Volume 16, Issue 11 — June 19, 2018
|
Industry News Projection Displays Control & Signal Processing Audio Unified Collaborative Conferencing Media Players, Recording & Distribution
|
|
|
The TIDE Conference and Learning how to Think
By Leonard Suskin Pixel and Ink-Stained Wretch
Another InfoComm is now behind us. As we return to our everyday lives, we should look back and reflect on what we learned and experienced over the past week. For those of you who weren’t able to attend, this is a chance to share some of the lessons I found across the country in Las Vegas. Another day we will, perhaps, discuss some products or specifics. Today I’d like to start the day before the opening of the show floor with the TIDE Conference, and with what is the most important thing we can gain anywhere — learning how to think.
InfoComm 2018 marks the third TIDE Conference, with the first two having taken place in ISE and InfoComm 2017 last year. What is TIDE? First, and most simply, the the name is an acronym for Technology, Innovation, Design and Experience. The conference is a full-day series of lectures, workshops and breakout sessions about the role of technology in our worlds, the nature of design, and foundational ideas on how to think about our work and how we should think about it. If you came to TIDE expecting AV content directly applicable to the design of, say, a classroom or a conference room you’d be disappointed. If you came to open your mind to new ways of thinking and to hear the words of smart and creative speakers you’d be very pleased and impressed indeed. This was a special day, one in which speakers and audience would cite a dizzying array of sources from statistics on cell phone usage to Homer Simpson to Homer’s Odyssey. If you can attend one of these in the future, you should.
The conference started with a brief multimedia preamble played across the two projection screens set up in front of the room; after an abstract sound and image the audio went silent and a set of words appeared across the display, identifying itself as your inner voice and speaking of the day’s possibilities. We would later learn that this was the work of Ben Moorsom of Debut Group, and a technique he refers to as “neuroscaping.” The idea was to create a unified state of mind in the room through carefully chosen words and images. When the audience reads, “I am you — your inner voice,” on the screen, we start to hear our own voice in our heads. Neuroscaping would be the topic of one of the breakout sessions which, sadly, I did not attend. That’s my biggest complaint: All of the breakouts sounded quite compelling, but we could only choose one for each of the two breakout periods. More on that later.
The host, Kevin Jackson of The Experience is the Marketing, then spoke to us about experience and events, what lead him to the event industry and went on to introduce a fascinating array of presenters. One thought from Mr. Jackson’s introductory keynote stands out to me: He described the “needs” of an event as a hierarchy, with the venue as the base, followed upward by production, content, networking and, at the pinnacle, inspiration. His lament was that we spend a great deal of time and energy at the base of the pyramid – finding and preparing a venue, solving technical challenges, etc. — and lose sight of the ultimate goal in whatever inspiration we want our event to spark. So too often it is with AV. We get very much engaged with cable and conduit, with signal flow and control surfaces, with loudspeakers and microphones. We become so adept at asking, “How?” that we often forget to ask “Why?” This is, perhaps, the biggest problem in our industry
Of the presenters, a few stood out to me. One was Beau Lotto, neuroscientist and author of How to Deviate, on the nature of perception. His stated goal — to have us leave his talk knowing less than we thought we knew at the beginning — was the kind of provocative statement aimed right at our sense of wonder. He went on, through discussion of illusions and common perception errors, to explain that we do not see the world. We see a perception of the world based on our personal, cultural, and even evolutionary history. This is something of which I was reminded much later in the week when discussion creativity with an InfoComm attendee from Peru, who had different cultural expectations than mine as to, in this case, the shape of a house.
A tree falling in the woods when nobody is there, Lotto told us, does not make a sound. It releases energy, but that energy only has meaning as “sound” if someone’s brain is there to filter it through our biases and assumptions.
I can hear you saying that this is fascinating, but not directly applicable to what we do.
Perhaps not. But part of the point Lotto was driving toward is the nature of creativity: that being able to see and think about things creatively is a matter of expanding your sphere of possible solutions by first recognizing your biases and assumptions and then asking the right questions to help change them. He spoke of diversity in this realm, and about how while an expert will often be efficient, a novice will often drive creativity. Novices ask good questions because they aren’t bound by biases; experts can recognize these as good questions because they understand the context.
That’s just one standout session of many. Digital artist, thinker and technologist Rana June (of Lightwave) gave a wide-ranging talk on emotion, the nature of art, the promises and dangers of AI and more. This is a woman so thoughtful that even her hair color has a message (her hair is colored blue, as a reminder that language creates perception. It is very likely that the concept of “blue” – and therefore, in a very real sense, the color – did not exist at all in most cultures until modern times. She colors her hair blue to in part remind us that our perceptions and language shift our reality.) Getting to hear from June was a highlight of the event, as she showed herself well-versed in both practical and artistic applications of the new science of measuring both human activity and emotional response. At the very end of the conference she even presented a unique piece of digital art, commissioned by AVISA: an image formed from data gathered by sensors placed throughout the room to measure sound throughout the day.
June is also cognizant of the risks in technology, from privacy concerns (she herself never collects personally-identifiable data) to the danger of our worst online behavior becoming the teaching set for future generations of AIs. For an overall very positive and hopeful conference there were measures of caution, both from June and from the morning’s last presenter Steven Braitch of Fjord. Braitch spoke soberly about the marginal improvements tech is able to realize in the lives of very wealthy people while those with less advantages remain less advantageous. It was a serious and somewhat down note on which to end the first half of the day.
There was, of course, much more.
We heard from Rebecca Destello of Facebook on Human Centered Design – essentially design-thinking exercises focused on user experience. Amar Bakshi spoke about the inspirations behind and actuality of the Shared Studios “Portals” project. Danielle Lynsey-Chung of Uber spoke of how a digital/physical hybrid company creates shared experiences, for both users and drivers (there is much to say about the impact of Uber on urban planning, but that’s a discussion for another time and, quite likely, another venue). I attended a breakout session in which Arup and BBI Engineering discussed in detail how they used human-centered design-thinking techniques to create a unique system for Lighthouse for the Blind in San Francisco, using various iterations of prototypes to create a control surface accessible to the visually impaired. Etc, etc.
