Volume 14, Issue 14 — July 21, 2016
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Industry News Audio Control & Signal Processing Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories Unified Collaborative Conferencing Projection Staging & Live Events Media Players, Recording & Distribution
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THE Best of InfoComm 2016 Awards are Announced
Welcome to rAVe’s annual Best of InfoComm 2016 Awards! It’s tough to pick out the best and the brightest from the thousands of products and hundreds of exhibitors introduced on the show floor. After much consideration, our entire team picked what we thought were the best things on the show floor. Congratulations to all the winning companies!
To see videos of all the products from the show floor, check out our complete InfoComm 2016 coverage.
Click each link below to see the winner and watch a video or read a story about the product.
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Why Pokémon GO Matters to the ProAV Market
By Gary Kayye rAVe Founder
In case you’ve been living under a rock, been attending too many boring AV-oriented sales presentations disguised as educational webinars OR are not connected to anyone on Facebook, Twitter, Snapchat or Instagram, there’s this new mobile app game called Pokémon GO that’s taken the world (and not just the tech world) by storm.
Pokémon GO is an incredible example of the gamification of augmented reality for the masses. Simply put, you discover and capture the Pokémon all around you — in the real world — using the game app and your phone’s camera (plus a cool integration of Google Maps). The more you find and capture, the more points you get.
The designers of the game — John Henke, CEO of Niantic Labs, along with Nintendo — even admitted that an impetus for making it was the exercise potential of kids. You see, you have to get up off the couch and find the Pokémon by actually walking around your house, neighborhood, town, etc. And, to earn eggs, you actually have to run (or at least walk) a mile, a 3K or even a 5K. It’s genius — and it’s working. Just go to your local mall, outdoor recreational area, park or town’s gathering area and you’ll actually see kids AND adults holding their phones up NOT to text, but to play this augmented reality game.
So, why should ProAV care?
This game is HUGE — you should NOT underestimate the eventual trickle-down effects.
Six years ago, I wrote a series on how the projector is starting down its death path and described how we would all, eventually, be carrying around Personal Information Displays (PIDs). So now it’s 2016 and we’re all carrying phones. Most of us attend meetings with tablets or laptops, too, but we all still have our phones.
So, the age of the PID is here. And, if you stop to think, you’d already realized this was upon us — it just wasn’t affecting you much yet. But it had already affected your kids. In fact, I will bet you that nearly every person reading this who has kids will agree that their kids watch WAY, WAY more TV on their PIDs (e.g., phone, laptop or tablet) than they do on the “enchanted box” known as the TV. It’s both time-shifting TV and place-shifting as now, even though you wouldn’t buy them a TV for their room, they are watching it — just not on a traditional TV. So the PID shift has already happened to virtually every one under the age of 25.
When will the rest of us? Well, that was the piece I hadn’t figured out. It’s been years since kids have shifted to the PID, but us old people still rely on the fixed-screen format of the TV. And, most older people playing video games play them on Xbox, Playstation, etc. — even though our kids are playing well over 85 percent of their games on an iPhone or Android device.
Then on July 6th, 2016, Nintendo’s gaming group released Pokémon GO and all of a sudden you have parents (regular adults) who are using their own PIDs to play a game. This is a first.
Sure, we’ve all had a quick FaceTime call via the PID and maybe a Skype call via the PID, but we haven’t replaced the desktop imaging device we use with a cell phone — even though the iPhone 6 Plus has more computing power than a desktop from three years ago.
We all also walk in to meetings with a PID — all the time. Yet we all still stare at the ProAV’s version of the enchanted box (aka projector or LED screen).
So now that we’ve seen the way (the way our kids already saw it three, four or five years ago) — and that it’s OK to use a PID for more than taking calls — how much more time before the giant wall-mounted screen gets displaced by the PID that’s already right at your fingertips all the time?
Sure, you think it doesn’t help any of us in ProAV to tell a client that he shouldn’t buy a projector or monitor and should just use his mobile phone instead. But you are wrong!
We are in the business of simplification of pushing content — not the just the business of displaying content.
Don’t get caught off-guard; this isn’t just a fad — Pokémon GO is the very beginning of something big. The very beginning — remember, it’s only been out nine days. Leave a Comment
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Polycom Will Not Merge With Mitel — Will Be Purchased By Siris Capital for $2 BillionPolycom said today that it plans to end its merger agreement with technology company Mitel and will instead be purchased by private equity company Siris Capital Group for $2 billion. Siris offered $12.50 per share, which is an approximate 14 percent premium over Mitel’s offer, which included both cash and stock. Siris’ offer is a total cash offer. Mitel said today it would not match the offer from Siris, which it had the right to do under the previous agreement.
“Polycom has a 25-year history serving the audio and video collaboration needs of the most demanding enterprises and is a globally recognized brand synonymous with innovation and the highest quality. We are very excited for the opportunity to partner with Polycom and its leadership team, as the Company fits well with Siris’ investment focus on mission-critical telecommunications businesses,” said Dan Moloney, Siris executive partner in a statement released by Siris. “The industry is transitioning to a hybrid on-premise and cloud- based Unified Communications environment. We believe that as an independent private company, Polycom would be best positioned to continue its heritage as a best-in-class communications solutions provider to more than 400,000 companies and institutions, channel partners, and the evolving Unified Communications ecosystem.”
