Volume 13, Issue 11 — June 4, 2015
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Industry News
Unified Collaborative Conferencing Digital Signage Control & Signal Processing
Staging & Live Events Displays
Projection Audio Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories
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Will 2015 Spell the End for PowerPoint?
By Phil Lunney In 1992 as CGA/EGA morphed to VGA, Harvard Graphics was slowly being displaced by Microsoft’s new PowerPoint presentation software. It offered more colors, transitions and flexibility as displays and projectors became ‘active.’ Now as I venture to InfoComm after a two year absence, I seek new tools for apps and programs to ‘save us from another boring Power Point presentation.’
So, as I have always done, I seek the ‘application’ or, more specifically, what defines today’s presentations. First, we must look at the pieces which need to be part of the presentation:
- Photos
- Videos
- Line drawings/plats/plans
- Defining goals current resources and the displays involved
- A digital rendition of the finished product or proposed solution
My main presentation equipment for these past two decades have been projectors and more recently flat screens and video walls, but now that is changing so we have the need for ‘big screens’ and hand held devices. What are the options for presentations from multiple sources in varying formats (PCs, cameras, phones, pads) to provide a coherent presentation while managing these inputs and outputs?
With the advent of the body cam for police and the sudden demand for implementation, we will soon be swamped with sources from different angles and perspectives, which will allow these to be presented and compared for anything from a police review to a trial setting. This is not my major concern but rather a ‘market driver’ that will force our use of new programs and/or applications. In addition, we have had a few shocking developments over the last year, such as Sports Illustrated eliminating its photography staff and other similar media changes.
For my perspective, I want to know if I can use the following tools:
- Android phone
- Digital Camera/Body Camera
- Google Glass
- Android watch
- Laptop PC
- Apple device (of course an Apple set of tools may provide some better outcomes but also some problems for conversion to a PC business world)
Can I become a ‘one man’ rAVe’r’?
Can I control the function of some of these devices through my watch? So, imagine I have a body cam that I wear at a conference like InfoComm. Can I command my Tools to function and still record the words and sounds? Could this technology application work also for a ‘site survey’ along with assorted documents which can be an input from a ‘contractor’ to supply the proposal creators and presenters with the detail to bid without flying a group to the site without understanding the complexities?
Or will it simply be for a person like me who walks five to 10 miles a day to provide a ‘story’ which can be viewed on the big screen or the phone? And how will I deal with loss of connectivity when inside a building or under a bridge? Google Drive provides some apps that help but what will allow all of these sources to be molded to a new style of presentation that will not only be wireless but hands free?
So will this be the year of real change or will I come away disappointed and confused?
I am planning on arriving at InfoComm in time for the Keynote Address and staying until Thursday (if there is a need I can extend until Friday). Please let me know by email or text if your company or organization has an offering in these areas: hardware, software, apps or other tools. I plan to summarize my ‘quest’ before the end of June.
Leave a comment below. Or contact me via email or on the phone at 678-428-6429.
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InfoComm: The Final Countdown to InfoComm
By Dave Labuskes Executive Director, InfoComm International
Wow!
Can you believe we’re only a week away from InfoComm 2015?! I’m looking forward to seeing you there (you are coming, aren’t you?).
I’m going to give you some advice on how to make the most of your time at the show. Even if you are the ultimate procrastinator there is still time to right your course. Inexpensive flights and hotel rooms are still available.
First, make sure you are arriving before the show to take advantage of training. As long as you are coming to the show, take the time to learn about trends, exchange ideas with peers and master the fundamentals, if you haven’t yet done that. Take time to explore educational opportunities and sign up before your first choices are sold out.
Next, make sure you are networking. I know show days are long, but take time to make new contacts, while spending time with those who you look forward to seeing each year. Come by the opening reception, and challenge yourself to talk to at least three people you don’t know before grabbing a drink with some old friends. Talk to another person from your training session during a coffee break or lunch — it will feel natural because you have something in common to talk about. We’re also debuting some new receptions for First-Time Attendees and Young AV Professionals at the InfoComm Booth. The Women of InfoComm Network breakfast promises to be a great event – one that is only growing bigger with the formation of our council. There are sure to be gatherings throughout the show week that will have people attending that share your same challenges and experiences — meet them, and get better together!
Make the InfoComm week the “someday” you’ve been waiting for! Earn that certification you’ve been meaning to get someday. Testing is at the convention center – it really can’t be any more convenient. After you pass (yeah!) put your name on the Wall of Fame and then attend Friday’s CTS breakfast for more networking and learning.
With so many exhibits, you have to plan your show floor time. Download the app and plan your tours. You’ll want to spend plenty of time in general exhibits and decide which pavilions have the solutions you’re looking for. But leave yourself free time on the floor to make great discoveries in the Innovations Showcase. One piece of advice I got years ago… always make a point of spending time at the smaller booths around the show floor for that truly unexpected surprise discovery.
Enroll in manufacturer’s training for product-specific education that you will need to be successful – you’ll even receive a voucher to use at the show store. And don’t forget about the audio demo rooms, which open on Tuesday.
There’s an amazing amount to do. And it’s all yours to take advantage of. So do it! And don’t forget while you’re having this experience that it is brought to you through the efforts and resources of nearly 1,000 companies that are supporting you and our industry with their presence. Not only is the trade show floor experience invaluable on its own, but none of the other events, classes or experiences would be possible without the support of these manufacturers in Orlando and throughout the year.
And this leads me to a very clear point that I feel compelled to make. There are companies holding events, unassociated with InfoComm 2015 that are directly soliciting our attendees and taking advantage of the fact that our show draws a crowd of 35,000+ audiovisual professionals from around the world. Unlike our exhibitors, they aren’t contributing to the benefit of the industry by being part of your show, nor are these events contributing to the funding of the InfoComm certification, standards, or our educational programs. These companies are simply enjoying a free ride off the show and will try to draw you away from the convention center and into their own self-advantaged space.
These offerings are presented as educational offerings and may imply a commitment to your training or professional development. At any other place or time, I’d completely agree with this and support it wholeheartedly. But in the same town and at the same time as your show, these offerings become a detriment to the thousands of exhibitor personnel, faculty volunteers and everyone else that have worked for a year to welcome you back and reconnect with you. Please join me in sending a message that you think it’s wrong too, by not supporting them. Perhaps these companies will hear our message and re-think their decisions in the future.
