Latest Headlines: Scott Tiner Gives Designers Advice, Rashid Skaf is Back
Volume 10, Issue 12 — December 6, 2017
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Designers Can Help Themselves By Listening
By Scott Tiner rAVe Columnist
Every time we build a new building or renovate a new space, we need to address the age old questions of AV in classrooms.
- Why does the screen need to block the blackboard?
- Does there need to be a podium in the room?
- Does there need to be a rack in the room?
- Is there are a way to have no technology in the room when we don’t want it?
- Is there a way to have a room fully equipped with technology when we need it?
Of course, assumed through all of these questions is that the technology will work seamlessly anytime it is needed.
Many times, we hear from designers and architects who claim that this can be easily achieved. They often point to other schools who have done similar things. Having worked in higher ed for over 15 years, I have some suggestions for architects and designers as they hear these requests.
First, before promising what is possible, talk to the people who will use the room and the people who will support the room. A classic challenge we have had over the years is the idea of a flexible room. That is, a room in which the podium can move, monitors can be rolled in and out and students can connect to all the AV when wanted. Yes, this is technically possible. However, I have yet to see a design that makes this physically possible in the few minutes between classes. Another issue to find out about is what the support at the location will be. Are there AV or IT people available to come to a space and move this equipment around, re-connect and troubleshoot in case anything happens? Some schools do, but many don’t. There are schools that have strong and robust staffing, including student staffing, who can support this type of room. However, many schools don’t have this support. An architect or AV designer who sells this type of room to a school that can’t support it will be failing that school. Eventually the systems will not work and faculty and staff will complain.
Second, before designing the space, think about how it will actually work for the end user. A common solution that I hear proposed for a “Why does the screen block the blackboard?” is to put the screen at an angle in the corner of the room. I always find this interesting, because as I walk around campus, I see technology getting used much more often than blackboards do — yet we sacrifice the view of the more-used equipment to satisfy a request for the less-used equipment. I encourage all designers to discuss these trade-offs clearly with the users. How about talking to them about a projection screen that takes the entire front of the room? There is no blackboard. But there could be document cameras, or annotation pads at the front of the rooms that would allow faculty who have the need to write on a board. While some faculty may need to adjust to this type of technology, it does provide a better solution for the entire classroom and for the most-used modes of teaching.
Finally, talk to the support people on the campus you are working. I have had some amazing experiences working with architects and designers. I have also had some really poor experiences, where the relationship was a power struggle rather than a give and take. It is entirely possible, even likely, that the large firm design companies have much more experience in design and knowledge of equipment. However, they do not have the same experience at our institutions, with our faculty and our support levels. The AV people know how our customers use the equipment and their levels of expectations. By listening to us, you can design spaces that fit our culture.
In the end, by heeding this advice, you can provide a superior service to your customer. In these cases, rather than having these customers re-installing spaces two years after you designed them, they will be calling you to design more. Leave a Comment
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JVC Debuts D-ILA 4K Projectors Aimed at Simulation JVC Visual Systems will introduce two Visualization Series projectors designed for the simulation market next week. The DLA‑VS4700 projector is native 4K resolution with e-shift technology (it can display up to 8K resolution using this pixel-shirt process), while the DLA‑VS4010NLG is JVC’s brightest simulation projector and provides 11 percent more vertical picture area than other 4K projectors, according to JVC.
Both three-chip D-ILA projectors feature their BLU-Escent technology, JVC’s solid-state, laser‑phosphor hybrid illumination system that’s spec’d at more than 20,000 projection hours. Each model also offers high contrast IR output, which is ideal for simulated NVG applications.
Available with fixed or zoom lenses, the DLA‑VS4700 offers 3000 lumens with greater than 12,000:1 contrast ratio. Its rugged chassis is designed for motion-based operations, and unlimited pitch and roll allow operation in any orientation. I/O terminals include four DisplayPort 1.2a, LAN, RJ45, RS232C, USB, mini wired remote and sync out. Other features include digital smear reduction via black frame insertion, 12-bit color bit depth and six-axis color management system. With 50Hz, 60Hz and 120Hz synchronous operation, the DLA-VS4700 supports various simulation generators in single, dual, quad stripe or quadrant mode.
