Volume 15, Issue 11 — June 7, 2017
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Editorial Editorial Editorial
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Audio Projection Displays Unified Collaborative Conferencing Control & Signal Processing Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories Media Players, Recording & Distribution
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Even Apple Sees the Future Is Services – Not Just Products
By Gary Kayye rAVe Founder
I have been harping on this for years. I have been telling everyone in the AV industry that to survive the future of AV, services need to be front and center, along with the products.
Sure, a good mix of products with both established technology as well as future-forward, emerging technology is a giant part of the story of the evolution of AV into or part of IT, but just as important is a host of services.
Like what? Well, the low-hanging fruit is obviously service contracts, proactive maintenance contracts, systems monitoring contracts [Let me get off on a tangent on this one — I was at the AVI Systems LIVE show in Chicago a few weeks ago and I saw something they are calling AVI INSIGHT — genius! The company has developed a universal systems-monitoring software dashboard to monitor (and control) disparate systems from any manufacturer. Again, genius. This is a service AVI Systems can pretty much charge whatever it wants for it because the purchaser (i.e., the client) is basically buying job security from AVI Systems], creative services, digital signage network management, collaboration network management, training, etc.
You get the point. Services are way, way more profitable than products. But the truth is that not everyone can sell an intangible. The same salesperson who can sell a $100K system can’t always sell that $7K service contract. But someone can! And, if not, you’d better figure our how to or “they’ll” find someone who can.
Selling intangibles — or at a minimum, giving away intangibles to ensure both client loyalty and customer satisfaction — is the the future. But, selling something you can’t hold, touch, demo or ship isn’t as easy as selling a widget. It just isn’t.
Take a look at this from Apple — it’s called TODAY at APPLE and it launched last week with very little fanfare — but you can bet it will be big. Apple knows it. I know it.
In the video, you saw an Apple Store that looks more like a cross between a private concert venue, a Starbucks and a classroom lab. No product commercial, no tech specs. Just people hanging out in the Apple Store having fun, getting educated, learning a new skill, just meeting people or just living the Apple life.
That’s not only a glimpse into the Apple future — a future where Apple will likely, inexpensively turn their mall-based stores into gathering places for all-of-the-above — but this video is also a glimpse into the tech future too. A future where people buy what they feel more comfortable with — not what they are sold. A future where people value services over products. A future where peer influence is the strongest factor in purchasing decisions — what your buddies say and do becomes what you trust.
I can go on and on about this, but this should be lighting bulbs inside of your head, reader. The ideas are (and should be) endless.
But the lesson here is one of how important the true service is — not just talking about service or assuming the product (or the salesperson, for that matter) will garner the loyalty.
Good, fun, interesting, educational, job-saving service will. Leave a Comment
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Which Is Better: Higher Pixel Density or Wider Field of View?
By Chris Chinnock Founder and President, Insight Media
This is one of the key VR headset design decisions that product developers have been wrestling with. So far, most have chosen a wider field of view leading to images that can look pixelated or have a “screen door effect.” But with recent hardware advancements, it may be time to rethink this trade-off.
In a recent Display Daily article, What’s the Definition of an Immersive Display?, I discussed a number of elements that can contribute to “immersiveness” in a VR or AR headset. In this article, let’s explore one of these elements of immersiveness a bit more: pixels per degree.
Pixels per degree (PPD) is a nice way to specify the headset designer’s choice between higher pixel density and wider field of view (FOV). For a given imager resolution, a narrow FOV produces a higher pixel density or pixels per degree. Expand the FOV and the pixel density and pixels per degree must decrease. It’s a trade off.
For example, if you want a 100 degree horizontal field of view and use a panel with 1080×1200 pixels per eye, you get 11 pixels per degree per eye if the optics are perfect and your eye is in the optimal lens-to-eye position. The PPD per eye of the HTC Vive, Oculus CV1 and PlayStation VR headsets are all in the 10 to 15 range today.
We can also evaluate this image from the point of view of visual acuity, like the Snellen eye chart used to determine our visual acuity. We all know that 20/20 is good vision, but what does that mean exactly. Visual acuity can be calculated based upon the pixels per degree that the VR headset creates. Assuming perfect optics, the current VR headsets from Sony, HTC and Oculus are in the 20/80 range. But the magnification optics are never perfect so there will be a reduction in the actual visible PPD value or acuity, which is affected by many design choices. Clearly, we have a ways to go to get to optical solutions that come close to the visual acuity of most people’s eyes.
Fortunately, higher resolution and higher pixel density displays are coming for use in VR headsets. Kopin, for instance, has introduced a microdisplay panel with 2048×2048 pixels. If used with a similar 100 degree horizontal FOV optical system as above, the PPD and visual acuity should be twice as good. And, the company has 3Kx3K resolution panels on their roadmap, so even better visual acuity may be possible.
Now comes the key question. Should VR headset designers use these higher resolution displays to:
- Offer headsets with 110-130 degree FOV with visual acuity in the 20/40 to 20/80 range?
