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Volume 11, Issue 12 — June 27, 2013
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Industry News
Dr. Joseph Kramer, Mike Tsinberg Honored with the Adele De Berri Pioneers of AV Award
Draper’s Penny Sitler Receives Women in AV Award from InfoComm
Audio
Meyer Sound Releases Compass 3.0
Sennheiser Anakonda, a Bendable K-Array Speaker, Introduced at InfoComm 2013
Atlas Sound Debuts Line of Half-Rack Products
IED Adds New Power Amplifiers
Aviom 16-Channel Personal Mixer Introduced
Williams Sound Digi-Loop DSP Induction Loop Amplifier with Network Control Introduced
Extron Introduces Speaker Innovation for Suspended Ceilings
Williams Sound Debuts Personal PA with Network Control
RCF Intros New Two-Way Sound Design in TT+ Series
Atlas Adds Line of BlueBridge DSP Controllers
Projection
ViewSonic Quells Rumors of a Projector Divestment with New 6K Lumen Projector
Panasonic Debuts Brightest Single-Chip DLP WUXGA Projector Ever
Sony Laser Projector (Not Hybrid) Debuts at InfoComm
Ricoh Enters Projection Market
Media Players, Recording & Distribution
Tightrope Introduces New Compact, Multiformat HD Video Server for Small-Scale Broadcast Operations at $14,995
Control & Signal Processing
RGB Spectrum Adds HDBaseT to Its Linx Prime Matrix Switcher Systems
rAVe Scoop: ZeeVee Adds HDMI Modulation at InfoComm 2013
Extron Introduces New Media Presentation Switcher with DTP Extension
Barco Announces New CMS, Third Generation of TransForm N
Displays
Christie Adds 72″ to Entero Video Wall Line and Rear Screen Light Engine Version
PrimeView Intros 84″ 4K Display with HDBaseT
Panasonic Intros New 50″, 65″, 85″ and 103″ Interactive Displays
Cables, Cases, Furniture, Mounts, Racks, Screens & Accessories
Panamax/Furman Introduces Vertex VT-EXT Eight-Outlet Vertical Power Strip for A/V Racks
Middle Atlantic Intros New Lectern Line
Vaddio Intros Controller That Can Transform Any Vaddio High Definition PTZ Camera into a USB or IP Camera
Crimson AV Debuts ADA Compliant Ultra Flat Articulating AV Mounts Aimed at Healthcare, Hospitality and ProAV
Screen Innovations Debuts Pure Zero Edge Projection Screens
Draper Introduces Video Conferencing Accessories
dnp Debuts Short Throw Screen
SurgeX SEQ-1U: Smart, Slim Surge Eliminator and Power Conditioner
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InfoComm was AMAZING – So Amazing This is Part 1 (of 3) AND We Even Have a Dedicated Website
By Gary Kayye rAVe Founder
The easiest measurement of success in a trade show is sheer numbers. Well, the 2013 edition of the InfoComm Show their biggest ever, with over 35,100 people attending — setting an all-time attendance record.
Check.
Another indication of success is leads. Well, in talking to Christie, Panasonic, NEC, Almo ProAV, FSR, Biamp, AMX, Cisco and Sony, they all reported record leads — meaning record qualified visitors to their booths.
Check.
Another indicator of success is attendee feedback. Well, check, check check. Every single attendee that everyone at rAVe spoke to was ecstatic about the show – and we spoke to a lot of them – we handed out over 9,600 free rAVe t-shirts to attendees.
Check.
So, some kudos. First and foremost, to Jason McGraw, InfoComm’s Sr. Vice President of Expositions, and his team did an amazing job planning, promoting and executing the biggest InfoComm, ever. So, Jason, take a bow.
Next, hats-off to the InfoComm Exhibitor Advisory Steering Committee headed by Arrive’s Lee Dodson. A lot of industry trade association committees are all fluff; well, not this one. I have served on the Exhibitor Committee at InfoComm, and they make a lot of decisions about everything from the location of the show (which, by the way, will continue the Las Vegas/Orlando rotation at least through the year 2020), the layout of the show and the special events around a show. The InfoComm Exhibitor Advisory Steering Committee does all that and a lot more. And, Lee had a lot of support — the committee includes:
- Jeff Kindig, AMX
- Rosanne Lang, Crestron
- Steve Capling, Christie Digital
- Wendy Cox, Da-Lite
- Clint Hoffman, Kramer
- Steve Young, Music Group
- Ashley Flaska, NEC Display
- Kim Brown, Planar Systems
- Craig DeBari, Sony Electronics
- Randy Smith, Winsted Corporation
And, in case you haven’t heard – or made the mistake of not attending an educational session at this year’s show – you missed the best InfoComm had to offer – the largest number of instructors and classes, ever. Again, kudos to Melissa Taggart, InfoComm’s senior vice president of education and certification, and her team as they did an amazing job. I was honored to be asked to teach at this year’s show and loved it.
Finally, this is issue of rAVe is only the beginning — this is part 1 of at least three issues that will cover all that there was at InfoComm 2013. Our next issue will have even more new products launched at the show and in our third issue, we’ll bring you our Annual Best of InfoComm Awards — awarding the top new products launched at the show.
But, if you can’t wait for it all, we’ve got ALL our InfoComm coverage on our dedicated InfoComm microsite here: InfoComm microsite
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Attending InfoComm — Remotely
By Scott Tiner rAVe Columnist
Are you like me, sitting at work wishing you were at InfoComm?
I decided this year that I was going to dedicate half of every work day to InfoComm even though i am not present at the show. Lucky for us, rAVe makes this very easy to do. Frankly, except for the missing out on the networking, in many ways I like this better. I get to see all the cool new stuff, without waiting in line to get a rep, or having to wait 30 minutes in a lunch line. Although, I do miss the Eggs Benedict from the B-Line Diner.
If you are a technology manager, here are some things that I have found that are very interesting for us. Explore the rAVe Pubs site on your own, but certainly check out these links:
Crestron AirMedia
Crestron introduces AirMedia. It seems to be a fantastic product that allows four people to display wirelessly at a time (quad screen), and up to 32 people to display individually. All this at a price tag under $2,000. My only initial hesitation is they do gloss over the fact that software is required to be installed. While this is a slight drawback, if it easy to do, it also provides nice control of who is able to display.
https://www.ravepubs.com/rave-video/infocomm-2013-crestron-explains-airmedia/
Maclocks
Maclocks presented two devices that struck my interest. Both are iPad mounting devices. The first is a table top mount that looks suprisingly like an iMac. It hold the iPad securely in place and allows you to secure it with a cable lock. I am confident some of our industrious colleagues could find a way to secure it directly to a table. My first thought at seeing this product is that it would allow us to use a $600 iPad as a touchpanel. A very cost-effective solution.
