Latest Headlines: Scott Tiner Gives Designers Advice, HDMI 2.1 Released, DisplayNote Launches Montage Software-First Wireless Presentation System
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Volume 15, Issue 23 — December 7, 2017
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Industry News Control & Signal Processing Audio Unified Collaborative Conferencing Projection Media Players, Recording & Distribution Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories
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Designers Can Help Themselves By Listening
By Scott Tiner rAVe Columnist
Every time we build a new building or renovate a new space, we need to address the age old questions of AV in classrooms.
- Why does the screen need to block the blackboard?
- Does there need to be a podium in the room?
- Does there need to be a rack in the room?
- Is there are a way to have no technology in the room when we don’t want it?
- Is there a way to have a room fully equipped with technology when we need it?
Of course, assumed through all of these questions is that the technology will work seamlessly anytime it is needed.
Many times, we hear from designers and architects who claim that this can be easily achieved. They often point to other schools who have done similar things. Having worked in higher ed for over 15 years, I have some suggestions for architects and designers as they hear these requests.
First, before promising what is possible, talk to the people who will use the room and the people who will support the room. A classic challenge we have had over the years is the idea of a flexible room. That is, a room in which the podium can move, monitors can be rolled in and out and students can connect to all the AV when wanted. Yes, this is technically possible. However, I have yet to see a design that makes this physically possible in the few minutes between classes. Another issue to find out about is what the support at the location will be. Are there AV or IT people available to come to a space and move this equipment around, re-connect and troubleshoot in case anything happens? Some schools do, but many don’t. There are schools that have strong and robust staffing, including student staffing, who can support this type of room. However, many schools don’t have this support. An architect or AV designer who sells this type of room to a school that can’t support it will be failing that school. Eventually the systems will not work and faculty and staff will complain.
Second, before designing the space, think about how it will actually work for the end user. A common solution that I hear proposed for a “Why does the screen block the blackboard?” is to put the screen at an angle in the corner of the room. I always find this interesting, because as I walk around campus, I see technology getting used much more often than blackboards do — yet we sacrifice the view of the more-used equipment to satisfy a request for the less-used equipment. I encourage all designers to discuss these trade-offs clearly with the users. How about talking to them about a projection screen that takes the entire front of the room? There is no blackboard. But there could be document cameras, or annotation pads at the front of the rooms that would allow faculty who have the need to write on a board. While some faculty may need to adjust to this type of technology, it does provide a better solution for the entire classroom and for the most-used modes of teaching.
Finally, talk to the support people on the campus you are working. I have had some amazing experiences working with architects and designers. I have also had some really poor experiences, where the relationship was a power struggle rather than a give and take. It is entirely possible, even likely, that the large firm design companies have much more experience in design and knowledge of equipment. However, they do not have the same experience at our institutions, with our faculty and our support levels. The AV people know how our customers use the equipment and their levels of expectations. By listening to us, you can design spaces that fit our culture.
In the end, by heeding this advice, you can provide a superior service to your customer. In these cases, rather than having these customers re-installing spaces two years after you designed them, they will be calling you to design more. Leave a Comment
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The Smart Building Conference Returns to ISE 2018The Smart Building Conference is returning to Integrated Systems Europe on the 5 Feb. Whether your interest is Smart Building, Smart Office or Smart Home, the Smart Building Conference at ISE 2018 will guide you through the digital transformation of our industries. This year’s theme is From Smart Building to Smart City, as Conference Chairman Bob Snyder explains, “As more layers of digital networks blanket urban space, new approaches to commercial and residential built environment are emerging.” Not bound by the methodologies of a single field, smart building is characterized by an omni-disciplinary approach. Smart Building Conference brings together experts from IT, AV, building, architecture, facilities management and others. The twin tracks (Residential and Commercial) will offer dual insight to help you understand that Smart Building is neither a product nor a standalone technology but an end-to-end solution that will change our homes, offices, buildings and cities forever. Take advantage of early bird discounted registration to attend the Smart Building Conference 2018 at ISE. Register here or get more info here. Leave a Comment
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The HDMI Forum Finally Releases the HDMI 2.1 SpecificationThe HDMI Forum today announced the release of Version 2.1 of the HDMI Specification which is now available to all HDMI 2.0 adopters. This latest HDMI Specification supports a range of higher video resolutions and refresh rates including 8K60 and 4K120 and resolutions up to 10K. Dynamic HDR formats are also supported and bandwidth capability is increased up to 48 Gbps.