- Offer headsets with 90-110 degree FOV with higher visual acuity
No doubt some will argue that covering your peripheral vision with an image completes the sense of immersion as it mimics the human visual system. The trade off will be the same class of acuity we now have, but maybe with even more artifacts. Why? Because the wider the FOV, the more difficult it is to make optics that do not distort the image.
The counter argument is that moderate FOV with higher visual acuity will produce fewer artifacts and the pixelation may very well disappear.
And what happens if these higher fidelity images are running at 90 or even 120 frames per second? Now, the question of immersiveness comes back into play. Is a 100-degree FOV image at 120 fps with no pixel structure and fewer optical artifacts more immersive than a 130-degree FOV image at the same frame rate but with some pixel structure and more optical artifacts?
I am not sure anyone knows the answer to this question as there has never been any research done to evaluate it. Plus, you now need a definition of immersiveness!
My point is that VR headset designers should not blindly pursue more FOV. To use a camera analogy, a camera with a 5 megapixel sensor and great optics can easily outperform a camera with a 10 megapixel sensor and mediocre optics. It’s not always more megapixels (or FOV) that counts, but other factors. Let’s not get into a FOV race in VR headset design.
To learn more about other design tradeoffs with VR headset design, check out this white paper.
This column was reprinted with permission from Insight Media and originally appeared here. Leave a Comment
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Our InfoComm 2017 Coverage Is Already ON!
By Gary Kayye rAVe Founder
Even though the show doesn’t start until a week from today, our InfoComm coverage is already packed already. This year’s show will, no doubt, be the biggest ever. We have received more pre-InfoComm new product launch stories from the manufacturers than ever before – nearly twice as many as we have in the past. That means companies are investing and new technology is dominating. New AV-over-IP, new wireless systems, new collaboration boards, new ways to send, route and display 4K signals, new cabling systems, new networked-audio gear, a new video standard and even a new 8K display.
We are taking over 25 reporters to the show — yes, over 25. And, we’ve invested in a totally new back-end video server system (called rVS) as well as ALL NEW cameras capable of shooting 1080p, 720p and even 4K videos — with better low-light management and mush better colorimetry and image quality — you WILL notice a marked improvement. And, we will LITERALLY go to every-single-booth at InfoComm (and we are even covering the newest exhibitor, first) and shoot videos on every new product on the show floor. We will likely shoot over 1,700+ videos. In fact, our video library from InfoComm is so good that even our competitors use it (when writing their post-InfoComm stories) and have thanked me for doing it each year!
So, we hope you will use it. All our coverage is on a dedicated InfoComm 2017 MicroSite here. Leave a Comment
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Hear Technologies Introduces the Hear Back PRO Virtual Mixer Hear Technologies announced the release of the Hear Back PRO Virtual Mixer. It claims all the features of the Hear Back PRO Mixer in a small card format.
The small card format of the new Hear Back PRO Virtual Mixer allows it to fit into the Hear Back PRO Hub. The Hub can be populated with up to four Virtual Mixer cards and an unlimited number of Hubs can be connected together for larger systems.
Controlling the Virtual Mixer is via the new Hear Back PRO iOS app (iOS) or even another Hear Back PRO Mixer. This feature is for controlling wireless in-ear monitor or standard stage monitor mixes. The app also allows the user to easily drag and drop which iOS devices and Hear Back PRO mixers control each Virtual Mixer.
The PAIRING button (and LED indicator) makes it easy to configure which iOS device or Hear Back PRO Mixer(s) will be controlling each Virtual Mixer. The new Hear Back PRO Virtual Mixer can be used to mix 16 or 32 channels of audio for your wireless in-ear or standard stage monitor rig. Up to four presets are available with the Virtual Mixer, and it has the capability to save all settings in case of power loss.
Other features include:
- Volume, pan and stereo placement of each audio channel
- Control master, auxiliary input and intercom transmit volumes
- Automatic incoming intercom leveling
- One auxiliary 1/8-inch stereo unbalanced audio input
- XLR balanced left and right outputs
Here are the specs. Leave a Comment
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Alcons Launches LR28/110 Wide Dispersion Larger Format Line Array Alcons has launched the LR28/110 Wide Dispersion Larger Format Line Array — a three-way, line-source sound system for use as vertical array with extended horizontal coverage in up to the largest applications.
Originally introduced in 2015, the LR28/80 features an 80º horizontal dispersion pattern, but is identical to the new, wide-dispersion LR28/110 in all other aspects. Both models combine the highest sound quality possible with very high SPL capabilities and throw. It is a true ‘what you mix is what you get’ (WYMIWYG) solution, where the system doesn’t add anything to the original source: input = output.
The RBN1402rsr and mid section (featuring four high-efficiency 6.5″ midrange transducers) are jointly mounted on an aluminium cassette for optimised heat-dissipation/reduced power-compression and prolonged system output.
The LF section comprises two reflex-loaded, custom 14″ woofers with reinforced cone and large voice-coil Neodymium motor structure for improved heat dissipation and reduced power compression.