The second product is the BrandMe tablet stand. Again, with using an iPad as a touch panel, and display device, you can get your presenter out from behind a podium, while able to control the room, control the presentation, and have a confidence monitor! Check these out!
https://www.ravepubs.com/rave-video/infocomm-2013-maclocks-illuminates-ipad-all-in-one-enclosure/
https://www.ravepubs.com/rave-video/infocomm-2013-maclocks-talks-about-brandme-tablet-stand/
ClearOne ViewPro
I did not realize that ClearOne was in the video business. But I guess that is what these shows are all about. ClearOne presented a new multimedia streaming encoder and decoder. There was no mention of cost, so I am not sure how hot I am on this product yet. But, I am pointing it out because I believe streaming is the future for all of us. The fact that so many companies are getting into it shows we need to start paying attention.
https://www.ravepubs.com/rave-video/infocomm-2013-clearone-mentions-viewpro-multimedia-streaming-encoderdecoder/
Da-Lite, Vaddio and Conferencing
I think we are finally seeing the industry start to adapt to the change we have seen in higher ed over the past several years — away from hardware based conferencing and towards Web-based, software-based, free conferencing. One very cool product, the Da-Lite View Share struck me. It is brilliant in its simplicity! A camera is embedded in the base of a motorized screen. BAM! Instant conferencing! A more utility application, the Quick Connect USB from Vaddio, allows you to take their standard HD cameras and convert it to a USB video output. Again, not show stopping, but a clear indication of where the industry is moving.
https://www.ravepubs.com/rave-video/infocomm-2013-gary-kayye-talks-to-da-lites-melissa-rone-about-viewshare/
https://www.ravepubs.com/vaddio-controller-ptz/
Extron Interview
While at UBTech, Gary had the opportunity to interview Extron Director of Education Programs Tim Schnabel. They covered several education issues, and discussed Extron’s plans for expanding and growing their regional training. My interest though is in the TeamWork product. Extron has again taken a basic need and served it well. That need is for the collaborative “huddle room.” While wireless would be super fancy, it also takes software, and that leads to various issues. Here, Extron goes with good old wired connections, that simply work at the press of a button.
https://www.ravepubs.com/rants-and-raves-episode-135/
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AV People: Ed Matthews of Visix, Inc.
By Molly Stillman rAVe Director of Marketing & New Business Development
Everyone knows Ed Matthews. Ed is the CEO of Visix, Inc. and well-respected, much- loved, long-time AV veteran. He’s pretty much a staple in industry.
But not many know of his past and all that Ed has accomplished.
“I went right into the Navy out of high school,” remembered Ed. “I spent two out of four years going to electronics school and just always loved technology. When I was in Atlanta, I was a service manager for Ampex and worked in an engineering sales capacity.”
Ed has been active in the AV industry since 1967. But the industry certainly has seen its fair share of changes since then — everything is digital and analog has become a thing of the past.
As involved as Ed has been in the industry for so long, he’s had the opportunity and been very fortunate to work on some major projects… so major, they had an INTERNATIONAL impact. He’s been heavily involved in FOUR Olympics.
Ed and his team had the opportunity to work on the international broadcast center for the 1996 Olympics in Atlanta, Georgia. And from there, the work he had done in Atlanta led him to being personally asked to do the broadcast center for the 1998 Olympics in Nagano, Japan.
Ed was ready to take on the next level of this project. However, it wasn’t without its challenges.
“It was very difficult dealing with the logistics of such a project in another country, let along the language barrier. So during those periods, I became very close friends with Japanese,” said Ed. “It was a huge challenge to get all the engineers, and all of my engineers, all working off the same common symbols and drawings. Some just had their own way of doing certain things. The Japanese look at things one way and we look at things another way, so we had to re-do our entire engineering department and come up with a working standard.
“The engineering was very time consuming,” Ed continued. “We’d have to do the drawings, the Japanese would review the drawings, etc. In Atlanta, we had 1,200 drawings for the entire system. We pre-fabricated the ENTIRE broadcast system at the Panasonic warehouse in Atlanta — we had all these equipment racks, we loaded all the equipment, took it down, did testing, and onsite installation. We had to coordinate all of this with AT&T since they had fiber all over the city. The project really was no easy task.”
A project like this taught Ed and his colleagues that communication, collaboration and teamwork are serious necessities when it comes to getting things done. Taking a broadcast center like the one they did in Atlanta and translating that (no pun intended) to an application in other countries and working with that particular country’s services
taught Ed even more about the industry than he’d originally thought he’d ever even learn.
“Now, the broadcast center worked like this,” explained Ed. “We had cameras out in the field so you could look and see what was going on throughout the ENTIRE Olympics – every event – so that data and those images could be sent out to individual countries around the world.
“To give you an example, in the broadcast center, we had 400 — yes, 400 — 14-inch color monitors in a semi-circle. There were three shifts. Once the Olympics started, my team and I were able to step back a bit. The Olympic committee has their own operators, but we were always there in case there were any technical problems. For the installation in Atlanta, we had about 40 people total working. In Japan? We were able to send 20. It was really such a great experience.”
And it didn’t end there for Ed and his team. They did such an amazing job in Atlanta and Nagano that they were invited to do the same thing for Sydney in 2000 and Salt Lake City in 2002.
Ed learned that he loved to travel. For the Sydney Olympics alone, he traveled back and forth six times in just 18 months.
His team also learned they loved to travel. In fact, they were in Japan for so long, he actually had a 20 percent marriage rate. Yes, 20 percent of the people on his team came back married to Japanese women and they all moved back to the United States. He had four installers and two CAD software operators fall in love while working in Japan.
In addition to working on the Olympics, Ed had the opportunity to be heavily involved with the InfoComm CTS committees over the years. In fact, he was on the original committees that created the curriculum for the CTS-I and CTS-D certification degrees.
It’s clear that Ed knows his stuff.
But it’s not even just working on the Olympics or working on the CTS program that has made Ed love this industry so much. It’s the fact that the AV industry has become his family and his family has become a part of the AV industry.
His son, Sean, is the president of Visix and his daughter is the CFO of Visix. He gets to see them every day at work.
He has four grandchildren, two of which live very close to him, and as he says, “All the kids like to come to grandaddy’s and go in the pool.”
Outside of the industry, Ed loves spending time with his family and working on his “bucket list.”
“I’ve seen the Grand Canyon two dozen times in my life, but all at 35,000 feet in the air. I’d like to see it from ground level sometime,” said Ed. “I’ve never been to the Biltmore House in Asheville, North Carolina. I’m slowing down now and I’m taking advantage of it all.”
Ed also has a deep love for animals. He’s been heavily involved with the Georgia Society for the Prevention of Cruelty to Animals. He is on Schnauzer number six and seven. He loves his dogs.
But at the end of the day, Ed’s passion is all AV and he encourages those who are new to the industry to follow their passions as well.
“As I mentioned earlier, this industry is rapidly changing. We’re heavily involved in digital now and people need to really study the industry and technology and keep learning,” advises Ed. “You know, I’ve taken course 101, there’s also 102, 103 – take as many seminars as you can, particularly at InfoComm, as much as your company allows you to, get involved with what’s going on. Commit yourselves to learning and networking. Get to know everyone you possibly can.”
If Ed is any example, then we can safely say, that’s a recipe for success.
Molly Stillman is the director of marketing and new business development for rAVe [Publications]. Reach her at molly@ravepubs.com
Do you know someone in the industry with an interesting story that should be featured in our monthly column? Email Molly and let her know.
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Philips Takes Digital Signage Players Out of the Equation with IP-Addressable Displays
By Sara Abrons rAVe Editor
Philips showed at InfoComm a new IP-addressable LED displays for digital signage, called the QL series. The idea behind these displays is basically to remove the signage player from the equation, taking the model of consumer content distribution technology (such as Apple TV, Google TV, etc.) and applying it to “IP signage.”
These displays were shown as a prototype at DSE earlier this year, where Philips got feedback from integrators, but now they are heading to production and expected to be available in Q3.
