Volume 14, Issue 6 — March 28, 2016
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Industry News Control & Signal Processing Media Players, Recording & Distribution Audio Digital Signage Projection Staging & Live Events Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories
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How We Roll(odex)
By Joel Rollins rAVe Columnist
Recently, a rep from a firm that we work with fairly frequently asked me to name the most important tool in my toolkit. I believe he was expecting me to name the Leatherman I constantly carry on my belt, since (among other things) he reps a line of multi-tools that are supposedly more sophisticated than the Leatherman.
However, I really messed up his sales pitch when I told him that the most important tool I possessed was my Rolodex. Unfortunately, this young man is of an age where he has never seen a rotary dial phone, let alone a Rolodex. So for those of you too young to have been in the slide rule generation, a Rolodex was a card file with removable cards that spun on a central axis (hence “roll”) and whose cards were removable so that you could take them with you if you needed to.
Now, to be fair, I have not had an actual physical Rolodex myself in many, many years. But the card file that I carry on my notebook computer and my iPhone did indeed start out years ago on actual paper cards, which I later transferred to Sharp organizers, then Palm pilots and finally to my MacBook Pro and my iPhone.
My current card file contains just over 2,700 cards.
This is because of lessons learned from my favorite business textbook, “the Godfather.”
In fact, years ago I wrote an article for this column about the great business lessons that you can learn from the Godfather. But the important one to remember here is to never let the phone number of someone who can do you a favor, or somebody who owes you a favor, to get away. In fact, not only do I try to capture all of these numbers, I try to regularly go through them, and send them the occasional email or birthday greeting in order to keep them fresh, And to keep them remembering me.
Throughout my career this has been the most important function that I do on a daily basis.
Luckily, I have spent a fairly long career in several different types of companies, from a local AV company, to a national company with offices in 14 cities and hundreds of hotels, to a very large touring staging company. In each of them, there were different kinds of contacts that I tried to maintain.
Local AV:
If you work in a company that is principally located in one or two cities, the Rolodex game is one of depth. In other words, you want to have contact information for as many people as you can among your local customers, your local suppliers and your local venues. It is all well and good to have the number for the sales manager of the convention center; however, at 2 a.m., it’s a great deal more useful to have the cell phone number of the junior security guard who has the keys to the loading dock. It is good to have the phone number of your principal client, but even better to have the cell phone number of the PA or secretary who probably knows more about the schedule for events then your principal client does. Hotel desk clerks, dispatchers at taxi companies, banquet managers, the list goes on. These are all people who can make your job easier if you know them, and having their number can make you look like that magician who can always get things done.
National AV companies:
Here you have both the requirements of a local AV company, and the necessity of having the personnel of your company in other cities in your card file. This can enable you to be a hero to your management in helping business move from one of your offices to the next without your competition getting into the loop. Paying attention to the client while you have them in your locality — listening especially for worlds they are doing business in — can get you noticed by both the client and by your company. Within the company, you begin to acquire the reputation of somebody who knows everybody. In a company with a natural national hierarchy, this can make all the difference.
Touring AV companies:
This is probably where my cardfile grew the largest. I spent several years working national trade shows and large events with an excellent staging company, where many of the senior technicians’ Rolodex files were even larger than mine. Delivery drivers, taxi drivers, 24-hour restaurants that deliver, hardware stores with their hours and locations, even that loading dock worker with a garage band who loaned you a microphone once. When you are doing business in a strange city all the time, having those numbers at your fingertips rather than having to go hunting for them can save you a lot of late nights. It takes you only a few minutes on your current road trip to curate these numbers, and it may save you hours in the future.
The other thing about taking down these phone numbers (and I would encourage you to also take notes about each person, as your card file is going to grow) is that people are always interested in people who are interested in them, and the very act of chatting with them briefly and getting their number will cause them to remember you in a friendly way the next time you need something. And, sooner or later, we all need a favor. Leave a Comment
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Confessions of a CTO Lurker
By Christopher Jaynes CTO and Founder, Mersive
Probably like any other founder/CTO in a startup, my day consists of a huge variety of things — meeting with technology partners, going to on-site visits with customers, designing products, engineering, speaking at events… the list goes on. I’ve discovered that one of my “hidden” jobs is at least as important as these other things and it’s been paying off. This job isn’t at the forefront of my job title; my board and management team hardly notice I’m doing it — but I’d recommend the same to any CTO, product manager or founder. So here’s the confession: I spend at least 1-2 hours a day “lurking” on our technical support boards and emails.
As I get my first cup of coffee in the morning I’ll skim our support email subject headers, I’ll check-in again at lunch reading support email chains, and I’ll typically take another look at the queue before I shut my laptop at night. Why? Because this is the unfiltered, raw and real-time pulse of your customers’ relationship with your products. You can find important data here about key business and technology decisions like: Where does the roadmap need to go? Are there user-experience “gotchas” that need to be explored? Are there ways to improve ease-of-deployment on the customer network?
I’ve chimed in on several email chains, directly interacting with customers on questions they’ve had about the product. These interactions can quickly become a valuable dialog about how the product is being used. Directly supporting our resellers and customers gives me a visceral view of what is loved and not-so-loved about the product. It’s how we close the loop from customer feedback to software updates quickly.
Here are the types of things I’ve been able to learn:
Customers that are using a “workaround” for a feature that isn’t immediately obvious. Gentle modifications to the user experience can create a better on-ramp to the feature without users becoming frustrated.
New uses that were not contemplated in design. Design for function and design-first thinking is a big part of Mersive’s culture. When we hear about a killer new use for Solstice (e.g., an interactive wall in a student center for open events), we want to embrace those uses in the next design iteration.