The LR28/80 and LR28/110 are powered and controlled by four channels of the Sentinel10 amplified loudspeaker controller; Through the integrated processing and feedback, the ALC offers LR28-specific drive processing with array compensation, filter-presets, system EQ, phase-matching and other facilities. The Signal Integrity Sensing pre-wiring of the LF and MF sections ensures dynamic cable/connector compensation between the LR28 and Sentinel, resulting in a fast, tight mid/bass response and reducing distortion even further.
The patent-pending rigging system enables angle setting on the cabinets without lifting the array, resulting in safer and faster set-up with minimal handling. The flying system facilitates two different ways of array assembling — caterpillar and pre-rig-style — with compressed and non-compressed suspension. It has a WLL of 24 cabinets under 10:1 safety.
The LR28/110 is element of the Alcons application-configurable touring package, including the LR28 line-arrays, LB28 bass array-extension, BC543 cardioid subwoofer system, Sentinel amplified loudspeaker controller, ARC 3D-simulation tool and power / signal- distribution and transport logistics.
Here are all the specs. Leave a Comment
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DPA Microphones Intros New d:vice Digital Audio Interface at InfoComm 2017 DPA Microphones will debut its new d:vice MMA-A Digital Audio Interface and DSM6000 Microphone Base at InfoComm 2017 (in Booth 6169). The MMA-A features a small form factor that allows the user to pull out the d:vice for any unexpected situation that might arise during their day. The sound and ease of installation provided by the new microphone base, in combination with the d:screet SC4098 Podium Microphone, DPS says caters to the different industry needs and wants of architects, AV consultants, system integrators and installing electricians.
DPA’s brand new d:vice MMA-A Digital Audio Interface is a high-quality, two-channel microphone preamp and A/D converter offering mono, dual and stereo capabilities. The d:vice comes with interchangeable lightning and USB cables for connectivity. Its MicroDot inputs allow the d:vice to be connected to all DPA miniature microphones, including the d:screet Miniature, d:fine Headset, d:vote Instrument and even the d:dicate Recording microphones with the optional MMP-G preamp.
Designed to be placed on a table or podium, or attached to a ceiling or wall, the DSM6000 Microphone Base is available in two colors — black and white — and comes with either a MicroDot connector, an XLR connector or unterminated leads for connections to Phoenix blocks. The d:screet capsule is mounted on a boom that, for the tabletop version, has a gooseneck at the top and the bottom, which allows users to position the mic exactly where they want it. The ceiling version consists of one gooseneck. In both versions, the cable can exit to the side of or beneath the unit.
DPA’s new DSM6000 Microphone Base is currently shipping while the d:vice MMA-A Digital Audio Interface will be shipping at the end of May. Both are here. Leave a Comment
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Extron Ships AXI Series Dante Audio Interfaces Extron is shipping two new products in the Extron AXI family of Dante audio interfaces. The AXI 22 AT and the AXI 44 AT analog audio to Dante interfaces feature two inputs / two outputs, or four inputs / four outputs. The compact quarter rack width units integrate two or four mic or line sources onto a Dante-enabled audio system and feature switchable 48-volt phantom power. The AXI 22 AT offers two line level outputs, while the AXI 44 AT features four line level outputs for routing Dante channels from the network to an audio system. Input select, gain, and phantom power settings are controllable from the front panel, via DSP Configurator Software or by SIS command via USB. Both models interface with any Dante-equipped audio processor, such as an Extron DMP 128 Plus AT, over a standard local area network and can be powered through PoE. This allows a single network cable connection for bidirectional audio and power from a central equipment rack.
The AXI 22 AT and AXI 44 AT accept analog mic and line sources, which are converted at 24-bit with selectable sampling rates from 44.1 to 96 kHz, for output via Dante. The interfaces are connected into a Dante network over Ethernet using standard IP networking protocols. This avoids the effort and expense of pulling multiple lines of long cables back to the AV rack. With their small, quarter rack form factor, the AXI 22 AT and AXI 44 AT can be easily mounted under a desk, in a lectern or in millwork, as well as in a rack. The family of Dante-enabled products from Extron work together as part of a complete networked audio system solution and integrate with other Dante-enabled products to create efficient, scalable system designs. They accommodate a wide range of audio routing needs in a variety of applications.
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Eiki Expands 500 Series LCD Projector Line Eiki International has expanded its EK-500 Series of conference room projectors. The expanded line adds the EK-510U, EK-511W and EK-512X, with all three models featuring inorganic LCD panels with a high contrast ratio.
The Eiki EK-510U projector — the new flagship of the EK-500 Series — is 7,000 ANSI lumens brightness with 90 percent uniformity and a 2,500:1 contrast ratio. The projector provides native WUXGA resolution and is compatible with inputs up to UXGA and WUXGA. The system supports both analog and digital video input in all color standards up to 1080p and provides Vertical and Horizontal power lens shift and corner keystone correction. Of note, this projector features WUXGA (1900×1200) resolution and a 16:10 aspect ratio. Further, the projector’s estimated lamp life is 4,000 / 3,000 hours (Normal / ECO).
The EK-510U’s has both an HDMI port and an HDMI with MHL (Mobile High-Definition Link) port and it’s native WXGA resolution (1366×768) but can handle up to WUXGA (1920×1200) and the projector has both vertical and horizontal power lens shift and digital corner keystone correction.
