Volume 13, Issue 13 — July 2, 2015
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Projection Displays Audio
Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories Media Players, Recording & Distribution
Control & Signal Processing
Unified Collaborative Conferencing
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AV Control, Automation, and Expectations in a Consumer-Driven World
By Leonard Suskin Pixel and Ink-Stained Wretch
Control and automation can be the most fun part of AV design — from the blank canvas of a user interface, one can create anything. Preview windows? Live tiles? A photo of the room which reacts as conditions change? Imagination is the limit, but there are many pitfalls. Today we’ll talk about why some users fear control systems and why some manufacturers fear their own potential resellers.
There’s no question that the control interface is a major component in determining user experience; if controls are too simple, users will feel that the system is limited in capability. Too complex and it will be overwhelming and difficult to use. Poorly laid out controls make the experience uncomfortable and unpleasant, if not confusing. How do people outside the industry see this aspect of AV design? I see a few trends.
To the User, the System IS the Program
This is an obvious point, and one on which we need to educate the public. I discussed the possibility of control systems with a family member when he was moving. He initially considered the idea but, after speaking to some of his friends, decided against it. One of the biggest factors was the number of people who said that they didn’t like the system interface, that it was confusing to use or not flexible enough. This was a fully programmable system in which the interface would be whatever the programmer created. It’s a bit like saying that you don’t like your computer because the menu structure on your spreadsheet program is difficult to use. But it didn’t matter: the association had been made that Brand X (I’ll not name them here) = bad experience. While not the only factor, this was one factor in his decision to not get a control system.
This came to mind yesterday during a Twitter discussion about how a certain manufacturer doesn’t always make it easy for smaller AV contractors to buy their control products. From the contractor’s point of view, I see this as not only frustrating, but as pushing them away from a brand which they’d otherwise be interested in supporting. Looking at the above discussion with the public, it makes perfect sense. If you let one poorly trained individual muddle through control system programming, their sloppy work creates the impression that your hardware is not very good.
Configurable, rather than programmable, systems mitigate this a bit; a configurable system allows the manufacturer to carefully craft an interface which will fit the majority of simple configurations. This is, perhaps, a greater part of the configurable systems’ value than the significant savings on programming labor. It is a way in which a manufacturer can control the experience while still allowing wide access to their devices.
Consumerization Creates Familiarity — For Good and Ill
Not too many years ago, the initial part of training for an integrated AV system in a corporate environment dealt with convincing users that they don’t need the “TV remote” and that they should control everything via the nice custom GUI on the touch panel. Today most of us have touch panels in our pockets, and many of us have the ability to control something in the outside world with them. This means that a touch panel is no longer foreign, but also that it’s no longer special. An eye opening moment came when I was discussing device layout in the final stages of construction for a new fairly high-technology facility. One of the users pointed at a table and said, “We don’t want the iPad there. The people at that position only need a microphone.”
The “iPad” in this context was a desktop-mounted touch panel, complete with the control manufacturer’s logo. It was over a thousand dollars in hardware with countless hours of custom programming and GUI design. It didn’t matter. To the user it was a ten-inch touch panel; the same thing they use to watch Netflix. Turning on the big video wall with the touch panel is no more special than streaming a YouTube video to the TV in your living room.
We’re Being Spoiled by Off the Shelf Tools
A few years ago I took introductory Crestron training and learned, amongst other things, how to build a rudimentary control GUI. One class exercise was creating a transport control page for a DVD player. We had to draw buttons, map them the appropriate commands, and set up feedback to buttons remained in the engaged state if appropriate. It took some time and some knowledge. This past year, as some of you know, I moved. We unpacked the DVD player long before we unpacked its handheld remote — a remote which I’m still not certain I found. This was no problem; in just a few minutes I was able to download a free remote app on my phone which just so happens to have an IR emitter. I can now use my phone as a remote for anything I own.
Automation and No-Touch Control Will Become Expected
“Wow moments” are becoming few and far between. During an excellent webinar on modern control system design, Sumanth Rayancha of Pepperdash listed “no-touch” fully automated control as one future trend. An example was the “smart meeting room.” Once a meeting is booked, everything becomes automatic. Lights come on to the appropriate level when the presenter enters, the correct technology activates itself, complete with display of a presentation. An email or text message can even be sent to the food service team to deliver lunch. It’s am amazing growth in the potential of control and automation.
This is amazing, but still well within reach of consumers; just this morning my wife was lamenting that if she forgets to turn off phone notifications on her phone before bedtime she’ll often get woken up by something or other; I pointed out that it is now fairly easy to use a web-service such as If This Then That to automatically silence and un-silence your phone at certain times of day. One can also turn on the porch light, off the hall light, etc. As more people come aware of these things, they will become more expected.
Not many years ago there was a bit of a “wow” moment when you hit the “Video Conference” button on a touch panel and the shades closed, lights adjusted themselves, cameras swung into position, and displays lit up. That is quickly becoming just as familiar as the “iPad” on the table.
What does this mean? It means that the expectations have never been higher. It’s not enough anymore to have control or even automation — we need to have it and present it in a manner which is thoughtful, pleasant to use, and fills all of the users’ needs. Otherwise we’re back to users seeing AV systems — and hardware — as “terrible” because someone didn’t make it do what they expected of it. Leave a Comment
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Here Are More Than 1,480 Videos From InfoComm 2015
By Gary Kayye rAVe Founder
We had 10 videographers scour the show floor and shoot every new product launched at InfoComm. The result? They shot 1,483 videos of new products.
We’ve posted them all on our InfoComm 2015 microsite here.
You can sit there and watch them all or, you can use the VIDEOS drop-down at the top of the page and organize them by product category!
All of them were shot in 720p HD.
And, in case you didn’t know, everything that we did at InfoComm 2015 (all the photos, news, blogs and podcasts as well as the videos) are here.