Several threads wove through the day: the importance of perception, the value of questioning our assumptions and the design-think process of listening, adjusting, experimenting, listening again.
It was a day from which one walks away perhaps without answers, but with a better appreciation of what it takes to ask good questions.
As Beau Lotto said toward the beginning, I now know less than I thought I did at the beginning. In that it was a success. Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
|
InfoComm 2018: The Rise of the Mega-Distributors
By Joel Rollins rAVe Columnist
There is an enormous amount of great new technology here this year. And you can choose to get it from fewer and fewer companies all the time.
One of the things that I have commented on in rAVe for several years is the difference between the way the AV market works in North America and the way it works in the rest of the world. Attending the ISE (Integrated Systems Europe) show in Amsterdam, one of the first differences you notice is the prevalence of large, multi-line distributors who provide many services beyond distribution to their dealers.
Here in the U.S., I have always interfaced with distributors in the common way — their salesperson comes in periodically, drops off an armload of literature and price lists, buys my staff lunch and extolls the virtues of whatever line they carry that we are not currently buying. They take orders and the product is shipped to our dock.
In the European market, distributors take a much larger role. Besides order-processing and shipping, they provide logistics assistance, design assistance, and even installation and programming skills. They do all tech support for their lines, well beyond the level where most US distributors would refer the dealer to manufacturer support. They help develop design packages and proposals, and often interface directly with the client on behalf of the local dealer. They even provide (or arrange) installation technicians with a high level of skill to assist in the final delivery and integration of the sale. As an example, one of the European distributors I have a lot of admiration for is a company called Lang AG. They do an enormous exhibit at ISE that I always spend a lot of time in, as they use it to show off a lot more than product – they show off their imagination and their integration skills along with the product.
So the two models have always been very different. But, with the development of a truly global AV world, we are now seeing the development of distributorships here modeled along what I would consider European lines. If you are attending InfoComm this year, you will immediately be struck by one great example — Almo’s new “nobox” effort, where they are placing huge emphasis on all the support services they can supply to dealers.
What could this mean to our market?
Well, the positives are that dealerships, especially smaller dealerships, could lean on a great deal more support from their distributors, and begin offering products and services that broadened their line of business without having to employ all those designers or product specialists.
And what are the potential negatives of this move?
Well, the negatives are that dealerships, especially smaller dealerships, could lean on a great deal more support from their distributors, and begin offering products and services that broadened their line of business without having to employ all those designers or product specialists.
So, like the old Chinese saying implies, change lies at the crossroads of danger and opportunity.
Personally, I have always placed the highest value on having direct relationships with manufacturers, the originators of the technology, and the accessibility of their sales and engineering staff. But, with the entry of so many new companies into our business, and the constant change in the industry, perhaps the rise of these new “mega-distributorships” can bring us information and resources more tailored to our individual markets, and provide a point of contact and support more constant and long-lived than those that might be formed with a quickly changing pantheon of manufacturers. But the downside implication of this change in structure could also produce dealers who lean too much on distributors and their staff, allowing dealer profitability to be eroded by less knowledgeable salespeople in a market with increased sales competition, as new companies enter markets more easily.
Having watched the way things work in Europe, I am convinced that this change is a positive one for the industry, and will bring us an increased array of products, services and support. But I caution local dealers and integrators to maintain standards and not let these larger distributors become the substitute for having well-trained and qualified people on their own staff. One of the best ways to evaluate your distributors will be the level of training they can offer for your own employees, giving you the best of both worlds.
So heads up, folks — there is indeed more change afoot in the industry than just the logos in the Harman booth.
Image via Lang AG Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
|
We Just Shot 1,550+ Videos (and Posted 200+ New Product Articles and Recorded 75+ Podcasts) at InfoComm 2018The 2018 version of InfoComm came to a close last week, but our coverage will live forever — on our dedicated InfoComm 2018 Microsite! We shot 1,550+ new product videos, took 2,000+ photos on the show floor, recorded more than podcasts and wrote up 200 or so news stories covering the show. Check it all out on our InfoComm 2018 Microsite here.
We have so much coverage — and there’s so much information on this InfoComm MicroSite that it can be overwhelming. So, please take moment to read this so we can familiarize you with what’s here on the site that holds all our coverage.
First off, we’re an official media partner with InfoComm. This site is NOT intended to be a replacement for attending the show live — you can’t replace an experience like that. However, it’s meant to augment an attendance. And, we are hoping this helps bring the InfoComm show to the rest of the world! And, we hope you will want to attend next year’s event in Orlando, Florida, June 12-14, 2019
The first thing you will see — and the most popular thing we do at shows — is the VIDEO SEARCH. It’s right on the top left and allows you to search by product name, company name or any term you can think of.
But, at the top of the home page (or any page you navigate to), you will see tabs that all correspond to different places and posts on this InfoComm Microsite. The “home” page is sort of an aggregate of a little of each of the coverage in one place — sort of a “launch” page. To the right of the “InfoComm2018″ tab (where everything is aggregated — and where you’re possibly reading this story now — if you’re reading this inside one of our newsletters, go to the Microsite here you will see the NEWS & BLOGS page. This is where we post all the blogs and news stories that we write — as well as commentary — written by our team of reporters on-site at the show (and when you click on — or hover over with your mouse) the tab header NEWS & BLOGS, you’ll see a section called PRESS RELEASES — that is where you can, literally, see news stories on every single product launched at InfoComm — yes, all of them).