Eiki’s EK-512X is spec’d at 8,000 ANSI lumens brightness with 80 percent uniformity and a 2500:1 contrast ratio. This projector is native XGA (1024×768) resolution and is compatible with inputs up to WUXGA. This projector supports both analog and digital video input in all color standards up to 1080p and has vertical and horizontal power lens shift and digital corner keystone correction.
In terms of connectivity, all three models in the new EK-500 Series have HDBaseT, VGA, DVI-D and HDMI. The EK-500 provides dual HDMI ports. Additionally, all three models are equipped with a wired LAN connection for monitoring and control.
The EK-500 Conference Series Projectors are priced at:
- EK-510U: $6,495
- EK-511W: $5,495
- EK-512X: $4,695
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Optoma Intros Two Native 4K Projectors Under $2,500Optoma is announcing two industry firsts today. The Optoma UHD60 and UHD65 are native 4K projectors, with both models below $2,500. The Optoma UHD60 and UHD65 are both 3840×2160 UHD resolution, include High Dynamic Range (HDR) compatibility using HDR10, along with REC.2020 wide color gamut and DCI-P3 coverage. They feature vertical lens shift and a 1.6x zoom. Both have two HDMI inputs and one HDCP 2.2 port.
The $1,999 Optoma UHD60 offers:
- Brightness: 3,000 lumens
- Contrast ratio: 1,000,000:1 contrast ratio with Dynamic Black enabled
- White chassis
The $2,499 Optoma UHD65 offers:
- Brightness: 2,200 lumens
- Contrast ratio: 1,200,000:1 contrast ratio with Dynamic Black enabled
- Color: Cinematic color via HDR compatibility and RGBRGB color wheel
- Black chassis
Here are all the details. Leave a Comment
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Absen Will Use InfoComm 2017 to Make a StatementIn addition to exhibiting its top LED product lines at this year’s InfoComm tradeshow, Absen Inc will bring its expanded US-based team to booth #931 in Orlando, FL at the Orange County Convention Center from June 14 to 16.
Since last year’s InfoComm, Absen Inc. has grown exponentially in both its sales and corporate team members, bringing in key US industry experts to provide the additional support and resources required as it increases its market share in North America.
“We have experienced tremendous sales growth year over year in the US,” comments Gary Fuller, senior advisor for Absen Inc. “To best answer our customers’ growing needs while further establishing our commitment to this region, we are delighted to bring on some of the industry’s best who have extensive knowledge of market conditions, client needs and industry standards.”
Making its first InfoComm appearance is Absen’s newly launched mobile indoor M-series, which was released at last year’s Live Design International (LDI) show.
Designed for mobile, Absen says that every aspect of the panel was developed for simpler and more efficient installation and service. Its design includes single-action locks that connect panels together with a pull of the trigger; integrated curving locks ensure automatic and precise concave or convex curves. The M Series is spec’d at 7500:1 contrast ratio. For permanent installations, Absen will be demo’ing its N-series.
Absen will also feature its ultra-high definition (3840×2160) 1.2-millimeter HDV 4K screen which provides a fine pitch solution for the ultimate on camera and up-close viewing solution. Offering a range of pixel pitch sizes of 1.25-millimeter, 1.67-millimeter and 1.92-millimeter, the HDV-series provides:
- HD and 4K solutions whether free standing, wall-mounted or hung
- Flicker-free broadcast with 3840Hz refresh rate & high contrast
- Full front service, cable-free design for easy installation and maintenance
- High brightness up to 1,000 nits
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NEC Debuts a 65″ Touchscreen Aimed at EducationAimed at the K-12 market, NEC Display Solutions of America announced a 65-inch E651-T display integrated with 10-point integrated infrared (IR) touch. Drawing on insights from educators, NEC Display built a solution that minimizes technology distractions, maximizes classroom time and learning and reduces costs.
The display’s anti-glare, tempered glass, for example, allows for a more matte finish on the surface of the panel that not only protects the display from damage but also reduces the incidental fingerprinting and glare that can often take away from the imagery on the screen. This also allows for a more natural feel when touching the glass, forming a familiar tactile experience that is similar to that of a smart device.
The display’s power consumption — just 140 watts — is extremely low considering the sizeable surface area of the fully commercial display. This helps lower the overall total cost of ownership for the customer. The display also has a built-in media player that can be prioritized so that the display can automatically switch to USB-loaded content when the touchscreen is not in use via an external source.
The other benefits of the new E651-T display include:
- Integrated IR touch capabilities for finger, pen or included stylus touch interaction
- High brightness efficiency at 400 cd/m2 of brightness
- Commercial-grade backlighting
- Reduced overall depth to 3.4 total inches
- Free DisplayNote presenter license for in-classroom collaboration
- HDMI x3 and VGA video inputs
- Two integrated 10-watt speakers
- Built-in 24-hour scheduler function
- Landscape or portrait orientation capable
The E651-T display will be available in June 2017, will list for $2,799. Here are the details. Leave a Comment
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Google and BenQ Ship Jamboard Collaboration BoardThe category of Collaboration Boards really became big earlier this year with the launch of 10+ new brands into the space at ISE in Amsterdam. One of those was Google. The Google Jamboard is a 55″, 4K (3840×2160) digital whiteboard that teams can use to brainstorm, write notes, sketch plans and receive immediate feedback from remote team members via the integrated video conference and collaboration features. Jamboard brings a team together with the same real-time co-authoring that powers Google’s G Suite of apps including Google Search Docs, Sheets and Slides — even add photos stored in Drive.