Supporting the 48Gbps bandwidth is the new Ultra High Speed HDMI Cable. The cable ensures high-bandwidth dependent features are delivered including uncompressed 8K video with HDR. It features exceptionally low EMI (electro-magnetic interference) which reduces interference with nearby wireless devices. The cable is backwards compatible and can be used with the existing installed base of HDMI devices.
Version 2.1 of the HDMI Specification is backward compatible with earlier versions of the specification, and was developed by the HDMI Forum’s Technical Working Group whose members represent some of the world’s leading manufacturers of consumer electronics, personal computers, mobile devices, cables and components.
HDMI Specification 2.1 Features Include:
- Higher video resolutions support a range of high resolutions and faster refresh rates including 8K60Hz and 4K120Hz for immersive viewing and smooth fast-action detail. Resolutions up to 10K are also supported for commercial AV, and industrial and specialty usages.
- Dynamic HDR support ensures every moment of a video is displayed at its ideal values for depth, detail, brightness, contrast and wider color gamuts — on a scene-by-scene or even a frame-by-frame basis.
- The Ultra High Speed HDMI Cable supports the 48G bandwidth for uncompressed HDMI 2.1 feature support. The cable also features very low EMI emission and is backwards compatible with earlier versions of the HDMI Specification and can be used with existing HDMI devices.
- eARC simplifies connectivity, provides greater ease of use, and supports the most advanced audio formats and highest audio quality. It ensures full compatibility between audio devices and upcoming HDMI 2.1 products.
- Enhanced refresh rate features ensure an added level of smooth and seamless
- motion and transitions for gaming, movies and video. They include:
- Variable Refresh Rate (VRR) reduces or eliminates lag, stutter and frame tearing for more fluid and better detailed gameplay.
- Quick Media Switching (QMS) for movies and video eliminates the delay that can result in blank screens before content is displayed.
- Quick Frame Transport (QFT) reduces latency for smoother no-lag gaming, and real-time interactive virtual reality.
- Auto Low Latency Mode (ALLM) allows the ideal latency setting to automatically be set allowing for smooth, lag-free and uninterrupted viewing and interactivity.
The HDMI 2.1 Compliance Test Specification (CTS) is here. Leave a Comment
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Rashid Skaf (of AMX Fame) Is Back — This Time at Biamp SystemsBiamp Systems today announced that effective immediately, longtime AV industry executive Rashid Skaf is assuming the role of president, CEO and co-chairman for the Beaverton, Ore. company. Matt Czyzewski, previous president and CEO of Biamp, will remain as executive vice president of technology. This appointment is concurrent with the completion of the acquisition of Biamp Systems by Highlander Partners from previous owner Lomar Corporation. Lomar will retain a minority investment in Biamp.
Skaf is a well-recognized and respected figure within the professional AV industry. He is best known for his 15 years at the helm of AMX, a pioneer in professional AV and control systems that he grew to become one of the industry’s largest participants and most respected brands. He sold AMX to Harman Industries in 2014 and, after a brief transition period, left to serve as an advisor to various investment groups. He eventually joined Highlander Partners, where he serves as a senior advisor. Highlander Partners is a Dallas-based private equity company with over $1.4 billion under management. Skaf joined Highlander to identify candidate technology companies and Biamp is the first investment borne from that initiative.
Skaf commented, “I’m extremely excited to have the opportunity to join another truly iconic brand in the AV industry. Even while CEO of AMX, I was intimately familiar with Biamp and developed deep respect for its products, brand, and organization. So much so that I sought to acquire the company several times over the past 10 years. I’m delighted to have the opportunity to join and lead the Biamp team. I have no doubt that together we will usher Biamp into an exciting new period of growth and industry leadership that will benefit the company and its employees and channel partners.”