To the right of the NEWS tab is the VIDEOS section — this is where we post ALL the videos we shot at InfoComm — every single one — over 1,500. We have them broken out by both product category (14 categories based on product types) as well as PERSONAL interviews we conducted with an assortment of market leaders (those are under Personal Interviews category).
On the right of that is rAVe RADIO. These are all the PODCASTS we recorded at InfoComm (we recorded over 75 of them). Next to that we have over 2,000+ PHOTOS we shot during InfoComm — all of these were shot at 5760 x 3840 resolution). And, what’s nice about the photos section is that they are broken out by booth/exhibitor — just click on any company logo you see and it will take you to all the photos we shot in their booth!
We hope you find this InfoComm 2018 Microsite useful and productive. And, while using it, if you have ANY suggestions to make it better for future shows, just send us an email at pr@ravepubs.com — we do pay attention to your ideas! Leave a Comment
Share Article
Back to Top |
Stardraw.com Unveils Stardraw Design 7.3 at InfoComm 2018
Stardraw.com unveils the latest version of their design/documentation software for AV systems integrators. SD7.3 will be available for download from the Stardraw.com website in June.
One of the most significant enhancements is a move to a new, 64-bit platform to enable handling of the largest of projects. The new 64-bit architecture is able to manage huge and multiple imported DWG files better than ever before, as well as other resource-intensive non-native data formats including PDF, DXF and image files (PNG, JPG etc.)
Another popular enhancement is the new Feathering feature, sometimes called ‘Continuations’ or ‘Fly-offs,’ which provides a graphical representation to indicate where a cable has come from and is going to, in the event that it spans separate drawings or is noncontiguous in the same drawing. Crucially, it consolidates the two cable objects into one ‘physical’ cable in the cable schedule to ensure that they aren’t double-counted in the project.
Stardraw Design 7.3 also adds the ability to import from an Excel spreadsheet. This is another highly anticipated feature as it enables users to add products into a project directly from a spreadsheet or they can, for example, export an equipment list into Excel and then populate the products it contains with attribute values, e.g. to assign IP addresses of products after commissioning in the field. The list can then be imported back into Stardraw to update the project file with these new attributes — a huge time-saver.
You can check out Stardraw here. Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
ProAV Manufacturers Launch Milan AVB-Based Network Protocol for Pro AV Interoperability
Today some manufacturers and leaders in the Pro AV market announced they are working together under the umbrella of Avnu Alliance on something they are calling Milan, a standards-based protocol for interoperable media networking in the Pro AV market.
Created by manufacturers AudioScience, Avid, Biamp, d&b audiotechnik, L-Acoustics, Luminex and Meyer Sound– Milan builds on the technical benefits of the IEEE Audio Video Bridging (AVB) open standards, such as time synchronization and guaranteed quality of service, as well as risk-free coexistence of control and media data on one network. Milan builds on these features, further defining device requirements at both the network and the application layer for compatible media streams, formats, media-clocking, redundancy and controller software. Milan certification will deliver fool-proof interoperability of deterministic networked pro AV devices.
Supporting all types of media, Milan is an open, deterministic network protocol, ensuring on-time delivery of audio, video and data, while co-existing with other Ethernet traffic without risk of dropouts or degradation of media. As a development extension managed openly by Avnu Alliance Pro AV segment members, work is in progress to deploy a new streamlined testing and certification program from Avnu Alliance to support this new network solution for implementation by Pro AV manufacturers.
All the details, so far, are here. Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
|
Christie Expands Capabilities of Mystique Install Software
Christie has announced a major update to Christie Mystique Install, a software that configures, aligns, warps and blends complex multi-projector arrays.
With Mystique Install – Large Scale Experience (LSE) Edition, recalibration of complex projection mapping on 3D surfaces now just takes — according to Christie — a single click. Mystique Install – LSE detects any changes in projector or camera positions and automatically corrects the blended image using a camera-based alignment system. Featuring markerless calibration for projection mapping on 3D surfaces, it eliminates the need for screen or object markers.
Mystique Install – LSE reduces maintenance and labor costs for 3D projection mapping projects, eliminating the time and expertise it can take to set up a complex system using an unlimited number of cameras and projectors. Additionally, it works with either Christie 3DLP® projectors and a 3D media server or the Christie Pandoras Box media server and third party projectors.
Mystique Install – Essentials Edition and Mystique Install – Pro Venue Edition feature Christie Guardian, a new solution that can correct projector alignment even when content is playing. Guardian works exclusively with the Christie Boxer Series and the all-new Crimson Series of 3DLP®] laser phosphor projectors.
Christie Guardian does not require light patterns to align and blend the image to the screen – instead, the software automatically scans for misaligned blended images and, while the content is playing, almost instantaneously realigns them without stopping the visual experience or displaying a visible test pattern so audiences are unaware of any problem.
Christie Guardian is available with Mystique Install. Here are the details. Leave a Comment
Share Article
Back to Top |
Panasonic Debuts New SOLID SHINE Laser Projectors at InfoComm
Panasonic Systems Solutions Company will showcase its expanded portfolio of professional laser projectors. The expanded portfolio now includes the new PT-RQ22KU 21,000-lumen, 3-chip DLP laser projector with 4K+ resolution, and two new 1-chip DLP SOLID SHINE laser projectors featuring super high brightness: the PT-RZ120 providing 12,000 lumens of brightness and the PT-RZ870 offering 8,500 lumens of brightness. Also included will be the new PT-MZ770 Series 8,000-lumen LCD laser projectors. All of these new projectors will be on display in the Panasonic booth C3185 at InfoComm 2018 in Las Vegas, NV from June 6-8, 2018.