Integrators can still use any kind of digital signage software they want, which lives on and is controlled by a computer, and is then pushed to individual displays that have their own IP addresses. It works via the Internet, or closed Intranet (Philips demo’d the displays at InfoComm using its own Intranet.
Other specs on the displays include 350 nits brightness, edge-lit LEDs, an internal HTML 5 browser and a LAN port. They are also ENERGY STAR rated for low power consumption, and will be available in 32″, 42″, 46″ and 55″ sizes. Philips hasn’t set pricing officially, but said at InfoComm that they would be priced on the “lower end” of its display pricing structure.
The slogan Philips is using at the show here is “Future of Display Technology Arrives at InfoComm,” and it’s clear they think that in the digital signage market, the future means fewer media players. What do you think?
In the meantime, check out Philips Signage Solutions’ infographic about its IP addressable displays.
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Dr. Joseph Kramer, Mike Tsinberg Honored with the Adele De Berri Pioneers of AV Award
InfoComm has announced that Dr. Joseph Kramer and Mike Tsinberg have received the Adele De Berri Pioneers of AV Award. The awards were presented at InfoComm 2013, held this month in Orlando.
Since founding Kramer Electronics more than 30 years ago, Dr. Joseph Kramer has fostered many audiovisual technology innovations that impact users in various ways. He’s given them the ability to perfect audiovisual systems image quality to the highest level possible; offered ProAV solutions that simplify the design and installation of effective audiovisual systems; and offered system designers, installers and users easy-to-operate, value-oriented and reliable products that conform to the highest specifications available in the market.
Dr. Kramer’s innovations have simplified the jobs and lives of designers, installers and users, giving them more functionality at lower cost. With a presence in 23 countries worldwide, Kramer Electronics has created innovative products such as video-correction processors, presentation switchers, scaler/switchers, and compact solutions, such as the Kramer TOOLS line. Such developments generate opportunities for more and newer visual and audio presentation applications. Today, Dr. Kramer is developing and promoting the concepts of wireless signal distribution and IP-based video systems that are expected to fuel the digital signage and overall pro-AV marketplace.
Over more than 20 years, Mike Tsinberg, founder and president of Key Digital, has helped pioneer both DVD and HDTV technology. Known as the father of DVD, Tsinberg is an icon in the audiovisual industry, where he has earned acclaim as an Emmy Award winner and SMPTE Fellow.
Tsinberg has been defined by his groundbreaking work in creating the MPEG-2-based DVD authoring system, as well as co-creating the necessary technology for viewing and transmitting HDTV signals. He has managed both domestic and international technology development efforts through his work for both Phillips and Toshiba. During his years at Philips (1987-1991), and subsequent years at Toshiba (1991-2000), Tsinberg amassed 40 U.S. patents for his HDTV and DVD work.
The Adele De Berri Pioneers of AV Award is issued annually by InfoComm International to current or former employees of InfoComm member companies who have made an important contribution to the science of audiovisual technology, whether as an inventor or thought leader who advanced the development of a new product, segment or service of the AV industry.
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Draper’s Penny Sitler Receives Women in AV Award from InfoComm
Draper, Inc.’s advertising manager, Penny Sitler, CDT, LEED AP, has been named the recipient of a 2013 Women in AV Award from InfoComm International.
The Women in AV Award acknowledges the contributions of two current women InfoComm members who have taken marked initiative and exhibited strong leadership in the AV industry. The InfoComm Women in AV Awards call attention to the AV industry by recognizing women who are achieving rewarding and successful careers in the audiovisual and information communications industries.
Penny first came to Draper Shade & Screen Co., Inc. in 1978 as a summer intern, and returned in 1982 as Draper’s first salaried female employee.
At Draper, Inc., Penny has built the marketing program and in-house marketing team, launching all web and social media initiatives, as well as a vast number of products. She stays in touch with the industry through editing Draper’s blog and @draperinc Twitter account. She’s been recruited as a speaker and panelist on marketing, social media, and women in leadership at several regional conferences.
“We’re all proud of Penny for getting this recognition,” according to Draper President John Pidgeon. “She is one of several ‘home grown’ talents we have at our company, and this recognition of her abilities is not only well-deserved but also long overdue.”
Over the years Penny has also mentored, trained, and supported other women — both at Draper and other businesses — in professional and management roles, has hired and mentored many female student interns, and has presented in-house leadership classes for women at Draper. Penny became a LEED AP in 2007, and was one of the first women in the audio visual industry to earn this important accreditation. Penny also served as a panelist at the Women in AV luncheon at InfoComm in 2012.
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Meyer Sound Releases Compass 3.0
Meyer Sound has released version 3.0 of its Compass software program, which is designed for controlling the new Compass RMS remote monitoring system, in addition to the Galileo and Galileo Callisto loudspeaker management systems and CAL column array loudspeakers.
The user interface in Compass 3.0 makes tuning for system performance much easier, even when working with complex loudspeaker configurations and prohibitive time constraints. Compass 3.0 is available for free download from the Meyer Sound website.
With the remote monitoring control interface moved to Compass 3.0, Compass RMS allows users to perform mute, solo, and wink ID functions and monitor more than a dozen loudspeaker performance parameters much more efficiently. Compass RMS supports both Windows and Mac operating systems and is backwards compatible with all Meyer Sound loudspeakers equipped with an RMS module. Use of Compass RMS with the Compass 3.0 software requires RMServer, the new purpose-built network hardware that hosts the loudspeaker status reporting functions.
Click here to download Compass 3.0.
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Sennheiser Anakonda, a Bendable K-Array Speaker, Introduced at InfoComm 2013
Sennheiser has announced the availability of the latest K-array product: Anakonda is a bendable speaker meant for indoor our outdoor applications such as theme parks, museums and broadcast studios. Since each speaker element is bendable, the Anakonda can be wrapped around poles, columns or mounted to curved or otherwise uneven surfaces. Speakers are available in 6-foot lengths, and can link to up to 16 combined elements using the Anakonda’s integrated NL4 connectors. The speaker’s dedicated presets support a variety of configurations, including both standalone and combination use with K-array KMT Series subwoofers.
Specs include:
- Speaker power handling: 150 W (AES)
- Frequency range: 150 Hz – 18 kHz +/- 6 dB (With dedicated preset)
- Impedance: 64 Ω
- Maximum SPL: 96 dB (continuous) – 102 dB (peak) (measured with musical signal)
- Coverage: Horizontal: 160°, Vertical: 10°
- Crossover Type: External crossover required
- Frequency: High pass @150 Hz, 24 dB/oct suggested minimum
- Full-range: 8 1” neodymium cone driver with 0.75” voice coil
- Dimensions: 79.5×2.2×1.4 inches
- Weight: 3.09 lbs.
Each Anakonda includes a wall bracket, as well as fabric covers in both white and black to enhance visual appeal and protect against dust. The Anakonda is compatible with other K-array products such as the KA40 amplifier and the KMT12 and KMT18 subwoofers. Each KA40 amplifier can drive up to 16 Anakonda (KAN200) elements per channel, and the KMT12 and KMT18 subwoofers can support up to eight Anakonda’s per channel.
The Anakonda lists for $899.95. For more information, click here.
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Atlas Sound Debuts Line of Half-Rack Products
Atlas Sound has a new line of half width rack equipment cabinets to be sold under the Atlas Racks brand. These new products are designed to save space and make rack equipment easier to ship to installers in the field. You may recall that Extron and Middle Atlantic first announced the half-rack standard back in late 2011,so now there are two rack mount companies making half-rack racks.