The new deal is expected to be completed in the third quarter of 2016. The offer is in place until July 15th, according to Siris’ press release, and is dependent upon a termination agreement from Mitel (which comes with a $60 milllion price tag), but it appears that all parties are in agreement about the new deal going forward and the old one ending.
Polycom is here. Siris is here. Mitel is here. Leave a Comment
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Stampede Buys Just LampsStampede announced that its European subsidiary Stampede Europe has acquired all of the assets of Just Lamps, including the affiliated brand Diamond Lamps.
“This acquisition should serve as a model for the entire 21st century ProAV industry,” declared Stampede CEO Mark Wilkins. “It brings together two companies that possess market leadership, proven business models, subject matter expertise, and well-built sales and marketing infrastructures and combines them into one new global powerhouse that will immediately impact the way manufacturers go to market. Stampede is now the only AV specialist able to offer value added distribution in the United States, Canada, Latin America, Europe, Asia, and Australia.”
According to Stampede President & COO Kevin Kelly and Just Lamps Managing Director Dave Bethell, the acquisition does indeed meet the strategic growth objectives of both companies. “This acquisition instantly turns Stampede into a major global distributor that can offer our North American manufacturer partners an effective worldwide distribution solution that meets the Stampede standard for excellence in sales, service and support. This presents a huge opportunity for manufacturers looking to simplify their distribution programs by anchoring them in one global leader. They can now leverage the expertise of the world’s largest team of dedicated ProAV sales professionals that are 100% dedicated to the ProAV business.”
“At the same time,” continued Just Lamps Managing Director Dave Bethell, “it provides Stampede’s North American resellers with immediate access to the world’s best assortment of replacement projector lamps! Our team of lamp experts will now become part of the Stampede sales team and be able to support their projector lamp sales and support efforts. This acquisition really does transform the global distribution of ProAV products, creating amazing new opportunities for both companies, their partners, and their resellers.”
The acquisition is the latest in a series of strategic moves Stampede has undertaken to strengthen its position as the world’s leading AV specialist. In February of this year the company announced its expansion into the European market with the launch of Stampede Europe. Last year the company succeeded in making drones and Drone Video Systems profitable new business categories for ProAV resellers. Previously, Stampede played a pivotal role in establishing and developing low cost video conferencing, unified communications, and drone video systems as sustainable revenue generating product categories.
“Stampede has always been, and will always be, focused on identifying and harvesting new business opportunities that increase the value our resellers bring to their customers,” Kelly said. “The global landscape of technology in all of the vertical markets we serve will continue to expand, requiring that traditional categories and new technological breakthroughs be combined into integrated systems that meet the ever changing needs of customers. Our commitment is to always be there first, ahead of the herd, with the right solution that customers need.”
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InfoComm International Releases New Standard for Display Image Size InfoComm International has announced the release of a new standard for sizing displayed images for audiovisual systems: ANSI/INFOCOMM V202.01:2016, Display Image Size for 2D Content in Audiovisual Systems.
Displays are essential to the working process in many environments, and viewers depend on the displayed image to convey information efficiently. Currently, the methods audiovisual professionals use to calculate appropriate image size aren’t attributed to a particular source. Therefore, a task group of subject matter experts developed the standard in order to establish universal methods and metrics for determining image size.
Display Image Size for 2D Content in Audiovisual Systems determines required display image size and relative viewing positions according to two defined viewing needs: basic decision making and analytical decision making. These two viewing categories are derived from ANSI/INFOCOMM 3M-2011 Projected Image System Contrast Ratio (PISCR). Image height, image resolution, and the size of image content are all prescriptive elements when determining required image size. The standard also addresses closest and farthest viewing distances, as well as relative horizontal and vertical viewer locations. It provides formulas to design and display content when encountering limitations in an environment. In addition to the standard, InfoComm will be providing a calculation/assessment tool on its website for determining proper display image size based on viewer needs.
“Until now, the AV industry has used guidelines that served their purpose in a different era, but whose provenance and basis could not be verified. The task group went back to basics and also referenced leading research and military standards,” said Greg Jeffreys, director of visual displays Ltd. and moderator for the standard task group. “As a designer and maker of large-screen displays, this standard will have a significant impact on my professional work. It will enable me to help clients to define what a good user experience comprises, and it gives me the tools and metrics to deliver just that.”
“Content has historically been a part of the design consideration for image size. Content description, however, has been vague and its interpretation has been up to the designer,” said Dick Tollberg, CTS-D, senior design engineer for AVI-SPL and member of InfoComm’s Standards Steering Committee. “Before the standard, there was no way to quantify content in such a way that the designer could ensure that the image size was correct. The standard gives direction to the creators and presenters of the content, while allowing the designer to use familiar methods to determine the correct image size for a given room. If the designer and the content adhere to the standard, the designer can guarantee that the image size will be satisfactory for all room participants.”
“InfoComm’s Standards Steering Committee saw the need to develop an accredited standard that would provide guidance for sizing displayed images, regardless of the technology being used,” said Ann Brigida, CTS, director of standards, InfoComm International. “Current best practices held up for many years, but the advent of increasing resolutions and technologies presented challenges to designers and integrators when they tried to apply old science to new scenarios. The task group worked tirelessly to make sure the standard is scalable and adaptable. We anticipate great interest in this topic from many markets, not just our industry.”