Again, explore and take advantage of all that Orlando has to offer. Be sure to get out, have a nice meal, enjoy the attractions and parks when your show hunger has been satisfied. I’m sure you all look forward to walking around in the Orlando June weather just like me! So break in those comfortable shoes. Finish your travel plans. And start packing your bags.
I’m looking forward to celebrating you, the industry, and the future at InfoComm 2015!
This column was reprinted with permission from InfoComm International and originally appeared here. Leave a Comment
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Waveguide Is First Design Firm to Earn InfoComm APExWaveguide has qualified as an InfoComm International AV Provider of Excellence, or APEx, making it the first independent consultant in the world to earn the distinction. The InfoComm APEx program recognizes AV design consulting firms and integrators dedicated to industry excellence by providing quality service to customers and adhering to best practices and standards.
“With Scott Walker at the helm, Waveguide consistently sets the bar high for all of us in the industry and truly exemplifies what it means to be an APEx,” said David Labuskes, CTS, RCDD, InfoComm International’s Executive Director and Chief Executive Officer.
The InfoComm APEx program recognizes companies based on the number of employees who hold key industry certifications, including InfoComm’s Certified Technology Specialist (CTS) credentials, completion of continuing education classes and positive customer survey responses. APEx providers must also prove that they meet or exceed the requirements within two ANSI/INFOCOMM standards — the Standard Guide for Audiovisual Systems Design and Coordination Processes and the AV System Performance Verification Standard – to foster better communication between the AV provider and the client.
Waveguide is committed to quality training, standards and customer service. It’s something we practice every day and take very seriously,” said Waveguide CEO Scott Walker, CTS-D, LEED AP. “In addition to following rigorous standards from planning through commissioning, we maintain a high percentage of certified staff. Currently, 65 percent of our staff companywide are InfoComm certified, with half of our InfoComm certified staff holding specialized certifications in Design (CTS-D) or Installation (CTS-I) or both, and many hold additional certifications across the spectrum of management, design and technology disciplines.”
For more information on the APEx Program, visit InfoComm’s website here. Leave a Comment
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Milestone AV Partnering with SurgeX; Next Stop: BuyoutMilestone AV Technologies and SurgeX have just announced a new partnership that they’ll roll out at InfoComm. We predict the next step will be a buyout.
The two companies are developing a new line of power protected infrastructure solutions exclusive to the Chief brand. This initial offering combines SurgeX’s surge protection technology, power and filtering with six Chief products, including the new in-wall and above-ceiling storage solutions, and two suspended ceiling kits.
Chief has long had a close relationship with SurgeX — the provider of its non-sacrificial rack accessories. This new partnership deepens the connection between the two companies and opens the potential for new solutions that span the Milestone family of brands. And, we see this as the next logical step to Milestone AV’s expansion in the AV industry.
The new line of powered infrastructure solutions will ship next month and when all the details are public, they will be posted here. Leave a Comment
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Nureva Announces the Span Ideation System for Business – Collaboration, BYOD and Panoramic Projection In One Nureva just announced its first business product, the Nureva Span ideation system. Ideal for design, creative processes and business-process re-engineering, the Span ideation system combines a panoramic projector with a digital canvas to create an expansive 4′ by 40′ with 10′ visible (1.2×12.2 meters with 3.05 meters visible) team workspace. Ideation participants create their ideas on their personal devices, either a computer or tablet, and share them on the team workspace in the cloud. The system draws upon familiar, simple and flexible tools already widely used in paper-based ideation including sticky notes, images, pages and flip charts.
The digital canvas retains all of the flexibility that paper-based systems offer (e.g., large workspaces with persistent information) while overcoming many of the challenges (e.g., the awkwardness of physically moving large numbers of sticky notes, sticky notes that fall off the wall, inclusion of remote participants in the process, the need for transcription, and storage and retention of the work). The Span ideation system allows multiple teams to use a collaboration room that previously may have been dedicated to a single team for months.
The canvas offers 40′ (12.2 m) of digital space, with 10′ (3.05 m) visible on the panoramic display that can be panned horizontally. Users contribute content in the form of notes, pages, folios and images and organize content by moving and grouping.
Software is accessible on Chrome browsers and as apps on iOS and Android tablets to enable users to create digital artifacts and post them to the shared canvas.
Multiple types of digital artifacts can be created on a personal device or at the canvas:
- Note — This digital 3″ x 5″ (7.6×12.7 cm) sticky note allows users to enter up to three lines of text.
- Page — This digital 8.5″ x 11″ (21.6×27.9 cm) page for sketching and wire-framing comes with three different ink colors, a highlighter and an eraser.
- Folio — This large digital 32″ x 42″ (81.3×106.7 cm) flip chart for capturing notes, decisions and action items comes with three different ink colors, a highlighter and an eraser. One folio can contain multiple pages.
- Image — Users can post images to the canvas, then manipulate them panoramic projector.
The system’s HD panoramic projector features 3,000 lumens on an ultra-wide 130″ (330.2 cm) diagonal display in a 16:6 aspect ratio. A contrast ratio of 1,800:1 provides a consistent, high-performance color and rich viewing experience. Solid-state illumination (SSI) means instant-on/off and delivers the same useful life of 25,000 hours as most flat-panel displays. Touch and pen interactivity are provided by a touch module, supporting simultaneous multi-user and multi-touch activities.
The software has an annual subscription of $239 for a single-user license. The hardware (including the panoramic projector, projector wall mount, remote control, 2 pens and touch module) has a list of $9,999. All the details are here. Leave a Comment
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InFocus Announces Mondopad 2.0 InFocus has released Mondopad 2.0. The new Mondopad is an all-in-one, video conferencing touchscreen collaboration device for the conference room, classroom, distance education center and multi-point office. In addition, Mondopad 2.0 offers new features that make sharing, annotating, archiving and overall collaboration easier, particularly between multiple locations.
The InFocus Mondopad is available in 57-inch, 70-inch or 80-inch models. All offer a 1080p resolution LCD with multi-point touch with an integrated on-board PC with open standard technology compatible with Microsoft Office and Intel. Mondopad 2.0 offers on-board storage and has a built-in collaboration software suite.
Like the original Mondopad, Mondopad 2.0 is a SIP/H.323 video calling endpoint that uniquely integrates data presentations, whiteboarding, remote PC viewing, video, casting from tablets or smartphones, and puts interactive data into a video call like never before. With Dual Stream technology, Mondopad users can not only share and view data but can also see video meeting participants, never losing the benefits of face-to-face communication, such as non-verbal cues and body language.