These WMA half racks, models WMA12-19-HR and WMA16-19-HR, are wall mounted racks designed for mounting of half rack width components or vertical mounting of 19″ standard rack width components. And, both of them feature a unique, patent pending swing down design that enables an integrator or contactor to access the back of the rack for easy connection and wire management of installed components. A selection of blank panels, fans, doors, and vertical mounting adaptors will also be available for use in the WMA half rack products. Atlas is also releasing 2 half-rack models in the popular AWR Series, models AWR2-HR and AWR3-HR. This convenient access, lock-in security, and welded models can be surface or recessed mounted. Both AWR models are designed to install within standard 16″ stud wall construction, reducing installation time and the need to cut and repair dry wall.
You can see them all here.
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IED Adds New Power Amplifiers
Innovative Electronic Designs’ (IED) new IED1581NA-C/IED1581NA-D and IED1542NA-C/IED1542NA-D are single and dual channel power amplifiers designed for use in smaller applications that require full-bandwidth audio and where low power and low cost are considerations.
The IED1581 amplifiers have a single channel output that offers 8 watts of power at either 4Ω or 8Ω. Model IED1581C incorporates CobraNet digital audio inputs while the IED1581D features Dante digital audio inputs. The IED1542 amplifiers feature two-channel output at either 4Ω or 8Ω with total output power of 4 watts per channel. Model IED1542C incorporates CobraNet digital audio inputs while the IED1542D features Dante digital audio inputs. All models are powered by either an external 48VDC power supply or IEEE 802.3af PoE switch and have remote monitoring output available. Each model has a small footprint enclosure that can be either DIN rail or wall mounted for convenience.
Here are all the details.
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Aviom 16-Channel Personal Mixer Introduced
Aviom’s new D800 A-Net Distributor and SB4 System Bridge can combine up to four synchronized 16-channel Pro16 A-Net streams to distribute to a personal mixing system, making it possible to connect multiple digital console cards for use in Aviom personal mixing systems with expanded channel counts. Aviom’s new A360 Personal Mixers are driven by a 36-channel mix engine, and channels can be selected and organized individually for each personal mixer, drawing from a network pool of up to 64 channels.
With the SB4, those 64 channels can all come directly from a digital console via Aviom16/o-Y1 A-Net Cards for Yamaha consoles or any of the other consoles that connect directly to an Aviom system through A-Net cards. “This product makes it simple for digital console users to add channels to their Aviom personal mixing systems,” explains Aviom’s product research and development manager, Ray Legnini. “With the SB4 and D800, all those channels can stay in the digital domain.”
In addition, the D800 A-Net Distributor introduces two new features to Aviom personal mixing systems using A360 Personal Mixers. The new Network Mix Back allows the digital stereo mix from each A360 Personal Mixer connected to the D800 to be sent to an AN-16/o v.4 Output Module for use with wireless transmitters. With Network Mix Back, wireless in-ears can easily be set up off stage and cabling for the personal mixers on stage is simplified. In addition, the D800 serves as a communications hub for iOS devices connected via an Ethernet WiFi router. iOS support for the A360 is scheduled for release in 2014.
Both the SB4 and the D800 are fully compatible with both the Pro16 version of A-Net—used in Pro16 digital snake systems—and the new Pro16e version of A-Net, the technology driving the A360 Personal Mixers which allows multiple 16-channel banks of monitoring content to be delivered over a single Cat-5 cable.
All the specs are here.
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Williams Sound Digi-Loop DSP Induction Loop Amplifier with Network Control Introduced
The new Williams Sound Digi·Loop induction loop amplifier includes DSP audio processing, software control of mixing, equalization, compression and loop phase shift. Williams Sound says Class D pulse-width amplifiers maximize efficiency while reducing size and weight. Network control capability provides seamless, remote system set-up, operation and monitoring via laptop, tablet or other portable devices. The Digi-Loop’s dual-amplifier design offers flexibility, with the option of single 12A output for perimeter loops or dual 10A outputs for loop arrays or one loop and one loudspeaker. Priority input (70-100V) is also available for connection to a paging system, ensuring life/safety announcements are heard loud and clear.
Here are all the details.
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Extron Introduces Speaker Innovation for Suspended Ceilings
Extron’s new SpeedMount Ceiling Speaker System is a patented low-profile, plenum-rated, two-piece ceiling tile speaker system for division-of-labor installations. The CS 1226T SpeedMount speaker system features the newest speaker design from Extron, which greatly simplifies ceiling speaker installation and delivers significant time and cost savings. The two-piece system consists of the CS 120P plenum rated enclosure and a CS 26T two-way speaker cartridge. A low-voltage contractor places the CS 120P enclosure directly on the ceiling grid without the need for a tile bridge, C-ring or tile rails. Signal wiring is then routed to the enclosure. This dramatically cuts installation time and costs during the rough-in phase. Later, an AV technician can quickly complete installation by connecting the CS 26T speaker cartridge to the wiring and securing it into the enclosure.
The CS 1226T is available as a complete assembly of a pair of CS 120P enclosures and a pair of CS 26T speaker cartridges. The enclosures and speaker cartridge can also be purchased in pairs separately, so they can be delivered to low-voltage and AV system contractors.
The CS 120P plenum enclosure installs quickly into 2′x2′ (61×61-centimeter) or metric 600×600-millimeter suspended ceiling grids. It features a shallow 5″ (12.7-centimeter) profile, which simplifies installation into congested ceiling spaces around piping and ducts. The integrated tile bridge of the enclosure rests on the ceiling tile above the grid, evenly distributing the weight of the CS 120P and the CS 26T speaker cartridge. This avoids the need to assemble V-rails and C-rings, greatly reducing the number of installation steps and the chance of losing installation hardware.
The CS 26T speaker cartridge features a 6.5″ (16.5-centimeter) woofer and a 3/4″ (1.9-centimeter) tweeter in a coaxial design, and can be used in 70/100 volt or 8-ohm operation. It installs quickly and easily into the CS 120P enclosure. The CS 26T delivers high performance, full-range audio reproduction with a frequency response of 70 Hz to 20 kHz, and is optimized for a wide range of audio presentation applications for music, program, and voice. It features a power rating of 30 watts continuous pink noise and 60 watts continuous program capacity, and offers both direct 8-ohm or 70/100-volt operation with a behind-the-grille, six position power selector switch. The CS 26T features a magnetically attached grille and a thin-edged bezel for a refined appearance on the ceiling.
Here are the details.
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Williams Sound Debuts Personal PA with Network Control
The Williams Sound PPA T45Net transmitter offers control or monitoring capability from any remote location, multiple digital audio input options and an OLED high-resolution screen. It features three microprocessors; offers the ability to select between three modes for DSP: voice, music, or hearing assistance in the application preset menu; and quickly configures itself. With a range of up to 1,000 feet, the PPA T45Net is ideal for large venues.
The PPA T45 Package Includes:
- PPA T45NET transmitter
- ANT 025 antenna
- TFP 048 power supply
Here are the details.
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RCF Intros New Two-Way Sound Design in TT+ Series
At InfoComm, RCF showed two-way sound design with the new TT+ Series 10”, 12” and 15” two-way active loudspeakers. The design philosophy for the new TT+ Series is based upon offering the sound engineer solutions and tools that are ready to use. The new products are RDNet ready, providing total control and monitoring of each individual cabinet component. Designed for both touring and rental, the cabinets are equipped with a complete set of integrated rigging mechanics, with dedicated accessories to create clusters.