Designed for simulations, immersive displays, museums and medical institutions, the DLA‑VS4010NLG displays 4096×2400 pixels and delivers 6000 lumens with greater than 10,000:1 contrast ratio. Compatible with a variety of fixed or zoom lenses, the DLA‑VS4010NLG offers 8-bit bit depth with single-link DVI and 12-bit color bit depth with dual-link DVI. Connectivity options include four DVI-D dual-link inputs, as well as Ethernet, USB and three RS232 ports.
The DLA-VS4010NLG will be available in December 2017 and the DLA‑VS4700 will be available in Spring 2018. Here are more details. Leave a Comment
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The HDMI Forum Finally Releases the HDMI 2.1 SpecificationThe HDMI Forum today announced the release of Version 2.1 of the HDMI Specification which is now available to all HDMI 2.0 adopters. This latest HDMI Specification supports a range of higher video resolutions and refresh rates including 8K60 and 4K120 and resolutions up to 10K. Dynamic HDR formats are also supported and bandwidth capability is increased up to 48 Gbps.
Supporting the 48Gbps bandwidth is the new Ultra High Speed HDMI Cable. The cable ensures high-bandwidth dependent features are delivered including uncompressed 8K video with HDR. It features exceptionally low EMI (electro-magnetic interference) which reduces interference with nearby wireless devices. The cable is backwards compatible and can be used with the existing installed base of HDMI devices.
Version 2.1 of the HDMI Specification is backward compatible with earlier versions of the specification, and was developed by the HDMI Forum’s Technical Working Group whose members represent some of the world’s leading manufacturers of consumer electronics, personal computers, mobile devices, cables and components.
HDMI Specification 2.1 Features Include:
- Higher video resolutions support a range of high resolutions and faster refresh rates including 8K60Hz and 4K120Hz for immersive viewing and smooth fast-action detail. Resolutions up to 10K are also supported for commercial AV, and industrial and specialty usages.
- Dynamic HDR support ensures every moment of a video is displayed at its ideal values for depth, detail, brightness, contrast and wider color gamuts — on a scene-by-scene or even a frame-by-frame basis.
- The Ultra High Speed HDMI Cable supports the 48G bandwidth for uncompressed HDMI 2.1 feature support. The cable also features very low EMI emission and is backwards compatible with earlier versions of the HDMI Specification and can be used with existing HDMI devices.
- eARC simplifies connectivity, provides greater ease of use, and supports the most advanced audio formats and highest audio quality. It ensures full compatibility between audio devices and upcoming HDMI 2.1 products.
- Enhanced refresh rate features ensure an added level of smooth and seamless
- motion and transitions for gaming, movies and video. They include:
- Variable Refresh Rate (VRR) reduces or eliminates lag, stutter and frame tearing for more fluid and better detailed gameplay.
- Quick Media Switching (QMS) for movies and video eliminates the delay that can result in blank screens before content is displayed.
- Quick Frame Transport (QFT) reduces latency for smoother no-lag gaming, and real-time interactive virtual reality.
- Auto Low Latency Mode (ALLM) allows the ideal latency setting to automatically be set allowing for smooth, lag-free and uninterrupted viewing and interactivity.
The HDMI 2.1 Compliance Test Specification (CTS) is here. Leave a Comment
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Key Digital’s Conference and Board Room Wall Plate Solution Ships Key Digital has introduced the KD-X422WP wall plate HDBaseT extender set. KD-X422WP includes KD-X422WPTx wall plate transmitter and KD-XWPRx black-box receiver. This HDCP2.2 compliant set extends UHD 4K/30 4:4:4 and UHD 4K/60 4:2:0 signals up to 125′ over a single CAT5e/6 UTP/STP cable. For non-4K applications 1080p/60 signals can be extended up to 230′.