So, if you are 100 percent tied, as an organization, to G Suite, you will likely love the Jamboard. The Jamboard is available in Cobalt Blue, Carmine Red and Graphite Gray. It’s being exclusively distributed by BenQ. Here are all the details. Leave a Comment
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Logitech Intros Logitech MeetUp Conference Camera Aimed at Huddle RoomsLogitech just announced a USB-based conference camera called the Logitech MeetUp. Designed specifically for small conference rooms and huddle rooms, MeetUp’s 120-degree field of view makes every seat at the table clearly visible during a meeting. With acoustics custom-tuned for huddle rooms and a compact all-in-one design, MeetUp is USB and connected to any USB-conferencing hub or computer.
Logitech MeetUp is designed to work with virtually any video conferencing software application and cloud service, including Skype for Business, Cisco collaboration applications and all Logitech Collaboration Program partners such as BlueJeans, BroadSoft, Vidyo and Zoom.
MeetUp captures a very-wide 120-degree field of view with the option to pan an additional 25 degrees to the left and right. A new low-distortion lens, UltraHD 4K optics, and three camera presets make it a perfect option for a quick, high-quality camera in a small meeting room or Huddle space. MeetUp has integrated audio optimized for huddle room spaces in that three sound-isolating mics and a voice-optimized speaker help ensure everyone is heard as clearly as they are seen. MeetUp is Microsoft Cortana certified for voice commands with any Windows 10 system. For larger rooms, where meeting participants are more than eight feet from the microphone, customers may also purchase the Logitech Expansion Mic for MeetUp.
Logitech also introduced its ConferenceCam Soft Remote, an app that easily turns a smartphone or tablet into a remote control for Logitech MeetUp. ConferenceCam Soft Remote features all the controls available on the Logitech remote. It is compatible with both Android and iOS devices and will be available in July for free from the Google Play or Apple App stores.
Gary Kayye got the detailed scoop on the MeetUp camera this week via a rAVe RADIO pre-InfoComm Videocast, which you can watch here. Logitech will demo this in its booth (#2681) next week.
Logitech MeetUp will be available in July 2017 and will list for $899 in the U.S, €1,099 in Europe and £999 in the U.K. Here are all the detailed specs. Leave a Comment
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Oblong Adds More Sub-$50K Mezzanine Systems Oblong Industries today announced an expanded product range and series naming convention for its flagship immersive visual collaboration solution, Mezzanine. Along with hardware and software innovations that drive the entry price point for a full Mezzanine solution below $50,000, Oblong is adding seamless integrations with popular enterprise utilities including calendaring and Skype for Business.
Mezzanine is now offered in three new, smaller configurations all at the sub-$50,000 price category.
Mezzanine 200 Series: This dual screen configuration for small to medium sized teaming rooms that delivers collaboration concurrently with up to 10 shared devices, gestural interaction and real-time control by multiple participants are now available in a familiar form factor.
Mezzanine 300 Series: While many conferencing systems provide only one content channel, Mezzanine 300 uses a three-screen configuration. The Mezzanine 300’s shared workspace matches that of their flagship Series 600 and 650 solutions, allowing customers to extend the immersive Mezzanine experience to satellite offices at a lower cost. Mezzanine 300 is fully upgradeable to Mezzanine 600 Series. The 300 Series will be added here after InfoComm.
Mezzanine 600 Series: Beyond the practical benefits of the three-screen primary workspace shared across locations, and the three-screen secondary workspace for those in the room, the “wow” factor of the large multi-dimensional workspace makes a strong impression during presentations. This six-screen Mezzanine configuration features new spatial tracking technology that requires no room remediation; new in-room server options reduce cost and installation complexity. The 600 Series is here.
Oblong is here. Leave a Comment
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Christie Launches New Spyder X80Today Christie introduced an all new processor in the Spyder lineup with the Christie Spyder X80. Delivering what Christie says is four times the pixel management capacity of anything else available on the market, the new Spyder X80 is capable of handling 4K at a 60Hz refresh rate on a single channel.
The new Christie Spyder X80 multi-screen windowing processor offers many capabilities for rental staging and large scale experiences that help make display walls easy to set up and manage, while incorporating the latest standards and connectors, including HDMI 2.0, DisplayPort 1.2, and 12G HDSDI. Christie Spyder X80 solves both the large and small display canvas needs of today, with enough power to solve display needs of the foreseeable future.