Mondopad includes one year of InFocus 121-Basic video calling service, which supports two-way calling with SIP, H.323, H.239 and Microsoft Lync systems. InFocus 121-Premium enables four-way calling. When paired with an InFocus ConX Video Meeting solution, users can combine any combination up to 25 different callers using SIP, H.323. Lync, a Web browser and even standard (PSTN) phone lines.
Also new to the InFocus Mondopad 2.0 is its ability to pair with a second touchscreen, such as the JTouch, InFocus’ large-format touch-enabled digital display, to create an even larger interactive area for file annotation and whiteboarding. With it people can run dual applications, such as a video conferencing and PowerPoint files simultaneously on separate screens. When using dual touch displays, multi-tasking is easy — users simply swap content from one touchscreen to the other.
For wireless presentation and connectivity, InFocus also equipped Mondopad 2.0 with its LightCast technology, to wirelessly cast content from a notebook, smartphone or tablet directly to the Mondopad display and control Windows devices via touch. Microsoft Windows applications run on Mondopad 2.0 in responsive touch mode including Microsoft Office suite, which comes standard.
In addition to the video conferencing, dual screen and bring your own device (BYOD) enhancements, Mondopad 2.0’s new features include:
- One touch Dropbox cloud-based file storage
- Multiple camera support, including InFocus’ recommended PTZ (Pan-Tilt-Zoom) camera
- Continuous multi-directional whiteboard canvas
- Floating whiteboard toolbar
- Whiteboard auto shapes function
- Enhanced video conferencing services
- Updated modern user interface
- Extended audio with optional InFocus Thunder tabletop speakers
Mondopad 2.0 is available for purchase now through InFocus authorized resellers. Mondopad list prices are:
- 57” diagonal – $5,799
- 70” diagonal – $9,799
- 80” diagonal – $16,999
Customers who purchased Mondopad within the past year can upgrade to Mondopad 2.0 free of charge. Here is where you can learn all about Mondopad 2.0. Leave a Comment
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New Visix Mobile Wayfinding App with Beacons and GeofencingVisix’s mobile wayfinding app provides responsive indoor navigation for smartphones. The app can be used as an extension of traditional kiosk-based wayfinding or as a stand-alone solution.
Each app is custom branded for the client organization and uses photography from the client’s own buildings. Picture-based guidance paired with simple directions moves employees, customers and visitors through the interior spaces quickly and easily.
The app communicates with proximity beacons strategically placed at directional milestones throughout your facility. As visitors walk through a building, beacons report their arrival at key areas, and the app provides turn-by-turn directions and other contextual content on their phone. The proximity beacons use low-energy Bluetooth to communicate with both iOS and Android devices. They can cover a range of up to 150 feet, are completely wireless, are easy to mount and run on AA batteries.
Our app also leverages a macro-location technology called geofencing that draws a perimeter around an outdoor building. Powered by a smartphone’s GPS, the app knows when the geofence is penetrated, and it then sends a push notification to that person’s phone.
Your visitors are welcomed upon their arrival at your building or campus with a pop-up notice on their smartphone, and just a tap of the screen provides access to instructions. Now you can greet people as they arrive at your building or campus and provide visual guidance from the parking lot to any space in your facility.
You can also deliver directories, event schedules, announcements and other dynamic content within the mobile app, providing another way for you to engage your audience with daily communications.
More information on Visix’s wayfinding solutions are here. Leave a Comment
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Kramer Announces K-Touch 3.0, Will Be Shown at InfoCommKramer has made a big announcement ahead of InfoComm 2015 with the introduction of its K-Touch version 3.0, a cloud-based software platform for designing room control and automation BYOD systems. The new software will allow integrators to design systems that control lighting, HVAC, thermostats, as well as new and existing AV systems via a simple drag and drop architecture. It can be scaled to control more than 100 services from the cloud, controllable via any tablet or mobile touch screen. Users can control the system via their own Apple or Android devices.
Components are controlled primarily via Ethernet, but some products, such as Kramer’s FC-Series and third-party controllers, can also be controlled via RS232, GPIO, relays and IR. Since the programming is cloud-based, integrators will also be able to offer support, updates and troubleshooting support remotely.
Kramer currently is offering an online training course for K-Touch 3.0. Also online is an extensive support database with tutorials, articles, sample project files, videos and more.
Learn more about K-Touch 3.0 here. Leave a Comment
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FSR to Roll Out Range of New Electronics Products at InfoComm 2015At this year’s InfoComm, FSR is introducing a variety of new products, including the DV-MFMV-74 and DV-MFSS-71 scaling switchers; DV-HSW4K-41, DV-HSW-21A and DV-MFSW-21A HDMI switchers; the HD-HPC-SP-Tx and HD-HPCWP-Tx additions to the company’s HDBaseT product family; the relaunch of its FLEX IO-16 I/O Interface Unit and a sneak peak at significant upgrades and design changes to the Digital Ribbon Cableseries. The new products are:
- DV-MFMV-74: DV PRO – MultiVU – Seven Input Multi-Format Windowing Scaler – The DV-MFMV-74 is a 7×1 seamless windowing switcher that has seven multi-format inputs (four HDMI, two DisplayPort and one VGA/RGB/YPbPr) and one HDMI out that supports scaled resolutions up to 4Kx2K 30hz. The DV-MFMV-74 allows users to show up to four of the inputs on the same screen simultaneously in a single, dual, triple or quad screen layout. Each input also has audio inputs available via captive screw terminals. The one-rack unit high windowing switcher can be controlled from the front panel, via RS-232 or IP via the integrated GUI Control. The DV-MFMV-74 MultiVU 7×1 Windowing Switcher integrates with FSR’s HuddleVU FLEX Collaboration Systems.
- DV-MFSS-71: DV PRO – Seven Input Multi-Format Scaling Switcher – The DV-MFSS-71 is a 7×1 Scaling Switcher that has seven multi-format inputs (four HDMI, one DisplayPort, one DVI-I, and one VGA/RGB/YPbPr) and one HDMI out that supports scaled resolutions up to 4k x 2k 30hz. Each input also has audio inputs available via captive screw terminals and has a stereo output as well. The one-rack unit high scaling switcher can be controlled from the front panel, via RS232 or IP via the integrated GUI Control. The DV-MFSS-71 Seven Input Multi-Format Scaling Switcher integrates with FSR’s HuddleVU FLEX Collaboration Systems.