Integration and Deployment Challenges. Our software lives alongside other, sometimes complex, systems on large networks. Installing, maintaining, and managing infrastructural software may not be sexy, but it is very important. I’ve uncovered places where we can support room-control systems, enhance the operational view of Solstice on the network, and improve security — all in discussions that started in our support queue.
These are all great examples of outcomes that resulted from being a lurker in support, so is lurking the support pipeline fun? No, not always. Founders tend to take things personally (It is personal, isn’t it?), and can sometimes avoid areas of the company where input can be brutal and honest. It takes discipline, but in my opinion, it’s well worth the emotional beating it can be. I’d like to think our customers agree. Leave a Comment
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Our Digital Signage Expo Coverage Is HUGEThe largest, dedicated digital signage show, the Digital Signage Expo, was held last week in Las Vegas. And, we were there — covering it all. We sent reporters to EVERY booth on the show floor and shot videos of EVERY new product launched — over 300 of them. In addition, we shot over 360 photos of the show floor, we recorded podcasts from DSE and we wrote over 120 news stories on new digital signage gear and software.
And, we put it all in one dedicated microsite that is searchable a bunch of different ways. So, check out all our DSE coverage here. Leave a Comment
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Futuresource: Interactive Flat Panel Sales Double With to 800,000 Sold in 2015Interactive Flat Panels (IFPDs) have been a major success story in 2015. By Q4, 59 percent of all interactive display sales were IFPDs. The growth has been explosive from 18 percent in 2013, 33 percent in 2014 to 57 percent in 2015. This growth is forecast to continue up to 82 percent by 2020. The interactive whiteboard (IWB), the original technology, is in decline but combined the two technologies contributed to 1.5 million displays in 2015. (Interactive displays refers to Interactive Whiteboards and Interactive Flat Panels used in the Education and Corporate meeting room environments (does not include other applications such as digital signage).
The other focus area has been the interest in expanding interactive displays from the classroom to the meeting room. Numerous vendors produce interactive displays aimed at the boardroom, company meeting rooms and huddle spaces. At the ISE (Integrated Systems Europe) exhibition, there was an abundance of examples of how the technology, which is currently in 1 in 4 classrooms, over 10 million across the world, can start to move into companies. The argument has been, for many years that children are taught using advanced interactive display technology. However, when they venture out into the workplace they are faced with paper flipcharts and little interactive technology. The 1 in 4 classrooms with interactive displays compares with 1 in 50 meeting rooms, so the opportunity is enormous.
Futuresource expect growth of interactive displays into corporates is to start this year backed by the global power of Microsoft, Samsung, Sharp and SMART, who are all pushing hard to develop this new market. These displays have innovative features such as one-touch switch-on or even automatic switch-on when someone approaches. Simple use for everyone is a key benefit and at the end of a session, all materials can be emailed to attendees.
While Microsoft is set to focus on the top end of the corporate and higher education markets, there are now IFPDs from $3,000 (£2,100) with feature light alternatives to service SME customers.
Many have embedded PCs so they become stand-alone devices, such as the Microsoft Surface Hub that also integrates existing Microsoft platforms such as Office, Skype and One Note. There are many other time-saving features such as Sahara Clevertouch Pro with Clever Share, a USB plug-in module allowing fast connection to a laptop without the need for Wi-Fi or drivers. These products also combine simple video conferencing solutions such as Kickle’s Skype for Business, a video based conferencing solution.
The capability of touch technologies built into IFPDs is changing with the introduction of solutions such as those from ShadowSense and Flat Frog. Projective Capacitive (PCAP) technology, often found in the mobile device industry, is also starting to appear, Microsoft’s Surface Hub will have PCAP. Other manufacturers are expected to adopt the technology in the near future.
Schools are choosing larger screen sizes. In the UK and USA, the bestselling IFPD size is now 60” to 69” but the fastest growing is 70” to 79” which is an ideal size for most classrooms and accounts for 1/5 of the UK school sales and 1/3 of USA. At BETT, there were 18 vendors demonstrating 84” 4K interactive displays. 4K and multi-touch is now standard with most offering ten touch.
This 100+ page report examines the current state of interactive display market across 67 countries, exploring market segmentation, drivers and barriers as well as detailed 5 year forecasts. For more information or to make a purchase, please get in touch with Leon Morris.
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VESA Publishes DisplayPort Standard Version 1.4, Now USB Type-C and Thunderbolt CompatibleThe Video Electronics Standards Association (VESA) today announced it has published version 1.4 of the DisplayPort (DP) audio/video standard. The first major update to DisplayPort since version 1.3 was released in September 2014, DP 1.4 is also the first DP standard to take advantage of VESA’s Display Stream Compression (DSC) technology. DSC version 1.2 transport enables up to 3:1 compression ratio and has been deemed, through VESA membership testing, to be visually lossless. Together with other new capabilities, this makes the latest version of DP ideally suited for implementation in high-end electronic products demanding premier sound and image quality.
DisplayPort is a packet-based, extensible protocol for transporting video and audio data. Initially introduced as a new external interface, its flexibility has enabled its adaptation to embedded displays and incorporation into other connectors like the new reversible USB Type-C interface and Thunderbolt. Its Multi-Stream Transport (MST) capability enables high-resolution support of multiple monitors on a single display interface.
In September 2014, VESA published DP 1.3, which has been the baseline for new system development. DP 1.3 increased the maximum link bandwidth to 32.4 Gbps, with each of four lanes running at a link rate of 8.1 Gbps/lane, a 50-percent increase over the previous DP 1.2a specification. DP 1.3 added extra protocol flexibility to enable more seamless operation over the USB Type-C connector in the form of the DisplayPort Alt Mode. The increased link rate increased the uncompressed display resolution support up to 5K x 3K (5120×2880), and also upped the MST resolution, enabling simultaneous use of two 4K UHD monitors, each with a pixel resolution of 3840×2160, when using VESA Coordinated Video Timing.