Enjoy! Leave a Comment
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Panasonic Debuts 4K Projector That’s Really 5KPanasonic just introduced at InfoComm the PT-DZ21KU, the company’s first beyond 4K screen resolution projector. The PT-DZ21KU projector was shown performing image projection mapping onto a Tesla Model S (here’s the video we shot of it at InfoComm).
The PT-DZ21KU 4K+ Projector With 4K+ screen resolution (5,120×3,200) and Quad Pixel Drive technology and they say it is the most compact and lightweight 4K+ 3-chip DLP laser projector in the world. The projector is spec’d at 10,000 lumens of brightness and a contrast ratio of 20,000:1 using laser light. The projector’s pixel is shifted both horizontally and vertically at a high frame rate of 240 Hz, physically creating four different pixels from a single pixel, effectively quadrupling the pixel density of the image. To optimize for fluid, detailed, high-contrast images, the PT-DZ21KU leverages what they call a Detail Clarity Processor that analyzes pixel information. The new projector is spec’d at 20,000-hour light-source life. Providing system and installation flexibility, the Multi-Screen Support System allows screens to seamlessly join with edge blending, color matching and digital image enlarging. In addition, the PT-DZ21KU uses DIGITAL LINK — based on HDBaseT technology — that reduces cost and complexity of installation by allowing transmission of HD video, audio and control commands through a single CAT5e cable.
The PT-DZ21KU is aimed for a wide variety of applications including rental and staging, auditorium, museum, control room, and house of worship. The PT-DZ21KU will be available in the fall of 2015.
Here are all the specs. Leave a Comment
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EIKI Debuts 14K Lumen Projector EIKI has just launched its brightest projector yet, the 14K-lumen 3-chip DLP-based EIP-UJT100. The EIP-UJT100 is spec’d to have a 2,000:1 contrast ratio, is native WUXGA 1920×1200 resolution, has four digital video inputs including HDMI, DIsplayPort and HDBaseT as well as 3G HD-SDI and has a Dicom Simulation mode for viewing grayscale images such as X-rays.
In addition, the EIP-UJT100 includes built-in edge blending and image warping as well as corner keystone correction and allows for dual-projection via picture in picture and picture by picture modes. Optional lens cover a range of 0.67 to 6.96:1 throw ratios and it weighs 81-pounds with the lens.
Here are all the specs. Leave a Comment
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Sharp Finally Debuts 80″ Commercial LED Smart TVThe Sharp 80″ Class (80″ diagonal) LC-80LE661U hybrid, commercial-grade LED smart TV is finally available for order. The big brother of the 70″ and 60″ class models (69.5″ and 60.1″ diagonal, respectively) claims a 4 million:1 dynamic contrast for deeper blacks and whiter whites, as well as a 240 Hz Refresh Rate.
The LC-80LE661U commercial LED smart TV uses edge-lit LED backlighting, weighs 112 lbs and has a bezel thickness of 0.4”. Control is via RS232 and connectivity includes three HDMI inputs, VGA and IP. And, a built-in USB port lets you present a variety of digital content including photos, music and video. The 1080p monitor, which lists for $4,299, is now shipping.
Here are the details [PDF]. Leave a Comment
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New beyerdynamic Revoluto Vertical Array Microphone IntroducedIn 2006, beyerdynamic presented the first microphone with its patented Revoluto technology that was integrated with both horizontal array microphone capsules.
At InfoCommn 2015 in Orlando, beyerdynamic introduced the newly developed vertical array microphone. With the vertical array, a horizontal corridor characteristic is created (horizontal cardioid, vertical lobar). This gives the speaker even more freedom of movement to the left and right. It is also possible that two participants share one microphone, or to record several people at video conferences. Due to the vertical lobar polar pattern, the gain before feedback is optimized for ceiling systems.
The new Revoluto microphones are part of the Classis RM 30/31 series of products, and are available in two variants — a 3-pin XLR (phantom powered) version that is great for any installed application, and a 5-pin version that is compatible with the microphone units of the Orbis conference system.
The flexibility of the vertical array microphone makes it a great option for any application — it can be used in classrooms, boardrooms, courtrooms, podiums, and tele/video conferences. Both variants make optimum use of the benefits of Revoluto technology, and products with horizontal or vertical array patterns can be used based on the request for design, room acoustics and PA system.
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BAE Audio Debuts the B15 EQ, Expanding Its 500 Series Product LineBAE Audio introduces its latest sonic creation: the B15 multi-band equalizer. The B15, which ships this month and is priced at $1,000, delivers sonic attributes of the classic 312 circuit in an economically efficient and compact 500 series package.
The new B15 EQ is an all-discrete design, featuring three bands with five selectable frequencies per band. Created to BAE Audio’s discriminating vintage specifications, the build and performance of the B15 does not disappoint, complete with Jensen transformers at the input and output stage, Elma gold plated rotary switches and a 15-way gold connector for longer life. The aesthetics of the B15 are equally as sleek, featuring custom-machined aluminum knobs set against a classic matte black housing.
The B15 is the latest in BAE Audio’s 500 series. Last month, the company announced its 1073MPL 500 series preamplifier, which delivers the ‘larger than life’ sound of the 1073 available in a very small package. For equipment manufacturers, designing and building high quality 500 series modules is often ripe with challenges, given the significantly reduced physical space. With the B15, the 1073MPL and its other 500 series units, BAE Audio has maintained a very high manufacturing standard, as each of its units are hand-wired and assembled in California.
The B15 is available now through BAE Audio’s network of authorized dealers, and carries a retail price of $1,000. For more information on the new B15, go here. Leave a Comment
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Sennheiser Signs With 888VoIP to Distribute High-Performance Unified Communications Headsets in the VoIP ChannelSennheiser announced it has entered into a new distribution agreement with 888VoIP, an industry leading distributor of IP telephony hardware, software, and services to the VoIP channel. As part of this agreement, 888VoIP will carry Sennheiser’s line of high-performance headsets for the contact center and office (CC&O) marketplace. By adding the Sennheiser products, 888VoIP will provide its network of telecommunications resellers and dealers with a comprehensive line of high fidelity, durable audio headsets for unified communications deployments.