KD-X422WP is designed for conference rooms, huddle spaces and classrooms and incliudes IR, RS232 and power connections are located on phoenix terminals on the rear of the plate.
POH (Power over HDBaseT) on KD-X422WP gives the integrator the choice of powering either the Tx or the Rx unit. A 25’ power cable is built-in to the power transformer for wiring up the wall from the Tx unit to the monitor if needed. It includes EDID and each Tx unit may extend RS232 to the connected monitor/projector or be set as a controllable device for collecting connectivity status.
Here are all the tech specs. Leave a Comment
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ClearOne Debuts DIALOG 20 Wireless Mic System With Native Integration For CONVERGE Pro 2 Mixers ClearOne today announced that the recently shipping, small-form-factor DIALOG 20 wireless microphone system now features native compatibility with the ClearOne CONVERGE Pro 2 line of mixers.
The ability to natively integrate with CONVERGE Pro 2 mixers makes the DIALOG 20 the an interesting two-channel wireless microphone system. All current owners of the ClearOne DIALOG 20 wireless system will be able to upgrade and obtain native integration through an easy software update.
This new native integration feature utilizes ClearOne’s new P-Link (peripheral link), which allows for PoE (power over Ethernet), audio and control connections with ClearOne’s CONVERGE Pro 2 DSP mixers. ClearOne’s unique P-Link is what gives integrators the ability to connect to ClearOne’s peripheral devices such as the Beamforming Mic Array 2, DIALOG 20 Wireless Mic Receiver, USB Expander and GPIO Expander.
The DIALOG 20 is a two-channel professional digital wireless system with flexible powering and mounting options, plug and play installation and the ability to connect digitally to ClearOne CONVERGE Pro 2 DSP mixers. It also has standard audio and GPIO interfaces for any third-party audio mixer. It claims to deliver full audio bandwidth through gooseneck, boundary, belt-pack or handheld transmitters and can connect to any type of audio conferencing or reinforcement system.
Leveraging ClearOne’s frequency-hopping “spread” spectrum technology within the 2.4 GHz unlicensed spectrum, DIALOG 20 owns several inserting advantages over fixed-frequency transmission. Its design is inherently resistant to narrowband interference because it uses a pseudo-random sequence to switch frequency; this makes frequency-hopping signals extremely tough to intercept. The use of 128-bit AES encryption on each hopped frequency further secures the wireless audio transmission.
Here are all the tech specs. Leave a Comment
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Marshall Expands Miniature Camera Line with USB-Powered Camera for Streaming and Collaborative Applications Marshall Electronics announces the release of a new addition to its line of miniature cameras for broadcast and ProAV, the CV502-U3 High-Definition USB POV Camera.
Designed for plug-and-play connectivity on any Mac, PC or Linux system supporting USB 3.0 input infrastructure, the CV502-U3 uses video capture drivers included with common computer software and soft codecs. Through the use of UVC 1.5, common teleconference and video capture programs can adapt best resolution and frame rate for optimal performance. Marshall also offers free downloadable software for manual adjustment and control where applications require it.
Using the same sensor and processor Marshall’s CV502, CV505 and CV565 miniature cameras, the CV502-U3 delivers up to 1920x1080p resolution at 60/59.94/50 frame rates. With a very low 0.2 lux (color) rating, Marshall says that the CV502-U3 captures accurate, sharp color images even under low-light conditions. The CV502-U3 ships with an ultra-wide 2.3mm 126° Angle-of-View (AOV) HD lens that is interchangeable to customize for specific applications. Marshall offers a wide assortment of lens options for a fully-customizable AOV and focal length per camera position within an installation.
Here are all the tech specs. Leave a Comment
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Rashid Skaf (of AMX Fame) Is Back — This Time at Biamp SystemsBiamp Systems today announced that effective immediately, longtime AV industry executive Rashid Skaf is assuming the role of president, CEO and co-chairman for the Beaverton, Ore. company. Matt Czyzewski, previous president and CEO of Biamp, will remain as executive vice president of technology. This appointment is concurrent with the completion of the acquisition of Biamp Systems by Highlander Partners from previous owner Lomar Corporation. Lomar will retain a minority investment in Biamp.