Mike Nicolais, vice chairman and CEO of Highlander Partners stated, “Highlander’s investment philosophy is to buy and build. It seeks to build value in enterprises by finding well run, profitable businesses in healthy industries that have the potential for significant future growth through both organic expansion of the existing business and strategic additions of complementary acquisitions. Biamp is an excellent platform company to implement that same strategy in its industry.”
Skaf added, “Biamp is one of the most successful professional audio management companies in the world. Despite its undeniable leadership position, I see clear opportunities to grow market share of its current products and expand into new markets through an aggressive program of internal development and company acquisition. I will soon reach out to the many excellent suppliers and industry partners Biamp works with today, and those others I worked with in the past, to build a passionate community committed to meeting mutual growth objectives. I consider the excellence of our extended community of partners to be a critical factor in the future success of Biamp.”
Biamp is here. Leave a Comment
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Prysm In Financial Trouble, Could Shut Down Early Next Year Prysm, the unified communications company headquartered out of San Jose, Calif., may be forced to shut down if it does not receive new investor funding by January 2018. Company representatives warned employees and state officials that it may be shutting down operations and laying off all its employees, with the closure happening on Jan. 21, 2018. Besides San Jose, Prysm has offices in Carmel, Ind., Chicago, Los Angeles, Atlanta, Dallas, New York City, Concord, Mass. and several international offices. It has over 400 employees.
On Nov. 22, Prysm submitted a WARN notification to the Indiana Department of Workforce Development that it will be forced to close if it does not acquire new funding, which it is actively seeking. Asaf Kharal, the company’s VP of legal matters, told the Indiana Business Journal that the company does not actually expect to close, the notice is a legal precaution and that it is in discussions with multiple investors at this time.
The company, founded in 2005 and showing its first laser phosphor displays in 2010, raised $100 million in funding in 2011. Prior to that, it had raised approximately $47.5 million in two prior funding rounds. Since its founding, Prysm has made several company acquisitions, including Anacore, which made a software-based platform for collaboration, and made a signficant pivot to become a combination hardware and software-based company that offered collaborative and communicative video wall solutions for enterprise solutions, instead of just a display company. It is currently priced per user, per month, with several packages available that include hardware in the monthly fees. Download Prysm’s corporate brief here.
Prysm told rAVe, in a statement echoing what Asaf Kharal told the Indiana Business Journal: On November 22, 2017, Prysm made a filing regarding possible changes to its personnel. This was a precautionary filing only and has been discussed with Prysm employees. Prysm is actively engaged in discussions with potential investors and partners to secure additional funding and no closures or personnel changes are planned at this time.
Prysm is here. Leave a Comment
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GlobalViewer Enterprise 2.7 Now Available from ExtronExtron has updated its GlobalViewer Enterprise software to GVE version 2.7. This software simplifies AV system resource management with control for hundreds of common AV tasks and a way to manage, monitor and control nearly any device over a standard network. It allows administrators to access usage data, create reports and control systems from any computer on the network. This new version adds support for the Extron RoomAware Outlook Add-in to automate conference room functions for scheduled meetings. Also, GVE 2.7 includes compatibility with additional facility calendars such as Microsoft Exchange 2013, Exchange 2016, and Office 365. Additional features include support for the HC 404 Meeting Space Collaboration System, an enhanced help desk for accessing detailed room data and control and more robust monitoring and reporting capabilities.
The help desk in GVE 2.7 displays all devices in every AV system and enables users to easily filter equipment down to the room level or device type. GVE also helps support teams and decision makers gain an improved understanding of usage and maintenance patterns through its robust set of standard and custom reporting tools. Improved analytics provide the information teams need to closely analyze inventory, usage and costs, activity patterns and trends across the organization. Users can also effectively manage and control AV installations on-the-go using the iGVE app on Apple iPad, iPhone and iPod touch devices.