DP 1.4 further builds on the capabilities of the standard’s prior incarnations. The use of video transport compression enhances the ability to take advantage of the USB Type-C connector, enabling both high-definition video and SuperSpeed USB, while also facilitating High Dynamic Range (HDR) and 8K video across the DisplayPort or USB-C connector. Examples of increased display resolution with the new standard include 8Kp60Hz HDR deep color and 4Kp120Hz HDR deep color. Other key new features include:
- Forward Error Correction — FEC, which overlays the DSC 1.2 transport, addresses the transport error resiliency needed for compressed video transport to external displays.
- HDR meta transport — HDR meta transport uses the “secondary data packet” transport inherent in the DisplayPort standard to provide support for the current CTA 861.3 standard, which is useful for DP to
- HDMI 2.0a protocol conversion, among other examples. It also offers a flexible metadata packet transport to support future dynamic HDR standards.
- Expanded audio transport — This spec extension covers capabilities such as 32 audio channels, 1536kHz sample rate, and inclusion of all known audio formats.
Here is the standard. Leave a Comment
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Display Summit China Puts Out Call for PapersDisplay Summit China is a thought leadership event focused on advanced display technologies and the whole pixel pipeline. This year’s event will focus on laser-based projection displays and related topics. Registration is now open for those interested in attending, exhibiting or presenting.
Organized by Insight Media in partnership with the Yixing Economic and Technological Development Zone and the China Video Industry Network, Large Screen Display Association, Display Summit China is the place where leading technology companies from around the world will meet to show and discuss technology, product and market opportunities and to network for business development.
The main symposium and exhibition runs on May 9 and 10 in Yixing, China. There will include simultaneous translation and an optional local company tour day is planned for May 11. Attendes can also visit CES Asia in Shanghai from May 11-13.
Confirmed domestic participants include Avanza, GTSM, Hisense, Jiangsu Cnlamp Optoelectronic Technology Co.; Jiangsu Inovel Display Technology Co.; Jiangsu Jiuyu Display Technology Co.; Jiangsu Zhongsheng 3D Display Technology Co., Nanjing CQ Laser Tech, Tsingtoo Display Technology Co., Wuxi Seemile Laser Display Technology Co.
Confirmed International participants include LIPA (Laser Illuminated Projection Association), RealD, Sony Japan, Compound Photonics, Texas Instruments – DLP, SIM2.
The preliminary agenda consists of:
- Laser Devices and Laser Phosphor Technology
• Cover trends and developments in RGB laser devices, laser phosphor materials, despecking, thermal management and optics
- Projection & Light Engines
• Advancements in microdisplays, engine architectures, optics and lenses to support high resolution and laser projection
- Trends in the Cinema Market
• RGB laser solutions, Laser Phosphor solutions, High Dynamic Range, Wide Color Gamut, 3D capabilities, Screen technology
- Standards, Laser Regulation and Safety
• FDA update, EU update, China update, Standards development issues, Safety issues
- Home Theater
• Home theater solutions (projection and flat panel), High Dynamic Range, Wide Color Gamut, 3D capabilities, Screen technology
- Laser/LED/Hybrid Projection in Other Vertical Markets
• Broadcast/Movie/Post Production, Simulation, Rental and staging, House of Worship, Visualization, Medical, Government, Command & Control
To submit your proposal in English: Chris Chinnock, chris@insightmedia.info
In Chinese: 王云娇, 1257604059@qq.com Leave a Comment
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Extron Ships 4K DTP Twisted Pair Extenders for DisplayPortExtron is already shipping its new DTP DP 4K 230 and DTP DP 4K 330, transmitters and receivers for sending DisplayPort, audio, as well as bidirectional RS232 and IR signals over a shielded CATx shielded twisted pair cable. They extend signals up to 230 feet (70 meters) or 330 feet (100 meters). Both DTP DP 4K models provide an effective means for incorporating higher resolution DisplayPort signals with embedded audio into Extron DTP Systems. They support video signals at resolutions up to 4K. The DTP DP 4K 230 and DTP DP 4K 330 also accept analog stereo audio signals for simultaneous transmission over the same shielded twisted pair cable. The compact enclosure size and remote power capability make the DTP DP 4K models good for discreet placement in lecterns, beneath tables, behind flat-panel displays, or wherever needed to meet application requirements.
The DTP DP 4K 230 and DTP DP 4K 330 streamline integration by supporting bidirectional RS-232 and IR pass-through for AV device control at remote locations. For added installation flexibility, a single external power supply can be used to remotely power the transmitter or receiver over the twisted pair cable. DTP DP 4K receiver models support Type 2 dual-mode DisplayPort, which allows source signals to be sent to a 4K-capable HDMI or DVI device with an appropriate adapter. DTP DP 4K transmitter models offer an HDBaseT output mode that provides the additional integration convenience of a twisted pair output that can send video and embedded audio, plus bidirectional control signals to any HDBaseT-enabled display.
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Calrec Audio Launches New Audio-over-IP and Video-over-IP ProductsCalrec Audio is unveiling a number of technologies that enable broadcasters to interface with multiple protocols at the same time. These technologies offer unique and comprehensive flexibility across various audio and video standards.
Calrec will showcase four new networking interfaces at NAB, including an AES67/Ravenna interface, an AVB interface and a modular I/O Dante card that also has AES67 compatibility. In addition, Calrec will debut a SMPTE 2022-7 video interface.