Sennheiser’s CC&O headsets feature outstanding audio intelligibility, durability and comfort, giving dealers an high-end offering to complement the most robust and sophisticated turnkey unified communications network. Models include wired, wireless, mobile, Bluetooth, Wi-Fi and DECT desktop models, including the D 10 series, SD wireless, Century, Circle, Culture, MB and PRESENCE units, in addition to mobile speakerphones like the new SP 10 and SP 20 devices.
Through the agreement, warehousing, logistics, and fulfillment of orders for the Sennheiser CC&O products will be executed by 888VoIP’s team of authorities in the voice-over IP sector. 888VoIP will now attach leading Sennheiser headsets to its pre-configured VoIP hardware, which can be blind-shipped from a private stock via 888VoIP’s custom logistics.
The addition of the Sennheiser high-performance unified communications headsets rounds-out 888VoIP’s portfolio of best-in-breed VoIP products. The distributor’s assets, such as its easy-to-use ordering API and its team of trusted VoIP advisors, will help resellers and dealers select the perfect Sennheiser headset to complete their end-to-end VoIP solutions.
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Dynamic Microphones Go Mobile With MXL’s New MM-131 Mic Mate MobileMXL Microphones introduces the MXL MM-131 Mic Mate Mobile, a portable dynamic XLR-to-USB interface that works with computers and mobile devices. The Mic Mate Mobile is compatible with iOS products via the Apple camera kit. The Mic Mate Mobile turns a single dynamic microphone into a USB mic and a Mobile Media microphone, creating three distinct applications.
No special drivers are required to use the Mic Mate Mobile with a PC, Mac, iPhone or iPad. The Mic Mate Mobile is USB 1.1 and 2.0 Compatible and it adapts to any dynamic microphone.
The Mic Mate Mobile has an XLR connection on one end with a USB out on the other. A gain control knob lets the user adjust the sensitivity. The 1/8” headphone jack has its own volume control. The user can monitor audio with zero latency whether he is recording into an iPhone, iPad or a PC.
The $79.95 MXL MM-131 Mic Mate Mobile is here. Leave a Comment
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Extron Ships NetPA Compact Audio Power Amplifiers with DanteExtron has announced the availability of the Extron NetPA 502 AT and NetPA 1001‑70V AT, half rack 1U, convection cooled power amplifiers equipped with Dante digital audio networking. The NetPA 502 AT delivers two channels of 50 watts into 4 ohms, and the NetPA 1001‑70V AT provides a single channel of 100 watts at 70 volts. NetPA amplifiers receive audio from Dante-enabled devices over a standard local area network, allowing for decentralized distribution of audio throughout a building. In addition to amplifying incoming Dante audio, NetPA amplifiers feature line level outputs that can simultaneously feed an additional speaker zone or audio system. They feature an advanced Class D amplifier design, plus patented CDRS – Class D Ripple Suppression that they say provides improved signal fidelity over conventional Class D amplifiers.
The NetPA 502 AT and NetPA 1001-70V AT are professional grade amplifiers, featuring greater than 90 dB signal-to-noise ratio and less than 0.1 percent THD+N. The amplifiers have recessed, detented level controls located on the rear panel that facilitate adjustment of audio system gain structure, or setting an individual level for each zone. They also have an ultra low inrush current draw to prevent power circuit overload that occurs when multiple amplifiers are switched on simultaneously. This feature eliminates the need for power sequencing in systems with multiple amplifiers in large centralized equipment racks, and prevents other equipment from experiencing power interruption from associated power surges.
A network of Extron Dante-enabled products, including the NetPA amplifiers, can be set up using Dante Controller software as well as DSP Configurator Software. Dante Controller is used to easily assign an output from a Dante-equipped digital signal processor, such as the Extron DMP 128 AT, to an input on a NetPA amplifier.
Go here for all the specs. Leave a Comment
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Audio-Technica Intros AT2020USBi Cardioid Condenser USB MicrophoneAudio-Technica just debuted its AT2020USBi Cardioid Condenser USB Microphone featuring iOS compatibility. Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to Audio-Technica’s USB microphone line. Modeled after the AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility that’s perfect for home studio recording, field recording, podcasting and voiceover use.
The AT2020USBi brings high-resolution audio (24-bit/96 kHz) to A-T’s line of USB mics. The AT2020USBi works with both USB and Lightning cables (included), so users can employ it straight from the box to digitally capture audio on the device of their choice: PC, Mac or iOS. The integrated gain control adds to the convenience, allowing users to adjust the input level directly on the microphone.
AT2020USBi specifications include:
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar Pattern: Cardioid
- Frequency Response: 20 – 20,000 Hz
- Power Requirements: USB (5V DC); Lightning (3.3V DC)
- Bit Depth: 24 bit
- Sample Rate: Up to 96 kHz
- Controls: Mic gain control
- Weight: 13.2 oz (374 g)
- Dimensions: 6.38″ (162.0 mm) long, 2.05″ (52.0 mm) maximum body diameter
- Output Connector: Micro-HDMI
- Accessories Included: Pivoting stand mount for 5/8″-27 threaded stands; 5/8″-27 to 3/8″-16 threaded adapter; soft protective pouch; tripod desk stand; 10′ (3.1 m) USB cable; 10′ (3.1 m)
The AT2020USBi will be available summer 2015 at a list of $199. All the specs are here. Leave a Comment
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AKG Intros DMM8 U and DMM14 U Reference Digital Microphone Mixers AKG is introducing the DMM8 U and DMM14 U reference digital microphone mixers. Ideal for large meeting rooms and conferencing applications, these mixers offer advanced DSP functionality and multiple routing options.
DMM8 U and DMM14 U feature built-in DSP to ensure precise mixing of up to 80 and 140 channels, respectively, by cascading up to 10 units. Stereo audio outputs and USB connections offer additional routing options for both models. Numerous DSP functions such as EQ filters, compressor/limiter and routing make the DMM8 and DMM14 ideal for a variety of spoken word applications.