The TT1-A is a 10”, 800 watt two-way cabinet.
- 800 watts (550W LF + 250W HF)
- 10” neodymium LF driver with 3” voice coil
- 2” titanium dome neodymium HF compression driver with 3” voice coil
- 55 Hz-20 kHz (+/- 3dB) frequency response
- 131 dB maximum SPL
- 90×60 precision waveguide
The TT2-A is a 12”, 1,600-watt two-way cabinet.
- 1600 watts (1100W LF + 500W HF)
- 12” neodymium LF driver with 4” voice coil
- 2” titanium dome neodymium HF compression driver with 3” voice coil
- 50 Hz-20 kHz (+/- 3dB) frequency response
- 134 dB maximum SPL
- 90×50 precision waveguide
The TT5-A is a 15”, 1,600-watt two-way cabinet.
- 1600 watts (1100W LF + 500W HF)
- 15” neodymium LF driver with 4” voice coil
- 2” titanium dome neodymium HF compression driver with 4” voice coil
- 45 Hz-20 kHz (+/- 3dB) frequency response
- 136 dB maximum SPL
- 90×50 precision waveguide
For all the specs, click here.
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Atlas Adds Line of BlueBridge DSP Controllers
Atlas Sound’s new line of DSP controllers are being released under the Atlas Sound BlueBridge brand. The BlueBridge family of products feature drag and drop, open architecture software and can operate on any network. Each model utilizes high quality microphone preamps and 24 bit converters to obtain ultra-low noise floor while still maintaining a smooth sound, with the flexibility and control a system designer requires. BlueBridge models use a 40 Bit Floating Point DSP engine to prevent digital clipping and to obtain maximum speed and power to process advanced algorithms in complex system designs. Models are available in configurations ranging from 2 I/O to 16 I/O with all models using the same DSP engine. Additionally, Atlas offers four models that feature Dante inputs/outputs allowing for true digital audio transmission over the network.
BlueBridge Models Include:
- TSD-BB22 2 In/2 Out Configuration
- TSD-BB44 4 In/4 Out Configuration
- BB-88(DT) 8 In/8 Out Configuration (w/Dante)
- BB-816(DT) 8 In/16 Out Configuration (w/Dante)
- BB-168(DT) 16 In/8 Out Configuration (w/Dante)
- BB-1616(DT) 16 In/16 Out Configuration (w/Dante)
- BB-816AECDT 8 In/16 Out Configuration with Acoustic Echo Cancellation and Dante
All of them are here.
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ViewSonic Quells Rumors of a Projector Divestment with New 6K Lumen Projector
ViewSonic Corp launched the Pro10100 projector at InfoComm aiming it at theaters, museums, auditoriums, lecture halls and houses of worship. Offering 6,000 lumens, XGA (1024×768) resolution 3-chip DLP projector features interchangeable lens options, motorized zoom and focus with powered vertical and horizontal lens-shift functions, network management capability and supports 24/7 continuous use. Optional features include warping and geometric adjustment for image-correction technology and edge-blending capability. Inputs include VGA, HDMI, DVI and Ethernet.
Here are all the specs they have on it as of now.
At InfoComm, ViewSonic also introduced a new meeting room projector in the form of the Pro8500. The Pro8500 is a single-chip DLP that’s native XGA (1024×768) and claims 5,000 lumens using the TI BrilliantColor chipset. Integrated with a USB input for laptop-less presentations as well as a network content port, the Pro8500 also has VGA and HDMI ports and includes Crestron RoomView on-board.
Here are the specs they have on the Pro8500 here.
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Panasonic Debuts Brightest Single-Chip DLP WUXGA Projector Ever
Panasonic’s newest single-chip DLPs are all part of the PT-DZ870U Series. The line includes the 8,500-lumen PT-DZ870UK, spec’d to be the industry’s brightest WUXGA (1920×1200) 1-Chip DLP projector; the 8500-lumen, WXGA (1280×768) resolution PT-DW830U; and the 10,000-lumen, XGA (1024×768) resolution PT-DX100U. The entire PT-DZ870 Series uses a new 420-watt, dual-lamp system.
All models are specified at a contrast ratio of 10,000:1 and include Panasonic’s proprietary and re-engineered Dynamic RGB Booster, which the company says improves image color and brightness by optimizing lamp intensity of individual red, green and blue colors according to each scene. The PT-DZ870 Series is also 3D compatible and supports various 3D formats including frame packing, side by side, top and bottom, line by line and simultaneous.
The PT-DZ870 Series is DIGITAL LINK compatible (HDBaseT), which assures end users of a simplified AV infrastructure with high definition video, audio and control signals all carried over a single CAT5e or higher specification Ethernet cable for up to 100 meters (328 feet). This solution reduces cabling costs and complexity and simplifies installation and maintenance. Panasonic’s Digital Interface Box, the ET-YFB100G ($1,999.00 list) is currently available and can be paired with the PT-DZ870 Series projectors for DIGITAL LINK connection, or the projectors can be used with major AV control manufacturers’ protocols such as Crestron’s Digital Media 8G+ , Extron’s XTP Systems, AMX’s Enova DVX and other manufacturers’ HDBaseT variants without the need for an external receiver.
Paired with a new ultra short-throw lens — the ET-DLE030 — the PT-DZ870 Series makes an ideal projection solution in situations where space is limited, including museums, auditoriums, exhibitions and digital signage installations. With a short throw ratio of 0.38:1(WUXGA), the device will be able to project a 100” to 350” diagonal image from 2.7ft
(0.82m) and 9.4ft (2.85m) from the screen respectively. The ET-DLE030 lens, part of a wide range of optional lenses offered by Panasonic, is compatible with all current, lens-replaceable. 1-chip DLP Panasonic projectors and will be available in August for a list price of $5,999.00.
The entire series can be found here.
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Sony Laser Projector (Not Hybrid) Debuts at InfoComm
At InfoComm 2013, Sony showed what it says is its next-generation projection technology, based on a laser light source, not a hybrid light engine. This Sony laser projector, VPL-FHZ55, is Sony’s first lamp-less projector to use 3LCD imaging technology and achieve 4,000 lumens of color light output at WUXGA resolution (1920×1200), to deliver bright and vivid color reproduction.
The new projector uses blue laser as its light source, which excites a phosphorous material that in turn creates white light. The white light is delivered to the 3LCD optical system, generating full-time, vibrant RGB color through a color splitting process. The resulting 4,000 lumen color light output produces brightness sufficient for a range of commercial applications, unlike competitive models based on one-chip imager and hybrid light source technologies.
Sony claims the VPL-FHZ55 projector offers virtually maintenance-free operation for up to 20,000 hours of expected light source, display device and filter use (when using Constant Brightness Mode with Auto Light Dimming feature enabled. Actual hours may vary depending on usage environment.)
The HG (mercury) free projector includes many energy-saving features, including: Auto Light Dimming, which dims light output down to 5 percent when left powered on without use; and Auto Brightness Adjustment, which eliminates unnecessary illumination when a dark picture is projected; and Constant Brightness Mode, which allows users to maintain brightness throughout the expected 20,000 hour life by driving the projector at reduced light output.
The use of a laser light source also gives the projector instant “on/off” capability and “tilt- free” capability for seamless installation in nearly any setting or position.
The laser light source projector VPL-FHZ55 is planned for availability in August 2013 and all the specs are here.