Each element of Calrec’s protocol range redundantly connects to Hydra2 and appears like any other I/O resource on the Hydra2 network. Hydra2’s integral suite of management tools provides additional benefits to allow remote configuration patching, port protection, alias files, virtual patchbays, and access rights.
The AES67/Ravenna and AVB interfaces are a 1U box that can transport 256 channels of audio on a single connection. A second expansion card can provide full redundancy or 512 channels of audio — one of the highest-bandwidth connections available for either protocol. The box is so versatile that it can even accommodate one of each card, allowing simultaneous operation of multiple formats.
The SMPTE 2022 modular I/O card provides either four HD-SDI streams with 16 channels of embedded audio in each, or a single UHD stream with 16 channels of embedded audio. This versatility allows a greater density of signals per connection while future-proofing infrastructures as they migrate to UHD.
Calrec’s existing Dante modular I/O card, launched at IBC 2014, utilizes Audinate’s Brooklyn II card and now offers AES67 support as standard. This combination allows access to up to 64 bidirectional channels in either protocol.
Offering this range of interfaces reinforces Calrec’s stance in the ongoing debate surrounding the future of audio transport protocols. Calrec is here. Leave a Comment
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Extron Ships VNM EC 200 Enterprise Controller for VN-Matrix SystemsExtron’s VNM EC 200 is a dedicated enterprise controller for VN-Matrix systems. It is designed to simplify management of large VN-Matrix deployments, efficiently configuring, managing, and dynamically controlling large VN-Matrix systems from a single user interface. VN‑Matrix devices can be selected in groups, and common configuration properties can be applied to all devices. Firmware can be uploaded to all devices or any group of devices in one action. Multiple VNM EC 200 controllers can be deployed in VN-Matrix systems, providing control over the entire system or independent clusters of VN‑Matrix devices or creating redundant systems for mission-critical applications.
Every VN-Matrix system includes a basic embedded Web browser interface for the configuration of encoders and decoders. This embedded interface is useful in small systems limited to a few units or systems that will be left in a fixed operational state. The VNM EC 200 provides greater processing capacity for efficient management, configuration, and dynamic control over large VN-Matrix systems. Its embedded web interface quickly organizes and sorts all devices in a system based on properties such as: unit status or type, operating mode, source, controller, or firmware version. Multiple VNM EC 200 controllers can be applied in VN-Matrix systems, providing control over the entire system or independent clusters of VN-Matrix devices.
The VNM EC 200 can also create streaming and recording system presets that can be recalled directly from an external control system. Each preset captures all device settings and defines specific streaming connection and recording actions. Recall of various streaming and recording presets greatly simplifies management and control of VN-Matrix systems.
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KanexPro Launches New HDBaseT Digital Signage Products at DSEKanexPro announced the new EXT-HDBTKVM100, a 4K HDBaseT KVM Extender and the EXT-HDRPT70, an HDBaseT Repeater with 1×2 Distribution Amplifier and Loop Out.
The 4K HDBaseT KVM Extender is ideal for digital signage applications where high resolution video, audio, USB KVM function and data with diagnostics can be sent back to the computer from the QSR display or vice versa. For users, a KVM extender can keep their work areas quieter and cooler allowing more focus and productivity. In addition, the KanexPro KVM Extender allows 4K transmission and extension over cost effective CATx cabling sending uncompressed video, audio, control, power over HDBaseT and USB for controlling your keyboard, mouse and other USB HID devices. The KanexPro 4K HDBaseT KVM Extender consists of a transmitter and receiver that are used to extend USB and 4K UHD AV up to 150 meters over HDBaseT. The USB KVM function supports USB 2.0 with display resolutions to 4K x 2K@30Hz and 60Hz and will also support 1080p HD and WUXGA. It is HDCP 2.2 compliant with CEC pass-through, supports the latest HDMI 2.0 specifications with Dolby Digital, DTS and DTS-HD audio formats. All the specs can be found here.
The HDBaseT Repeater with 1×2 DA and loop out is designed for digital signage clients looking to extend HDMI signals to two or more displays using a single HDMI device and allows users to look out to another HDBaseT repeater to daisy chain more displays making it ideal for retail, pharmacies, airports and restaurants, where it’s necessary to loop in and out to multiple displays. The device supports built-in audio de-embedding using phoenix connectors to 2-channel stereo from television speakers or an amplifier. It is HDCP 2.2 compliant with CEC pass-through and supports 4K@24, 30, 50 and 60Hz video resolutions with a 4:4:4 sampling rate up to 12 bit for better high-definition resolution support and color depths. With a built in 1×2 HDMI Splitter, the HDBaseT Repeater supports standard 1080p and WUXGA with CATx extensions up to 330 feet. More information is here. Leave a Comment
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Extron Introduces 10″ Capacitive TouchLink Pro TouchpanelsExtron just introduced 10” versions of their control system touch panels in the form of the TLP Pro 1022M and TLP Pro 1022T. Available as both wall mount and tabletop TouchLink Pro touchpanels with capacitive, edge-to-edge glass touchscreen, they are 1024 x 600 resolution. As with all TouchLink Pro models, these new, customizable touchpanels feature faster processing and more memory. The convenience of Power over Ethernet — PoE allows the touchpanels to receive power and communication over a single Ethernet cable. The TLP Pro 1022M and TLP Pro 1022T have the same sleek design as our larger TouchLink Pro touchpanels and features that make them ideal for control applications requiring fully-customizable touchpanels with flexible mounting options.
The TLP Pro 1022M and TLP Pro 1022T work in conjunction with any Extron IP Link Pro control processor and are designed for use in AV system applications that require complete, interactive control of a broad range of devices. All TouchLink Pro touchpanels operate using standard network infrastructure and are easy to install with reliable and cost effective Ethernet cable. They are customized using Extron GUI Designer software. This powerful interface design software offers ready-to-use resource kits to help design a wide variety of interfaces for rooms and presentation environments. For mounting flexibility, the TLP Pro 1022T can be removed from its base and mounted on any VESA standard mounting arm or bracket.