For more information on GlobalViewer Enterprise, click here. Leave a Comment
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Meyer Introduces the VLFC Very Low Frequency Control Element Meyer Sound has announced the introduction of the VLFC (very low frequency control element), the latest addition to Meyer Sound’s LEO Family of line array systems. VLFC is said to be the first large-scale loudspeaker system specifically engineered to create visceral impact at frequencies below the threshold of hearing. By focusing energy into a narrow band between 30 Hz and 13 Hz, VLFC is uniquely capable of generating extreme variations in air pressure that are sensed by the entire body as compression waves while those frequencies at the upper end of its range are perceived as thunderous bass sound.
The VLFC is a self-powered system housing two low resonant frequency 18-inch cone drivers. The on-board power is supplied by a two-channel Class AB/H bridged amplifier with complementary MOSFET output stages for high peak power and clean transient reproduction even at extreme operating levels. Cabinet porting and internal baffling have been optimized to deliver maximum acoustic output in one octave that extends across the lower limit of human hearing.
The VLFC shares the same exterior footprint as Meyer Sound’s 1100-LFC low frequency control element, allowing use of the same rigging grids and caster frames. When the VLFC is paired with the 1100-LFC, the combination produces linear, coherent bass response from 13 Hz to 100 Hz.
Applications for the VLFC include adding very low frequency, visceral impact to hard rock and electronic dance music in concerts, festivals and clubs. The VLFC also adds explosive impact to special effects in cinemas, themed spectacles, and theme park attractions. A limited early production run of VLFC elements was supplied for Metallica’s ongoing Worldwired tour, where as many as 42 VLFC cabinets created a forceful impact that was felt throughout large stadiums.
The VLFC is currently shipping. Here are the detailed specs. Leave a Comment
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ClearOne Debuts DIALOG 20 Wireless Mic System With Native Integration For CONVERGE Pro 2 Mixers ClearOne today announced that the recently shipping, small-form-factor DIALOG 20 wireless microphone system now features native compatibility with the ClearOne CONVERGE Pro 2 line of mixers.
The ability to natively integrate with CONVERGE Pro 2 mixers makes the DIALOG 20 the an interesting two-channel wireless microphone system. All current owners of the ClearOne DIALOG 20 wireless system will be able to upgrade and obtain native integration through an easy software update.
This new native integration feature utilizes ClearOne’s new P-Link (peripheral link), which allows for PoE (power over Ethernet), audio and control connections with ClearOne’s CONVERGE Pro 2 DSP mixers. ClearOne’s unique P-Link is what gives integrators the ability to connect to ClearOne’s peripheral devices such as the Beamforming Mic Array 2, DIALOG 20 Wireless Mic Receiver, USB Expander and GPIO Expander.
The DIALOG 20 is a two-channel professional digital wireless system with flexible powering and mounting options, plug and play installation and the ability to connect digitally to ClearOne CONVERGE Pro 2 DSP mixers. It also has standard audio and GPIO interfaces for any third-party audio mixer. It claims to deliver full audio bandwidth through gooseneck, boundary, belt-pack or handheld transmitters and can connect to any type of audio conferencing or reinforcement system.
Leveraging ClearOne’s frequency-hopping “spread” spectrum technology within the 2.4 GHz unlicensed spectrum, DIALOG 20 owns several inserting advantages over fixed-frequency transmission. Its design is inherently resistant to narrowband interference because it uses a pseudo-random sequence to switch frequency; this makes frequency-hopping signals extremely tough to intercept. The use of 128-bit AES encryption on each hopped frequency further secures the wireless audio transmission.
Here are all the tech specs. Leave a Comment
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Bittree Launches ProStudio PS9625i Audio Patchbay Family Bittree’s latest introduction is the ProStudio 9625i 2×48 TT audio patchbay.
Like other ProStudio models, the PS9625i is designed specifically for pairing with transportable 500 Series modular chassis. Listing for $1,095, the ProStudio is in a 1RU rackmount form factor.