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Ricoh Enters Projection Market
Ricoh Americas Corporation has become the third major copier company to enter the projection market in the past five years. Debuting a number of LCD projectors at InfoComm, the RICOH PJ X3340, PJ WX3340, PJ X3340N and PJ WX3340N Desk Edge projectors join about 12 other models in the Ricoh line of XGA and WXGA projectors.
To be perfectly honest, there aren’t any ground-breaking features any of these have, but they do include integrated eBeam technology and an interesting multi-screen mode that enables guests in up to four different rooms with four different projectors, to view the same presentation.
The four models here at InfoComm are:
- PJ X3340 – XGA – $1,040
- PJ WX3340 – WXGA – $1,200
- PJ X3340N – Wired/wireless network capable – XGA – $1,375
- PJ WX3340N – Wired/wireless network capable – WXGA – $1,500
These units can project images from as close to the wall or screen as 27 inches and as far away as 24 feet. High-definition images range from 30 inches diagonal to 240 inches, depending on the proximity and model.
The RICOH Desk Edge Series can be operated via one-touch keys or remote control. Ricoh says the projectors automatically self-balance to maximize focus and minimize distortion even when projecting in tight spaces or at sharp angles. Two of the systems, the RICOH PJ X3340N and PJ WX3340N, automatically focus for a sharper image when the projector is first turned on or moved. When projecting onto color surfaces, Wall Color Mode offers subtle color enhancements automatically to improve image clarity.
Here are the details.
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Tightrope Introduces New Compact, Multiformat HD Video Server for Small-Scale Broadcast Operations at $14,995
Tightrope Media Systems announced at InfoComm the Cablecast SXHD LE video server, a new multi-format HD and SD video server that joins Tightrope’s Cablecast family of all-in-one broadcast automation systems. SXHD LE is a single-box, 1 RU solution for video playout that includes 4 TB of storage and built-in branding functions. It’s meant for small-scale broadcast operations such as public, educational, and government-access TV stations; campus television; local origination cable channels; hospitals; and cruise ships.
The Cablecast SXHD LE video server plays all common video formats, including MPEG-2, WMV, H.264, AVI, DVCPRO HD and ProRes, with no transcoding required, and it encodes MPEG-2, DV, DVCAM, DVCPRO, DVCPRO HD and ProRes formats up to 220 Mbps in the full 4:2:2 profile. Besides having built-in support for all of those formats, the SXHD LE plays video files back-to-back on the same output. Channel branding is made easier with video overlay features such as a station bug, bug text and crawls with both foreground and background images, possibly eliminating the need for a downstream key. The server also automatically downconverts HD files to SD for playout on an SD channel, and upconverts SD to HD for playout on an HD channel.
As with all Cablecast video servers, the SXHD LE comes with Cablecast station automation and scheduling software, which allows users to “write once, publish everywhere.” They simply enter the program information into the system one time and then drag programs onto the schedule, and Cablecast automatically publishes the schedule to the channel, the website, TV Guide’s format, and station programming reports. Cablecast also automates file conversion for Web-based video on demand.
The SXHD LE is a lower-cost alternative to Tightrope’s Cablecast SX2HD server in a smaller footprint. It is capable of standing alone, or it can control a Tightrope Carousel player through built-in software. The Carousel player automatically shows the program schedule and promotes upcoming shows throughout the day, and also serves as a community bulletin board for campus, shipboard, and community announcements.
The Cablecast SXHD LE video server will be available in Q3 for $14,995.
Go here for more information.
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RGB Spectrum Adds HDBaseT to Its Linx Prime Matrix Switcher Systems
RGB Spectrum told rAVe it’s added HDBaseT capability to its Linx Prime matrix switchers with a line-up of UTP/STP extender products, including input/output cards and endpoints that incorporate HDBaseT transmission technology at InfoComm 2013.
RGB Spectrum’s Linx Prime switchers provide connectivity solutions for a variety of applications that require signal distribution within rooms, and across buildings and campuses, by accommodating any mix of copper, fiber or STP/UTP cable connections. The new HDBaseT-certified CAT-Linx cards complement existing DVI/HDMI and fiber cards to expand the capabilities of the system.
To take advantage of HDBaseT technology, users can simply install a CAT-Linx card into any available slot of a LinxPrime switcher chassis. CAT-Linx cards allow HDMI (with embedded audio) and serial data to be reliably transmitted between the switcher and CAT-Linx endpoints that can be located up to 150 meters away.
More details will be here.
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rAVe Scoop: ZeeVee Adds HDMI Modulation at InfoComm 2013
ZeeVee launched four new ZvPro models that are all built on the HDbridge 2000 Series backbone. The first two are the ZvPro 820 and 810 both of which can encode and modulate (and send) unencrypted HDMI signals via coax (RF). The other two, the 620 and 610, only do component and VGA inputs. All of them claim to accept and broadcast 1080p/i, 720p and/or 480p/i video.
New ZvPro models are compliant with QAM and DVB-C standards and they are frequency-agile. They include 45 dBmV of output power plus integrated closed-captioning support, MPEG2 video and AC3 or MPEG 1 layer 2 audio encoding (varies by region), full color front-panel LCD with local and/or web-based configuration and fan cooling. Tuning is simple via an HDTV’s own built-in tuner, requiring nothing at each HDTV nor any home-run wiring. Units can be easily combined to distribute hundreds of channels over existing coaxial cabling to an unlimited number of HDTVs, drastically lowering the cost of deployment and simplifying installations.
All of them will likely ship in Q3. Details of the products are here.
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Extron Introduces New Media Presentation Switcher with DTP Extension
Extron’s new MPS 602 is a six-input media presentation switcher for digital and analog sources. It offers digital video switching with three HDCP-compliant HDMI inputs and one DTP 230 twisted pair input, and analog video switching with two RGB inputs that are digitized for distribution to the digital outputs. In addition, the MPS 602 includes a selectable DTP 230 twisted pair or HDMI output. The DTP 230 input and output extend video, audio and bidirectional control signals to DTP 230 transmitters and receivers, each over a single CATx cable up to 230 feet (70 meters). The MPS 602 also includes several audio switching and processing features, available power amplification, plus flexible control options for complete switching and distribution with local and remote display support. The MPS 602 is available in three models: a non-amplified version with a variable preamp output, the MPS 602 SA that adds a stereo 4/8 ohm power amplifier and the MPS 602 MA with a mono 70 volt amplifier.
The DTP 230 twisted pair input on the MPS 602 can receive signals from a remote DTP 230 transmitter in areas such as a conference table, lectern, or wall for connecting a guest laptop. The DTP 230 twisted pair output can be used to transmit digital AV signals from an MPS 602 in a rack to a DTP 230 receiver behind a flat-panel display on a wall, above a ceiling-mounted projector or any other remote location. To simplify installation, bidirectional RS232 and IR signals can be inserted from a control system and transmitted over the single CATx cable together with the video and audio, enabling control of a source or display. The MPS 602 can also remotely power the DTP 230 transmitter and receiver over the same CATx cable.
The MPS 602 includes six-input analog audio switching, a mic/line input with 48-volt phantom power, HDMI audio embedding and de-embedding and several audio processing features for mixing and ducking. The Mic Talk Over feature automatically reduces program audio when it detects a microphone signal, replacing the need for a separate, standalone ducking processor. To streamline audio setup, the MPS 602 features front panel mic and program audio output volume controls that allow for independent adjustment of mic volume, program audio volume, and muting. Two MPS 602 models feature integrated power amplifiers. The MPS 602 SA delivers stereo power amplification with 50 watts rms per channel into 4 ohms and 25 watts rms per channel into 8 ohms, while the MPS 602 MA provides mono 70-volt amplification with 100 watts rms output.