The TLP Pro 1022M and TLP Pro 1022T are both here. Leave a Comment
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Medialon Releases New Plugin to Control Videro Media PlayersMedialon says that its MxMVideroMediaPlayer is a new device driver plugin that makes it easy for Medialon control systems to communicate with and synchronize shows to video playback from VideroMediaPlayer. The plugin communicates with VideroMediaPlayer software over the network, allowing Medialon systems to play Channels, Playlists, and Compositions, as well as jump to the next or previous Composition, change the player’s audio volume, and of course stop playback.
Videro Compositions can transmit Timecode via the network to the Medialon system for frame-accurate synchronization of Medialon timelines to Videro media playback, which is particularly useful in 4D cinema applications.
MxMVideroMediaPlayer can be downloaded here. Leave a Comment
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Listen Technologies Introduces ListenWiFi — TV Audio in the Palm of Your HandListen Technologies is now shipping its new line of ListenWiFi products. ListenWiFi allows venues such as fitness clubs and others with multi-screen deployments offer a personal listening experience by streaming audio content from multiple TV or audio sources directly to their customers’ smartphones via the Personal Listening Wi-Fi network.
ListenWiFi delivers unprecedented audio quality, manageability and flexibility. Customers download the app, connect to the ListenWiFi network and tune into the channel displayed on the TV, with no disruption to their workout when changing machines at the gym. They can also easily manage audio channels and the app contents via the cloud.
Software for the server and app is updated automatically with no monthly fees, so venues know they can always connect to the widest variety of mobile devices and have the latest features. The flexible system can be configured with anywhere from four to 24 channels without having to replace the server. The server is compact and quiet, allowing venues to place it in a wide variety of locations. This standalone system utilizes its own Wireless Access Point to easily and reliably create a network for distributing quality audio.
ListenWiFi offers numerous benefits: fitness clubs can eliminate the costly, easily damaged audio headphone jacks on their cardio machines, and other public venues can offer their patrons easy access to the TV audio content they choose. The system uses its own Wireless Access Point for Wi-Fi broadcast of the Wi-Fi Personal Listening network. ISP connectivity provides internet access for customers connected to the Wi-Fi Personal Listening network and delivers software upgrades. Best of all, ListenWiFi is easy to install and maintain, and it comes with excellent support — and it gives users complete flexibility to stream virtually any audio source they choose, with no monthly service fees.
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Sound Devices Announces Firmware Update For Its Rack-Mount RecordersSound Devices announces firmware version 2.30 for its full line of rack-mount recording solutions, including the Video Devices PIX 270i and PIX 250i video recorders, and the Sound Devices 970 audio recorder. This update provides a number of significant enhancements, including new copy functionality and grouped playback of non-native files.
PIX 270i users now have the ability to group multiple video decks together for frame-accurate playback of non-native files, including those created in Adobe Premiere, Final Cut Pro and Avid. This new feature is ideal for use with multi-screen presentations. With this update, the PIX 270i and PIX 250i can also recognize timecode from non-native files.
The v2.30 firmware release also enables the PIX video decks and the 970 audio deck to copy recorded files and Reel folders from one drive to another without the need for a computer. Drive-to-drive copying may be initiated through the device or remotely via the PIXNET web interface.
The firmware v2.30 upgrade for these rack-mount products is now available as a free download online at the following links:
Features and changes in this firmware update also apply to the discontinued Video Devices PIX 260i video deck, which is still in use in many production applications worldwide. Updated firmware downloads for this device are available here. Leave a Comment
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Alcons Introduces Smaller LR18 Pro-Ribbon Line-Array Speaker Alcons has debuted its LR18 pro-ribbon line array. The three-way, “compact-mid-size” format line-source sound system implements Alcons’ pro-ribbon technology for mid and high frequencies and a fast impulse response with up-to-90 percent less distortion. This enables the LR18 to offer a fully intuitive linear response, with very high intelligibility and non-compressed identical tonal balance at any SPL.
The all-natural cylindrical wavefront of the purpose-designed RBN702rs 7″ pro-ribbon transducer and the acoustically and electronically symmetrical component configuration bring a remarkable pattern control in both the vertical as well as the horizontal plane, without any distortion-inducing horn constructions.
The pro-ribbon’s power handling of 1500W and RMS-to-peak ratio of 1:15, caters for what Alcons says is “a superb intelligibility and throw with maximum dynamic headroom reserve.” The MF-section features a high-efficiency 6.5” mid-range transducer with Neodymium motor-structure co-axially mounted behind the RBN702rsr pro-ribbon driver.
The LF section consist of two extended-excursion, reflex-loaded 8” woofers with oversized 3” voice-coil Neodymium motor-structure. Alcons says this 8” surpasses the output of even larger drivers in higher-category line-array systems.
The LR18 is driven by two channels of the Sentinel amplified loudspeaker controller, optimizing the system’s response by LR18-specific drive processing and feedback for each array configuration, including presets for phase-matched low-frequency extensions.
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Sterling Audio Introduces MX Series Powered Studio MonitorsSterling Audio announces its new MX Series powered studio reference monitors using their proprietary dual-axis WaveGuidanceVH technology. The series includes three models: the MX8, which features an 8-inch low-frequency driver and 1-inch silk-dome tweeter; the MX5, with a 5-inch woofer and 1-inch silk-dome tweeter; and the MX3, with a 3-inch woofer and ¾-inch tweeter.