Skaf is a well-recognized and respected figure within the professional AV industry. He is best known for his 15 years at the helm of AMX, a pioneer in professional AV and control systems that he grew to become one of the industry’s largest participants and most respected brands. He sold AMX to Harman Industries in 2014 and, after a brief transition period, left to serve as an advisor to various investment groups. He eventually joined Highlander Partners, where he serves as a senior advisor. Highlander Partners is a Dallas-based private equity company with over $1.4 billion under management. Skaf joined Highlander to identify candidate technology companies and Biamp is the first investment borne from that initiative.
Skaf commented, “I’m extremely excited to have the opportunity to join another truly iconic brand in the AV industry. Even while CEO of AMX, I was intimately familiar with Biamp and developed deep respect for its products, brand, and organization. So much so that I sought to acquire the company several times over the past 10 years. I’m delighted to have the opportunity to join and lead the Biamp team. I have no doubt that together we will usher Biamp into an exciting new period of growth and industry leadership that will benefit the company and its employees and channel partners.”
Mike Nicolais, vice chairman and CEO of Highlander Partners stated, “Highlander’s investment philosophy is to buy and build. It seeks to build value in enterprises by finding well run, profitable businesses in healthy industries that have the potential for significant future growth through both organic expansion of the existing business and strategic additions of complementary acquisitions. Biamp is an excellent platform company to implement that same strategy in its industry.”
Skaf added, “Biamp is one of the most successful professional audio management companies in the world. Despite its undeniable leadership position, I see clear opportunities to grow market share of its current products and expand into new markets through an aggressive program of internal development and company acquisition. I will soon reach out to the many excellent suppliers and industry partners Biamp works with today, and those others I worked with in the past, to build a passionate community committed to meeting mutual growth objectives. I consider the excellence of our extended community of partners to be a critical factor in the future success of Biamp.”
Biamp is here. Leave a Comment
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Epiphan Video Launches Post-Production Cloud Service Epiphan Video announced their new post-production service, AV Studio. AV Studio is a SaaS product that streamlines post-processing of recorded video through remote operation and monitoring of simple on-site capture hardware. AV Studio doubles revenue for AV service companies by enabling ultra low-cost recording and post-production of live seminars and conference breakout rooms using cloud-based infrastructure.
AV Studio minimizes the total number of on-site personnel required for production of large numbers of video materials, including full-resolution ISO files and engaging PiP layouts.
AV Studio uses Epiphan’s Webcaster X2 product as the on-site capture appliance. Current Webcaster X2 owners can apply a free firmware upgrade to enable pairing to AV Studio.
Here are all the details. Leave a Comment
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GlobalViewer Enterprise 2.7 Now Available from ExtronExtron has updated its GlobalViewer Enterprise software to GVE version 2.7. This software simplifies AV system resource management with control for hundreds of common AV tasks and a way to manage, monitor and control nearly any device over a standard network. It allows administrators to access usage data, create reports and control systems from any computer on the network. This new version adds support for the Extron RoomAware Outlook Add-in to automate conference room functions for scheduled meetings. Also, GVE 2.7 includes compatibility with additional facility calendars such as Microsoft Exchange 2013, Exchange 2016, and Office 365. Additional features include support for the HC 404 Meeting Space Collaboration System, an enhanced help desk for accessing detailed room data and control and more robust monitoring and reporting capabilities.
The help desk in GVE 2.7 displays all devices in every AV system and enables users to easily filter equipment down to the room level or device type. GVE also helps support teams and decision makers gain an improved understanding of usage and maintenance patterns through its robust set of standard and custom reporting tools. Improved analytics provide the information teams need to closely analyze inventory, usage and costs, activity patterns and trends across the organization. Users can also effectively manage and control AV installations on-the-go using the iGVE app on Apple iPad, iPhone and iPod touch devices.