To access the standard, go here. Leave a Comment
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iPoint Control Adds Slack IntegrationiPoint today announced that iPoint Control, its business automation tool, is fully integrated with Slack, a messaging app for teams. With Slack, iPoint Control team users can send messages to individuals or groups of people through channels, replacing email as the team communications tool with an integrated, simple chat function that disseminates critical business messages and information more efficiently. Slack is available on all devices including Windows, Mac, iOS, Apple Watch, Android, and any web browser.
iPoint is a powerful notification engine that provides trigger-based notifications as users interact with the system. It is designed to streamline many functions into a single platform, including CRM, proposals, sales orders, change orders, invoicing, payment management, purchasing, inventory control, project management, scheduling, parts and time tracking, payroll, and more. Previously, the system notifications were sent to email. Now, with Slack fully integrated into iPoint Control, users have a dedicated notification system accessible from any device, ensuring every iPoint communication is received without adding more messages to an already full inbox and slowing down productivity.
With Slack, any team member can be added and create channels, allowing them to subscribe multiple team members to a single communication channel. iPoint sends notifications to the Slack users and channels in place of email accounts. With messaging in one place, Slack extends iPoint Control’s simplicity and versatility to become a comprehensive business operations tool for any scenario. For example, users can:
- Create a “Sales Team” channel in Slack. Any time a proposal is accepted, iPoint can send a notification to that channel, motivating all sales team members by alerting them to the closing of another sale.
- Create a “Project Management” channel. Any time a sales order is paid, iPoint can send a notification to that channel, reminding project managers to review their schedules.
- Automate individual notifications sent from iPoint to the company technician user in Slack when a new work order is assigned to that technician. All of that technician’s notifications are saved and indexed, bypassing email and increasing efficiencies and productivity.
More information about iPoint and the iPoint Control platform is available here. Leave a Comment
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2015 Video Wall Market Hit $3.4 Billion US Futuresource Consulting has released the sixth edition of the global video wall report, which has monitored the adoption of technologies in the tiled display market since 2003. In 2015 global sales reached over $3.4bn and trends indicate that this category will sustain double digit growth out to 2020, with the market becoming more dynamic than ever before.
This yearly Futuresource tracker reviews the penetration of the more established technologies such as rear projection cube (RPC) and super narrow bezel (SNB) then compares and contrasts this with the newer, emerging display technologies such as narrow pixel pitch (NPP) LED category which, is an incredibly disruptive force in the market with most major international vendors now adding the technology to their display ranges.
“Much of the growth in the global video wall market has been driven by SNB, with RPC remaining remarkably resilient in this increasingly challenging environment,” commented Chris Mcintyre-Brown, associate director displays & broadcast equipment at Futuresource Consulting. “NPP LED had a fantastic year, with total values reaching $678 million in 2015. This represents 3 times both the volume and value reported in 2014. This growth is being driven by falling ASPs for all pixel pitches as well as the introduction of the 2020 and 2121 SMD LED package, encouraging many local Chinese vendors to go into production.”
Other co-existing technologies in this space such as RPC, closed the year positively, being 1 percent up on 2014 volumes were it saw a drop in sales, demonstrating the resilience and longevity of this product segment.
The report highlights that LCD narrow bezel video wall experienced another massive year in 2015 showing 21 percent year on year (YoY) growth. LCD video wall saw the introduction of extra narrow bezel (ENB) product in 2015. This development is expected to gain more market share in the control room space, where near-bezeless product is desired.
The report also compares and contrasts vertical adoption across geographies, applications and technologies. In China there were found to be a greater focus on the control room environment and corporate sectors with the international market being dominated by corporate, exhibition, broadcast and retail applications.
Each technology platform has clear advantages across key vertical markets. RPC is still very focused on control room applications. LCD video wall is still the go-to technology for public facing applications and NPP LED has had significant success with corporate/exhibition and broadcast verticals.
If you are interested in finding out more regarding the latest Futuresource AV reports: Video wall, Corporate End User, Virtual Reality (VR) and 4K, get in touch. Leave a Comment
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rAVe Founder Gary Kayye to Keynote Integrate 2016 Show in AustraliaThe 2016 version of Integrate, Australia’s version of the ISE show — combining both ProAV and HomeAV into one event — will feature the debut of Gary Kayye’s latest keynote — The Future of AV: It’s Revolutionary, sponsored by Crestron. The show is held 23-25 August, 2016 at the Sydney Showgrounds, Olympic Park, Sydney Australia.
There have been been many evolutions in AV over the past 30-years, but no revolutions. But, we are getting ready to experience the first true AV revolution. Are you ready for it?
Some would argue that the movement from analog to digital was revolutionary in AV, but not Integrate’s 2016 keynote speaker for Day 2, Gary Kayye. Kayye says that, although that shift could be labeled as disruptive, it wasn’t revolutionary. In fact, Kayye says we’ve never seen anything as disruptive as we’re about to see — and it’ll happen by the end of this decade.