Sterling’s WaveGuidanceVH technology claims that the MX monitors a very wide “sweet spot,” with extraordinarily wide and high dispersion allowing for even when listening off-axis both horizontally and vertically.
All three models feature variable highpass (+2, 0, or -2 dB) and lowpass (-3, 0, or +3 dB) filters that enable you to custom tune your MX monitors to suit your listening preferences and recording environment. The MX8 and MX5 provide balanced XLR, balanced ¼-inch TRS, and unbalanced RCA inputs; the MX3 offers unbalanced RCA inputs.
The MX8s will be priced at $249.99; MX5s for $149.99 and the compact MX3s will be 99.99 for a pair. More specs are here. Leave a Comment
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Audio Authority Debuts SonaFlex App for Simple Zone ControlAudio Authority announced an app for mobile devices that controls the SonaFlex SF-16M Matrix Amplifier. It uses SonaFlex’s zone control feature for quick source selection and volume control over a Wi-Fi network. Users can also adjust bass and treble, turn on loudness, and mute each zone. Right now the beta version for Android phones and tablets is available on the Google Play Store, but an iOS version will soon be available on iTunes.
The app is just one more control option in addition to third-party home automation systems that can control the SF-16M via serial or IP network communication. Its open control architecture allows systems including Control4, URC, RTI or Crestron to have full access. Audio Authority offers a full-featured setup utility for Macintosh or Windows, capable of adjusting every SonaFlex feature, from advanced DSP to Sound Scene presets. Audio Authority recently released a new Control4 driver that is fully compatible with all SF-16M features as well.
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Video Devices PIX-LR Audio Interface for PIX-E Series ShipsVideo Devices has announced that the PIX-LR audio interface for the PIX-E Series of recording monitors is now shipping worldwide. The PIX-LR is an optional accessory that provides the PIX-E5, PIX-E5H, and PIX-E7 monitors with XLR inputs and outputs. It also features signature Sound Devices-designed mic preamps, accurate LED metering and dedicated transport and gain controls.
The PIX-LR easily and securely mounts to the bottom of any PIX-E Series monitor via a 1/4-inch 20 thread screw. Constructed from die-cast aluminum, the PIX-LR derives power from the monitor to which it is attached. It also offers two dedicated gain controls and illuminated, 23-segment LED metering.
Other features include two extremely low-noise, wide-gain XLR-3F connections for active-balanced, analog mic-level inputs (one and two), and two standard, three-pin XLR-3M connections for balanced, analog outputs. Large dedicated backlit transport controls for record, stop, play, fast forward and rewind. PIX-LR also comes equipped with high-quality limiters with LED indication to prevent distortion, as well as high-pass filters for reducing unwanted low frequencies such as wind noise. Additionally, for fast level control, the PIX-LR has dedicated gain controls, which may be recessed when not in use. Inputs 1 and 2 may be linked for stereo level and pan control. The audio interface also supports 48V phantom power for condenser mics.
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CastNET Introduces CastNET Sports SolutionsCastNET just launched something called Sports Solutions — a new family of digital signage products that will enhance the fan experience and increase sponsorship opportunities at collegiate and professional sports venues.
CastNET Sports Solutions uses the award-winning CastNET digital signage software, along with IPTV distribution hardware, to stream multiple channels of live game day content to screens in concourses, suites, press boxes, and concession stands. CastNET Sports offers a variety of modules that integrate real time data sources like game clock and score, player stats, social media, menu boards and much more. Fully branded and multi-zone sponsor advertising and venue promotions can be displayed on the side and bottom of the screens while showing live game day content.
- CastNET ConcourseView enables venues to distribute live IPTV game day events on concourse screens with messages from sponsors and advertisers along the side and bottom of the screens.
- CastNET SuiteView allows suite guests to control multiple channels of game day, satellite TV, or cable TV content using a tablet channel.
- CastNET StatsView shows in-game and pre-game statistics full screen. Data from numerous internal and external sources can be added.
- CastNET MenuView screens are installed over food and merchandise concession stands and easily integrated with POS systems.
One of the most important features included with CastNET Sports is an easy yet powerful software tool called CastNET GameDay Control. Authorized personnel are able to manually switch screen content throughout a sports venue using a simple web browser playlist. Stadium-wide manual switching is important because an operator, for example, never knows the precise time for the start of the half or end of the game.
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LG Intros 86″ “Stretch” 7-foot Wide by 1-foot Tall, 4K Resolution MonitorLG introduced an 86-inch “Ultra Stretch” digital signage monitor at DSE aimed at transportation, retail stores, banks and museums.
Using an aspect ratio of 58:9, the Ultra Stretch Signage monitor measures seven feet long and one foot wide. Dubbed the LG 86BH5C, it’s a 4K Ultra HD resolution and uses LG’s Picture-by-Picture technology, which allows the user to divide the long, rectangular signage into four seamless screens in landscape or portrait installations.
Offering integrators a range of customization options, the monitor supports lateral tiling by linking together 1×4 or 4×1 landscape or portrait installations, and up to a 4×4 installation with a daisy chain configuration. The LAN daisy chain allows users to control and monitor devices, distribute content and update firmware. These unique features empower users to customize the display to maximize content and impact.
LG’s 86-inch Ultra Stretch Signage monitor has a host of other features including LG’s SuperSign media editor that allows users to easily edit images or video clips of original content without the need for additional editing programs.
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Altinex Announces VP500-103 High Resolution Media PlayerAltinex’s new VP500-103 Media Player is designed for meeting rooms, lecture halls and presentation environments. The VP500-103 includes a 500 MB USB flash and selectable NTSC/PAL or HD output resolutions.