The DMM8 U and DMM14 U are also available as UL versions (DMM8 UL and DMM14 UL), which offer a LAN interface via Ethernet to enable control over large distances using, for instance, an AMX control system. In addition, AKG offers software that enables users to control all functions via AMX and Crestron products, or directly via a Wi-Fi router on Apple, Android and Windows devices. This gives users the freedom to mute unnecessary microphones and otherwise manage the discussion either automatically or manually. The software and the UL versions will be available summer 2015.
In the Fall of 2015, both models will also be available as ULD versions, which integrate a highly sophisticated DANTE chip. On these models, all ins are available as direct outs, which is ideal for broadcast applications, while all outs are also available on the DANTE stream. The DMM8 ULD provides 14 free assignable DANTE outs, while the DMM14 ULD provides 22. In addition, four Dante streams can be used as inputs with both models.
Key features include:
- Digital signal processing and sophisticated mixing algorithms for seamless mixing, resulting in high gain before feedback and crystal-clear voices
- Two-channel USB (stereo) streaming In and Out for interfacing with IT networks
- Six (12 with DMM14) programmable presets for fast, easy tailoring to different situations
- 12-band graphic EQ on outputs for optimized loudspeaker tuning
- Audio matrix routing of all inputs to all outputs for creating multiple mixes of multiple output combinations
All the details are here. Leave a Comment
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Listen Technologies Intros TalkPerfect DX Speech Enhancement System, Powered by AmpetronicListen Technologies Corporation and U.S. distributor of Ampetronic, have launched the TalkPerfect DX Speech Enhancement System, the newest innovation from the ListenLoop line of products powered by Ampetronic. At train stations, movie theaters, customer return kiosks, security reception desks, banks/post offices, police stations, prison visitor desks or in other noisy environments where customers are separated from staff members by a fixed screen for security or logistical reasons, it can be difficult for both parties to hear during transactions. Based on proven, reliable and patented technology, the full duplex TalkPerfect system amplifies speech for both customer and staff in these environments while minimizing background noise and actively reducing acoustic feedback. The TalkPerfect DX Speech Enhancement System improves communication and also effectively increases the speed of transactions and boosts efficiency. Additionally, the system easily integrates with assistive listening counter hearing loops.
Featuring a modular design, contemporary styling and wide range of accessories, the TalkPerfect DX system is easy to install/set up and never looks out of place with the aesthetics of a space, whether it is for a retrofit or new build. The system’s full duplex communication allows natural conversation, and the noise canceling microphones offer high rejection to background noise. Both channels feature independent volume controls, providing clear listening for both users. The TalkPerfect DX amplifier is typically installed below the counter in conjunction with a CLD1 induction loop, providing a fully integrated intercom and control module, with a host of features for integration and versatile use.
With four installation configurations, the system comprises a number of components and accessories, including:
- Combi Unit 400mm Gooseneck and LED (TP-CMB400LED)
- POD Loudspeaker (TP-PDS)
- Glass Mount Microphone (TP-GMM)
- PZM Microphone (TP-PZM)
- POD Microphone (TP-PDM)
- Four different installation kit options
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Bose Professional Broadens ControlSpace Product Ecosystem With New Dante Enabled Products and Software EnhancementsBose Professional announced enhancements to its ControlSpace product line including adding Audinate’s Dante protocol, which has been strengthening its status as a new industry standard. The ControlSpace ecosystem now includes a wider range of networkable DSPs, power amplifiers, and new Dante endpoints; the ESP-1600 engineered sound processor; the free downloadable ControlSpace Remote app, allowing end-user control from Android and iOS mobile devices; and new features added to ControlSpace Designer software version 4.3.
With ControlSpace engineered sound processors, Bose PowerMatch amplifiers and ControlSpace Dante endpoints and expansion cards, system integrators can do the following:
- More easily create Dante solutions for new and retrofit installed audio applications.
- Configure complete Dante networks from within ControlSpace Designer software, including control, monitoring and audio routing.
- Utilize ControlSpace Dante endpoints with PoE anywhere analog devices need to be converted to Dante, thereby minimizing analog cabling and taking advantage of existing network cable.
- Provide control over small or large systems via recallable Dante subscriptions using ControlSpace
- Designer software.
- Provide end-user benefit through the offering of ControlSpace Remote, an installer-configurable tool to aid with easy remote control of sound system now available for mobile devices.
The ControlSpace ESP-1600 extends the line of Bose fixed-I/O engineered sound processors with a new model designed for up to 16 analog inputs. The ESP-1600 features a built-in ESPLink output for sending eight digital audio channels to one or more PowerMatch amplifiers and when combined with a Dante card, the ESP-1600 becomes a powerful, high-quality and cost effective input processor (e.g. stage box) for Dante network distribution.
ControlSpace Dante endpoints (EP22-D, EP40-D, WP22B-D and WP22BU-D) complement the ControlSpace ESP products and the PowerMatch line and share configuration and control using ControlSpace Designer software. Available in wall-box and rack/wall-mount versions enabling installation in various locations (surface, table, shelf, rack), Bose ControlSpace Dante endpoints are the most convenient and cost-effective method for connecting analog devices like microphones and mixer amps.
ControlSpace Remote, is an installer-configured mobile device app, designed specifically for end-user wireless control using Android and iOS mobile devices. ControlSpace Remote is a free download on the Google Play store and the App Store, which the installer can integrate into new or existing installations where networked Bose system electronics are in use.
The newly released version 4.3 of Bose ControlSpace Designer software is now available to download here. The update adds the following capabilities:
- Remote administration capability, providing the ability to update, monitor, and change system designs offsite.
- New “custom” option for mixers, routers, and source selectors allowing the user to specify the exact block size they require.
- Integrated programming for two new Audio-Technica Dante microphone solutions: ATND971 Dante-enabled cardioid condenser boundary microphone and the ATND8677 Dante-enabled microphone desk stand.