PT-RQ22KU 3-Chip DLP SOLID SHINE Laser Projector with 4K+ Resolution
The new compact and lightweight PT-RQ22KU 3-Chip DLP SOLID SHINE Laser 4K+ projector is perfect for a wide range of large-venue applications, delivering 21,000lm of maximum brightness. The PT-RQ22KU with 4K+ resolution (5120×3200-pixel) incorporates Quad Pixel Drive technology which creates extra pixels vertically and horizontally, quadrupling pixel density and by doing so, produces film-like image quality with the finest details in exquisite 4K+ resolution. Key features and advantages of the PT-RQ22KU include flexible 360-degree installation, long-distance HDBaseT-based DIGITAL LINK video/control transmission, Multi-Screen Support Systems and Geometry Adjustment software for network management over LAN complete with optional plug-ins for simultaneous auto-calibration of multiple projectors and expanded multi-screen support functions. Coupled with a 240 Hz-capable Real Motion Processor for fluid motion reproduction, Detail Clarity Processor 5+ technology with 4K optimization, System Daylight View 3 analysis technology, and digitally laser light-source modulated 20,000:1 dynamic contrast for spectacular visuals from fast action scenes to film-like text and graphic reproduction. The PT-RQ22KU also provides 4K BT.2020 color-space emulation and supports HDR standard for accurate handling of next-generation video formats. Other important features include highly desirable Quick On/Off, mechanical shutter functionality, and power management functions to ensure smooth, energy-efficient, virtually continuous 24/7 operation in long-term or temporary installations. The PT-RQ22KU will be available in August 2018.
New 1-Chip DLP SOLID SHINE Laser Projectors – PT-RZ120 and PT-RZ870
The new 12,000lm PT-RZ120 with 4K signal input and 8,500lm PT-RZ870 projectors blend crisp and vivid imaging with bright, dual-laser-module and dual-phosphor-wheel SOLID SHINE laser drives designed to support mission critical applications. A unique color-wheel system enhanced by dual heat-resistant phosphor wheels works in harmony to maximize color accuracy while reducing energy loss from the light sources. Both projectors are capable of maintenance-free operation for up to 20,000 hours thanks to air-tight and dust-resistant optical units and cooling systems negating the need for air filters. These projectors offer the flexibility for 360-degree installation and DIGITAL LINK (based on HDBaseT technology) for single-cable connection. The PT-RZ120 and PT-RZ870 projectors will suit the needs of many industries, such as education, corporate, museum and house of worship venues. The customers will have options to decide which high brightness, high reliability projector will best meet their needs. The PT-RZ120 will be available in October 2018, the PT-RZ870 begins shipping in July 2018.
PT-MZ770 Series of SOLID SHINE LCD Laser Projectors
The PT-MZ770 Series of SOLID SHINE LCD laser projectors offers a compact, lightweight design that delivers 8,000lm of brightness and high contrast to ensure exceptional picture quality. With Detail Clarity Processor 4 and System Daylight View 3, the PT-MZ770 Series delivers high resolution, sharp and vivid images in virtually any environment. Quick start/quick off and wireless capability also make the PT-MZ770 Series great for use in a classroom, a meeting room or in an executive boardroom. Featuring an airtight dust-resistant optical unit, one-way airflow, and a long-lasting ECO filter, the PT-MZ770 operates up to 20,000 hours with virtually no maintenance, significantly reducing operating costs. The ultimate projector for flexibility, the MZ770 Series provides powered lens shift, zoom, and focus, 360-degree installation, DIGITAL LINK (based on HDBaseT technology) for single-cable connection as well as Panasonic’s LinkRay Light ID technology to enable delivery of information to smartphones, making it a great match for signage and other exhibition/display applications. The PT-MZ770 Series includes two models, the PT-MZ770 that features WUXGA (1920×1200) resolution and 4K signal input, the PT-MW730 with WXGA (1280 x 800) resolution. Both models are available with a standard lens or without a lens, six optional lenses are available to choose from. The PT-MZ770 Series will be available in July 2018.
All the details are here. Leave a Comment
Share Article
Back to Top |
Click above to learn more
|
Optoma Introduces New Line of High Brightness, Laser Projectors
Optoma at InfoComm 2018 today unveiled four new laser projectors for higher education, houses of worship, rental and staging and corporate environments. The Optoma ZW500T, ZH500T, ZU500T and ZH500TST deliver 20,000 hours of virtually maintenance-free operation.
- Optoma ZH500T and ZH500TST are 1080p HD projectors that feature an impressive 5,000 lumens of brightness and a 300,000:1 contrast ratio with ExtremeBlack enabled. The ZH500TST offers a short throw of 0:79:1 from just a few feet away. These projectors feature horizontal and vertical lens shift, 360-degree and 24/7 operation, and portrait mode for maximum usability at any angle. Both projectors are also equipped with several connectivity options, including HDBaseT and HDMI inputs to maximize convenience. They are available for an estimated street price of $2,999and $3,999 respectively.
- Optoma ZW500T and ZU500T, featuring WXGA and WUXGA resolution respectively, provide stunning projection with a 300,000:1 contrast ratio with ExtremeBlack enabled, a powerful laser light source and 1.6x zoom. The ZW500T and ZU500T project 5,000 lumens of brightness and feature extensive connectivity options, including HDBaseT and HDMI inputs. Both projectors offer built-in installation features, including horizontal and vertical lens shift, four corner correction, 360-degree and portrait mode operation to support professional installations at all difficulty levels. The ZW500T is available an estimated street price of $2,499, while the ZU500T is available for an estimated street price of $3,199.
The Optoma ZW500T, ZH500T, ZU500T and ZH500TST are here. Leave a Comment
Share Article
Back to Top |
Lightform Debuts Augmented Reality-Based Projection Mapping System
Lightform is a design tool for projecting augmented reality (and image mapping) that works with ANY projector brand. If you’re one of the more than 7,000 people who have watched or attended one of rAVe’s founder Gary Kayye, 4K keynotes, you may remember him showing you his vision for the future of meeting rooms and classrooms — immersive environments. He used a video from the prototype of Lightform. Well, this is the real thing.