The PS9625i offers 96 TT (bantam) jacks in a high-density 2×48 configuration, with DB25 rear interfaces for Avid ProTools and Tascam connectivity. The unit’s metal front panel and sturdy, fully-enclosed, seven inch-deep chassis provide superior durability, while its full-frame jacks, gold cross-bar switching contacts and internal digital AES wiring deliver solid connectivity, lower noise, and the cleanest possible signal paths.
Circuit normalling, grounding and bussing on the PS9625i can be easily reprogrammed via internal, professional-grade shunts accessible by opening the top of the 7.6-pound units. Front designation strips over each row of jacks (‘over/over’ orientation) enable easy circuit identification. The designation strips can be reconfigured to ‘over-under’ orientation, revealing silk-screened numbering between the rows or augmented with an optional third strip.
The ProStudio 9625i is available now. Here are all the specs. Leave a Comment
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Attero Tech Ships AES67 Networked Audio Products Attero Tech is now shipping its recently-announced line of AES67 networked audio endpoint products. Built from the ground up, these AES67 products enable Attero Tech’s innovative audio connectivity technologies to interface with the AES67 enabled Q-SYS Platform from QSC. The new AES67 enabled products are also designed for interoperability with all Dante AES67-enabled technologies, providing maximum flexibility for systems leveraging AES67 as a bridge between modern audio networking platforms.
In addition to basic audio interoperability, all Attero Tech endpoints will offer control integration into Q-SYS Designer software using Q-SYS plug-ins, developed and supported by Attero Tech. Some of these plug-ins are already shipping with Q-SYS Designer v6.2, with additional plug-ins made available through Attero Tech’s customer portal for download. Attero Tech’s new plug-ins provide the ability to configure parameters, including preamp controls and I/O levels, routing configurations, and device status updates. Real-time control of Attero Tech product parameters can be easily added to Q-SYS native touchscreen controllers and other Q-SYS enabled software user control interfaces, eliminating the need to integrate and program costly third-party controllers. Attero Tech’s AES67 solutions offer 48kHz, 24-bit uncompressed digital audio with 1-millisecond end-to-end latency and system-wide sample synchronization, support for PTPv2 master or slave operation and SAP (Session Announcement Protocol) based stream identification for use with applications supporting SAP Stream Discovery (Dante Controller, Q-SYS Designer, unIFY Control Panel v3.0 and greater). Available now and included with Q-SYS Designer v6.2 are plug-ins for Attero Tech’s audio wall plate and flange mount products, including:
- unA6IO: AES67 Networked Audio Wall Plate – 4×2 Multi I/O
- unAX4I: AES67 Networked Audio Wall Plate – 4×2 Mic/Line I/O (4 Mic)
- unAX2IO+ : AES67 Networked Audio Wall Plate – 4×2 Mic/Line I/O (2 Mic)
- unA6IO-BT : AES67 Networked Audio Wall Plate – 4×2 Multi I/O with Bluetooth
- unAIO2x2+ : AES67 Networked Audio Interface – 2×2 Mic/Line I/O
Here are the details. Leave a Comment
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Zoom with Alexa for Business: Meet Without Lifting a FingerToday at AWS re:Invent 2017, Amazon Web Services (AWS) announced Alexa for Business. Alexa for Business lets you use Amazon Alexa to voice-enable your workplace by providing the tools you need to manage Amazon Alexa devices, skills, and users at scale, and an API to build custom, context-aware voice skills for your organization. Zoom has collaborated with AWS to enable a conferencing use case. Let’s take a look at what Zoom with Alexa for Business can do for your conference rooms.
Zoom’s Zoom Rooms with Alexa for Business means that a user can start your meetings with a voice – no control panel required. Simply walk into the Zoom Room and say, “Alexa, start the meeting.” Amazon Alexa will confirm which meeting with a question like, “Do you want to join the meeting organized by Mike?” Once you say “Yes,” she will start the meeting. If you’d like to join another meeting and you know the meeting ID, instead of saying “Yes,” you say “No.” This will prompt Alexa to ask you the meeting ID, which you can say aloud to her.