The VP500-103 can also accommodate SD, SDHC and MMC memory cards. The VP500-103 supports a variety of file formats including MPEG1 for 480p or 720p video playback as well as MPEG2 for 1080i or 1080p video content. Additionally, the unit offers support for multiple still image formats, including JPG, BMP, PNG and GIF — making it quick and easy to incorporate one’s company or school logo for display purposes. In addition to video content, the VP500-103 can also play audio files, including MPR, WMA and WAV file formats.
The new Altinex VP500-103 is designed for ‘idle image’ playback. Upon power up, the VP500-103 player automatically plays a default track and continuously loops that track until a new track selection is made using the included handheld remote control. The default track loops seamlessly from the end to the beginning without any artifacts in between. This track can be a fixed image (such as a company logo) that is continuously displayed or a video file that plays in a loop. And with its HDMI video output, the VP500-103 provides stunning picture and sound quality over a single cable.
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BenQ Intros New WXGA Short Throw ProjectorBenQ’s new MW883UST is a native WXGA (1366×768) resolution single-chip, short-throw projector.
Spec’d at 3,300 ANSI lumens and a 10,000:1 contrast ratio, the MW883UST has something BenQ calls PointWrite, an interactive module aimed at adding collaboration capabilities to the classrooms of budget-conscious schools. PointWrite allows teachers and students to interact easily with and annotate course material on-screen. Additionally, BenQ QWrite interactive software allows teachers to capture and save lessons easily so that students can be more fully immersed in the class and get the exact notes as they appear on the board. Wireless connectivity and content sharing is enabled via an optional QCast dongle.
Featuring dual HDMI ports (one being MHL-compatible), a USB reader for PC-less presentations and document saving, an integrated wireless docking port to house accessory dongles and powerful 20-W audio, the projector is a stand-alone entry-level system for schools. The MW883UST can be placed just a few inches from the projection screen and can project images up to 140 inches.
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Proxima Debuts Another Laser Projector in LP8500UProxima has another laser-phosphor projector in the form of a 8500-lumen LP8500U, a single-chip, DLP-based WUXGA (1920×1200) resolution projector. The LP8500U is a water-cooled laser diode-based projector that has one VGA input, two HDMI inputs, a combo DVI/Display port input, an HDBaseT input and LAN RJ45 inputs for control and content management. The LP8500U ships with the standard lens and offers four additional lens options, from rear projection through long-throw lens capability.
The Proxima LP8500U is spec’d at 20,000 hours. All the details are here. Leave a Comment
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Studio Technologies Unveils Model 211 Announcer’s ConsoleStudio Technologies just introduced the new Model 211 Announcer’s Console, designed to serve as the audio control center for announcers, commentators and production talent. The unit integrates all on-air, talkback and cue audio signal routing into one compact system with the configuration flexibility to allow optimization for a wide range of applications. For simple installation, standard connectors are used to interface with analog microphone, headphone, talkback and talent cue signals. Whether the Model 211 is used for microphone switching, talkback output or headphone cue feed, superior analog audio quality is maintained.
Key Model 211 features include mic preamp with selectable gain and P48 phantom power, two line-level cue inputs, two pushbutton switches that offer programmable “click-free” audio path control and transformer-balanced main and talkback outputs to maximize quality and reliability. The mic input is compatible with balanced dynamic or condenser microphones and incorporates a preamplifier circuit that provides low-noise/low-distortion amplification over a 20- to 60dB gain range in 10dB steps. The main output is intended for use as an on-air, stadium announce or other primary audio feed. The talkback output contains resistors in series with its output connections, allowing the user to directly combine talkback outputs from multiple units.
Extensive configuration choices are accessible via DIP switches located on the bottom of the tabletop unit’s enclosure. A broad range of configuration choices let users easily select their desired operating parameters. The Model 211 was designed and built with professional-quality components throughout to deliver the highest quality audio and reliable performance. Audio routing is performed using solid-state devices and each critical audio path features “clickless” electronic switches for noise-free control. All inputs and outputs make extensive use of protection components to help prevent damage from “real-world” signal anomalies.
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Schertler Intros Arthur, the Mixer You Design and Build YourselfSwiss manufacturer Schertler just unveiled a really cool product: the Arthur Format48 mixer — it’s a new modular mixer that can be designed and built by the user. Yes, you read that right!
The mixer can be created from a choice of eight different Class A input and output modules. These include a Mic Input unit, Yellow instrument input unit, Stereo Input unit and Spring Reverb unit, as well as L/R Master, EQ Master, Aux Master and external Power-In units. The units, which can be combined in any order and quantity, contain all the standard features you would expect to find on other mixer channel strips, as well as some more innovative functions for enhancing workflow and ensuring best possible sound quality.
Arthur’s electronic design is also very interesting as they say it’s completely absent of negative feedback (NFB) from input to output. According to Schertler, all filters and summing amps are free from restricting back loops in the mixer’s straightforward high-speed design. This results in an ultra fast response and a natural attack, neither of which is achievable with NFB circuitry. All circuits are built using discrete components (in Class A) and pure high-voltage DC-amps (without any capacitors in the signal path), offering 30dB headroom and low noise, as well as what Schertler says is unparalleled stability, warmth and transparency.
Combining the various mixer modules is a straightforward process involving a series of connecting rods and hexagonal screws. Users have total freedom to design their own personal channel sequence, as there are no mechanical or electrical restrictions. The number of units that can be included depends the power supply used: For simpler combinations of eight or 16 units, there is a choice of two compact power supplies. A further high-end power supply is also available for use with any combination of units ranging from only a few to as many as 60. (For larger combinations, power-in units are also required.)
Once Arthur has been built, the user still has freedom to customize the unit sequence and add further units, should additional mic or instrument inputs be required for example.