For more information on GlobalViewer Enterprise, click here. Leave a Comment
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Extron Intros New 4K/60 HDMI Switchers With Ethernet Monitoring and Control Extron just introduced two new HDMI switchers that support data rates up to 18 Gbps and signals up to 4K/60 with 4:4:4 color sampling. The two input SW2 HD 4K PLUS and the four input SW4 HD 4K PLUS are HDCP compliant, and support HDR, 12-bit Deep Color, 3D, Lip Sync, HD lossless audio formats and CEC pass-through. The switchers provide automatic input cable equalization up to 25 feet (7.6 meters) on Extron HDMI Pro Series cable. The switchers are easy to operate using the front panel controls or auto-switching. Ethernet, RS232 and contact closure ports provide ample options for integration with any control system. Both models feature EDID minder, which maintains communication with connected devices and ensures that the HDMI sources power up properly and maintain correct video output.
To simplify integration, the SW HD 4K PLUS provides integrator-focused features, including automatic input cable equalization, automatic color bit depth management, indicators for monitoring and troubleshooting, as well as peripheral device power on the output. Automatic input cable equalization corrects for signal loss due to lengthy input cables, ensuring signal integrity up to 25 feet (7.6 meters), when used with Extron HDMI Pro Series cable. The SW HD 4K PLUS automatically adjusts color bit depth based on the display EDID, preventing color compatibility conflicts between source and display. Front panel LED indicators provide immediate visual confirmation of HDCP authentication and signal presence for each input and output. If HDCP-encrypted content is transmitted to a noncompliant display, a full-screen green signal provides immediate visual confirmation that protected content cannot be viewed on that display. The SW HD 4K PLUS also provides +5 VDC, 250 mA on the HDMI output for powering peripheral devices such as an Extron HD 4K 101 Plus cable equalizer.
Here are all the tech specs. Leave a Comment
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Comprehensive Introduces New CHE-HDBTWP230K – HDBaseT Wall Plate Extender Kit (up to 70M) with HDMI, VGA and AudioComprehensive launched its new HDBaseT Wall Plate Extender TX/RX Kit (up to 70 meters) with HDMI, VGA and Audio (CHE-HDBTWP230K). Comprehensive’s HDBaseT Wall Plate Extender Kit is a complete solution for extending audio/video signals from a Blu-ray player and a laptop to the HDMI input of a projector.
This kit includes one wall plate and one receiver and extends HDMI, VGA and stereo audio signals up to 230 feet with a 1080p resolution over a single Cat5/Cat5e/Cat6 unshielded twisted pair network patch cable via HDBaseT technology. Connection to the wall box is easy using the 90° cable connectors. Auto switching displays the last connected device, use the front button for manual switching or serial RS232 switching option from a control device. Supports any OS and requires no driver set up. Bi-directional power allows easy connection to either the wall plate end, or receiver end. HDCP and EDID are supported via HDBaseT.
Here are the details. Leave a Comment
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Christie Intros Crimson Series Projector
Designed specifically for staging and high-usage applications, the new Christie Crimson projector line uses 3DLP laser phosphor technology and have lumens outputs up to 25,000. Featuring an IP5X sealed, solid-state laser light source, all Crimson projectors weigh 165-pounds and are spec’d at 2000:1 contrast ratio. The launch includes two models – the 1920 x 1200 (WUXGA) resolution WU25 and the 1920 x 1080 (HD) resolution HD25.
With Christie BoldColor Technology, these projectors have their TruLife electronics electronics for ultra-fast processing up to 120Hz and includes Christie Twist (image warping and mapping) and is, of course, compatible with all Christie processing products. The line is ILS lens compatible and inputs include HDMI, DVI, 3G-SDI, HDBaseT and ChristieLink (QSFP + Fiber). They re compatible with 4K up to 12-bit color 4:4:4.