- DV-HSW4K-41 – The DV-HSW4K-41 is a 4×1 HDMI switcher that shares the same small footprint as its predecessor, the DV-HSW-41, but is capable of handling 4Kx2K. It can be controlled via front panel push-buttons or RS232. The DV-HSW4K-41 is part of FSR’s HuddleVU Collaboration Systems.
- DV-HSW-21A – The DV-HSW-21A is a 2×1 HDMI switcher capable of handling 4Kx2K resolutions in a small footprint. It has a locking 12v power supply and can be controlled via front panel push-buttons, contact closure, RS232 via Phoenix 3-pin, or auto-sensing. The unit provides LED feedback for contact closures and will work with FSR’s HuddleVU Table Boxes for a compact two HDMI HuddleVU System.
- DV-MFSW-21A – An HDMI + VGA & Audio to HDMI switcher, the DV-MFSW-21A is also capable of handling 4Kx2K resolutions in a small footprint, has a locking 12v power supply and can be controlled via front panel push-buttons, contact closure, or RS232 via Phoenix 3-pin, or auto-sensing. The
- DV-MFSW-21A provides LED Feedback for contact closures and will work with HuddleVU Table Boxes for a compact VGA & HDMI HuddleVU System.
- HD-HPC-SP-Tx – FSR’s new 100 Meter HDBaseT Slim-Pack HDMI & VGA with Audio Switcher Transmitter has both HDMI and VGA with audio inputs as well as bi-directional Control (IR & RS-232) and Ethernet. The switcher has built-in auto-sensing circuitry to determine the active input and also has a front panel Input Select Button and a captive-screw terminal on the rear for contact closure trigger. The
- HD-HPC-SP-Tx transmitter is a true HDBaseT 5-Play device that transmits HD Video (up to 4K @30hz.), audio, bi-directional control (IR & RS-232), Ethernet, and power via 1 CAT-6A shielded cable out to 100 meters. The HD-HPC-SP-Tx works with any of FSR’s other 100 Meter HDBaseT Receivers and can be powered from either end (Tx to Rx or Rx to TX). Bravo to FSR for actually doing 5-play!
- HD-HPCWP-Tx – FSR’s new 100 Meter HDBaseT two-gang Decora style wall plate transmitter is a true HDBaseT 5-Play device that transmits HD Video (up to 4K @30Hz), audio, bi-directional control (IR & RS-232), Ethernet and power via one CAT-6A shielded cable out to 100 meters. On the front of the wall plate it has an HDMI in and VGA Video In (HD-15 female) with audio In (1/8-inch Mini Jack), IR reader window, and input selector button. The HD-HPCWP-Tx is designed to work with any of FSR’s 100 Meter HDBaseT Receivers and receives its power from them as well. The rear of the wall plate contains Ethernet & HDBaseT RJ-45 Ports as well as captive screw terminals for IR-Out, RS-232, and +12v In & Out. The Ethernet and +12v Out have been designed to be used with FSR’s FLEX LT-200 3.5-inch Color Touch Panel with an integrated control system which can communicate back to your rack along with video, audio, and power all over 1 CAT-6A Shielded Cable up to 100 meters.
- The FLEX-IO16 I/O Interface Unit is a new addition to FSR’s Intelli-Tools line. It is a device that will provide 16 Ground Closure (switch) Inputs and 16 Lamp/LED Outputs as well as RS-232 & IP Communication to expand the control capabilities of FSR FLEX Controllers as well as interfacing with any third-party control system. The Serial & IP connections allow the IO-16 to function as an IP to Serial and Serial to IP translator/interface. The FLEX-IO16 I/O Interface Unit also has a GUI Control Program available that allows the set-up and programming of each of the 16 channels with its own command strings communicated during a button press, button release or button hold. It also controls the Lamp/LED feedback conditions for each of the 16 connections.
All of them can be found here. Leave a Comment
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Contemporary Research to Debut ATSC-SDI 4 Tuner and ICC1-IRX TV Controller at InfoCommContemporary Research (CR) will introduce two new products at InfoComm: the ATSC-SDI 4 Tuner and the ICC1-IRX TV Controller.
The ATSC-SDI 4 is the newest addition to CR’s successful line of HDTV Tuners. They are marketing it as the first “cost-effective” HDTV demodulator that features onboard ASI and HD-SDI ports, as well as MPEG2 and MPEG4 decoding. The integral HD-SDI output allows inclusion of 708/608 captioning, choice of AES stereo or AC-3 audio, and scaled output set to a constant 1080p, 1080i, 720p, or 480i resolution. The ASI port outputs the full MPEG stream, including all programs, audio options and data at native resolutions. A professional HDTV tuner, the ATSC-SDI 4 features onboard Web pages for control, setup and monitoring and is designed for broadcast integration.
The ICC1-IRX is the newest product in the CR Display Express RF display control line. This TV controller adds a direct Xantech CSM1 power sensor input, allowing absolute power control for TVs that don’t have discrete power commands.
CR’s new line of dual channel QMOD HDTV Modulators/IPTV Encoders will soon add full digital RF/IPTV convergence, enabling MPEG2 and MPEG4 /H2.64 encoding. In addition to two-channel encoding for RF or IPTV, the encoder can offer split operation — one source can be output as a full HD MPEG2 RF channel, as well as a lower bitrate MPEG4 stream for IPTV. This feature will be available by the end of Q3 and will be easily updated using the USB port on the front panel. All the new QMODs feature 2-channel operation, AC3 Audio, SAP audio and full hardware scaling.
The ATSC-SDI 4 HDTV Tuner is available now for $1,540 and the ICC1-IRX will be available in July for $355 and both are here. Leave a Comment
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Matrox to Unveil Mura IPX Series 4K Capture and IP Encode/Decode Boards for Video Walls at InfoComm Matrox Graphics today announced Matrox Mura IPX Series, a new line of 4K capture and IP encode/decode boards that let OEMs and AV system builders deliver advanced video wall controllers featuring high-quality, low-bitrate, multi-channel 4K or HD encoding and decoding over standard IP. The first two Mura IPX Series cards will be introduced at InfoComm 2015.