Lightform allows users to augment real life with projected digital designs, information, and magical effects. Unlike the current forms of AR and VR, projected AR can be seen with the naked eye, no need for a headset or phone.
With projected AR, users can transform everyday scenes into immersive experiences, an outdoor equipment retail display can come alive with projected fire, rain, and product information, a photo booth can become an underwater world. Expect to see projected AR menus, murals, and psychedelic artwork popping up in cafes, offices and public spaces nationwide. Watch this video to understand what we’re talking about.
Projected AR (also known as projection mapping or video mapping) used to be a tedious, complicated endeavor. Lightform vastly simplifies the process with a streamlined, end-to-end design system consisting of two parts, the LF1, a tiny computer and scanning device, and the Lightform Creator design software.
The LF1 mounts to almost any projector, scans a scene, and wirelessly sends the scan data to Lightform Creator. Within Lightform Creator, users can quickly design epic visuals using Lightform Creator’s suite of smart mapping tools, instant effects, and stock videos. Once the user is done creating their experience, LF1 plays the project back wirelessly. The LF1 is $699.
Lightform is here. Leave a Comment
Share Article
Back to Top |
|
Peerless-AV Introduces New Xtreme High Bright Outdoor Display at InfoComm
Peerless-AV just introduced its new Xtreme High Bright Outdoor Display. Featuring a patented Dynamic Thermal Transfer system that allows the display to operate in extreme temperatures ranging from -31°F to 140°F, the Xtreme High Bright Outdoor Display is ideal for any digital signage application, including sporting venues, theme parks, transportation, retail, education, hospitality and more.
With the highest environmental rating in its class and a high TNI panel, the Xtreme High Bright Outdoor Display thrives in all applications, especially in direct sunlight, without compromising the life of the panel or its color accuracy.
Available in 43″, 49″, 55″ and 65″, the Xtreme High Bright Outdoor Display comes with a rich feature set that includes:
- Remote and local monitoring functionality
- 2,500 nits of brightness to combat high ambient lighting conditions
- Widest operating temperature range in its class (-31°F to 140°F)
- Updated input panel/compartment and cord cover
- IK10 rated impact resistant safety cover glass for protection against damage
- Optic bonding element for improved direct sunlight readability and contrast
- Completely sealed IP68 encasement to ward off any liquid or solid particle ingress
- Quarter wave plate polarizer allows for landscape or portrait orientation for a flexible install
- IR control lockout and button board lockout for secure installations
Peerless-AV’s Xtreme High Bright Outdoor Displays will be available in June 2018 and they are here. Leave a Comment
Share Article
Back to Top |
Panasonic Shows New 4K Displays at InfoComm
Panasonic Systems Solutions Company is introducing its new 4K professional display portfolio at InfoComm. Panasonic will debut its new EQ1 4K professional display series offering 4K resolution (3840×2160). The EQ1 Series 4K professional display portfolio includes a wide range of display sizes, from 43 to 85 inches. Show attendees will also see the new SQ1 Series 4K professional displays. The SQ1 Series features a lightweight, slim design with a bright and efficient panel. The SQ1 4K displays include the Intel Smart Display Module (SDM) for signage applications.
The EQ1 Series includes six new models of 4K professional displays, which includes 43, 50,55, 65,75, 85- display sizes. The EQ1 Series offers a full 4K portfolio of sizes to fit many signage scenarios. These 4K ultra HD displays offer 350 cd/m2 brightness. The two largest displays (86/75-inch) also feature In-Plane Switching technology, which Panasonic says maintains color accuracy and clear visibility when the screen is viewed off-axis. This new display series presents 4K imaging with a slim depth and stylish narrow bezel design which maximizes the screen area in relation to the display’s physical size. The design offers excellent visibility and enables simple, networkable media presentation, with a built-in signage player that allows video and still-image playback via USB. Single or multiple displays can be monitored and controlled using Panasonic’s Multi-Monitoring and Control Software. This free software includes basic control capabilities, with the ability to expand its function by using Early Warning Software, for networking displays, monitoring device status, operation history and sending alerts should an issue be detected. These displays can be mounted in either portrait or landscape orientation. The EQ1 Series will be available in Autumn 2018.
The new SQ1 Series expands the 4K display lineup to include 86 and 98-inch sizes. The stylish SQ1 4K Series blends high imaging performance with adaptability and outstanding efficiency, and is built for self-contained or networked digital signage or as an office/education/retail communication system. The 4K displays have a built-in USB Media Player, eliminating the need for external devices and reducing cable connections in offline environments, with updates to USB memory devices via LAN when connected to an intranet (ideal for difficult-to-access installations). An IPS panel assures excellent all-round visibility and outstanding picture quality, while the narrow bezel and quality finish enhances any interior space. The slim wall-mounting maximizes visibility with ADA compliance. These displays can also be mounted in either portrait or landscape orientation. The SQ1 4K displays are expected to be available in December 2018.