The new Christie Spyder X80 offers an array of innovative features and benefits:
- Large display canvas support – A modular configuration supporting up to 24 inputs and 16 outputs, with all connections capable of displaying 4K at 60/50Hz, customers benefit from 4K support for narrow pixel pitch LED, tiled video walls, plus complex, multi-display projection environments
- Card chassis based design allows customers to match input and output needs with room to change and upgrade in the future
- All source content can be displayed freely across multiple types of displays including displays configured in portrait mode with Spyder’s ability to rotate outputs individually
- Single channel 4K support on every channel – Christie Spyder X80 supports 4K at 60Hz at 8/10/12 bit processing on a single cable, plus 4K at 120Hz on dual or quad cables
- Super low latency – Continuing in the Spyder tradition, 80 megapixels and 4K at 60Hz support has super low latency impact
- 24/7 operation – Proprietary hardware processor allows 24/7 operation for the most demanding and critical applications
- Scalable and flexible – With industry leading scaling and format conversion, customers can mix and match multiple SD, HD, 4K, and stereoscopic video formats without compromising the creativity to flexibly arrange and manipulate content while maintaining original picture quality
- Christie Spyder Studio client software (GUI) — Advancing Spyder’s reputation for show control, from simple presets to complex frame accurate timelines, Spyder Studio has the flexibility and functionality required for the most demanding live environment
The Christie Spyder X80 is at InfoComm (in Orlando, Fla. June in the Christie booth #2553 next week or you can see it here. Leave a Comment
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A German Company Will Be at InfoComm With 8K Transmission System, Claims Six MilesGermany-based Guntermann & Drunck GmbH and its subsidiary G&D North America Inc. is debuting at InfoComm 2017 an 8K resolution (7680×4320) capable KVM product.
One of these 8K solutions is the KVM extender DP1.2-VisionXG. The KVM extender system consists of a computer module and a user module. It allows users to operate their computers remotely while benefitting from the pixel-perfect, uncompressed transmission of high-resolution DisplayPort videos over distances up to 10,000-meter (6.2 miles). The device is available in variants with up to four video channels. KVM extender DP1.2-VisionXG-MC4 for is designed for video transmission of 4K and 8K at 60 Hz (4:4:4 Chroma sub-sampling).
The DP1.2-VisionXG uses optical fibers for the dedicated transmission. Thus, the system provides enough bandwidth for uncompressed, high-resolution DisplayPort 1.2 video signals, keyboard/mouse, RS232, USB2.0 and audio.
With a network port, a web interface, monitoring, syslog, SNMP, screen freeze function and a redundant power supply, the DP1.2-VisionXG offers numerous features designed for mission-critical applications.
Here are the tech specs. Leave a Comment
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Just Add Power to Demo a 4K Network Video Tiler at InfoComm 2017 Just Add Power (J+P) will launch the 3G+4+ Tiling Transmitter at InfoComm this month. Claiming it to be the world’s first 4K network video tiler, the 3G+4+ Tiling Transmitter allows any four 4K source devices to be displayed on a single screen instantly. Added to the J+P Ultra HD over IP matrix switching system, it enables users to simultaneously watch four 4K video sources in multiple formats, including single-screen, video wall or tiled video.
The 3G+4+ Tiling Transmitter has support for 4K HDR compatibility and the video feed can be distributed to an unlimited number of screens, making it an interesting solution for commercial spaces and any size video wall configuration.
The Tiling Transmitter can create up to four customizable windows with easy presets, picture in picture or picture over picture, and adjust the transparency of images for multi-layered, dynamic display. Multiple tiling transmitters can be stacked together to add more sources and allow an infinite number of windows within windows. The transmitter also provides instant switching and can fade between sources in each window or preset. Furthermore, the tiler offers unlimited customizable presets for custom sized tiles placed anywhere on the screen, ensuring unique branding for any installation.
The 3G+4+ Tiling Transmitter is compatible with all 2G and 3G installations, providing seamless integration in applications demanding 4K tiling capabilities on select displays in the network or all displays. The tiler provides integrators with a revenue-building opportunity to easily add tiling capabilities to their clients’ existing J+P 2G or 3G systems.
J+P’s 3G+4+ Tiling Transmitter is now shipping and is here. Leave a Comment
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ZeeVee Adds DTVGameControl to its Lineup ZeeVee today announced a partnership with DTVGameControl, a floorplan-based AV control system. ZeeVee’s IP and RF based products can now be integrated with the DTVGameControl app allowing customers to easily control ZeeVee products and DirecTV receivers on an IP network.
Suitable for sports bars and restaurants, ZeeVee’s products integrated with the DTVGameControl app create a channel/program guide to enable venue staff the ability to control and manage DirectTV and other AV content on screens, video walls, video tiling and audio control anywhere in the venue.
DTVGameControl features include:
- Turnkey solution for control of IP and RF distribution
- Support all ZeeVee products including ZyPer4K, ZyPerUHD, ZyPerHD, HDBridge, ZvPro
- Single source on multiple displays
- Configurable floor plans
- Video wall and video tiling control integration
- No computer necessary
- Video preview and wireless control with Apple iPad
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Atlona to Unveil HDMI and USB-C HDBaseT Wall Plate Switcher Atlona will introduce its new AT-HDVS-210U-TX-WP 2×1 wall plate switcher and HDBaseT transmitter at InfoComm 2017. The company says this is AV industry’s first HDBaseT switcher/transmitter with both USB-C (think Apple MacBook connector) input support, the AT-HDVS-210U-TX-WP — which also supports HDMI connectivity.