Designed to work with Mura MPX video wall capture and display boards and Matrox C-Series multi-display graphics cards, Mura IPX packs 4K capture plus high-density encode and decode functionality onto a single PCIe® card to simplify integration and reduce installation costs. The MURA-IPX-I4DF 4K capture and IP decode board provides four HDMI 1.4a inputs for direct high-resolution 4Kp30 or 2560x1600p60 capture plus H.264 decoding of 4Kp60 and up to three 4Kp30, sixteen 1080p30 or eight 1080p60 streams. The MURA-IPX-I4EF 4K capture and IP encode/decode board adds H.264 level 5.2 encoding to stream and record video wall content, including video wall sources, displays or regions-of-interest, anywhere on the network.
Here are all the tech specs. Leave a Comment
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Extron Announces Select DTP Transmitters, Signal Processors and Presentation Switchers are HDBaseT CertifiedExtron has announced that select DTP products are now HDBaseT certified. The products include DTP T HWP 4K D, DTP T EU, and DTP T MK wallplate transmitters; DTP T FB floor box transmitters; Annotator 300 annotation processor; DTP CrossPoint 84 scaling presentation matrix switchers; IN1604 DTP four input scaler; and IN1608 HDBT scaling presentation switchers. They send video with embedded audio, and bidirectional RS232 and IR signals up to 230 feet (70 meters) or 330 feet (100 meters) over a shielded CATx cable. The DTP wallplate transmitters and DTP CrossPoint 84 support 4K resolutions. Certified models have been independently tested and verified to meet the performance requirements set by the HDBaseT Alliance. The range of certified Extron products allows AV installers to select the AV components that are best suited for system requirements, with the confidence that those units meet HDBaseT standards and will work with other certified products. Extron has added HDBaseT compatibility to a growing number of DTP products, including DTP transmitters, distribution amplifiers, scalers, switchers and matrix switchers.
The DTP Systems product family includes numerous different extender models in a wide variety of form factors and video formats, plus a broad offering of distribution amplifiers, switchers and matrix switchers with essential AV signal processing and control features. DTP Systems allow complete flexibility in designing systems precisely to application and budget requirements.
Here are the details. Leave a Comment
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KanexPro Intros Line of HDMI Distribution Amplifiers at InfoCommKanexPro is claiming the introduction of the world’s slimmest, lightest, most reliable, and economical line of 4K compliant connectivity products in the pro AV marketplace. This KanexPro UltraSlim lineup includes the KanexPro 4×1 HDMI Switcher with Audio De-Embedder and KanexPro 1×2 and 1×4 HDMI distribution amplifiers making up a family of unmatched-high-demand solutions for the installer in the institutional or commercial market challenged by the need to broadcast uncompressed 4K Ultra HD signals in limited space settings.
The KanexPro 4×1 HDMI Switcher with audio extractor is an incredibly thin design, only 0.4 inches (11mm) thick, it weighs only .26 lbs. It is especially suited where space is confined and the need to present, collaborate and switch 4K UHD content to a single display exists. Auto-switching allows for simple, unmanaged operation in locations such as a lectern or under a conference table. When multiple inputs are active, the switching priority is configurable. Audio de-embedding capabilities allows users to extract stereo audio to an external amplifier for use with ceiling speakers. It enables switching of four HDMI source devices like Apple TV, tablets or PCs to one 4K UHD display without losing signal integrity and resolution. The 3.5mm stereo output delivers audio de-embedding & ARC capabilities supporting color depths up to 32 bit and internal EDID management for various display resolutions up to 3840×2160@30Hz. It is capable of transmitting HD 1080p up to 50 ft., features a high-bandwidth of 10.2 Gbps, is HDCP 1.4 compliant and auto-identifies input resolutions to match displays. It supports EDID management automatically to adapt to the resolution from the first detected display from port 1 to 4 and features an LED status for connection. It includes a worldwide power supply with an IR remote & RS-232 control.
The KanexPro 1×2 and 1×4 HDMI Distribution Amps are also ultraslim and lightweight at 0.4” (11 mm) thick. These space saving 4K@30Hz amps enable duplication of one HDMI source signal to two or four UHD 4K displays without losing signal integrity or resolution. These small aluminum, lightweight professional distribution amps are ready to fit in any installation environment and are especially functional in tight spaces. These HDCP compliant amps provide Ultra HD resolutions from HD 1080p to 4K/30Hz with support for deep colors, full 3D and internal EDID management for various display resolutions up to 3840×2160@30Hz.
This KanexPro UltraSlim lineup is ideal for challenging, small-space applications such as huddle rooms, classrooms, conference rooms, and lecture halls where rack space is not available and the need is to present up to 4K UHD content to a single display or multiple displays without losing signal integrity and resolution.
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Atlona Debuts Eight-Input, Two-Output 4K MatrixAtlona wants its new AT-UHD-CLSO-824 to be used as the centerpiece of complex AV systems. The AT-UHD-CLSO-824 is an eight-input, two output, 4K/UHD@60 Hz with 4:2:0 color switcher with mirrored HDMI and HDBaseT outputs. It’s the latest addition in the company’s CLSO series of multi-format matrix switchers designed for commercial and education use, the CLSO-824 incorporates three HDBaseT and four HDMI inputs, one VGA analog video input and two HDBaseT outputs, each with a mirrored HDMI output — and it’s being aimed at conference rooms, classrooms, and training environments.
Some of the features aimed specifically at ProAV integrators include two microphone inputs with 48 V phantom power (integrated with mic ducking to automatically lower the audio level on the active AV input when someone speaks into the mic), Ethernet-enabled 328 ft. (100 m.) HDBaseT signal extension, 10 local RS232 ports, balanced analog stereo output and a web-based GUI for switcher configuration.)
The mirrored HDMI and HDBaseT outputs, it allows for an instructor reference monitor or additional room monitors to be connected. The AT-UHD-CLSO-824 accepts up to four digital sources — HDMI, DVI or DisplayPort — via four HDMI inputs, a multi-function analog input on 15-pin HD connectors with balanced audio input accepts analog sources in multiple video standards and multiple, bi-directional RS232 ports provide pass through device management from the control system.