All the specs of both series are here. Leave a Comment
Share Article
Back to Top |
LG Launches New Color Transparent LED at InfoComm LG Electronics USA Business Solutions is unveiling a new LED display — the LG Transparent Color LED film display. Making its introduction for the first time in the United States this week at InfoComm 2018, the revolutionary display has the ability to turn any window or glass surface into a customizable digital canvas. The new Transparent Color LED film (LAT240DT1) display offers more than 1,000 nits of brightness, with each 668×480 mm panel containing 560 LED pixels that support a wide range of color while maintaining a high transparency ratio that displays compelling content in vivid colors while still showcasing what’s behind the glass. At just 1.5 millimeters thick, the LG Transparent Color LED film delivers a wide range of colors on the 24 mm pixel pitch display. It is easy to install (requiring minimal construction) on any existing glass surface using its self-adhesive transparent film. While maintaining high transparency, the LED film can display pictures, animation and videos with various color combinations, making it ideal for indoor and window-facing areas with large glass surfaces such as retail storefront windows. Other applications include mass transit rail platforms and safety barriers, where LG Transparent Color LED film can display digital content and information, and lobbies and large public areas where it can convert ordinary glass into digital signage displays. Even tall glass elevator shafts can be transformed into stunning pillars of graphics and light. The flexible display also works on a wide range of curved glass and window surfaces with curved format support up to 1,100R concave and in parallel to the bezel, can be cut to size, converting any area of ordinary glass into a digital display. All the details are here. Leave a Comment
Share Article
Back to Top |
NEC Display Debuts C and V Series of Displays
NEC Display Solutions of America today announced that it has launched six new large-size UHD displays. The new models are the 75-inch C751Q and V754Q; the 86-inch C861Q and V864Q; and the 98-inch C981Q and V984Q. These C and V Series models offer customers an all-encompassing UHD experience at an affordable price.
These new models feature high haze panels that scatter reflected light to significantly reduce glare and improve screen readability. They also come equipped with SpectraView Engine, NEC’s proprietary color management and stabilization system that provides unrivaled and complete color control and uniformity correction.
All models went through focused mechanical upgrades, including having a smaller, even bezel, lighter overall weight and thinner depth than preceding models. Both the C and V series models can also be utilized in both landscape and portrait orientation, allowing for flexibility of installation when used for digital signage.
Additional key features include:
- Advanced connectivity, including three HDMI 2.0 and two DisplayPort 1.2 connections, plus one DisplayPort out powers a 60 Hz signal for UHD performance via a single cable
- SoC Powered by Raspberry Pi and OPS allow for modular expansion
- Full external control via LAN or RS232 interfaces
- Full scheduler functionality, including holiday mode
- First, last and custom input detect functionality
- Full metal chassis and convenient carrying handles for easier installation
The new C Series and V Series large-size display models can be ordered this month and here are the details. Leave a Comment
Share Article
Back to Top |
|
Broadata Announces New Integrated Control Processor (ICP) Collaboration Product with Amazon Alexa for Business
Broadata Communications announced today that it’s shipping its Integrated Control Processor (ICP), now compatible with the Amazon Echo for conference room voice-control.
Late in 2017, Amazon Web Services released Alexa for Business, opening the door to extend voice-controlled assistance beyond home-automation and into the workplace. Broadata immediately answered the call by developing the new ICP for voice-activated control of audio and video conference room systems and services.
In the past, setting up a conference room for an in-person meeting, conference call or video screen share was sometimes complex for a seemingly simple task. The user running the meeting could get distracted using the technology and often needed technical support to get everything up and running. This wasted time and used expensive and cumbersome technology that needed constant hardware and software updates and personnel training to stay current.
Today, customers are looking for simplicity with power. Some will want to use a touch panel and some will want to use voice. But across the board, customers want technology that is convenient to use, less complicated and needs less interaction. A system that can be easily configured to work within the requirements of a space, so that there isn’t technology overkill or underwhelming features.
Broadata introduced its ICP line as the first single room collaboration system that provides every possible option needed in a conference environment in one single solution. It is built for integrators, so they have all the tools needed for their customers, including small to large room scalability, standards-built network connectivity, a variety of control automation I/Os and control port flexibility. Integrators learn the new equipment once and both engineers and the sales team can design and sell the same system repeatedly.
Broadata is here. Leave a Comment
Share Article
Back to Top |
Aurora Multimedia Debuts ReAX as Non-Proprietary IP Control Based on AV/IT Standards
Aurora Multimedia just announced ReAX, what they are calling the industry’s first non-proprietary IP Control based on AV/IT industry standards. The name ReAX represents action/reaction which is the essence of control automation. Aurora says ReAX is is not limited to a single manufacturer but to all who qualify and they say it is not limited there as IR libraries, macros and more can all be shared and organized in a single location at the organizations’ website.
ReAX server-side operations is based on JavaScript. This language standard is taught in schools and commonly used on most websites. Client-side operations for touch panels and web interfaces can be HTML, JavaScript, etc. And, Aurora claims that to the end user, it will appear and operate as any other control system. As a result, a variety of manufacturers can offer their flavor of ReAX (think Android OS for control).
A new small ARM processor option board (IPE-REAX-1) has been created to add ReAX to Aurora’s new HT Series HDBaseT product line, VLX Series 1G AV over IP and IPX Series 10G AV over IP. This compact PC board (1.84″x.784″) will add automation to HDBaseT and AV-over-IP eliminating the need for an external control processor. It can run as a single unit for the entire system or multiple can be installed to segment or make the system redundant. The IPE-REAX-1 board will be made available for other manufacturers to utilize for faster deployment.
Aurora’s Core Creator tools (Core-I & Core-C), will allow drag and drop creation of interfaces and control code. Since the generated code is based on JavaScript it can be modified after generation.
ReAX is here. Leave a Comment
Share Article
Back to Top |
Kramer Adds to Control Offering with BRAINware Kramer Electronics just launched Kramer BRAINware, a software-only control processor that the company claims simplifies control installations. By containing all of the control logic, design and attributes of the Kramer Control platform, Kramer BRAINware turns a Kramer KT-107 touch panel to a fully functional Kramer Control processor brain, without requiring additional physical processor hardware. Think Kramer Control as a cloud-based service.
Kramer BRAINware uses the capabilities of Kramer Control, the company’s cloud-based control system that lets IT and AV managers control, monitor and support AV installations, infrastructures and any third-party devices. Using the first-ever cloud-based builder, Kramer has replaced old-fashioned custom-code setup with a drag-and-drop interface. With the help of a comprehensive library of smart drivers, users can install, configure and modify their control system without any prior programming knowledge. Kramer BRAINware enables acting on real-time data-driven analytics, alerts and reports via the Kramer Control Dashboard.
