display then hang on single rail-style cross bracket, eliminating the need to remove display from box prior to installation
- Flexible wall assembly anchoring points to accommodate 16 or 24” stud spacing
- Allows for a minimum of 4” (102 millimeters) clearance from wall
- Plumb adjustment up to 1.5 degrees compensates for uneven walls
- Integrated lateral shift
You can see all the specs here. Leave a Comment
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FIBBR Debuts Fiber Optic HDMI at InfoComm
FIBBR will make its InfoComm debut with the Ultra Pro series fiber optic flexible HDMI solutions, capable of sending signals from 50 meters to 200 meters. The UltraPro series, certified for 18 Gpbs by Imaging Science Foundation (ISF), provides uninterrupted signal transmission and uses something the company calls BendRobust technology, which allows the fiber to be bent 180 degrees.
FIBBR says its cables are 60 percent lighter than traditional copper cabling and use AC power coupling, eliminating the need for external power on the receiving end. This also means that there is no need for extra power adapters or patch cables.
Because fiber optic cables transmit data via light, they are single-directional. Thus. FIBBR cables are labeled Source and Display and for an added layer of security, a SmartLED indicator on the Source connector confirms proper connection and operation status, while the proprietary FlashLED on the Display connector provides handy a light to guide installers in dark spaces.
Here are the details. Leave a Comment
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