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A Unique LED Screen Support System from Upstage VideoA few years ago, Upstage Video’s product development team wanted to develop a cost-effective solution to support small LED screens for their clients. Features of the new design had to include ease of use, portability and various configuration options. The result is a four-legged LED screen support system called the V-Tower. This brand new design offers a compact and sleek alternative to traditional truss and staging support options currently in the rental and staging market.
The V-Tower wasn’t designed to replace large screens; it was simply designed to open up new opportunities at live events. It’s no secret that event producers are taking a closer look at their safety procedures and how to improve upon them. The V-Tower’s small design allows for strategic placement locations in large crowds to transmit emergency messaging. Pertinent event information including safety and evacuation procedures can easily be displayed with the switch of a button.
Experiential marketers, sporting event producers and corporate trade show organizers will benefit from using the V-Tower to display sponsorships and advertising information. Participants and attendees will be able to view video content from any angle of screen due to the V-Tower’s various configuration options, from a one-sided to two-sided or three-sided structure with a 5’x8’ standard size screen. Multiple screen size configurations are also available.
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FSR and Connectrac Partner to Sell and Support Wireways LineFSR has announced its partnership with Connectrac, manufacturer of Wireways. Wireways is a floor-based series of cable management solutions for bringing power, data and communications from the wall to all interior commercial applications. The newly branded partnership, FSR+Connectrac, will allow FSR to extend its product line and offer customers the ability to run cabling across the floor in an organized fashion, while the wiring remains unseen.
FSR+Connectrac offers users in the professional AV market two options: In-Carpet Wireway, which furnishes discreet and elegant power and technology connectivity in open interior spaces of all kinds, and the On-Floor Wireway, which installs directly on top of any type of flooring.
The In-Carpet Wireway combines an extruded aluminum central wireway flanked by ultra-low sloping floor transition ramps, creating a subtle, powerful and beautiful cable pathway solution for virtually any need. Extremely durable and flexible, the FSR+ Connectrac In-Carpet Wireway offers a multitude of power options and telecom capabilities. FSR+ Connectrac is ideal for open space connectivity.
The FSR+Connectrac On-Floor Wireway system installs directly on top of any type of flooring. Also durable and low-profile, it offers a wide array of power/AV/telecom connectivity options. The FSR+Connectrac On-Floor Wireway leads the industry in both ease of installation and capacity for telecom/AV cables. In-Carpet and On-Floor Wireway are the best solutions when aesthetics, speed of installation, flexibility and value are critical.
For use in conference rooms, workstations, training rooms and classrooms, both Wireway options offer such features as: low-profile extruded aluminum wireway, cable pathway with no core drilling or trenching, a multitude of power and telecom/AV options, pre-wired power components for speedy installation, removable wireway top cap for ease of changing cables, multiple finishes and ADA-compliance. In-Carpet Wireway offers moisture-resistant MDF floor transition ramps; On-Floor Wireway installs directly on top of any type of flooring and is ideal for low-traffic areas.
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Channel Vision Enlarges Enclosures for Larger Electrical KnockoutsChannel Vision has renovated its 19” enclosures to feature larger electrical knockouts than previous models. The modification provides more space for installers to work with and facilitates the installation of networking modules. The company has also reinforced its packaging of all enclosure and cover doors to protect products from any damage inflicted while in transit.
Electrical knockouts on 19″ enclosures are now 2.36″, almost an inch larger than the previous model (1.75″). With the extra space, installers will be able to work more quickly and efficiently with networking products in the enclosure. Enclosure sizes include 12″, 19″, 28″, 38″ and 50″. The company also manufactures extension rings for 50″ enclosures that allows up to 100” of functional enclosure space for larger projects.
Channel Vision recently released 12” plastic enclosures with built-in cover doors. These enclosures are sold in master packs of five, and function as an efficient and economical solution for production builders. On the other end of the spectrum, Channel Vision’s tinted designer glass doors and framed double doors offer an attractive alternative to the typical look of a structured wiring unit for custom and luxury homes.
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Elite Screens Debuts Whiteboard Projection ScreensElite Screens recently announced the launch of its new line of whiteboard projection screens. The multi-role combination of a whiteboard and theater-grade projection screen is interesting for a classroom or training facility. The Whiteboard Screen-TE or “Thin Edge” classroom projection screen combines the two most vital classroom visual aids by providing theater-grade imagery and a dry-erase writing surface within one well made design. A standard whiteboard is ill-suited to be a projector screen. Between surface glare and distracting color shift, regular whiteboards impede the instructor’s attempts to present a clear message. The Whiteboard Screen TE provides superior picture quality free from glare and with full color neutrality.
The Whiteboard Screen TE is the latest in Elite’s line of whiteboard-projection screens designed to work with Standard, Short Throw & UST projectors. It uses Elite’s Versawhite dry-erase material over a magnetic backing. The Versawhite material is made of a 1.1 gain matte white projection surface that gives clear color reproduction and a wide viewing angle for limitless training/classroom applications. The material is coated with a scratch-resistant optical nanotech resin. This allows the screen to also serve as a dry-erase board. Lastly, this product is GREENGUARD certified for indoor air quality compliance. It is important to make sure that the synthetic products you use are not emitting potentially harmful chemicals into the air that you and your students breathe. This certification guarantees that this product meets the strictest safety requirements for indoor air quality emissions.
The thin-edge design serves two purposes. First, it’s 5mm edge bezel protects the screen’s exterior while allowing the instructor to maximize presentation space. Second, it has an aesthetically pleasing appearance that also supports a utility tray. Also referred to as an accessory tray, it has a stout design that not only holds all the dry-erase essentials but can act as a support for the various interactive whiteboard accessories on the market today, in essence, turning your projection surface into a large interactive video display.
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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