Kayye’s keynote, “The Future of AV: It’s Revolutionary” won’t just be about where we’re going to be five years from now. In fact, he’ll take you through the journey (step-by-step) we’re going to experience to get there. Then, he will tell you the four things you need to do to prepare your business for the Future of AV.
This will be a session you won’t want to miss. Kayye is a lively, entertaining and detailed speaker who promises to tell you what you need to know about this AV revolution, how you can prepare for this AV revolution and why this is the Future of AV.
To learn more about Integrate Australia, go here. You can actually register to attend here. Leave a Comment
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New Power Pod PA from AmpliVox DebutsAmpliVox Sound Systems introduces its new Power Pod PA SW245, an ultra-compact audio unit designed for durability. Weighing just six pounds, this powerful 50-watt PA brings clear sound to classrooms, tour groups, playgrounds, and meetings with audiences up to 300 people. It offers the ultimate in flexibility with a rechargeable battery that runs for up to eight hours and a wireless microphone range of up to 100 feet.
The Power Pod PA System is designed to go anywhere, with a rugged design to stand up to outdoor use and frequent carrying. Presenters can use one wireless microphone (either a handheld, lapel, or headset, all included in the system), with auxiliary inputs available for an additional wired mic or external audio device. The powerful 6.5” full range speaker projects clearly in spaces up to 5,000 square feet, with an additional port below the speaker for increased bass and sound projection. The unit offers a wide range of multimedia capabilities, including a media player with USB/SD inputs with recording capabilities and an FM radio with remote control. Powered by an integrated, rechargeable SLA battery, the Power Pod PA runs for up to eight hours of working time and 30 hours of standing time. The entire Power Pod PA transports easily in a custom carrying case with storage pockets for its accessories.
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Wohler’s AoIP Module for AMP2-16V Series ShipsWohler Technologies has announced that the new Dante module for the AMP2-16V Series Audio Monitors is now shipping – this is part of a company initiative to bring Wohler’s audio monitoring solutions into the AoIP domain.
First introduced at NAB, the new Dante-capable module adds audio-over-IP monitoring functionality to the AMP2-16V platform. The AMP2-16V Series is a 16-channel, 2-RU A/V workstation with a complete suite of tools for analyzing and managing audio quality, level and loudness, metadata and more. By adding this module, thousands of existing users can begin monitoring audio using the Dante networking protocol without a significant additional investment and without changing their existing workflows or cable installations. A Ravenna-capable module will also be released shortly, adding additional audio-over-IP protocol options for users.
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Audio-Technica Intros ATUC-50 Digital Wired Discussion System Audio-Technica has introduced the ATUC-50 Digital Wired Discussion System – including the ATUC-50CU control unit, ATUC-50DU discussion units and the ATUC-M43H and ATUC-M58H gooseneck microphones. The ATUC-50 system provides 24-bit/48 kHz uncompressed digital audio, multi-mode operation, a 12-band feedback suppressor, ability to record a meeting directly to a mass storage device on the front of the control unit and interpretation channels. And a choice of two gooseneck lengths is available: the ATUC-M43H at 17″ (430 mm) and ATUC-M58H at 23″ (580 mm).
Using standard Cat5, 6 or 7 cables, a complete system can support up to three ATUC-50CU control units and 150 ATUC-50DU discussion units can be connected in either daisy chain or ring topology (for added redundancy) and controlled from any web browser with no need for additional software installation. Audio-Technica says that configuration via Web Remote Control is simple and quick, with settings able to be stored as presets for easy recall.
The Audio-Technica ATUC-50 Wired Digital Discussion System ii shipping and all the specs are here. Leave a Comment
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Sound Devices and Ambient Recording Partner on Wireless Control Sound Devices and Ambient Recording announced that their products can now seamlessly work together to provide wireless remote control and enhanced workflow functionality for 6-Series Mixer/Recorders. With its latest firmware updates, Sound Devices’ 6-Series mixer/recorders and Ambient Recording’s ACN Network System can deliver powerful remote transport control, metadata editing, and timecode functionality. All Sound Devices 6-Series mixer/recorders (633, 664, and 688) can be remote controlled by Ambient Recording’s Master Lockit Web interface, while ingesting critical metadata into the ACN Network System.
This collaboration fully integrates Sound Devices’ 6-Series products into the ACN with continuous jam and zero-drift timecode. The new Remote tab in the Master Lockit web interface provides wireless control of the most important mixer/recorder functions, including record start/stop, track naming, track arming, metadata entry for the current and upcoming clip, and more. Audio professionals may control any 6-Series by directly connecting the Ambient ACN-ML Master Lockit to the mixer’s USB port or through the USB keyboard port on a Sound Device’s optional 6-Series accessory, the CL-12 linear fader controller.
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Audinate Announces New Version of Dante ControllerAudinate today announced an update to Dante Controller, the tool used to configure and manage Dante audio networks. Dante Controller 3.10 brings new features for end-users, allowing them to better manage larger networks with more high channel-count devices while enabling Dante Controller to take full advantage of upcoming firmware changes.
The new Dante Controller 3.10 software allows users to manage Dante networks from laptops connected via Wi-Fi. By simply connecting a wireless access point to a Dante network, adjustments can be made from any location in a facility, unencumbered by cables.