The AT-HDVS-210U-TX-WP enables video up to 4K/UHD at 60Hz with 4:2:0 chroma subsampling to be transmitted over 328 feet (100 meters) with embedded audio, control and Ethernet signals. It has one HDMI and one USB-C input, with HDCP 2.2 compliance permitting the transport of protected content.
Auto-switching and integrated display control automatically select between the two inputs and power up the display when a laptop or presentation device is connected, enabling effortless, automated operation. Input selection, audio volume and display power can also be controlled via RS232 or TCP/IP commands, enabling easy integration with third-party control systems.
The AT-HDVS-210U-TX-WP features a U.S., one-gang, Decora-style form factor and includes interchangeable black and white wall plates and face plates, allowing discreet installation across a wide range of environments while simplifying ordering for integrators. Power is provided remotely via Power over Ethernet (PoE).
The AT-HDVS-210U-TX-WP will be available in Q4 and will list for $689.99. Here are the details. Leave a Comment
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QSC Announces Next-Generation Q-SYS Enterprise Core Processors QSC has added new products to the Q-SYS Enterprise Core category. Running exclusively on Dell server hardware, these industry-first solutions combine the processing capabilities of the Q-SYS realtime operating system with the Dell R730XL hardware platform. The result is the only IT-grade solution available on the market that brings audio, video and control (AV&C) processing into the datacenter.
These new Q-SYS Enterprise Core processors represent the first fully integrated AV&C solution demonstrating the future of the industry and its shift towards standards-based IT platforms. The use of standard, mainstream hardware reflects a typical enterprise IT environment and provides several benefits, particularly for corporate clients and global enterprises, including:
- Centralized Shared Resource: Enterprises can take advantage of the corporate infrastructure and place Q-SYS Core processors alongside other building-wide IT services such as VoIP, UC&C, as well as security and access control servers. Both the Q-SYS Core 2200 and Core 5200 processors provide up to 512×512 network audio channels while offering an abundance of raw processing power. The Q-SYS Core 2200 offers 128 built-in, fully routable acoustic echo cancelation (AEC) processors while the Q-SYS Core 5200 offers 256 AEC processors.
- Flexibility: Provides the ability to serve all meeting, conferencing, presentation and lobby spaces from a single platform designed from the outset to provide full AV&C requirements for AV/IT environments.
- Simplicity and Familiarity: Utilizes common hardware familiar to IT managers worldwide with integrated Dell Remote Access Controller (iDRAC) for simple integration with existing IT asset management and monitoring tools.
- Reliability: World-renowned robust engineering found in the Dell R730XL server platform provides IT users with peace of mind that its AV&C solution is built on industry-leading hardware, designed to last, with standard features such as dual redundant networking and hot swappable power supplies and fans.
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Peavey’s New nWare Control Suite ShipsPeavey Commercial Audio announced shipping their latest nWare 2.0 software control suite ahead of InfoComm Orlando 2017, as well as a preview of what is possible with the latest video compatibility.
nWare is the drag and drop audio systems configuration, management, monitoring and control software platform behind the MediaMatrix and Crest Audio series of network controllable and configurable products. With more than 42 feature sets and functionality upgrades since its introduction back in 2005, the configuration and control platform for Peavey’s network audio products nWare 2.0 has a new user interface, ‘quick keys’ and 22 new built-in project templates.
nWare 2.0 is the most extensive update yet to one of the World’s most trusted platforms for mission critical applications, seamlessly working with the Crest Audio network amplifiers, as well as the new MediaMatrix nTouch-180HD and Kiosk-180HD touch screen controllers, the H-DCM & F-DCM (Dante/CobraNet IO modules) and integrated with the ‘Kiosk2Go’ HTML-5 browser based control interface platform.
nWare 2.0 features include:
- Device Tree: nWare’s device tree has been reorganized, hiding advanced and arcane devices to non-advanced users and slimming down iterations of devices that were cluttering the tree. Devices can now be assigned to quick keys for more rapid placement and with the new filter option, time spent navigating the tree to find a specific device has been eliminated.
- Control Interface: Several new products have been added to the control interface; nTouch 180HD, Kiosk 180HD as well as new and improved Crest Amplifier control devices. Kiosk2Go has improved security and loading speeds and has also been hardened to better maintain and restore sessions over intermittent Wi-Fi.
- User Interface: nWare’s integrated design environment (IDE) has undergone a facelift for a far more user-friendly interface. In addition to updated graphics and toolbars, a template chooser with 22 project templates has been added — offering a starting point for new files in various categories. Handling of media assets, grid and snap settings usability have also been greatly improved.
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Draper Unveils New Video Conferencing Camera Lift Draper’s redesigned solution for hiding videoconferencing cameras above the ceiling will be on display at InfoComm 2017, June 14 – 16 in Orlando.