Finally, three HDBaseT inputs are designed for use with Atlona’s AT-UHD-EX-100CE extender and the new HDVS transmitter series with PoE. Ethernet-enabled HDBaseT signal extension also route control signals from third-party control processors via HDBaseT along with 4K/UHD audio and video through a single cable up to 328 ft. (100 m.). The web interface for the AT-UHD-CLSO-824 enables EDID management for optimizing video resolution and audio delivery and allows HDCP management for using the switcher with compliant and non-compliant devices. The switcher, while provided with a handheld IR remote control, can also be controlled via third-party control systems using IR, IP or RS232 formats.
The switcher is 1U rack mountable (full rack width) and includes a desktop power supply with detachable power cable and an IR hand held remote control. It’s scheduled to ship by September 2015. More information will be here when it’s up. Leave a Comment
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GLP Announces Full Production Release of X4 Bar RangeThe range features two fixtures, the X4 Bar 10 and X4 Bar 20, both of which are high performance battens offering flexibility to today’s lighting designer across multiple applications.
The GLP impression X4 Bar uses high output RGBW LED’s that are packed tightly to give a full batten of light, with 20 LEDs used in the 40 inch long (100 centimeters) X4 Bar 20 and 10 LEDs in the shorter 20 inch (50 centimeters) X4 Bar 10. High quality optics ensure a smooth, homogenized output across the batten through a broad pallet of pastel and saturated colors. This allows for subtle graduated fades, or for distinct color breaks between LEDs. This is complemented by GLP’s exceptional dimming, which ensures that there is no color shift, just smooth even fades.
DMX control offers full pixel mapping capabilities, allowing a whole multitude of dynamic fades and chases through intensities and colors. The X4 Bar 10 and X4 Bar 20 both feature a 7:1 zoom ranging from 7 to 50 degrees, giving effects from a narrow angle light curtain to a wide angle backlight or washlight.
The X4 Bar also features a motorized tilt, for fast refocusing or to be used to add more dynamics to the output beam and it has been specifically designed to give consistent pixel spacing between adjacent units, an important visual aspect for many designers when using fixtures in full view of the audience.
The X4 Bar is complemented by Powercon in and thru connectors for easy daisy chaining without the need for an external PSU, along with multiple DMX modes, rubber feet for floor mounting and ¼ turn attachments points for rigging flexibility.
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Sharp Launches Its First 55 With an Ultra-Slim Bezel Sharp is expanding its PN-V video wall series with the launch of its first 55″ class (54.6″ diagonal) PN-V551 LED Ultra-Slim Bezel professional monitor. With a bezel-to-bezel width of just 3.5mm, the PN-V551 features Sharp’s Uniform Color Calibration Technology (UCCT), the industry’s first and only factory calibration process that delivers out-of-the box pixel to pixel color uniformity between multiple video wall monitors — encompassing chromatic intensity, luminance, and hue.
The energy-efficient PN-V551 monitor combines full-HD (1920×1080) resolution with a brightness of 700 cd/m2 to deliver stunningly bright and detailed images to complement virtually any commercial or public space. Whether in a shopping mall, hotel, control room, transport hub or conference hall, these monitors will convey messages with overwhelming style and precision.
Other features include:
- Easy Video Wall Assembly/Connection: Video walls are easy to assemble and simple to control via RS-232C interface or network. Four monitors set up in a 2×2 configuration, for example, display every pixel of native 4K Ultra HD (3840×2160 pixels) content, equivalent to a 110″ Class screen.
- Mirror Frames: Optional Mirror Frames in video walls help lessen the visible lines between monitors by reflecting images of the display content. This creates a smoother big-picture effect.
- Safe Handling: All four corners are fitted with robust carrying handles. Together with the monitor’s light weight of 60.2 lbs., these handles help enable safe transport and easy, time-saving installation.
- 24/7 Usage: The sturdy PN-V551 monitor is ideal for use in 24-hour stores and in other demanding professional applications that require round-the-clock operation, seven days a week.
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Sony Launches Two New 4K Laser-Phosphor ProjectorsSony has two new 4K resolution projectors that use laser/phosphor technology. The new Sony VPL-GTZ270 is designed for entertainment use including planetariums, theme parks, museums and retail, while the VPL-GTZ280 is designed for simulation, visualization and training.
Both are 5,000-lumen models with native 4K (4096×2160) resolution, and join Sony’s VPL-GTZ1 model to create a family of versatile 4K laser light source projectors designed for a range of B2B and commercial applications. Both can also operate in 4K 3D mode.
Like other laser projectors, the VPL-GTZ270 and the VPL-GTZ280 are designed to deliver up to 20,000 hours of operation with little to no maintenance (up to 40,000 hours in low brightness mode) without the need for a lamp exchange.
The VPL-GTZ270 is designed to create an immersive reality viewing experience in the entertainment market, with image enhancement functions including “Reality Creation” upscaling and compatibility with High Dynamic Range (HDR) content, giving users the ability to view the entire range of an image accurately and clearly. A wide color space covers the full DCI range and simulates the new ITU-R BT2020 color gamut.
The VPL-GTZ280 uses high-speed motion functions and new high-speed 4K 120Hz signal processing capability for 4K3D 60Hz left eye/right eye and reducing blur in fast motion scenes, in addition to smear and transport delay reduction, infrared light output for night vision stimulation and vibration resistance.
The VPL- GTZ270 will be available in the 1st Quarter 2016 and the VPL- GTZ280 will ship in the 2nd Quarter 2016. All the details are here.
Gary recorded a podcast about the launch of these projectors here. Leave a Comment
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Sony to Launch New Laser and Lamp Projectors at InfoCommSony is taking aim again at the mid-brightness class projector market with a combination of new laser and lamp models that meet diverse installation and budget requirements for business, academic, large venue or entertainment use.
The new projectors include two 3LCD laser models (VPL-FHZ65 and VPL-FHZ60) to expand Sony’s growing line of Z-Phosphor laser light source projectors. They join the world’s first 3LCD laser projector, the 4,000 lumen VPL-FHZ55, widely used in smaller rooms, and the 7,000 lumen VPL-FHZ700L, designed for larger venue commercial spaces in education, corporate, government and museum applications.
The new WUXGA (1920 x 1200) laser models deliver brightness of 6,000 lumens (VPL-FHZ65) and 5,000 lumens (VPL-FHZ60). For applications better-suited to lamp-based projection, Sony’s new VPL-FH65 (6,000 lumens) and VPL-FH60 (5,000 lumens) offer cost-effective options that still deliver high quality performance.
All of them use BrightEra panel technology.