- New Hardware Manager feature streamlines system setup by placing network and device setup in one central control element.
- Text labels, input/output labels, and other minor enhancements to make designs simpler and easier to follow.
For more information on the complete range of Bose Professional system integration solutions, go here. Leave a Comment
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Powersoft Unveils Its Ottocanali Series Amplifiers at InfoCommAudio manufacturer Powersoft announced the expansion of the successful Ottocanali Series, with the addition of three new high-performance eight-channel power amplifiers — under the series Ottocanali DSP+D. The Ottocanali Series DSP+D offers a wide range of system control and monitoring functions as well as sound shaping options, a total of up to 12,000 W output power at 4 ohms over 8 channels for lo-Z or distributed line systems — all packed into a double rack unit.
As with former versions of Ottocanali, the new DSP+D versions feature switchable main and aux signal inputs per channel, adequate GPIO, alarms, Lo-Z and Hi-Z output connections as well as mono-bridgeable channel pairs. These 2 RU models implement two redundant universal switch mode power supplies with PFC (Power Factor Correction) and patented SRM (Smart Rails Management) technology that maximize the efficiency of the system, while drastically reducing power consumption.
With two redundant Dante by Audinate digital streams, the Ottocanali 4K4 DSP+D, Ottocanali 8K4 DSP+D and Ottocanali 12K4 DSP+D will fit any venue as a stand-alone unit, making it ideal for multi-zone applications in mid to large-scale installs.
The DSP features of the Ottocanali DSP+D make these amplifiers ideal to seamlessly integrate into any installed sound or touring environment. In just two rack unit spaces, the design features a fully configurable input / output non-boolean matrix, with state of the art DSP. Also, since the Ottocanali DSP+D features dual redundant power supplies — claiming it as an industry first.
The new Ottocanali DSP+D system is fully compatible with Powersoft’s innovative Armonia Pro Audio Suite, making it easy to facilitate online or offline system set up and tuning. The Armonia platform also enables users to quickly and conveniently manipulate advanced DSP features of the system, such matrix / speaker routing and redundancy priorities, while managing and monitoring all vital functions in real-time from a remote PC via a single intuitive GUI.
All the details on the Powersoft Ottocanali DSP+D series are here. Leave a Comment
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Stewart Filmscreen’s FIDELEDY Vision Image Enhancement System Improves LED Video Wall Image Fidelity, Eliminates MoirĂ© InterferenceStewart Filmscreen announced the release of the FIDELEDY Vision image enhancement system for LED video wall tiles. With usage growing at over 20 percent per year, LED video wall tiles have become a popular large image solution for digital signage, staging, broadcast and filmmaking applications. Stewart claims the FIDELEDY Vision system gives LED video walls a true cinematic appearance and eliminates moiré interference issues prevalent in re-photography situations.
FIDELEDY Vision will be available in a range of light transmission and contrast options. By fine-tuning the transmissive properties, Stewart claims they can perfectly match the focal properties of the enhancement screen to the width of the viewing area. Site lighting conditions will vary greatly and a one contrast fits all approach would never provide the right grayscale balance. Budgetary considerations place pressure on design choices. FIDELEDY Vision hugely benefits total cost of installation allowing larger pixel pitch options to be perceived like finer pitch options. With image enhancement from FIDELEDY Vision, LED walls can be larger and used more prevalently while still holding to tight overall spending constraints.
FIDELEDY Vision is designed to be custom-engineered for every application. Stewart Filmscreen engineers will work with clients, installers, and architects to design the framing and mounting systems to best suit the location, the type of LED modules, and the environment. The screen is completely scalable in seamless sizes up to 40×90 feet. With Stewart Filmscreen’s EZ Mount QR frame installation system, FIDELEDY Vision is not only easily installed, it can be easily removed to provide low cost, highly efficient access for maintenance or repair of the LED wall tiles.
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Panasonic Debuts Remote Camera Production at InfoCommPanasonic upgraded the company’s AW-HE40 integrated PTZ cameras with something called tap assist camera control — the industry’s first 4K pan/tilt/zoom camera, and a new 4K multi-purpose camera. Aimed for applications in corporate, government, staging, houses-of-worship, education, broadcasting and sports, the AW-HE40 Upgrade Adds HD IP-Streaming, In-Camera Recording and USB Video The AW-SFU01 upgrade for Panasonic’s popular HE40 integrated full HD PTZ cameras adds production-quality HD MPEG-4 streaming, in-camera HD recording on a microSD card, and USB video/audio capabilities to the cameras’ already impressive range of features. This feature upgrade will allow direct-from-camera, production-quality audio/video streaming up to 1080/60p 24Mbps at an unprecedented price point. The upgraded camera’s IP streaming — in combination with the HE40’s standard IP-control, built-in AUDIO input and PoE+ (power over LAN cable) capabilities — enables innovative “single-cable” remote production applications. Additionally, the upgrade makes it possible for the HE40 to function as a USB Super-Webcam for videoconferencing and collaboration — with a 30x zoom lens, preset functions, as well as simultaneous IP and USB streaming and control.
The upgrade also facilitates production-quality in-camera HD MPEG-4 video and audio recording to a microSD card at up to 28mbps. The AW-SFU01 feature upgrade will be available in July at a suggested list price of $350.00. A special promotional offer will provide this function upgrade in July at no charge for cameras purchased between March 24th and June 30, 2015.
The AW-HEA10 tap assist system simplifies and enhances remote control shooting with two of the company’s pan/tilt/zoom cameras, the AW-HE130 and AW-HE40. The complete solution includes an HE130 or HE40 camera, mounted on top of an HEA10 module, plus a tablet and network connection. When shooting with the primary camera, a super wide-angle video image is simultaneously captured by the HEA10 and displayed on the tablet screen. Tapping the desired area of the image on the tablet allows the user to move the PTZ quickly and smoothly to capture the selected shot. Remote camera operation is accelerated by allowing instant selection of a new shooting angle, eliminating the need to manually zoom out and reposition the camera. Up tonine pre-set main-camera shots can also be selected via dedicated on-screen buttons. The AW-HEA10 is available at a suggested list price of $1,400.00.