The new Advanced Filter in Dante Controller 3.10 can be used to refine the range of devices displayed, allowing users to easily narrow and refine views when managing large Dante networks. Filter parameters include device and channel names, sample rate, latency setting and lock status.
Dante Controller 3.10 supports the new Device Lock feature for Dante-enabled equipment as well as end-user applications such as Dante Virtual Soundcard and Dante Via. This feature allows users to remotely lock supporting Dante hardware and software devices using Dante Controller, employing a user-selected 4-digit PIN. When locked, a device’s configuration cannot be changed until it is unlocked with the configured PIN. This new feature provides an added layer of protection against unauthorized or unintended changes to a Dante network.
In order to support Device Lock capability, manufacturers of Dante-enabled products will need to update their firmware to the new Dante firmware release 3.10, which has recently been released to OEMs. It is anticipated that manufacturers will release this update to customers over the coming months. For more information about the availability of this firmware in specific Dante-enabled products, users are asked to contact the manufacturer of their Dante-enabled product.
Support for Device Lock will be included in subsequent releases of Dante Virtual Soundcard and Dante Via.
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beyerdynamic Adds New Quinta TB Wireless Boundary MicrophoneThe beyerdynamic Quinta TB wireless boundary microphones act as a multi-channel receiver, in which case a maximum of four Quinta TBs (depending on the size of the room and the number of participants) can be operated simultaneously. In this mode, the software can be used to connect up to 9 central control units. In conference mode the Quinta TB acts as a delegate microphone unit and can be used for any traditional conference application.
beyerdynamic claims that the Quinta Triple Band technology ensures uninterrupted transmission. The system operates at 128 bit encryption and a 24-bit PIN code guarantee protection against eavesdropping. The system has a quick recharging time and a long operating time of at least 14 hours. Three-colored backlit buttons, with tactile feedback and Braille, makes the device ADA compliant and accessible and it shows all participants the status of the microphone and enables use of the global mute, push-to-talk and push-to-mute modes. The Quinta TB wireless boundary microphone is designed for use in meeting rooms and video conferences.
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IHSE USA Offers Two New Models of USP3 Control Panels for KVM Push-button ControlIHSE USA LLC today announced the addition of two new USP3 control panels for KVM push-button control. Based on the USP3-16-IHSE introduced earlier this year, IHSE USA now offers the same technology in an eight-button desk-mount (USP3-8D-IHSE) and an eight-button rack-mount (USP3-8-IHSE) model. With an integrated, web-based configuration GUI, these new control panels can be set up and operational in minutes. The USP3-8D-IHSE, USP3-8-IHSE and USP3-16-IHSE models are available exclusively through IHSE USA and IHSE GmbH.
These new push-button panels are an alternative to keyboard switch commands when users must interact quickly between active sources and multiple switch commands must be activated simultaneously. Within the configuration setup, users can easily create multi-action commands (macros) with a single push-button command. Additionally, each programmable button can be assigned a specific color with user-specific text. Up to eight actions can be assigned to each button. Workstation operators no longer have to memorize keyboard sequence commands in situations where there are multiple source and destination feeds to manage.
The USP3 can be configured to control one IHSE matrix at a specified IP address. The GUI home screen shows the currently viewed destination (console) number, the destination name, the source feeding the destination, and the current mode. From there users can choose up to 15 predefined “Take” options or choose the “Destination Select” option to view another destination. Additionally, users can manually select “Source” or “Mode” keys.
Housed in a 1-RU chassis, the USP3-8-IHSE offers up to eight programmable buttons and a 100BaseT network connection. The USP3-8D-IHSE is housed in a low-profile enclosure that is attractively styled to fit on the desktop. The USP3-8-IHSE push-button panel supports redundant power and includes an internal web-page control menu for configuration and setup.
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Atlona Ships Latest UHD HDMI to HDBaseT Distribution Amplifiers Atlona is now shipping three new products aimed at both residential and commercial markets, the AT-UHD-CAT-4 and AT-UHD-CAT-4ED HDMI to HDBaseT distribution amplifiers and AT-HDVS-150-RX HDBaseT receiver with built-in scaling.
The AT-UHD-CAT-4 and AT-UHD-CAT-4ED (extended distance) 4K/UHD HDMI to HDBaseT distribution amplifiers both models include Power over Internet (PoE) for powering remote receivers, pass-through HDMI input connections, four HDBaseT outputs, display control capability, 4K/UHD @ 60 Hz with 4:2:0 color subsampling, HDCP 2.2 compliance and EDID management.
Each AT-UHD-CAT-4 output transmits AV and control signals up to 230 ft. (70 m) @ 1080p and 130 ft. (40 m) @4K/UHD. The AT-UHD-CAT-4ED extends the distance of these signals to 328 feet (100 m). The AT-UHD-CAT-4 is compatible with the Atlona AT-UHD-EX-70C-RX receiver, while the AT-UHD-CAT-4ED pairs with the AT-UHD-EX-100CE-RX receiver.
The AT-UHD-CAT-4/4ED amplifiers control consumer and commercial displays via CEC, IR, or RS-232. They are also compatible with TCP/IP control for additional commercial content distribution applications. Both have 1U, half-rack width enclosures with external, international power supplies.