Here is a detailed spec sheet. Leave a Comment
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Atlona Ships AT-HDR-H2H-44M HDMI 4K with HDR Matrix Switcher
Atlona is now shipping the AT-HDR-H2H-44M HDMI matrix switcher, a 4K HDR-capable 4×4 matrix switcher for HDR in a 1RU form factor. The HDR-H2H-44M supports all video resolutions, audio formats, and color space formats encompassed in the HDMI 2.0b specification. Atlona claims that it has fast switching and that it supports 4K/UHD video at 60 Hz with 4:4:4 chroma sampling (10-bit color) and HDMI data rates up to 18 Gbps, while HDCP 2.2 compliance enables switching of protected content.
The HDR-H2H-44M offers HDMI audio de-embedding for each output, enabling two-channel PCM or multi-channel surround sound audio to be sent to AV receivers or soundbars via corresponding TOSLINK digital audio outputs. Further easing integration, the switcher includes EDID and HDCP management features and can send CEC signals independently to each output for controlling individual destination displays. The HDR-H2H-44M can be controlled via Ethernet, RS-232 or the included handheld IR remote, and can be configured remotely through its integrated web interface or the free Atlona Management System (AMS 2.0) network software platform. Additionally, the HDR-H2H-44M is ready to integrate with their Velocity Control System.
Here are all the tech specs. Leave a Comment
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Key Digital Ships Audio Matrix with DSPThe new Key Digital KD-MAX8x8 eight input to eight output audio matrix switcher with built-in audio DSP. The KD-MAX8x8 has analog and digital connections for input and output and enables analog-to-digital or digital-to-analog conversion of signals, or can operate as two independent audio matrixes (one digital and one analog). Analog audio inputs are connected on balanced/unbalanced six pin phoenix terminal blocks and digital audio sources are input on a PCM coaxial RCA connection that supports surround formats up to Dolby and DTS 5.1.
Each output of KD-MAX8x8 handles all pre-amp functionality, enabling integrators to connect directly into amplifiers. Any of the connected audio sources may be selected on any output and apply variable signal processing levels for volume, bass, mid, treble, balance and lip sync.
Here are more specs. Leave a Comment
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Gefen Ships 4K 600 MHz EXT-UHD600-1SC Extender over Fiber Gefen from Core Brands today announced that it is now shipping its new 4K Ultra HD 600 MHz Extender for HDMI over one Fiber-Optic Cable (EXT-UHD600-1SC). The EXT-UHD600-1SC is a compact HDMI 2.0 audio and video with High Dynamic Range (HDR) up to 200 meters over a single strand of SC-terminated multi-mode fiber-optic cable.
This new 4K Ultra HD 600 MHz extender for HDMI over one Fiber-Optic Cable supports 18.2 Gbps of bandwidth and 600 MHz TMDS Clock frequency. Full bandwidth support allows the EXT-UHD600-1SC to accommodate resolutions up to 4K Cinema-DCI (4096×2160 up to 60 Hz 4:4:4) and 4K Ultra HD (3860×2160 up to 60 Hz, 4:4:4) along with High Dynamic Range HDR-10 and Dolby Vision. HDCP 2.2 and the legacy HDCP 1.4 are both supported. The EXT-UHD600-1SC also supports 1080p Full HD, WUXGA (1920×1200), 3DTV and Deep Color (up to 1080p resolution).
Highest performance multi-channel digital audio, including 7.1 channels of LPCM and HBR (High Bit Rate) digital audio formats, such as Dolby Atmos, Dolby TrueHD, DTS:XTM and DTS-HD Master AudioTM, are passed through to the HDMI outputs.
Gefen says the EXT-UHD600-1SC guarantees electrical isolation between the sender and the receiver. This extender can be powered from sources and displays featuring powered USB ports, or by using external power supplies. Here are the details. Leave a Comment
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Vivitek Debuts the 18K Lumen DU9800Z Projector Vivitek just launched the DU9800Z projector — a solid state illumination source projector spec’d at 18,000 ANSI Lumens with a native WUXGA 1920×1200 resolution and a 20,000 hour lamp source.
The new flagship DU9800Z projector uses 1-chip DLP technology and laser-phosphor illumination and adds a new “Constant Brightness” feature to help reduce blending maintenance with customizable brightness. Equipped with a smart sensor, the DU9800Z continuously measures the light output and adjusts the illumination accordingly to maintain constant brightness.