AW-UE70 PTZ with 4K Output, Streaming and In-Camera Recording Panasonic has previewed the professional video industry’s first integrated 4K pan/tilt/zoom camera, the AW-UE70. The AW-UE70 delivers 3840 x 2160 resolution images at 29.97p/25p viaHDMI, and is also capable of 4K IP streaming and in-camera 4K recording.
The UE70 also offers key production-oriented features such as genlock, Optical Image Stabilization (O.I.S), and remote switchable ND filters. The camera’s flexible 4K/HD capabilities make it a good choice for demanding installations in stadiums, conference rooms, lobbies, auditoriums and retail, where ultra-high resolution video and precise control are required.The UE70, with 3G-SDI as well as HDMI video outputs, incorporates a ½.3”-type MOS sensor and advanced processing. The camera boasts direct-from-camera audio/video streaming up to 2160/30p. The AW-UE70 will be available in October 2015.
AK-UB300 Multi-Purpose Camera Features Simultaneous 4K and HD OutputThe AK-UB300 4K multi-purpose camera, ideal for remote studio, weather and traffic reporting, image magnification and sports implementations, is equipped with a one-inch MOS sensor that outputs a UHD signal up to 3840×2160/59.94p and 50p with the ability to simultaneously output HD (up to 1080/59.94p/50p). The camera uses existing 2/3-inch lenses and features high sensitivity (F10/2000lx), low noise (S/N 60dB)and dynamic range measured at 600 percent (-6dB~36dB). The UB300 is upwardly compatible with Panasonic’s comprehensive line of high-performance indoor/outdoor pan-tilt systems. The AK-UB300 will be available in winter 2015, with pricing to be announced.
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ATOMOS Racks the 4K/UHD Shogun StudioHarnessing the latest recorder, monitor and playback technology with class leading Atomos usability and affordability, the Shogun Studio reinvents what is capable within a 3RU rack product. Designed from the ground up with the rack environment in mind, the Shogun Studio has an extensive recorder, monitor and playback deck feature set, making it perfect for the Live Event, Studio, On-set and Broadcast environment.
At its core, Shogun Studio is:
- A future proof path to 4K and 1080p60, recording to popular professional codecs like Apple ProRes, Avid DNxHR and Cinema DNG all in 10-bit 4:2:2 quality.
- Utilize the two channels for dual codec, dual resolution recording. Record simultaneously (e.g., 4K ProRes on one channel, 2K/HD DNxHD on the other) or convert or duplicate files (e.g., create a 4K ProRes version of a 4K DNxHR file).
- Powerful scheduled playback and record via Ethernet, Serial and On-screen. The combination of playlist generation and dual channel play out in 4K or down scaled HD can be used to schedule synchronized play out for video walls, signage, projection or broadcast.
- Class leading monitors and test measurement for perfect 4K viewing and set up. The 7″ 325ppi monitor offers an array of scopes, 3D LUTs, 2:1/1:1 zoom, 179 degree viewing area, safe area grid lines and can be calibrated using the optional Spyder unit.
- Powerful & intuitive AtomOS offers one touch simplicity for any operator.
- The Atomos Master Caddy for reliable, affordable open standard media — the new digital tape.
Built in continuous HDMI and SDI down conversion and down scaling from 4K to 2K/HD to any infrastructure.
- Dual redundant power supplies, for mission critical reliability.
- For ProAV integrators, the play list functionality and control via RS422, Ethernet or on screen, offers an affordable 4K and HD play out engine for video walls, signage and projection.
For Event professionals, Shogun Studio solves many of the problems faced by multi-camera events with long run times. Our Master Caddy delivers affordable and reliable media while features like time lapse, pre-roll cache and 4K/HD simultaneous recording make this the perfect choice for Event professionals.
In Mobile Production, the tight squeeze on rack space and rising recording resolutions mean that Shogun Studio will be welcomed for the ability to record, monitor, test, measure, convert and play out from a single 3RU device integrating two channels of record and playback with dual 7″ monitors.
For Security applications a wide angle lens on a 4K camera can mean a single camera replaces the equivalent of four HD cameras. The Studio Shogun, with its long record time, time lapse, record scheduling and monitor zoom capability makes it the perfect weapon for 4K security applications.
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HaiVision Updates Makito X Video Encoder with New Recording and Storage CapabilitiesHaivision is updating the Makito X video encoder with new recording and storage options to simultaneously stream and capture hours of HD video.
The Makito X encoder transports the live video at the lowest bitrates over any network. Building on the legacy of this award-winning technology, the Makito X now optionally includes 250 GB of internal or removable storage. The Makito X with storage can stream and record two sources simultaneously, generate four different encoded streams of bitrates from 35 Kbps to 25 Mbps, with a storage capacity to handle about five days of five Mbps video. Coupled with Haivision’s SRT technology, users can now have the confidence to deliver the best quality video over public networks while capturing the highest bitrate content locally.
With Makito X with storage, users can record up to two streams simultaneously in TS or MP4 file formats and automatically create files based on time or size. Users can maintain KLV metadata from the video source and record that metadata directly onto the Makito X encoder for FMV applications.
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Aurora Intros 4K TunerAurora Multimedia unveiled its V-Tune Pro 4K Tuner at InfoComm.
Designed for systems requiring IPTV, ATSC, QAM, NTSC or PAL formats, Aurora Multimedia’s V-Tune Pro 4K provides the additional capability of decoding MPEG2, MPEG4, VC-1, H.264 and H.265 with resolutions up to 4096×2160 at 60Hz via both RF and LAN access. Featuring an integrated 4K scaler for viewing 1080P HD content on 4K displays, it has IR, RS-232 and IP-based control. And both outputs are HDMI 2.0.