The Atlona AT-HDVS-150-RX HDBaseT scaler receiver handles AV signals (up to 1080p/60Hz or 1920×1200 video with embedded multi-channel audio) and two-way control signals via HDMI cables from distances of up to 328 feet (100 meters). The model also adds industry-standard Power over Ethernet (PoE) for added installation flexibility and full HDBaseT certification.
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New Crestron DigitalMedia Keystone Patch Panel DebutsCrestron announced today it is now shipping its new 24-Port Keystone Patch Panel (DM-RPP-K24), DigitalMedia ULTRA RJ 45 Keystone Jacks (DM-CONN-ULTRA-RECP) and pre-terminated DigitalMedia CAT6A cables in various lengths (DM-CBL-ULTRA-PC).
Now, with color coded (blue for DM) keystone jacks in wall plates in the rooms, and in patch panels in the equipment room, field cables never need to be touched once they’re installed. All the field cabling is installed, crimped to the keystone jacks at each end, labeled, and tested in advance. Then, the AV gear in the rack simply plugs into the appropriate keystone jack in the patch panel using the pre-terminated DM ULTRA patch cables. There’s no huge bundle of cables dropped from the ceiling and every jack is easily identified, so there’s no fumbling through dozens or hundreds of loose wires; and no reaching deep into the AV rack and trying to connect in tight spaces. The rack is clean and easily accessible. The drops in the room are secure and convenient. If hardware needs to change, only the patch cable is unplugged.
No more terminating male connectors in the field, the new pre-terminated RJ45 male patch cables are available in various lengths: 1.5, 3, 5, 7, 10, 15, 20 and 50 feet. DM ULTRA RJ45 keystone female jacks are available in a box of either 20 or 50 – each includes one crimping tool. Terminating field cables using the new tool is extremely easy, and is typically done in less than one minute.
The new Crestron DigitalMedia ULTRA cables, connectors, patch panels and wall plates provide enterprise-grade signal routing and performance that exceed 4K/60 4:4:4 up to 100 meters. All cables are fully shielded and CAT6A compliant. The DM ULTRA keystone jacks can be used with off-the-shelf wall plates, panels, and back boxes.
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tvONE Ships ONErack ONErack is a universal, powered mounting system that is designed to simplify rack specifying and installation of small devices. tvONE’s design converts randomly sized, externally powered devices (they say from any manufacturer) into slide-in modules that can be installed quickly. ONErack has both front and rear access, provides uniform cable management and ONErack allows for high density mounting in three different chassis sizes while providing seven different voltages (and cooling) all within the ONErack chassis.
The ONErack chassis is available in 4RU, 5RU and 6RU and can hold up to 16 mounting modules with products ranging up to a half rack size. Each mounting module can hold up to two voltage selectors, which provides selectable power @ 5v, 7.5v, 9v, 12v, 13.5, 18v, 24v up to 35 watts. A pass thru is available for custom power sources. It’s actually integrated with a 250-watt power supply that can be positionable anywhere in the chassis. The unit supplies power to each of the mounted modules by daisy-chaining, keeping the rack tidy and eliminating the need for external power supplies. Fan and service power outlets are located on the front of the power supply for easy access.
The reversible active fan cooling system keeps a steady flow of cool air over your devices, reducing the risk of over-heating at critical moments and helping to extend the life of your devices. The 6-watt fan cover has a 225 CFM maximum airflow with an adjustable speed from 100 percent down to 50 percent.
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Chief Adds Dynamic Height Adjust to FusionChief is now shipping the new Fusion Dynamic Height Adjust Mounts to provide instant, tool-free height adjustment and greater accessibility to interactive displays. DHA Mounts are faster to position than electric display mounts and can be combined with a range of fusion accessories.
Features include:
- Mobile, wall and floor-supported solutions available
- Height adjustable box allows up to 15.75” (400 mm) of vertical adjustment instantly
- Starting height can be set at 3” (76 mm) intervals over a span of 12” (305 mm) for the cart and floor support solutions
- Storage space in the floor-support and cart solutions
- ControlZone for post-installation fine-tuning of height and leveling
- ClickConnect offers an audible click when the screen safely engages with the mount
- A full line of accessories can be installed with the mount and the entire unit can be adjusted together — including shelves, CPU holders and speaker adapters
- Integrated security flag
- Easy grip handles and integrated display stabilizers for easy transportation (cart only)
Here are all the specs. Leave a Comment
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Fusion Modular Series Brings Flexibility to Multi-Display DesignChief has launched a new modular approach to multi-display solutions. The Fusion Modular Series uses common components of Fusion multi-display mounts and a new online configurator to give customers the ability to build and order the parts necessary to meet their exact application requirements.
Customers will be able to buy the pieces of Fusion needed to create multi-display installations to order. The tool will provide the user with the correct length of extrusion as well as the number and type of interface brackets and wall plates. The first phase includes wall- and ceiling-mounted menu boards. Multi-row ceiling mounts will be added later this year.
Features of the new configurator include:
- Supports any menu board configuration
- Allows for non-standard installs, such as multiple display sizes, mixed portrait/landscape and gaps between displays
- Mobile-friendly configurator built directly in to milestone.com and integrated with Chief’s industry-leading
- MountFinder database
- See MSRP pricing and order directly from milestone.com if you have an account
- Configuration URL can be saved for future reference
- Mounting System maintains installation benefits of standard Fusion Menu Boards
- Compatible with a suite of standard Fusion accessories
See the online configurator here.