Likewise, users of Polycom or Cisco traditional room systems can also easily host or join a Zoom meeting by using Cisco or Polycom skills via Zoom’s H.323/SIP Connector. Go here for more details. Leave a Comment
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DisplayNote Technologies Launches Montage as a Software-First Wireless Presentation System DisplayNote Technologies announces an update to Montage which sees the product available as a software only solution. This update includes a new streaming protocol, a cloud based management portal, and enhanced security and network features. Designed for the meeting spaces of large enterprises, Montage allows multiple users, whether they’re in room, remote or on separate networks to wirelessly cast content from their device to a main meeting room screen without the need for additional hardware.
Available as Windows or Android software, Montage can now be deployed securely onto hardware that typically exists meeting spaces, such as mini PCs, compute sticks, fixed PCs or flat panels. If no hardware end point is available Montage can be deployed and delivered on its own hardware.
Users can connect with any device with client apps for Windows, Web, iOS, Android and Airplay support.
In addition, DisplayNote claims the Montage has better video performance, attendees on guest networks or connecting remotely can share content in the exact same way as those on the corporate network and now attendees can connect via Web, Windows, native iOS, native Android and Airplay. All inbound and outbound data from our backend layer is encrypted and transmitted over TLS or DTLS with 2048-bit asymmetric encryption and 256-bit symmetric encryption using certificates from third party credited authorities. Montage uses a combination of both Azure and Amazon services to provide a resilient and redundant backend.
Here are the details. Leave a Comment
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Christie Expands D Series, Its 3LCD Value Line Christie is expanding its D Series lineup with three new value-priced single-lamp models, which are available with up to 8100 ISO lumens and both WUXGA (1920×1200) and HD (1920×1080) resolutions.
The new Christie D Series projectors offer 65,000:1 contrast ratio, 3,000 hours of lamp life, and easy integration – designed for higher education, business, museums, houses of worship, government facilities and selected rental and staging venues where they seamlessly integrate into any environment.
The new LWU720i-D, LWU620i-D and LHD720i-D projectors are lamp-based projectors.
The new Christie D Series models come with a three-year parts and labor warranty and ship in December 2017. Here are the details. Leave a Comment
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Marshall Expands Miniature Camera Line with USB-Powered Camera for Streaming and Collaborative Applications Marshall Electronics announces the release of a new addition to its line of miniature cameras for broadcast and ProAV, the CV502-U3 High-Definition USB POV Camera.
Designed for plug-and-play connectivity on any Mac, PC or Linux system supporting USB 3.0 input infrastructure, the CV502-U3 uses video capture drivers included with common computer software and soft codecs. Through the use of UVC 1.5, common teleconference and video capture programs can adapt best resolution and frame rate for optimal performance. Marshall also offers free downloadable software for manual adjustment and control where applications require it.
Using the same sensor and processor Marshall’s CV502, CV505 and CV565 miniature cameras, the CV502-U3 delivers up to 1920x1080p resolution at 60/59.94/50 frame rates. With a very low 0.2 lux (color) rating, Marshall says that the CV502-U3 captures accurate, sharp color images even under low-light conditions. The CV502-U3 ships with an ultra-wide 2.3mm 126° Angle-of-View (AOV) HD lens that is interchangeable to customize for specific applications. Marshall offers a wide assortment of lens options for a fully-customizable AOV and focal length per camera position within an installation.
Here are all the tech specs. Leave a Comment
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Epiphan Video Launches Post-Production Cloud Service Epiphan Video announced their new post-production service, AV Studio. AV Studio is a SaaS product that streamlines post-processing of recorded video through remote operation and monitoring of simple on-site capture hardware. AV Studio doubles revenue for AV service companies by enabling ultra low-cost recording and post-production of live seminars and conference breakout rooms using cloud-based infrastructure.
AV Studio minimizes the total number of on-site personnel required for production of large numbers of video materials, including full-resolution ISO files and engaging PiP layouts.
AV Studio uses Epiphan’s Webcaster X2 product as the on-site capture appliance. Current Webcaster X2 owners can apply a free firmware upgrade to enable pairing to AV Studio.
Here are all the details. Leave a Comment
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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