Featuring the ability to program any channel for OTA/Broadcast or content streaming directly from LANs, the V-Tune Pro 4K lets users to switch between any type of content — just by changing channels on the TV. While channel setup and configuration capabilities can be cloned to speed up the setup process, the device simultaneously supports all 4K2K media via both broadcast and streaming over IP.
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New Version 2.0 of Roland XS Series Multi-Format Matrix Switchers IntroducedRoland has announced a version 2.0 update for its XS Series Multi-Format Matrix Switchers. The XS Series rack mount switchers offer features benefiting both live production and fixed installations, enabling processing and switching of digital or analog video sources to multiple outputs simultaneously. New 2.0 features include uninterrupted output mode switching, cross dissolve switching, PGM/PST operation mode, enhanced customization Picture-in-Picture capabilities and a new customizable iPad app for wireless touch control.
The XS Series Matrix Switchers come in three configurations: XS-84H is 8-in x 4-out, XS-83H is 8-in x 3-out, and the XS-82H is 8-in x 2-out. Each provides high-quality, integrated video and audio conversion and switching with iPad control. The XS Series supports HDMI, HD Component, RGB, and composite video signals with output resolutions up to 1080p. Up to eight compatible line or two mic inputs with digital audio effects can be accommodated.
Users can remotely control the Roland XS Series using the native iPad app, XS Remote, via RS-232C interface, or control over LAN connections. Remote control is valuable for installed applications where front panel controls are not accessible or a programmable touch control interface is required that can access functions of the XS Series.
Advanced video processing functions makes multi-screen video productions possible for both signage and live applications such as HOW environments. Users can scale a single image across multiple displays using the SPAN mode, then quickly and easily switch to a different image on each screen in MATRIX mode. Each input channel supports adjustments for scaling, positioning and aspect ratio before output, ensuring the best possible picture.
The XS series can switch between and route HDCP video from computers, smart phones, Blu-ray and even still images from internal memory to displays ideal for education and live production applications. Up to four HDBaseT outputs can be used for long distance transmission of audio and video content to displays throughout a campus. Roland’s new HT-TX01 HDBaseT Transmitter and HT-RX01 HDBaseT Receiver products convert HDBaseT signals to and from an HDMI signal ideal for use with the Roland XS Series. They transmit or receive audio, video and RS-232 control information up to 100 meters over Cat5/6e cable. The HDBaseT products are HDCP compliant and support signals up to 1080p as well as WUXGA over HDMI to connect video cameras, computers, Blu-ray decks, switchers and other sources to LCD monitors, projectors, video switchers, and other display devices up to 330 feet away.
For teleconferencing applications, the XS series features four internal audio/video busses. This can be used to create minus-one audio to feed directly into teleconferencing systems. Switch up to eight computer and video devices in both analog and digital formats. In addition, an audio ducking function lowers audio levels when microphone audio is detected, making it ideal for conference or boardroom environments.
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Atlona Unveils Lineup of Switchers and Scalers With HDMI and VGA Transmission Over HDBaseTAtlona introduced two new series of switchers and scalers, the HDVS-150 Series and HDVS-200 Series, with four new switchers.
Designed to expand the input capabilities of the company’s UHD-CLSO-824 matrix switcher, the HDVS-150 series includes the AT-HDVS-150-TX, a three-input HDBaseT switcher and AT-HDVS-150-TX-WP, a two-input HDBaseT wall plate switcher, that extend cable runs of both 4K/UHD signals @ 60Hz and VGA input signals up to 1920×1200 up to 230 ft. (70m). The HDVS-150 Series also has several highly desired features, including auto-switching, front-panel input selection, auto display control, and front panel display on/off control.
The AT-HDVS-150-TX features two HDMI inputs plus a VGA input with a 3.5 mm audio connector with auto-switching, which feeds to a single HDBaseT output. The AT-HDVS-150-TX-WP features a single HDMI input and one VGA input with auto switching, and a single HDBaseT output that occupies a two- gang, US or UK-style wall plate enclosure. Both devices receive power from the AT-UHD-CLSO-824 matrix switcher via Power over Ethernet.
An alternative faceplate, the AT-HDVS-TX-NB is available for the HDVS-150-TX-WP, which eliminates the display, on/off, and input select buttons for installations where control is through a third-party system. The faceplate does not have electronics and easily replaces he original factory faceplate.
The HDVS-200 Series consists of the three-input switcher, AT-HDVS-200-TX, and the Ethernet-enabled HDBaseT scaler, AT-HDVS-200-RX. Together they offer auto switching for HDMI and VGA inputs, projector on/off control, analog audio de-embedding, volume control, and TCP/IP and RS-232 control. The HDVS-200 Series devices are useful as input/output modules in larger systems where switchers such as the AT-UHD-CLSO-824 are being used.
The AT-HDVS-200-TX is a three-input switcher with display control for HDMI and VGA transmission over Ethernet-enabled HDBaseT. Featuring two HDMI inputs and a VGA input with a 3.5 mm audio connector, the switcher extends video signals with embedded audio up to 4K/UHD @60 Hz up to a distance of 328 feet (100 m.). The switcher receives power from the AT-HDVS-200-RX scaler via Power over Ethernet, and together they create a standalone AV switching system for classrooms and huddle rooms.
Atlona’s HDVS-200-RX is a scaler with an Ethernet-enabled HDBaseT input for HDMI transmission. When used with the AT-HDVS-200-TX switcher, it receives IP and HDMI signals with embedded audio and controls signals at distances up to 328 ft. (100 m.).