KT-107 touch panels running Kramer BRAINware enable users to control any device connected to the corporate network, such as switchers, scalers, video displays, audio amplifiers, media players, sensors, screens, shades, door locks, lights, AC and more. Brainware is here. Leave a Comment
Share Article
Back to Top |
|
Williams AV Intros New IR T2 IR Transmitter
Williams Sound will introduce the new SoundPlus IR T2 commercial-grade, medium-area infrared transmitter at InfoComm this week. Its compact footprint is designed for assistive listening and language interpretation in commercial spaces such as conference rooms, assisted living facilities, small cinema/theaters, classrooms and courtrooms. The new IR T2 infrared transmitter offers 50 percent greater coverage and control system readiness than the current WIR TX75, at a more affordable price. With the additional coverage and wider pattern, there is no need for a slave.
The IR T2 joins the IR T1 as Williams AV continues to enhance its infrared product offerings for 2018. The IR T1 small-area infrared emitter designed as an assistive listening system for small areas or for private TV listening in such areas as small conference rooms, hospital rooms, assisted living facilities, medical treatment centers and jury deliberation rooms. The T1 is so energy efficient it can be powered from a standard USB port on a TV. Provides a coverage area of up to 1,000 square feet.
Williams Sound is here. Leave a Comment
Share Article
Back to Top |
SDVoE Alliance and Audinate Collaborate on AV Control Platform
SDVoE Alliance and Audinate today announced their collaboration on an integrated AV control environment. In addition, Audinate has joined the SDVoE Alliance as a contributing member.
Dante distributes an unlimited number of uncompressed audio channels across IP networks. It is an audio networking standard for pro audio manufacturers and has been adopted by more than 400 companies and integrated into more than 1,400 commercially available products.
SDVoE technology is designed to be an open-source AV-over-IP platform using 10G networking for zero-latency video over a network. It provides an end-to-end hardware and software platform for AV extension, switching, processing and control through Semtech chipset technology, common control APIs and interoperability. SDVoE network architectures are based on off-the-shelf Ethernet switches.
There are a lot of markets and applications that will benefit from an integrated multi-channel audio and video over IP solution – this could be a powerful combination. Leave a Comment
Share Article
Back to Top |
NEUTRIK NA2-IO-DLINE Dante Interface Ships
The new NEUTRIK intelligent NA2-IO-DLINE Dante I/O interface is available. This new end-of-network device provides an easy solution for integrating analogue signal devices within Dante based AoIP networks. With two line level analogue inputs and two line level outputs, it can simultaneously integrate two analogue audio channels within a Dante network and output a Dante stream as two analogue channels, in just a few easy steps.
The NA2-IO-DLINE is optimized for use in extreme environments and applications, offering all of the usual NEUTRIK standards of robust construction and protection. The unit is equipped with lockable etherCON connections for audio and network I/O, and comes ‘wrapped’ in a highly protective rubber casing for stand-alone deployment. This can be removed, to allow it be used with optional mounting brackets or a rack panel, enabling it to be mounted below tables, in floor boxes or in equipment racks for fixed installation applications.
NEUTRIK is here. Leave a Comment
Share Article
Back to Top |
|
Vaddio Launches RoboSHOT 12 HDMI Camera for Cisco SX Codecs
Vaddio introduced the RoboSHOT 12 HDMI Camera for Cisco TelePresence SX Codecs at InfoComm this week. The camera solution has been tested and certified by Cisco to work with Cisco codecs using VISCA over RS232 for control, providing the ability for the codec and camera to communicate and exchange PTZ settings, preset recalls and more.
The high-definition RoboSHOT 12 Camera provides 12x optical zoom, 73-degree horizontal FOV, 1080p/60 output resolution, plus a browser-based user interface for remote control, management and image configuration.
Cisco has also approved Vaddio OneLINK HDMI and OneLINK Bridge extension systems as proven solutions. These systems extend camera reach by up to 100 meters and enable a USB 3.0 output to bridge the Cisco codec system to popular streaming or recording devices.
See the RoboSHOT 12 HDMI Camera here. Leave a Comment
Share Article
Back to Top |
Black Box Intros Coalesce Professional All-in-One Videoconferencing and Wireless Presentation System Black Box today introduced Coalesce Professional, an enterprise-ready all-in-one videoconferencing and wireless presentation system that lets remote teams collaborate like they’re in one room.
Coalesce Professional features enterprise-level, advanced functionality like splash screen customization and central deployment/management. The system is infinitely scalable from the maintenance/monitoring perspective via its central management portal and from a budget perspective with its competitive pricing per unit.
Unlike other wireless presentation systems, Coalesce Professional does not use a dongle. Starting a meeting is easy through a single-click, browser-based login. Built-in videoconferencing eliminates the need to layer in a conference bridge that can degrade media quality. Remote team members can also enable real-time collaboration through cloud-based document editing.
Here are the details. Leave a Comment
Share Article
Back to Top |
AVI-SPL Launches Rapid Rooms to Accelerate Workplace Collaboration
AVI-SPL today unveiled Rapid Rooms, a strategic system that optimizes meeting room deployment by intelligently recognizing organizational needs and matching them with the most suitable AV and UC technology, in ready-to-order bundles. With a first of its kind AV-as-a-service model for hardware, software, and managed service contract wrapped into one, fixed, monthly fee, AVI-SPL Rapid Rooms include planned refresh cycles to remedy lifecycle management and technology obsolescence.
Rapid Rooms allows for installation within 45 days. AVI-SPL says its Rapid Rooms resolve common interoperability challenges, have intuitive interfaces for easy adoption and provide quick on-boarding to AVI-SPL’s remote monitoring platform Symphony to ensure an optimal meeting experience at all times.