The redesigned Video Conferencing Camera Lift – Ceiling can now lower the camera up to 10 feet below the ceiling, and the camera remains centered. The “down” position of the camera also is more easily adjusted over a wide range to accommodate jobsite conditions or future changes in the screen.
The new VCCL design can accommodate larger cameras. It is also being offered at a much lower price, making it a more affordable option for customers and an additional profit center for integrators. Draper also can optionally attach HDMI, CAT6 and other cables to the lift to save time during installation.
When it’s on their website, it will be here. Leave a Comment
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Chief Bringing Outdoor Mounts to InfoComm Chief developed a new outdoor mount series designed to protect outdoor display investments. The new weatherproof ODM series kicks off with two durable wall mount solutions. The new mounts will be on display at InfoComm booth 2600.
Both mounts feature weatherproof design, including outdoor-rated finishing, galvanized plating and stainless steel hardware. They pair perfectly with many outdoor-rated displays for digital signage or outdoor living space applications. Chief’s outdoor mounts are made to withstand the effects of UV/sun exposure, rain, humidity and ocean air. This prevents aesthetic problems like a chalky appearance to the metal or rust that can spread to damage the underlying architecture.
The ODMLT Tilting Outdoor Wall Mount can hold 175 pounds (79.4 kilograms) and features:
- Centris technology for +5/-15 degrees effortless fingertip tilt
- GlideLock with kickstand to secure the display to the wall plate without tools and for easy cable connection
- Padlock option for additional security
The ODMLA25 Articulating Outdoor Wall Mount has a 150-pound (68-kilogram) weight capacity and:
- More than 20” (508 mm) extension range for optimal viewing from many positions
- Centris technology provides +5/-15 degrees of effortless fingertip tilt
- Quick-connect interface for easy mounting
- Padlock option for additional security
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Peerless-AV Launches ADA-Compliant Vertical Lift Carts for Education and Corporate Markets Peerless-AV has a new line of vertical lift carts (SR584VL2, SR584VL3) aimed at corporate and education settings – and all are ADA-compliant, UL rated carts that adjust the height of interactive displays with one-finger touch.
Meeting the ADA Standards for Accessible Design, Section 308, Peerless-AV’s new vertical lift carts create a mobile solution that is used in numerous classrooms and conference rooms. The carts’ mobile solution uses 4″ lockable casters, corner bumpers to prevent damage to walls and doors, integrated handles to help maneuver the cart and an extension cord wrap for fast deployment.
Key features include:
- Height adjustment up to 15.75″ (400mm) with the touch of a finger
- Intuitive and zero maintenance design
- Lockable rear enclosure for storage of a PC, power supply, and cabling
- Capacity to add an external Wi-Fi antenna
- Compliance with ADA Standards for Accessible Design, Section 308
- Accommodation for displays ranging from 90.2 to 209 pounds
- UL rating for safety assurance, passing tip, load and drag testing
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Draper Launches Acoustical Shading Solution Draper has announced EchoControl, an innovative acoustical treatment that improves the acoustics within rooms by utilizing sound-absorptive materials. Draper’s EchoControl will “officially” debut at InfoComm 2017, June 14 – 16 in Orlando. Sound-absorptive methods are already used to improve a room’s acoustics, but Draper claims that with EchoControl sound reverberating off windows now can be reduced. EchoControl fabric offers a unique combination of acoustic and lighting control and comfort. Available on both motorized and manual shades, the EchoControl has a Noise Reduction Coefficient of 0.60. In addition to their sound-absorption properties, EchoControl’s window shades diffuse light, reduce glare, control solar heat gain, and reduce fading of interior furnishings. They are GREENGUARD GOLD certified so there’s no off-gassing and they are infused with Microban antimicrobial product protection.
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dnp Launches Projection Furniture Line dnp denmark has once again teamed up with Danish furniture designers clic to create a new line of AV furniture solutions.
The new dnp LaserPanel Business range offers a manually operated drawer, as opposed to the automatically operated Executive projector cabinet. This reduces manufacturing costs and enables a lower price point without sacrificing the stylish Danish design and quality finish.
The dnp LaserPanel Business solution is available in three pre-configured versions: The Basic version combines a 100” LaserPanel display with a projector cabinet. The Classic and Plus versions comes with side cabinets for storage of presentation equipment and meeting accessories. Leave a Comment
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Video Clarity Announces ClearView Venue Player DisplayPort Video Clarity today announced the launch of ClearView Venue Player DisplayPort (DP), a video server that is spec’d to automatically plays multiple uncompressed RGB video segments to multiple screens in precise timing and sequence via the DP interface. ClearView Venue Player DP is designed for theme parks, live events, staged shows, exhibits and other environments that rely on repeated, synchronized video playback for entertainment and display.
The ClearView Venue Player DP offers from 2 terabytes up to 32 terabytes of storage and up to four channels of fully uncompressed 2K or three channels of 4K video on four DisplayPort outputs. In large venue applications that use multiple source-video signals to create one large image, image blending is included as well a the capability to manipulate the image for a curved screen or wall.
Users have browser-based control over configuration and playback from a laptop or tablet via an IP network or Wi-Fi. Here are all the detailed specs. Leave a Comment
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