Gary shot a video of this at InfoComm, which you can see here. Leave a Comment
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Biamp Adds New Features to Oreno SuiteBiamp Systems today announced the release of Oreno 1.1, the latest version of its groundbreaking mobile control software for Tesira-equipped rooms. The new features and improvements include Lightweight Directory Access Protocol (LDAP) integration, the ability to automatically assign room access to new users, and removal of the requirement to have a dialer in every room.
Oreno 1.1 supports optional integration with LDAP for enhanced user access management. With this capability, administrators can assign room access permissions and roles based upon LDAP groups, rather than manually entering each person individually into Oreno Manager. As user subscriptions and assignments change in LDAP, those updates are also reflected in Oreno permissions. Oreno 1.1 also introduces the concept of “default rooms” that are accessible to all Oreno users. As users are added in Oreno Manager, they will immediately be granted access to designated default rooms.
Integration with LDAP allows users to log into Oreno using their network credentials. Optionally, administrators can configure Oreno to run under SSL, preventing login information from being transmitted in clear text. Oreno offers read-only access to LDAP and cannot be used to update employee data, nor will it store network credentials.
Lastly, a dialer is no longer required as part of the room control, allowing Oreno to better address use cases where a dialer is not needed. Users also now have the option to populate speed dial with contacts from an LDAP directory, as well as enable user lookups for initiating calls.
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WolfVision Updates Cynap, Adds Mirroring Support WolfVision just released a new update to Cynap collaboration solution that adds support for mirroring from Chromecast-capable devices. Cynap already supported Airplay and Miracast functions, as well as open wireless mirroring through their own app — vSolution Cast, allows users to share any and all content from their personal device regardless of the model or manufacturer.
WolfVision says the big advantage to Cynap’s BYOD capabilities is that there is no limit to what users can share and display as it mirrors the entire device screen — not just certain file types, or having to go through a third party app. Moreover, Cynap solves the one-to-one limitation of Miracast by allowing multiple devices to be shared simultaneously and even allows Windows devices without screen-sharing features to be mirrored as well.
Cynap’s features including a built-in media player, integrated web browser, recording, streaming, whiteboarding, WebRTC and a personal lecture capture app for audience members. All the specs are here. Leave a Comment
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Epson Ships Pro L1000-Series Laser-Phosphor Large Venue Projector LineEpson today announced the new Pro L1000-Series of laser large venue projectors are now shipping. The Pro L1000-Series projectors are the first to integrate a laser-light source with an inorganic phosphor wheel and inorganic LCD panels for outstanding image quality, durability and reliability.
The new 3LCD laser projectors come in six models ranging from 6,000 to 12,000 lumens, and offer nine optional lenses, including the world’s first zero-offset ultra short-throw lens. All six projector models come with a standard lens in box. The projectors may be purchased without the standard lens for different throw ratios.
The 3LCD Pro L1000-Series laser-phosphor projectors feature:
- Epson’s proprietary 4K Enhancement technology that accepts the 4K signal and upscales the incoming signal to double the number of pixels on screen.
- Epson combines an inorganic phosphor wheel with inorganic LCD panels for up to 20,000 hours of virtually maintenance free operation, including 24/7 usage.
- Epson’s 4K lineup of 3LCD laser projectors is designed to support 360-degrees installation, edge-blending, stacking, portrait-mode projection, mapping, and a large variety of lens options.
The Pro L1100, Pro L1200, Pro L1300 and Pro L1405 models are currently available. The Pro L1500 and Pro L1505 models will be available in September. Here are the details. Leave a Comment
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Vivitek Adds New ED ProjectorVivitek’s new 1080p resolution DH759USTi and WXGA resolution D756USTi projectors are both integrated with HID driver-free recognition for interactive pen technology. Using ten finger touch capacity via the optional sensor, the projectors can also facilitate touch gesture usage — like pinch and zoom, rotation, click and flicking — thus supporting finger writing for a more natural user experience.
The DH759USTi is a 1920×1080 resolution spec’d at 3,500 ANSI lumens with a high 10,000:1 contrast ratio and is equipped with a lamp life that lasts up to 7,000 hours, while the D756USTi is WXGA resolution (1280×768) with 3,300 ANSI lumens and a 10,000-hour lamp life. Connectivity includes dual HDMI inputs.
Here are all the specs. Leave a Comment
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Digital Projection Adds Two New High-Brightness Budget Laser Projectors to E-Vision Series Digital Projection International (DPI) recently launched two new high-lumen, budget-oriented E-Vision laser projectors. Building on the success of the E-Vision Laser 8500, DPI debuted an E-Vision Laser 6500 and 7500. These displays bring a variety of price points, capabilities and installation flexibility to the already recognized E-Vision series.
The E-Vision Laser 6500 is specified at 6,500 lumens, a 5,000:1 contrast ratio and includes a DICOM simulation mode. A key differentiator for the E-Vision Laser 6500 rests in its quiet operation. Inputs include DVI, HDMI and an HDBaseT interface with built-in support for transmission of uncompressed high definition video over standard CAT5e/6 LAN cable. This also allows the projector to be placed up to 100m from the source with a low-cable cost. For ease of use, the E-Vision Laser 6500 also contains built-in compatibility with Crestron RoomView Connected, PJLink – AMX SSDP and LAN.