To simplify integration of sources and displays, and to help ensure optimal system performance and dependability, the MPS 602 features two Extron technologies: EDID Minder and Key Minder. EDID Minder manages EDID communication between the display device and input sources to ensure that the correct video formats are displayed reliably. For HDMI signals with protected content, Key Minder authenticates and maintains continuous HDCP encryption between input and output devices to ensure quick and reliable switching.
Here are all the details.
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Barco Announces New CMS, Third Generation of TransForm N
Barco announced a new version of its networked visualization system – including both Barco’s CMS (control room management software) and the TransForm N family of networked controllers at InfoComm 2013.
The new 2.5 release of Barco’s CMS offers maximum IP camera compatibility and use case flexibility, as well as expansion of its application management. With the new software, users can set up application-based viewing scenarios including start/stop, layout management and default application positioning on the video wall.
Barco is also releasing the third generation of TransForm N, its hardware acceleration platform for data distribution over IP, rendering and composition at the display endpoints. New in this 2.5 release are the TransForm N 1-Channel DVI-Input Node, the TransForm N 2-Channel Output Node, and the new TransForm N Application Node. Barco says the new input node provides ultra-high resolution, high frame rate, low latency and secure data transport to ensure that no critical information is lost and to allow fast and accurate interaction with critical back-end systems. The TransForm N 2-Channel Output Node is quiet and compact, so that it can be integrated with the display to create a true ‘networked display.’
For more information, click here.
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Christie Adds 72″ to Entero Video Wall Line and Rear Screen Light Engine Version
Christie expanded its line of Christie Entero HB video wall projection solutions with the introduction of the Christie Entero HB 72 inch WUXGA (1920×1200) video wall cube with brightness up to 1,100 lumens. Christie also introduces its next-generation High Brightness WUXGA rear projection light engine for ultimate installation flexibility for “ground-up” custom control room environments.
Built upon the Christie Entero HB platform — the first and only LED control room display to offer Wi-Fi capability for remote adjustments and diagnosis through any wireless device — the Christie Entero HB display wall cubes and HB light engines feature proprietary third generation ArraySync automatic colour and brightness management, generating perfectly uniform display wall visuals for the lifetime of the installation. Designed for 24/7 environments, they represent the best price/performance on the market, with superior and intuitive modular design, easy upgradability, and flexible operation for the demands of power and utilities, government, security and surveillance, and public and emergency services.
Expanding upon the most advanced LED display system design, the new Christie Entero HB 72 inch wall display cube and rear projection light engines come loaded with all the features that have made the series a success, including zero maintenance and high reliability, plug-and-play installation and Wi-Fi networking, as well as the full SXGA+, HD and WUXGA format capabilities. With enhanced continuous automatic self-management colour and newer high brightness LED technology, they are true “plug-and-play” display solutions available for control rooms today. The light engine can also be purchased for “stand alone,” custom installations or retrofit.
Here are the specs.
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PrimeView Intros 84″ 4K Display with HDBaseT
Primeview this week is unveiling its new 84” 4K HDBaseT-enabled display, a solution to the 4K distance problem that plagues commercial projects. HDBaseT can deliver 4K video up to 100 meters over a single Ethernet cable, making the installation process much simpler and more cost effective compared to all other cabling options for professional installers and systems integrators.
HDBaseT technology, powered by Valens chipset, enables all-in-one connectivity between HD video sources and remote displays through a single 100m/328ft CAT5e/6 cable, delivering uncompressed high definition video, audio, Internet, control signals and up to 100 watts of power.
For more information on HDBaseT, click here, and for more information on the new Primeview’s HDBaseT displays, click here.
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Panasonic Intros New 50″, 65″, 85″ and 103″ Interactive Displays
Panasonic has launched a new line of plasma-based interactive displays that integrate whiteboard-style collaborative functions with pen-touch capabilities via an Electronic Pen System that detects and displays the input device’s position from the light emitted from the display. The system allows up to four pens to be used simultaneously for actions such as written annotation, drawing and moving items independently around the screen. The system also has a remote pointer function that allows users to point, draw and annotate from up to 16 feet away (85/103PB1 is from up to 26 feet away). Only the pen is detected, so there are no false touches caused by contact with clothing or hands. Because the technology is based on fixed location pixels, the device requires no calibration, which decreases total installation time as well as follow up maintenance. In addition, the pen can be used as a mouse without extra software or driver.
Offered as the 50-inch TH-50PB2U, 65-inch TH-65PB2, 85-inch TH-85PB1 and 103-inch TH-103PB1, these plasma displays also feature wireless capabilities and a cable-free design. Data on a PC screen can be easily transmitted via a Panasonic Easy Wireless Stick (ET-UW100) without the need to switch cables for each presenter or changing any
network settings. Additionally, Multiple Transmission Mode allows data from up to 16 PCs to be shown in different cells on a single screen, or data from one PC to be shown on up to eight displays. The 50” and 65” interactive displays include a redesigned, easily rechargeable pen with a pressure sensor on the tip for a fountain pen-like feel, as well as a dedicated, one-action eraser button. These models also feature increased screen brightness for improved use in rooms with high levels of ambient light. Finger touch capability can be incorporated with the use of an optional overlay accessory.
The 50-inch , 65-inch , 85-inch and 103-inch are available now and list for $2,000, $5,000, $30,000 and $49,995, respectively. Here are all the specs.
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Panamax/Furman Introduces Vertex VT-EXT Eight-Outlet Vertical Power Strip for A/V Racks
Panamax/Furman today introduced a new vertical power strip for A/V equipment racks. The Vertex VT-EXT provides integrators with eight outlets (three with transformer spacing), addresses ground loop issues with specialized mounting brackets and simplifies cord management to reduce installation time. The vertical power strip is designed to be used in conjunction with a Panamax/Furman power management unit for providing clean, safe power, further extending Panamax and Furman’s advanced protection and filtration technologies to connected equipment.
The Vertex VT-EXT features mounting clips with plastic spacers that allow the strip to be mounted vertically to an equipment rack while helping to prevent ground loop issues. The unit’s vertical orientation allows integrators to use various length component power cords to save space, eliminate cord clutter and drastically reduce installation time. In addition, the unit features a detachable 10-foot power cord that can easily be swapped out for a shorter cord if desired.
The Vertex VET-EXT can be used as a stand-alone power strip, or as an extension of an existing Panamax/Furman power management component. By plugging the power strip into the Panamax/Furman unit, the company’s protection and filtration technologies will be extended to connected equipment to improve component performance and ensure equipment longevity.
The Vertex VT-EXT is now shipping with a list price of $65 and can be found here.
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Middle Atlantic Intros New Lectern Line
At InfoComm, Middle Atlantic debuted its new Reference Series Lectern line that’s aimed at AV integrators and helping them speed up integration and reduces the effects of transit damage by shipping the outer wood surfaces separately from the internal rack structure. Each lectern features a fully customizable Presenter’s Panel that can be designed with cutouts to incorporate the controls, touchscreens and other devices necessary for each project’s individual requirements.
The inner steel rack structure ships directly from one of the company’s five North American warehouses, allowing integrators to begin the integration of the system immediately. The outer surfaces are shipped separately to the installation site or shop and can be quickly and easily attached to the core structure to cover the metal and complete the installation. Installers can choose from single-bay, 1.5-bay or dual-bay widths and 13 standard finishes.