The DU9800Z also features advanced thermal management technology from Delta, while it also offers a unique sealed optical engine design. This design features a liquid cooling base as well as enabling better cooling airflow and eliminates any negative dust impact as well as quieter operation.
The DU9800Z will be available in November 2017. Here are the details. Leave a Comment
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Meyer Introduces the VLFC Very Low Frequency Control Element Meyer Sound has announced the introduction of the VLFC (very low frequency control element), the latest addition to Meyer Sound’s LEO Family of line array systems. VLFC is said to be the first large-scale loudspeaker system specifically engineered to create visceral impact at frequencies below the threshold of hearing. By focusing energy into a narrow band between 30 Hz and 13 Hz, VLFC is uniquely capable of generating extreme variations in air pressure that are sensed by the entire body as compression waves while those frequencies at the upper end of its range are perceived as thunderous bass sound.
The VLFC is a self-powered system housing two low resonant frequency 18-inch cone drivers. The on-board power is supplied by a two-channel Class AB/H bridged amplifier with complementary MOSFET output stages for high peak power and clean transient reproduction even at extreme operating levels. Cabinet porting and internal baffling have been optimized to deliver maximum acoustic output in one octave that extends across the lower limit of human hearing.
The VLFC shares the same exterior footprint as Meyer Sound’s 1100-LFC low frequency control element, allowing use of the same rigging grids and caster frames. When the VLFC is paired with the 1100-LFC, the combination produces linear, coherent bass response from 13 Hz to 100 Hz.
Applications for the VLFC include adding very low frequency, visceral impact to hard rock and electronic dance music in concerts, festivals and clubs. The VLFC also adds explosive impact to special effects in cinemas, themed spectacles, and theme park attractions. A limited early production run of VLFC elements was supplied for Metallica’s ongoing Worldwired tour, where as many as 42 VLFC cabinets created a forceful impact that was felt throughout large stadiums.
The VLFC is currently shipping. Here are the detailed specs. Leave a Comment
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DisplayNote Technologies Launches Montage as a Software-First Wireless Presentation System DisplayNote Technologies announces an update to Montage which sees the product available as a software only solution. This update includes a new streaming protocol, a cloud based management portal, and enhanced security and network features. Designed for the meeting spaces of large enterprises, Montage allows multiple users, whether they’re in room, remote or on separate networks to wirelessly cast content from their device to a main meeting room screen without the need for additional hardware.
Available as Windows or Android software, Montage can now be deployed securely onto hardware that typically exists meeting spaces, such as mini PCs, compute sticks, fixed PCs or flat panels. If no hardware end point is available Montage can be deployed and delivered on its own hardware.
Users can connect with any device with client apps for Windows, Web, iOS, Android and Airplay support.
In addition, DisplayNote claims the Montage has better video performance, attendees on guest networks or connecting remotely can share content in the exact same way as those on the corporate network and now attendees can connect via Web, Windows, native iOS, native Android and Airplay. All inbound and outbound data from our backend layer is encrypted and transmitted over TLS or DTLS with 2048-bit asymmetric encryption and 256-bit symmetric encryption using certificates from third party credited authorities. Montage uses a combination of both Azure and Amazon services to provide a resilient and redundant backend.
Here are the details. Leave a Comment
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Christie Expands D Series, Its 3LCD Value Line Christie is expanding its D Series lineup with three new value-priced single-lamp models, which are available with up to 8100 ISO lumens and both WUXGA (1920×1200) and HD (1920×1080) resolutions.
The new Christie D Series projectors offer 65,000:1 contrast ratio, 3,000 hours of lamp life, and easy integration – designed for higher education, business, museums, houses of worship, government facilities and selected rental and staging venues where they seamlessly integrate into any environment.
The new LWU720i-D, LWU620i-D and LHD720i-D projectors are lamp-based projectors.
The new Christie D Series models come with a three-year parts and labor warranty and ship in December 2017. Here are the details. Leave a Comment
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