Built on the same electronics and functionality as the E-Vision Laser 8500, the E-Vision Laser 7500 delivers a wealth of features: incredible brightness at 7,500 lumens, geometry correction and edge blending, Lens Memory presets, and advanced capabilities such as DICOM simulation mode. With features galore and brightness to spare, the E-Vision Laser 7500 thrives in most any commercial application needing a bright, consistent and reliable imaging solution. For applications needing an ultra short throw solution, the E-Vision Laser 7500 can be paired with DPI’s newly launched 0.38:1 Ultra Short Throw (UST) lens. This projector/lens combo is capable of creating an image width between 6.9’ to approximately 24’ and offers ultimate flexibility of projector positioning. Inputs include Displayport, DVI, HDMI and an HDBaseT interface with built-in support for transmission of uncompressed high definition video over standard CAT5e/6 LAN cable. For ease of use, the E-Vision Laser 7500 also contains built-in compatibility with Crestron RoomView Connected, PJLink – AMX SSDP and LAN.
Here are the details. Leave a Comment
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New HIGHlite Laser II Projector From DPI AnnouncedDigital Projection International (DPI) recently unveiled the HIGHlite Laser II. New brightness thresholds, 110-volt capabilities and a newly-engineered electronics platform are all part of the Laser II.
The HIGHlite Laser II brings a range of impressive improvements to the already popular HIGHlite Laser model. While maintaining its compelling 20,000 hours of illumination, the second-generation product now claims 13,000 ANSI lumens of brightness. Other key features include the introduction of all-new electronics that offer improved video processing and a full 120Hz processing path from DisplayPort sequential 120Hz or 60Hz per input dual-pipe HDMI. Image Edge Blending is included as standard, along with advanced geometric correction. HDBaseT, DisplayPort 1.2 and HDMI ensure that the connectivity is comprehensively future-proofed.
The HIGHlite Laser II ships Q3 and here are the details. Leave a Comment
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DiGiCo Delivers Stealth Core 2DiGiCo’s Stealth Core 2 is an upgrade to the Stealth Digital Processing for its SD series digital mixers. Claiming to significantly enhance processing from the audio core of DiGiCo SD series consoles, it’s available as an upgrade option for existing users and shipping as standard on new consoles. Features of the Stealth Core 2 include upgraded FPGA power, as well as enhanced processing and full dynamic EQ, DiGiTuBes and MB Dynamics on every channel and buss.
SD series consoles updated with Stealth Core 2 will feature the following channel counts:
- SD11: 48 input channels, 24 output busses (plus Master and 8×8 matrix), 6 Digital FX, 8 Control Groups, 83 Multiband Dynamic options and 83 Dynamic EQs
- SD11i: 80 input channels, 24 output busses (plus Master and 8×8 matrix), 8 Digital FX, 8 Control Groups, 115 DiGiTuBes, 115 Multiband Dynamic options and 115 Dynamic EQs
- SD9: 96 input channels, 48 output busses (plus Master and 12×8 matrix), 12 Digital FX, 12 Control Groups, 155 DiGiTuBes, 155 Multiband Dynamic options and 155 Dynamic EQs
- SD8: 120 input channels, 48 output busses (plus Master and 16×16 matrix), surround sound, 16 Digital FX, 24 Control Groups, 190 DiGiTuBes, 190 Multiband Dynamic options and 190 Dynamic EQs
- SD10: 132 input channels, 56 output busses (plus Master and 24×24 matrix), surround sound, 24 Digital FX, 24 Control Groups, 218 DiGiTuBes, 218 Multiband Dynamic options, 218 Dynamic EQs
- SD5: Up to 253 input channels, up to 128 output busses (including Master and 24×24 matrix), surround sound, 48 Digital FX, 36 Control Groups 253 DiGiTuBes, 253 Multiband Dynamic options, 253 Dynamic EQs
- The SD7 is a FOC upgrade that allows users to have the new Core 2 interface and Graphics
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7thSense Launches Nano-SDI Media Server 7thSense has expanded its media server portfolio with the addition of the Nano-SDI Media Server — an entry-level media server with uncompressed media playback for fixed installations.
A key feature-set of the new Nano-SDI is that of extensive control capability. A new, simplified web browser-based user interface has been developed specifically for simple playlist configurations while full Delta GUI control is still available for more complex applications. Network-based preview via web browser plus web control over playback, playlist creation and interface customization makes Nano-SDI an option for clients seeking a simplistic performance playback server.
Additionally, Nano-SDI has a broad range of external control options including TCP, UDP, ArtNet, DMS, Touch and RS422 Sony Protocol for compatibility with most installations.
Nano-SDI is available in two configurations: Nano-1-SDI with up to 2K@60p output in both compressed and uncompressed playback formats. Nano-1-SDI-4K is capable of up to 4K@60p SDI uncompressed output with storage and playback upgrade options available. Both configurations are capable of playing uncompressed or codec-based media (including MPEG-2, M2V, MP4 and more) and with comprehensive real-time warp and blend features in-built.
Here are all the specs. Leave a Comment
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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