The new laser models are designed to deliver enhanced picture quality with new features such as “Reality Creation” and “Contrast Enhancer,” both technologies already in use by Sony’s home theater projection systems for high-end consumer entertainment. Reality Creation engine analyzes and processes every input signal to refine detail, clarity and sharpness for naturally up-scaled images. The Contrast Enhancer feature expands the perceived dynamic range of the signal in real-time.
The new projectors offer Color Space adjustment and Color Correction features for more accurate color reproduction. With the Color Space adjustment feature, users can adjust individual coordinates of Red, Green and Blue primaries in addition to choosing from three different color space presets. The Color Correction feature fine-tunes Hue, Brightness and Saturation of six different color ranges.
Sony’s new laser models pack all the benefits of laser technology into a new chassis design. A laser light source means there’s no lamp that needs to slowly warm up or cool down, no lamp to limit tilt angle and no compromise between high brightness and high resolution.
The new laser models’ “quick turn on/off” requires only approximately seven seconds for the brightness to ramp up after turning on. There is also a “quick reboot” mode available which allows users to reboot the projector in just one second, during user preset time of 10 minutes or 30 minutes after turning off the projector. This is a useful feature when there are presentation intervals between classes and meetings.
The life of the laser light source is expected to be up to 20,000 hours, depending on the use and environment. Virtually zero maintenance requirements and a range of energy-saving features reduce total lifetime ownership costs compared to conventional lamp-based projectors.
The laser projectors also feature a constant brightness mode to maintain the brightness level through the expected life of the light source by driving the projector with approximately 25 percent reduced light output.
All four new models have built-in HDBaseT interfaces, enabling easier connectivity and reducing total system costs by using a single cable which runs all the video, audio, control and IP signal up to 328 feet (100m).
The projectors have a new integrated terminal cover design which allows them to be installed without any visible cable runs from any angle. The integrated cover helps managing the cables without attaching bulky external cable cover boxes.
The new models have a wide powered lens shift, which allows the projector to be installed in challenging environments, for example keeping audiences’ site lines by installing the projector high above a screen, or horizontally avoiding HVAC ducts on the ceiling.
The new models can be combined with wide variety of optional lenses. Available optional lenses include 0.65:1 short throw and tele-zoom covering up to 4.84:1 throw range, and they deploy bayonet lens mounting system for easier and quicker lens changes.
The following is planned availability for the new projectors:
- VPL-FHZ65, 6,000lm WUXGA, laser – August 2015
- VPL-FHZ60, 5,000lm WUXGA, laser – September 2015
- VPL-FH65, 6,000lm WUXGA, lamp – November 2015
- VPL-FH60, 5,000lm WUXGA, lamp – October 2015
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AKG Provides Precise Mixing and Scalability with DMM8 U and DMM14 U Reference Digital Microphone MixersAKG by HARMAN is introducing the DMM8 U and DMM14 U reference digital microphone mixers. Designed for large meeting rooms and conferencing applications, these mixers offer advanced DSP functionality, multiple routing options and versatility.
DMM8 U and DMM14 U feature built-in DSP to ensure precise mixing of up to 80 and 140 channels, respectively, by cascading up to 10 units. Stereo audio outputs and USB connections offer additional routing options for both models. Numerous DSP functions such as EQ filters, compressor/limiter, and routing make the DMM8 and DMM14 ideal for a variety of spoken word applications.
The DMM8 U and DMM14 U are also available as UL versions (DMM8 UL and DMM14 UL), which offer a LAN interface via Ethernet to enable control over large distances using, for instance, an AMX or Crestron control system. With this functionality, users have the flexibility to mount the mixer in a centralized technician room, rather than a location near the venue, while retaining the ability to make adjustments.
In addition, AKG offers software that enables users to control all functions via AMX and Crestron products, or directly via a Wi-Fi router on Apple, Android and Windows devices. This gives users the freedom to mute unnecessary microphones and otherwise manage the discussion either automatically or manually. The software and the UL versions will be available summer 2015
In the autumn of 2015, both models will also be available as ULD versions, which integrate a highly sophisticated DANTE chip. On these models, all ins are available as direct outs, which is ideal for broadcast applications, while all outs are also available on the DANTE stream. The DMM8 ULD provides 14 free assignable DANTE outs, while the DMM14 ULD provides 22. In addition, four DANTE streams can be used as inputs with both models.
Key Features Include:
- Digital signal processing and sophisticated mixing algorithms for seamless mixing, resulting in high gain before feedback and crystal-clear voices
- Two-channel USB (stereo) streaming In and Out for interfacing with IT networks
- Six (12 with DMM14) programmable presets for fast, easy tailoring to different situations
- 12-band graphic EQ on outputs for optimized loudspeaker tuning
- Audio matrix routing of all inputs to all outputs for creating multiple mixes of multiple output combinations
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Barix Adds Emergency Notification to Simple Paging Mobile AppBarix will introduce the next-generation of its Simple Paging solution for fixed and mobile paging over the IP network at InfoComm next month, retaining its simplicity and functionality while enhancing interoperability across greater public address systems.
At its core, Simple Paging reproduces live announcements from a desk or on the move (via a Barix Simple Paging app) with absolute clarity, giving end users an intelligible and flexible paging and communications tool. At InfoComm, Barix will demonstrate integration with emergency notification and background audio systems, bringing additional value to systems integrators who wish to marry multiple IP applications over a common networked platform. Barix will demonstrate these features at Booth 5059 on the InfoComm exhibit floor.
In addition to configurable emergency notification and background music sockets, a pre-gong chime has been added to master paging devices (such as the Barix Annuncicom PS1 or PS16). This feature captures audience attention prior to an important page or security announcement.
The all-in-one Simple Paging solution offers simple deployment for new and existing buildings, eliminating complex setup processes traditionally associated with IP systems. Multiple paging groups can be set up in as little as 10 minutes, with no need for in-depth IT knowledge; tags are easily associated with paging zones to establish groups. High-quality IP voice paging announcements can be made from paging stations, tablets and smartphones without further configuration once power, the network and loudspeakers are connected.
Simple Paging offers an especially compelling value proposition for systems integrators seeking a cost-effective solution to specify IP-based paging into new builds, or replace failing legacy solutions. With minimal wiring and few connections required, a single deployment brings legacy PA systems into the digital age, while protecting existing technology investments and adding new capabilities. End users and integrators alike can additionally scale the system without difficulty by adding new end points to the network.