AVI-SPL’s Rapid Rooms’ ready-to-order, all-in-one bundle includes design, integration, installation and programming services, AVI-SPL’s Customer Care support, as well as all applicable AV and UC hardware and software from today’s leading manufacturers. Prior to deployment, Rapid Rooms offers quick quoting for standard room configurations and a functional drawings tool to help customers visualize their collaboration spaces.
The new Rapid Rooms are a subset of AVI-SPL’s suite of Smart Spaces is here. Leave a Comment
Share Article
Back to Top |
Yamaha Introduces the YVC-200 for On-the-Go Conferencing
Yamaha has announced the debut of its YVC-200 portable USB + Bluetooth speakerphone.
The YVC-200 speakerphone is a portable device for helping on-the-go workers communicate. The compact device is integrated with Yamaha’s sound processing technologies, including adaptive echo cancellation and Human Voice Activity Detection that focuses the unit on speech rather than background noise. The unit features intelligent microphones that deliver full-duplex conversation without sound dropouts, even when multiple people are speaking at once.
To start a remote meeting, users connect the YVC-200 to their audio, video or web conferencing client. Equipped with USB and Bluetooth with fast pairing to NFC-enabled devices, the YVC-200 can connect to a PC, smartphone or tablet. The built-in rechargeable battery provides up to 10 hours of operation.
It is operating system agnostic and fully compatible with commonly used OSs and remote conferencing systems, such as Microsoft Skype for Business, Cisco WebEx, BlueJeans, Zoom, Vidyo, and more. In addition, frequently used functions, such as microphone mute and speaker volume, are controlled by interactive touch-sensor buttons for easy and intuitive operation. Users can start a meeting anytime, anywhere, including ad-hoc meetings in the office or customer’s office, without missing cues for making immediate decisions or relaying inspiring ideas.
Available in a choice of white or black, the unit blends into any home or corporate office. Its small, lightweight, and space-saving design is perfect for portability and for deployment at laptop or mobile terminals. A headset jack allows for private listening and the option to enjoy music through the unit between calls.
The Yamaha YVC-200 is here. Leave a Comment
Share Article
Back to Top |
ClearOne Launches New Cloud-Based Collaboration App, COLLABORATE Space
ClearOne today unveiled COLLABORATE Space, a new video collaboration app that connects hundreds of users joining from any device at anytime. It includes messaging, calling and meeting functions.
COLLABORATE Space provides persistent space to store all sorts of media such as messages, documents, whiteboards, recordings, meeting minutes or anything else exchanged on a specific topic or project during a call or meeting at any time, and is accessible from any device, whether it be a mobile, desktop or room appliance.
Additionally, COLLABORATE Space allows users to create public or private channels organized by topic, where the owner can invite team members to join, or anyone can view a channel and join without invitation. The users can communicate and collaborate with their channel members.
Available on-cloud or on-premise, COLLABORATE Space includes a variety of collaboration tools such as screen sharing, document sharing, whiteboarding, co-annotation, meeting minutes, recording and chat, which are all accessible anytime during a call or meeting.
COLLABORATE Space will be here when it’s on their website here. Leave a Comment
Share Article
Back to Top |
|
ZeeVee Launches Four-Channel IP Encoder at InfoComm
Expanding its line of AV-over-IP components, ZeeVee launched the ZyPerMX4, a four-channel encoder for distributing up to four HD sources over IP networks employing 1GB or faster switches. The new ZyPerMX4 encodes and distributes HD video content up to 1080p @ 60Hz and supports both multicast and unicast UDP and RTP encoding over a 1G network.
Integrators and end users can communicate directly with the encoder using the built-in web server that provides full access to configuration parameters, control and other features. Once connected to the network, the IP settings on the encoder can be configured automatically by a DHCP server or can be entered manually in static mode.
The ZyPerMX4 can also pass through up to eight channels of embedded audio in Linear PCM, MPEG-1 Audio Layer 2. Optional PoE capability eliminates the need for installing additional local electrical outlets to complete projects. The ZyPerMX4 is available now for $2,690 and here are the specs. Leave a Comment
Share Article
Back to Top |
Mimo Monitors Launches Its First HDMI Capture Card at InfoComm
Mimo Monitors announced today that it’s launching its new stand-alone HDMI Capture Card, the first for the company, at InfoComm 2018 in booth N2446.
The Mimo Monitors HDMI Capture Card was requires no external power and is designed for video conferencing, live streaming and has no drivers to install and leverages the capabilities already built into current software. As the device is compatible with most third-party software, just plug in and play in Windows, Mac OS X, Linux and Chrome.
In addition, the Mimo Monitors’ HDMI Capture card uses standards, allowing the customer to build or set up their conference room, gaming area, or desired space with a customized solution utilizing the best available components that suit their needs.
The HDMI Capture Card supports up to 1920×1080@60fps (1080p) up/down conversion of video without CPU interaction, optional MJPG compression and audio capture up to 48 KHz PCM.
Here are all the specs on the $200 card. Leave a Comment
Share Article
Back to Top |
|
For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
Don’t like us? Then go away — unsubscribe! Just use the link below.
To send us feedback, don’t reply to this newsletter. Instead, write directly to founder Gary at gary@ravepubs.com or Editor-in-Chief Sara Abrons at sara@ravepubs.com
Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
To read more about rAVe’s team and what we do, go to https://www.ravepubs.com Back to Top |
Copyright 2018 – rAVe [Publications] – All rights reserved – All rights reserved. For reprint policies, contact rAVe [Publications], 210 Old Barn Ln. – Chapel Hill, NC 27517 – (919) 969-7501. Email: Sara@rAVePubs.com
rAVe contains the opinions of the author only and does not necessarily reflect the opinions of other persons or companies or its sponsors. |
|
|
|