Here are the details.
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Vaddio Intros Controller That Can Transform Any Vaddio High Definition PTZ Camera into a USB or IP Camera
Vaddio’s new Quick-Connect technology that allows any Vaddio camera that supports a Quick-Connect Short-Range (SR) to output USB or Ethernet. Based on Vaddio’s Quick-Connect technology, that allows cameras to be extended up to 150 feet over Cat. 5 cabling, now USB cameras can be deployed in system designs where distance was an issue.
Vaddio’s Quick-Connect USB is based on UVC (Universal Video Class Device) USB 2.0 standards that require no third-party drivers. An Ethernet network port is included for IP streaming supporting RTSP or HLS. Cameras are controlled through an Embedded Web Server that provides browser-based robotic camera control, and CCU image and color control. Additional outputs include HDMI and HD Analog component. An R-J45 provides an RS-232 interface for third-party control systems. An integrated LCD blue backlit display shows both the IP and the MAC addresses.
Here are all the specs.
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Crimson AV Debuts ADA Compliant Ultra Flat Articulating AV Mounts Aimed at Healthcare, Hospitality and ProAV
Crimson AV’s new AU42 and AU65 ultra-thin articulating AV mounts aimed at the ProAV and Healthcare markets. Securely holding flat panel displays a mere 1.09” from the wall when retracted and a full 21″ when fully extended, the flagship AU65 model claims to be the world’s lowest profile swing arm mount.
Two models are included in the AU line: the AU42 is compatible with 13-42”+ flat panel displays, lists for $199 and comes with a 100×100 through 200×200-millimeter interface and is expandable to 400×400 millimeters when the optional AD400 VESA Adapter is used. The AU65 is compatible with 13-65”+ flat panel displays, lists for only $249 and features a universal mount with a hole pattern through 600×400 millimeters. Both models can hold displays weighing up to 80 pounds, and feature smooth tilt adjustments of +15° forward and 3° side-to-side roll, facilitating perfect screen positioning for a variety of viewing angles. Three attachment points for wood studs or concrete walls provide additional installation safety and security, while an integrated cable management system preserves design and décor aesthetics.
Full specs are here.
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Screen Innovations Debuts Pure Zero Edge Projection Screens
At InfoComm, Screen Innovations (SI) debuted two new reference quality screen material options that are being added to its Zero Edge line of projection screens. Pure White is a 1.3 gain screen, while Pure Gray is a .8 gain screen. Both feature SI’s Zero Edge bezel and use a proprietary “Micro Texture” that SI says is nine times finer and smoother than that of the best screen material available on the market today (hmm, let’s see if Da-Lite, Stewart and Draper agree – comment below!).
According to SI, Pure Zero Edge screens do not require any additional assembly once unpacked. Mounting options include on-wall or flown from the ceiling by slender cables. New optional LED Lighting is built in to the frame and now incorporates six custom preferences and 256,000 colors, including 6,500 kelvin white.
Available in large-format projection screen sizes up to 120” in 16:9 and up to 150” in 2.35:1, the Zero Edge line now includes Pure White 1.3 gain, Pure Gray .85 gain, Black Diamond 2.7 gain, Black Diamond 1.4 gain or Black Diamond .8 gain screen materials.
Prices start at $1599 and full specs are here.
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Draper Introduces Video Conferencing Accessories
Draper’s Video Conferencing Camera Lift-Ceiling allows the placement of a video conferencing camera directly behind a motorized projection screen; the camera raises and lowers with the screen. The Video Conferencing Camera Lift-Credenza hides your camera in virtually any conference room furnishing, ready to be raised at any time by remote operation.
Draper’s Video Conferencing Camera Adapter Bracket allows a video conferencing camera to be mounted in a Draper ceiling recessed projector lift so the camera can be positioned above the screen. The bracket is available with three Draper lift models; choose the lift based on how far down out of the ceiling the camera needs to travel.
Draper also offers three unique types of backgrounds. Draper’s neutral backgrounds come in six muted earth tones, and eliminate distractions, help prevent unwanted interference, control room lighting and ensure a consistent corporate image. Custom printed backgrounds can contain custom artwork, photographs, corporate logos and more. Chroma Key Backgrounds, typically referred to as “blue screen” or “green screen” technology, make it easy to change background images or show live action video footage.
Go here to see them.
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dnp Debuts Short Throw Screen
The dnp Supernova STS is a unique front projection screen with a built-in Fresnel lens structure — an optical technology that is used to focus projected light — and is aimed at applications using ultra-short-throw-projectors. The STS Screen is optimized for Ultra-Short-Throw-Projectors with a lens-throw between 0.21 and 0.27:1.
Compared to traditional white front projection screens, dnp claims the Supernova STS Screen provides better contrast and color saturation, thanks to its built-in lens technology. The dnp Supernova STS Screen offers a sophisticated lens structure, which comprises six optical layers, joined by UV-molding and aluminum evaporation processes. At the heart of the screen lies a half-circular Fresnel lens that reflects the light beam from the projector and sends it forwards at a right angle towards the viewers. dnp says its highly efficient light-transmission enables the screen to have darker black levels, without losing significant brightness in the white, which effectively results in higher image contrast.
The STS Screen comes standard in a 100″ — 16:9 format. Custom sizes are available upon request. The screen is fitted with a stylish thin black frame around the image area. A hard-coat front and a rigid aluminium back plate make the screen suitable for touch and interactive applications, should users wish to add these. Screens are packed individually and preassembled.
Here are all the specs.
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SurgeX SEQ-1U: Smart, Slim Surge Eliminator and Power Conditioner
Here at InfoComm, SurgeX’s is showing the 1U Sequencer (SEQ-1U), a single rack unit power management surge protection, conditioning and sequencing solution for AV, broadcast and computer equipment. The SEQ-1U offers advanced protection for any size AV or IT installation.
Proprietary SurgeX technology in the SEQ-1U includes Advanced Series Mode surge elimination, a zero let-through technology that SurgeX says stops all surges up to 6,000 volts / 3,000 amps (unlimited surge current) without producing harmful side effects such as ground contamination or common-mode disturbances. The unit also features both common mode and normal mode Impedance Tolerant EMI/RFI filtering and COUVS (Catastrophic Over/Under Voltage Shutdown), as well as SurgeX ICE (Inrush Current Elimination) to keep connected AV and IT products protected and fed with a continuous flow of power.
Programming of the SEQ-1U is made easy through a front panel LCD display with simple commands. The display also shows unit status and AC line voltage. In addition to protecting AV and IT equipment, the nine available outlets on the SEQ-1U can be used to control other SurgeX power management products or several SEQ-1Us can be connected to operate together for management of large datacenters or audio video installations. All set-up configurations are stored in non-volatile memory.
Build materials and industrial design of the SEQ-1U were carefully considered. A magnetic shielding steel enclosure makes the unit impervious to magnetic interference while a thermal circuit breaker provides overload protection. For added convenience, the SEQ-1U accommodates any type of control unit and provides DC voltage or contact closure feedback to Crestron, AMX and other similar control interfaces.
The SEQ-1U has a load rating of 20 amps at 120 volts and meets Federal Grade A, Class 1, Mode 1 (A-1-1) guidelines for powerline surge suppressors.
The SurgeX SEQ-1U is shipping now and you can get more info here.
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