In addition to mobile integration, flexible targeting allows users in offices, small business, K-12 schools and in hospitality environments to direct announcements to specific devices, zones and areas. Furthermore, Simple Paging connects disparate PA systems on large campuses onto a single network to ensure unified messaging.
A typical Simple Paging solution features a Barix Annuncicom PS16 master paging station and Barix Exstreamer IP decoders at end points, along with the Barix Simple Paging mobile app. Barix’s trademark high audio quality ensures clear messaging across the local area network regardless of the speaker’s location.
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Pakedge to Debut AVB Capable Layer 3 Switch at InfoCommPakedge Device & Software has announced that it will debut its upcoming Layer 3 switch at InfoComm in June. A true Layer 3 switch, it will come equipped with dynamic routing protocols for management of complex networks, making it ideal for commercial and enterprise networks. The switch will support multicast functionality – a necessity for high-quality HDMI over IP and media streaming functionality. Pakedge’s future L3 switch will also support multicast routing service protocols for enterprise level streaming.
In addition to a full set of Layer 3 switches, the Pakedge switch will also support the IEEE Audio Video Bridging (AVB) standards. The L3 switch will have 24 PoE+ capable ports and four independent 10 Gigabit SFP+ fiber ports for increased throughput and bandwidth across the network. The future commercial-grade switch will be able to handle more access points and more traffic without becoming the network bottleneck and allow for greater capacity for HD streaming and file transfers.
Pakedge recently released their new 802.11ac access point, the WK-1, but plans to release an even more powerful, plenum rated WX model in Q3. They are also working on making the SX24P IGMP query compatible.
The L3 switch will be Connect+ Certified, meaning that it will be able to leverage information from other Pakedge devices in order to optimize performance and functionality. When unified with the BakPak Cloud Management System, the functionality of the Pakedge Connect+ Platform is extended with cloud-enabled services such as the monitoring and management of all connected devices anywhere, anytime, and from any device. Integrators are able to manage facilities, services and maintain network devices without having to roll a truck.
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FSR Plasma Wall Box Line will Re-launch as Project Wall Box Solutions at InfoCommFSR has announced that it will re-launch its Plasma Wall Box Line (PWB) at this year’s InfoComm show, with new features and models that will now fall within its Project Wall Box family of solutions. Additionally, the company is also introducing a number of Floor Boxes and Table Coaster Chargers all aimed at offering AV/IT Infrastructure solutions for those professionals working within the audio/video and IT segments, including education, hospitality, government, corporate and religious markets.
The company’s new Project Wall box products include the PWB-250, PWB-270, the PWB-450 larger size wall box and the PWB-FR-450 fire-resistant wall box.
New Project Wall Box models include:
- The PWB-250 now has a version available with 2-inch knock-outs (KOs) for special application installations.
- The Crestron PWB-270 is now shipping with the new universal bracket that has been designed to fit most of Crestron’s scalers and interfaces including the DM-RMC-SCALER-C, DM-RMC-4K-100-C and others. The bracket also offers an adjustable depth to fit many custom applications.
- The PWB-273 is a version of the PWB-270 designed for use in 3-inch deep walls.
- The PWB-450 is a new and larger size wall box, designed for applications where users need to mount larger interfaces or equipment in a wall box behind a display or in other custom applications. The
- PWB-450 bracketry has also been designed to mount Crestron’s larger DM-RMC-4K-SCALER-C 4K receiver/room controller.
- FSR’s new fire resistant wall box, the PWB-FR-450 is the latest addition to the company’s fire resistant infrastructure product line. It’s intended for use in applications where a one- or two-hour fire rating may be required and provides multiple infrastructure mounting solutions.
Part of FSR’s new line of two-gang floor boxes, the FL-200 is a pour-in-place floor box that can accommodate a two-gang Decora wall plate as well as a smaller area for a single Decora AC receptacle. The two-gang area can also use two, one-gang Decora plates for low-voltage or AC power with the appropriate dividers included. Available in 3-inch and 4-inch depths, the FL-200 is UL listed and perfect for applications where a smaller floor box is required. The two-gang section of the 4-inch deep box can accept modified Crestron or AMX digital video wall plates with the addition of FSR’s digital video mounting bracket. The FL-200’s cover integrates FSR’s U-Access latching handle and cable access door and is available with the standard carpet and tile trim options of the FL-200’s bigger brothers, the FL-500P and FL-600P lines.
The TC-CHRG boxes, part of the new line of Table Coaster AC charging table boxes, are designed with a single AC outlet under the hinged cover and two USB charging ports in the top of the unit. The USB chargers incorporate the necessary firmware to communicate with the user’s device and provide it the correct charging wattage, up to a full 12 watts. Powered by the integrated AC Power line, there is no need for any external power supplies to power the USB chargers. These stylish table boxes fit a 3½-inch round opening and are easily installed using a standard hole-saw in table ¾-inch to 2½-inch thick. The TC-CHRG boxes are available in black or aluminum finishes and can be ordered with six- or nine-foot AC cables.
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For all you REGULAR readers of rAVe ProAV Edition out there, hopefully you enjoyed another opinion-packed issue!
For those of you NEW to rAVe, you just read how we are — we are 100 percent opinionated. We not only report the news and new product stories of the ProAV industry, but we stuff the articles full of our opinions. That may include (but is not limited to) whether or not the product is even worth looking at, challenging the manufacturers on their specifications, calling a marketing-spec bluff and suggesting ways integrators market their products better. But, one thing is for sure, we are NOT a trade publication that gets paid for running editorial or product stories. Traditional trade publications get paid to run product stories — that’s why you see what you see in most of the pubs out there. We are different: We run what we want to run and NO ONE is going to pay us to write anything good (or bad).
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Everything we publish is opt-in — we spam NO ONE! rAVe ProAV Edition is our flagship publication with what we believe is a reach of virtually everyone in the ProAV market. rAVe HomeAV Edition is co-published with CEDIA, covering the HomeAV market. We added rAVe Rental [and Staging] in November 2007, rAVe ED [Education] in May 2008 and then rAVe DS [Digital Signage] in January 2009. We added rAVe GHGav [Green, Healthcare & Government AV] in August 2010 and rAVe HOW [House of Worship] in July 2012. You can subscribe to any of those publication or see ALL our archives by going to: https://www.ravepubs.com
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