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Extron Ships Five MediaLink Plus Controllers with Ethernet Device Control and PoEExtron has shipped five new MediaLink Plus controllers including the MLC Plus 50, MLC Plus 100, and MLC Plus 200 — all three Ethernet controllers with beveled edges, rounded corners and backlit buttons. While the MLC Plus 50 features backlit Up and Down volume buttons, the MLC Plus 100 and MLC Plus 200 models feature a multi-function volume knob for smooth, precise control of select Extron amplifiers, ProDSP-equipped Extron products, and a wide range of audio devices. As part of the MediaLink Plus Series, all of these controllers are loaded with features and enhanced security, making them ideal for handling common AV functions such as display on/off, input switching, volume, and Ethernet control of AV devices. The faceplates hide the mounting screws giving the controllers a refined, uncluttered appearance. Power over Ethernet allows the controllers to receive power and communications over a single Ethernet cable. The MLC Plus 100 and MLC Plus 200 are also available in AAP versions, providing openings for up to four single-space Architectural Adapter Plates for numerous connectivity possibilities.
All of these new MediaLink Plus controllers are configured using Extron Global Configurator Plus or Global Configurator Professional software. They also integrate seamlessly with Extron’s award-winning GlobalViewer Enterprise software for complete AV resource monitoring, management, and control over a computer network. The MediaLink Plus family of controllers supports popular Web browsers and the Extron Control App.
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Crestron Ships Wireless TST-902 Touch PanelCrestron announced today the release of its TST-902 8.9″ Touch Screen saying that it’s an enterprise-grade wireless tablet. The nine-inch tablet is designed for wireless control and it uses a capacitive touch screen panel and delivers video via H.264 and is integrated into an edge-to-edge glass design.
The TST-902 primarily communicates via Crestron ER instead of Wi-Fi and wireless communication is enabled via the Crestron Extended Range RF Wireless Gateway (CEN-ERFGW-POE) for ultra-dependable wireless performance up to 200 feet indoors.
While the TST-902 can be used to control communications using ER wireless alone, you can use ER and Wi-Fi together (dual-mode) to integrate streaming video from IP cameras or for web browsing.
Crestron says the TST-902 incorporates new fast-charging Lithium ion battery technology that makes it possible to keep the device docked indefinitely without killing the battery. And, to help extend battery life, the Instant-Waking feature allows the TST-902 to go to sleep within seconds of putting it down. But you’ll never have to wait for the screen to wake up; with Instant Waking the TST-902 is always ready to go. If necessary, the TST-902’s battery is field replaceable.
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Extron Ships 3.5″ Wall Mount and Cable Cubby TouchLink Pro TouchpanelsExtron has shipped the TLP Pro 320Mand TLP Pro 320C TouchLink Pro Touchpanels. These fully-configurable touchpanels work with any Extron IP Link Pro control processor and are designed for use in AV system applications that require complete, interactive control of a broad range of source devices. As with all TouchLink Pro models, these feature faster processing and more memory. Power over Ethernet – PoE allows the touchpanels to receive power and communications over a single Ethernet cable. The TLP Pro 320M features a sleek, rounded bezel that compliments the aesthetics of any AV environment. It is ideal for AV applications requiring a compact, wall-mountable touchpanel with a fully customizable interface.
The TLP Pro 320M and TLP Pro 320C feature customizable backlit buttons that broaden the room control options. All TouchLink Pro touchpanels can be customized using Extron GUI Designer software. This powerful interface design software offers ready-to-use templates for a wide variety of rooms and presentation environments. These designs may be used as is, or customized for the application by simply changing individual graphic elements. Both touchpanels are also compatible with the Extron Control App and Extron Control for Web.
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Just Add Power Adds Image Play Video Tiling to HD Over IP More Play Feature SetAt InfoComm 2015 Just Add Power debuted the 2G+4+ Tiling Transmitter with Image Play, which gives integrators the ability to display multiple video feeds on a single screen. The 2G+4+ device is a 1U rack-mountable video tiling processor that enables commercial integrators to deliver four HDMI sources to a single screen in a variety of viewing modes over a Gigabit managed network.
The 2G+4+ four-input video tiling processor works with the entire family of 2G/2G+/2G+AVPro devices. It can be mixed and matched in the same network as earlier 2G/2G+/2G+AVPro transmitters and receivers. The backwards compatibility of the 2G+4+ tiling processor allows it to be added retroactively to existing 2G and 2G+ installs with maximum ease for the installer and minimum down time for the site.
One 2G+4+ Tiling Transmitter allows you to watch up to four HDMI sources at the same time on a single display in a variety of viewing modes, including quad view, picture in a picture, and picture on a picture. You can also stack up to five 2G+4+ units and, as a result, actually view up to 16 images simultaneously on a single display. Additionally, an HDMI pass-through port on the 2G+4+ Tiling Transmitter allows for distribution to a local mirrored display.
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Optika Display Launches 65″ UHD Display with Built-in CollaborationOptika Display today introduced the Collaborate 65UHD, a pro-grade, 65-inch large format, Ultra-High Definition 4K LCD collaboration device. The Collaborate 65UHD platform combines a stylus with digital writing capability with edge-to-edge, multi-touch technology.
Unlike similar products, the Collaborate 65UHD supports multiple operating systems, computing architectures, network environments, protocols and applications. This adaptability enables Avnet, Optika’s distribution partner and its VAR and ProAV communities to easily create and bundle solutions for both new or upgraded customer environments.
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Revolabs FLX UC 1500 IP and USB Conference Phone with Extension MicrophonesRevolabs today announced that it is now shipping its FLX UC 1500 IP and USB Conference Phone with Extension Microphones. Broadening the company’s UC product family to support larger conference rooms, the innovative device includes two extension microphones to create a wider pickup range, incorporates a high-performance speaker to expand sound capabilities, and provides the ability to bridge VoIP and USB-based calls — creating an all-in-one solution for incredibly clear conferencing.
Equipped with a tweeter and mid-woofer elements, four embedded microphones, two extension microphones, and integrated acoustic echo cancellation, the FLX UC 1500 provides ultra-wideband frequency response to bring spectacular-sounding audio to conference calls, desktop audio, or PC communication tools whether on premise or in the cloud. Designed to integrate easily with any third-party application, the device also features a convenient dialer with a 3.5-inch color display and USB support, which allows users to easily connect the unit to any PC, Mac or Chromebook for use with communication applications such as Skype, Microsoft Lync, Vidyo, WebEx and more.
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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